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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0B2F74C it is the complementary color #4F4D084C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0B2F74C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0B2F74C shade: #B5B2F24C, #C6C4FF4C, #D7D6FF4C, #E8E8FF4C and #F9FAFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0B2F74C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0B2F74C shade: #B0B2F74C, #9FA0E44C, #8E8ED14C, #7D7CBE4C and #6C6AAB4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0B2F74C shade: #B0B2F7, #C1B0F7, #D4B0F7, #E8B0F7 and #F7B0F4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0B2F74C shade: #B0B2F7 and #B0B0F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0B2F74C shade matches the following richer shades: #B0B2F7 and #A9ABFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0B2F74C shade: #B0B2F7, #B7B9F0, #BEBFE9, #C5C6E2 and #CCCDDB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0B2F74C shade: #B0D8F7, #B0C5F7, #B0B2F7, #C1B0F7 and #D4B0F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0B2F74C shade: #6569F0, #8B8EF3, #B0B2F7, #D6D7FB and #FBFBFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0B2F74C shade: #B0B2F7, #F7B0EB and #CFF7B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0B2F74C shade: #B0B2F7, #F7B0B2 and #B2F7B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0B2F74C shade: #B0B2F7, #F7B0EB, #F7F5B0 and #B0F7BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0B2F74C shade: #B0B2F7, #F7B0D6, #F7F5B0 and #B0F7D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 8 / 0 / 1

HEX #B0B2F74C

RGBA 176 178 247 0.3

HSLA 238.31, 0.82%, 0.83%, 0.3

LABA 74.69, 14.37, -34.45, 0.3

 

Complementary color

CMYK 0 / 1 / 27 / 21

HEX #4F4D084C

RGBA 79 77 8 0.3

HSLA 58.31, 0.82%, 0.17%, 0.3

LABA 31.78, -7.72, 37.06, 0.3

 

CMYK 8 / 8 / 0 / 2

HEX #B5B2F24C

RGBA 181 178 242 0.3

HSLA 242.81, 0.71%, 0.82%, 0.3

LABA 74.87, 14.62, -31.43, 0.3

 

CMYK 7 / 7 / 0 / 0

HEX #C6C4FF4C

RGBA 198 196 255 0.3

HSLA 242.03, 1%, 0.88%, 0.3

LABA 81.13, 12.81, -28.69, 0.3

 

CMYK 5 / 5 / 0 / 0

HEX #D7D6FF4C

RGBA 215 214 255 0.3

HSLA 241.46, 1%, 0.92%, 0.3

LABA 86.88, 8.35, -19.82, 0.3

 

CMYK 3 / 3 / 0 / 0

HEX #E8E8FF4C

RGBA 232 232 255 0.3

HSLA 240, 1%, 0.95%, 0.3

LABA 92.61, 4.29, -11.09, 0.3

 

CMYK 1 / 1 / 0 / 0

HEX #F9FAFF4C

RGBA 249 250 255 0.3

HSLA 230, 1%, 0.99%, 0.3

LABA 98.33, 0.56, -2.51, 0.3

 

CMYK 9 / 8 / 0 / 1

HEX #B0B2F74C

RGBA 176 178 247 0.3

HSLA 238.31, 0.82%, 0.83%, 0.3

LABA 74.69, 14.37, -34.45, 0.3

 

CMYK 9 / 9 / 0 / 3

HEX #9FA0E44C

RGBA 159 160 228 0.3

HSLA 239.13, 0.56%, 0.76%, 0.3

LABA 68.1, 14.88, -34.4, 0.3

 

CMYK 10 / 10 / 0 / 5

HEX #8E8ED14C

RGBA 142 142 209 0.3

HSLA 240, 0.42%, 0.69%, 0.3

LABA 61.39, 15.45, -34.4, 0.3

 

CMYK 10 / 10 / 0 / 8

HEX #7D7CBE4C

RGBA 125 124 190 0.3

HSLA 240.91, 0.34%, 0.62%, 0.3

LABA 54.55, 16.11, -34.44, 0.3

 

CMYK 11 / 11 / 0 / 10

HEX #6C6AAB4C

RGBA 108 106 171 0.3

HSLA 241.85, 0.28%, 0.54%, 0.3

LABA 47.54, 16.86, -34.53, 0.3

 

CMYK 29 / 28 / 0 / 3

HEX #B0B2F7

RGB 176 178 247

HSL 238.31, 0.82%, 0.83%

LAB 74.69, 14.37, -34.45

 

CMYK 22 / 29 / 0 / 3

HEX #C1B0F7

RGB 193 176 247

HSL 254.37, 0.82%, 0.83%

LAB 75.52, 20.43, -33.06

 

CMYK 14 / 29 / 0 / 3

HEX #D4B0F7

RGB 212 176 247

HSL 270.42, 0.82%, 0.83%

LAB 77.14, 26.18, -30.43

 

CMYK 6 / 29 / 0 / 3

HEX #E8B0F7

RGB 232 176 247

HSL 287.32, 0.82%, 0.83%

LAB 79, 32.38, -27.42

 

CMYK 0 / 29 / 1 / 3

HEX #F7B0F4

RGB 247 176 244

HSL 302.54, 0.82%, 0.83%

LAB 80.38, 36.56, -23.56

 

CMYK 29 / 28 / 0 / 3

HEX #B0B2F7

RGB 176 178 247

HSL 238.31, 0.82%, 0.83%

LAB 74.69, 14.37, -34.45

 

CMYK 29 / 29 / 0 / 3

HEX #B0B0F7

RGB 176 176 247

HSL 240, 0.82%, 0.83%

LAB 74.19, 15.48, -35.23

 

CMYK 29 / 28 / 0 / 3

HEX #B0B2F7

RGB 176 178 247

HSL 238.31, 0.82%, 0.83%

LAB 74.69, 14.37, -34.45

 

CMYK 33 / 33 / 0 / 0

HEX #A9ABFE

RGB 169 171 254

HSL 238.59, 0.98%, 0.83%

LAB 72.7, 18.06, -41.35

 

CMYK 29 / 28 / 0 / 3

HEX #B0B2F7

RGB 176 178 247

HSL 238.31, 0.82%, 0.83%

LAB 74.69, 14.37, -34.45

 

CMYK 24 / 23 / 0 / 6

HEX #B7B9F0

RGB 183 185 240

HSL 237.89, 0.66%, 0.83%

LAB 76.71, 10.89, -27.51

 

CMYK 18 / 18 / 0 / 9

HEX #BEBFE9

RGB 190 191 233

HSL 238.6, 0.49%, 0.83%

LAB 78.52, 8.18, -20.95

 

CMYK 13 / 12 / 0 / 11

HEX #C5C6E2

RGB 197 198 226

HSL 237.93, 0.33%, 0.83%

LAB 80.6, 5.14, -13.99

 

CMYK 7 / 6 / 0 / 14

HEX #CCCDDB

RGB 204 205 219

HSL 236, 0.17%, 0.83%

LAB 82.71, 2.3, -7.05

 

CMYK 29 / 13 / 0 / 3

HEX #B0D8F7

RGB 176 216 247

HSL 206.2, 0.82%, 0.83%

LAB 84.51, -6.13, -19.43

 

CMYK 29 / 20 / 0 / 3

HEX #B0C5F7

RGB 176 197 247

HSL 222.25, 0.82%, 0.83%

LAB 79.54, 3.97, -26.98

 

CMYK 29 / 28 / 0 / 3

HEX #B0B2F7

RGB 176 178 247

HSL 238.31, 0.82%, 0.83%

LAB 74.69, 14.37, -34.45

 

CMYK 22 / 29 / 0 / 3

HEX #C1B0F7

RGB 193 176 247

HSL 254.37, 0.82%, 0.83%

LAB 75.52, 20.43, -33.06

 

CMYK 14 / 29 / 0 / 3

HEX #D4B0F7

RGB 212 176 247

HSL 270.42, 0.82%, 0.83%

LAB 77.14, 26.18, -30.43

 

CMYK 58 / 56 / 0 / 6

HEX #6569F0

RGB 101 105 240

HSL 238.27, 0.82%, 0.67%

LAB 50.88, 36.93, -68.68

 

CMYK 43 / 42 / 0 / 5

HEX #8B8EF3

RGB 139 142 243

HSL 238.27, 0.81%, 0.75%

LAB 62.77, 23.92, -51.14

 

CMYK 29 / 28 / 0 / 3

HEX #B0B2F7

RGB 176 178 247

HSL 238.31, 0.82%, 0.83%

LAB 74.69, 14.37, -34.45

 

CMYK 15 / 14 / 0 / 2

HEX #D6D7FB

RGB 214 215 251

HSL 238.38, 0.82%, 0.91%

LAB 86.93, 6.68, -17.65

 

CMYK 2 / 2 / 0 / 0

HEX #FBFBFF

RGB 251 251 255

HSL 240, 1%, 0.99%

LAB 98.72, 0.71, -1.92

 

CMYK 29 / 28 / 0 / 3

HEX #B0B2F7

RGB 176 178 247

HSL 238.31, 0.82%, 0.83%

LAB 74.69, 14.37, -34.45

 

CMYK 0 / 29 / 5 / 3

HEX #F7B0EB

RGB 247 176 235

HSL 310.14, 0.82%, 0.83%

LAB 80.08, 34.97, -19.17

 

CMYK 16 / 0 / 29 / 3

HEX #CFF7B0

RGB 207 247 176

HSL 93.8, 0.82%, 0.83%

LAB 92.98, -25.13, 30.02

 

CMYK 29 / 28 / 0 / 3

HEX #B0B2F7

RGB 176 178 247

HSL 238.31, 0.82%, 0.83%

LAB 74.69, 14.37, -34.45

 

CMYK 0 / 29 / 28 / 3

HEX #F7B0B2

RGB 247 176 178

HSL 358.31, 0.82%, 0.83%

LAB 78.48, 26.18, 9.34

 

CMYK 28 / 0 / 29 / 3

HEX #B2F7B0

RGB 178 247 176

HSL 118.31, 0.82%, 0.83%

LAB 91.29, -34.83, 27.44

 

CMYK 29 / 28 / 0 / 3

HEX #B0B2F7

RGB 176 178 247

HSL 238.31, 0.82%, 0.83%

LAB 74.69, 14.37, -34.45

 

CMYK 0 / 29 / 5 / 3

HEX #F7B0EB

RGB 247 176 235

HSL 310.14, 0.82%, 0.83%

LAB 80.08, 34.97, -19.17

 

CMYK 0 / 1 / 29 / 3

HEX #F7F5B0

RGB 247 245 176

HSL 58.31, 0.82%, 0.83%

LAB 95.25, -9.72, 33.56

 

CMYK 29 / 0 / 24 / 3

HEX #B0F7BC

RGB 176 247 188

HSL 130.14, 0.82%, 0.83%

LAB 91.41, -33.47, 21.47

 

CMYK 29 / 28 / 0 / 3

HEX #B0B2F7

RGB 176 178 247

HSL 238.31, 0.82%, 0.83%

LAB 74.69, 14.37, -34.45

 

CMYK 0 / 29 / 13 / 3

HEX #F7B0D6

RGB 247 176 214

HSL 327.89, 0.82%, 0.83%

LAB 79.43, 31.47, -8.8

 

CMYK 0 / 1 / 29 / 3

HEX #F7F5B0

RGB 247 245 176

HSL 58.31, 0.82%, 0.83%

LAB 95.25, -9.72, 33.56

 

CMYK 29 / 0 / 15 / 3

HEX #B0F7D1

RGB 176 247 209

HSL 147.89, 0.82%, 0.83%

LAB 91.84, -29.65, 11.27

 

Description

Color code: HEX #B0B2F74C | qconv.com Color code: HEX #B0B2F74C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 178 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 178 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 8 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 8% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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