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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0A2CE it is the complementary color #4F5D31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0A2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0A2CE shade: #B5A2C9, #C6B4DC, #D7C6EF, #E8D8FF and #F9EAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0A2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0A2CE shade: #B0A2CE, #9F90BB, #8E7EA8, #7D6C95 and #6C5A82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0A2CE shade: #B0A1CE, #BBA1CE, #C7A1CE, #CEA1C8 and #CEA1BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0A2CE shade: #B0A1CE, #A4A1CE and #A1A1CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0A2CE shade matches the following richer shades: #B0A1CE, #AB96D9, #A78AE5, #A37FF0 and #9F73FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0A2CE shade: #B0A1CE, #B4ADC2, #B8B9B7, #BCC4AB and #C0D0A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0A2CE shade: #A1ABCE, #A4A1CE, #AFA1CE, #BBA1CE and #C7A1CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0A2CE shade: #826BB1, #9986BF, #B0A1CE, #C7BCDC and #DDD8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0A2CE shade: #B0A2CE, #CEA1B7 and #A5CEA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0A2CE shade: #B0A2CE, #CEAFA1 and #A1CEAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0A2CE shade: #B0A2CE, #CEA1B7, #C0CEA1 and #A1CEB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0A2CE shade: #B0A2CE, #CEA1AA, #C0CEA1 and #A1CEC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 21 / 0 / 19

HEX #B0A2CE

RGB 176 162 206

HSL 259.09, 0.31%, 0.72%

LAB 69.13, 13.79, -20.59

 

Complementary color

CMYK 15 / 0 / 47 / 64

HEX #4F5D31

RGB 79 93 49

HSL 79.09, 0.31%, 0.28%

LAB 37.32, -13.55, 23.43

 

CMYK 10 / 19 / 0 / 21

HEX #B5A2C9

RGB 181 162 201

HSL 269.23, 0.27%, 0.71%

LAB 69.39, 14.36, -17.4

 

CMYK 10 / 18 / 0 / 14

HEX #C6B4DC

RGB 198 180 220

HSL 267, 0.36%, 0.78%

LAB 75.96, 13.96, -17.74

 

CMYK 10 / 17 / 0 / 6

HEX #D7C6EF

RGB 215 198 239

HSL 264.88, 0.56%, 0.86%

LAB 82.41, 13.58, -18.08

 

CMYK 9 / 15 / 0 / 0

HEX #E8D8FF

RGB 232 216 255

HSL 264.62, 1%, 0.92%

LAB 88.68, 12.64, -16.98

 

CMYK 2 / 8 / 0 / 0

HEX #F9EAFF

RGB 249 234 255

HSL 282.86, 1%, 0.96%

LAB 94.4, 8.75, -8.3

 

CMYK 15 / 21 / 0 / 19

HEX #B0A2CE

RGB 176 162 206

HSL 259.09, 0.31%, 0.72%

LAB 69.13, 13.79, -20.59

 

CMYK 15 / 23 / 0 / 27

HEX #9F90BB

RGB 159 144 187

HSL 260.93, 0.24%, 0.65%

LAB 62.43, 14.22, -20.33

 

CMYK 15 / 25 / 0 / 34

HEX #8E7EA8

RGB 142 126 168

HSL 262.86, 0.19%, 0.58%

LAB 55.58, 14.71, -20.09

 

CMYK 16 / 28 / 0 / 42

HEX #7D6C95

RGB 125 108 149

HSL 264.88, 0.16%, 0.5%

LAB 48.58, 15.24, -19.87

 

CMYK 17 / 31 / 0 / 49

HEX #6C5A82

RGB 108 90 130

HSL 267, 0.18%, 0.43%

LAB 41.39, 15.85, -19.68

 

CMYK 15 / 22 / 0 / 19

HEX #B0A1CE

RGB 176 161 206

HSL 260, 0.31%, 0.72%

LAB 68.88, 14.35, -20.97

 

CMYK 9 / 22 / 0 / 19

HEX #BBA1CE

RGB 187 161 206

HSL 274.67, 0.31%, 0.72%

LAB 69.83, 17.93, -19.44

 

CMYK 3 / 22 / 0 / 19

HEX #C7A1CE

RGB 199 161 206

HSL 290.67, 0.31%, 0.72%

LAB 70.93, 21.91, -17.67

 

CMYK 0 / 22 / 3 / 19

HEX #CEA1C8

RGB 206 161 200

HSL 308, 0.31%, 0.72%

LAB 71.41, 23.14, -13.58

 

CMYK 0 / 22 / 9 / 19

HEX #CEA1BC

RGB 206 161 188

HSL 324, 0.31%, 0.72%

LAB 71.04, 21, -7.5

 

CMYK 15 / 22 / 0 / 19

HEX #B0A1CE

RGB 176 161 206

HSL 260, 0.31%, 0.72%

LAB 68.88, 14.35, -20.97

 

CMYK 20 / 22 / 0 / 19

HEX #A4A1CE

RGB 164 161 206

HSL 244, 0.31%, 0.72%

LAB 67.9, 10.52, -22.55

 

CMYK 22 / 22 / 0 / 19

HEX #A1A1CE

RGB 161 161 206

HSL 240, 0.31%, 0.72%

LAB 67.67, 9.58, -22.93

 

CMYK 15 / 22 / 0 / 19

HEX #B0A1CE

RGB 176 161 206

HSL 260, 0.31%, 0.72%

LAB 68.88, 14.35, -20.97

 

CMYK 21 / 31 / 0 / 15

HEX #AB96D9

RGB 171 150 217

HSL 258.81, 0.47%, 0.72%

LAB 66.12, 21.43, -31.33

 

CMYK 27 / 40 / 0 / 10

HEX #A78AE5

RGB 167 138 229

HSL 259.12, 0.64%, 0.72%

LAB 63.38, 29.91, -42.28

 

CMYK 32 / 47 / 0 / 6

HEX #A37FF0

RGB 163 127 240

HSL 259.12, 0.79%, 0.72%

LAB 61.01, 37.77, -52.15

 

CMYK 37 / 54 / 0 / 1

HEX #9F73FC

RGB 159 115 252

HSL 259.27, 0.96%, 0.72%

LAB 58.66, 46.54, -62.55

 

CMYK 15 / 22 / 0 / 19

HEX #B0A1CE

RGB 176 161 206

HSL 260, 0.31%, 0.72%

LAB 68.88, 14.35, -20.97

 

CMYK 7 / 11 / 0 / 24

HEX #B4ADC2

RGB 180 173 194

HSL 260, 0.15%, 0.72%

LAB 71.88, 6.52, -9.8

 

CMYK 1 / 0 / 1 / 27

HEX #B8B9B7

RGB 184 185 183

HSL 90, 0.01%, 0.72%

LAB 75.02, -0.72, 0.88

 

CMYK 4 / 0 / 13 / 23

HEX #BCC4AB

RGB 188 196 171

HSL 79.2, 0.17%, 0.72%

LAB 77.94, -7.22, 11.62

 

CMYK 8 / 0 / 23 / 18

HEX #C0D0A0

RGB 192 208 160

HSL 80, 0.34%, 0.72%

LAB 81.21, -13.68, 22.08

 

CMYK 22 / 17 / 0 / 19

HEX #A1ABCE

RGB 161 171 206

HSL 226.67, 0.31%, 0.72%

LAB 70.29, 4.02, -18.94

 

CMYK 20 / 22 / 0 / 19

HEX #A4A1CE

RGB 164 161 206

HSL 244, 0.31%, 0.72%

LAB 67.9, 10.52, -22.55

 

CMYK 15 / 22 / 0 / 19

HEX #AFA1CE

RGB 175 161 206

HSL 258.67, 0.31%, 0.72%

LAB 68.79, 14.02, -21.11

 

CMYK 9 / 22 / 0 / 19

HEX #BBA1CE

RGB 187 161 206

HSL 274.67, 0.31%, 0.72%

LAB 69.83, 17.93, -19.44

 

CMYK 3 / 22 / 0 / 19

HEX #C7A1CE

RGB 199 161 206

HSL 290.67, 0.31%, 0.72%

LAB 70.93, 21.91, -17.67

 

CMYK 27 / 40 / 0 / 31

HEX #826BB1

RGB 130 107 177

HSL 259.71, 0.31%, 0.56%

LAB 50.02, 24.27, -34.01

 

CMYK 20 / 30 / 0 / 25

HEX #9986BF

RGB 153 134 191

HSL 260, 0.31%, 0.64%

LAB 59.51, 18.94, -27.11

 

CMYK 15 / 22 / 0 / 19

HEX #B0A1CE

RGB 176 161 206

HSL 260, 0.31%, 0.72%

LAB 68.88, 14.35, -20.97

 

CMYK 10 / 15 / 0 / 14

HEX #C7BCDC

RGB 199 188 220

HSL 260.63, 0.31%, 0.8%

LAB 78.04, 9.94, -14.59

 

CMYK 6 / 8 / 0 / 8

HEX #DDD8EA

RGB 221 216 234

HSL 256.67, 0.3%, 0.88%

LAB 87.2, 5.02, -8.21

 

CMYK 15 / 21 / 0 / 19

HEX #B0A2CE

RGB 176 162 206

HSL 259.09, 0.31%, 0.72%

LAB 69.13, 13.79, -20.59

 

CMYK 0 / 22 / 11 / 19

HEX #CEA1B7

RGB 206 161 183

HSL 330.67, 0.31%, 0.72%

LAB 70.89, 20.14, -4.95

 

CMYK 20 / 0 / 22 / 19

HEX #A5CEA1

RGB 165 206 161

HSL 114.67, 0.31%, 0.72%

LAB 78.88, -22.1, 18.04

 

CMYK 15 / 21 / 0 / 19

HEX #B0A2CE

RGB 176 162 206

HSL 259.09, 0.31%, 0.72%

LAB 69.13, 13.79, -20.59

 

CMYK 0 / 15 / 22 / 19

HEX #CEAFA1

RGB 206 175 161

HSL 18.67, 0.31%, 0.72%

LAB 73.78, 9.03, 11.33

 

CMYK 22 / 0 / 15 / 19

HEX #A1CEAF

RGB 161 206 175

HSL 138.67, 0.31%, 0.72%

LAB 78.93, -20.93, 10.63

 

CMYK 15 / 21 / 0 / 19

HEX #B0A2CE

RGB 176 162 206

HSL 259.09, 0.31%, 0.72%

LAB 69.13, 13.79, -20.59

 

CMYK 0 / 22 / 11 / 19

HEX #CEA1B7

RGB 206 161 183

HSL 330.67, 0.31%, 0.72%

LAB 70.89, 20.14, -4.95

 

CMYK 7 / 0 / 22 / 19

HEX #C0CEA1

RGB 192 206 161

HSL 78.67, 0.31%, 0.72%

LAB 80.7, -12.51, 20.84

 

CMYK 22 / 0 / 11 / 19

HEX #A1CEB8

RGB 161 206 184

HSL 150.67, 0.31%, 0.72%

LAB 79.15, -19.2, 6.12

 

CMYK 15 / 21 / 0 / 19

HEX #B0A2CE

RGB 176 162 206

HSL 259.09, 0.31%, 0.72%

LAB 69.13, 13.79, -20.59

 

CMYK 0 / 22 / 17 / 19

HEX #CEA1AA

RGB 206 161 170

HSL 348, 0.31%, 0.72%

LAB 70.53, 18.01, 1.73

 

CMYK 7 / 0 / 22 / 19

HEX #C0CEA1

RGB 192 206 161

HSL 78.67, 0.31%, 0.72%

LAB 80.7, -12.51, 20.84

 

CMYK 22 / 0 / 4 / 19

HEX #A1CEC6

RGB 161 206 198

HSL 169.33, 0.31%, 0.72%

LAB 79.5, -16.35, -0.87

 

Description

Color code: HEX #B0A2CE | qconv.com Color code: HEX #B0A2CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 162 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 162 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 21 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 21% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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