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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C5A82 it is the complementary color #93A57D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C5A82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C5A82 shade: #715A7D, #826C90, #937EA3, #A490B6 and #B5A2C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C5A82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C5A82 shade: #6C5A82, #5B486F, #4A365C, #392449 and #281236

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C5A82 shade: #6C5A81, #765A81, #815A81, #815A77 and #815A6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C5A82 shade: #6C5A81, #615A81 and #5A5A81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C5A82 shade matches the following richer shades: #6C5A81, #6A4893, #6836A5, #6625B7 and #6513C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C5A82 shade: #6C5A81, #6D6C70, #6F7D5E, #718F4C and #73A13A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C5A82 shade: #5A5D81, #615A81, #6C5A81, #765A81 and #815A81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C5A82 shade: #433851, #574969, #6C5A81, #806C99 and #9584AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C5A82 shade: #6C5A82, #815A68 and #5A815C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C5A82 shade: #6C5A82, #816C5A and #5A816C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C5A82 shade: #6C5A82, #815A68, #70815A and #5A8174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C5A82 shade: #6C5A82, #815A5C, #70815A and #5A817F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 31 / 0 / 49

HEX #6C5A82

RGB 108 90 130

HSL 267, 0.18%, 0.43%

LAB 41.39, 15.85, -19.68

 

Complementary color

CMYK 11 / 0 / 24 / 35

HEX #93A57D

RGB 147 165 125

HSL 87, 0.18%, 0.57%

LAB 65.43, -13.66, 18.68

 

CMYK 10 / 28 / 0 / 51

HEX #715A7D

RGB 113 90 125

HSL 279.43, 0.16%, 0.42%

LAB 41.69, 16.43, -16.13

 

CMYK 10 / 25 / 0 / 44

HEX #826C90

RGB 130 108 144

HSL 276.67, 0.14%, 0.49%

LAB 48.86, 15.82, -16.44

 

CMYK 10 / 23 / 0 / 36

HEX #937EA3

RGB 147 126 163

HSL 274.05, 0.17%, 0.57%

LAB 55.86, 15.28, -16.75

 

CMYK 10 / 21 / 0 / 29

HEX #A490B6

RGB 164 144 182

HSL 271.58, 0.21%, 0.64%

LAB 62.69, 14.8, -17.07

 

CMYK 10 / 19 / 0 / 21

HEX #B5A2C9

RGB 181 162 201

HSL 269.23, 0.27%, 0.71%

LAB 69.39, 14.36, -17.4

 

CMYK 17 / 31 / 0 / 49

HEX #6C5A82

RGB 108 90 130

HSL 267, 0.18%, 0.43%

LAB 41.39, 15.85, -19.68

 

CMYK 18 / 35 / 0 / 56

HEX #5B486F

RGB 91 72 111

HSL 269.23, 0.21%, 0.36%

LAB 34, 16.55, -19.52

 

CMYK 20 / 41 / 0 / 64

HEX #4A365C

RGB 74 54 92

HSL 271.58, 0.26%, 0.29%

LAB 26.35, 17.36, -19.4

 

CMYK 22 / 51 / 0 / 71

HEX #392449

RGB 57 36 73

HSL 274.05, 0.34%, 0.21%

LAB 18.42, 18.31, -19.31

 

CMYK 26 / 67 / 0 / 79

HEX #281236

RGB 40 18 54

HSL 276.67, 0.5%, 0.14%

LAB 10.18, 19.35, -19.16

 

CMYK 16 / 30 / 0 / 49

HEX #6C5A81

RGB 108 90 129

HSL 267.69, 0.18%, 0.43%

LAB 41.35, 15.61, -19.14

 

CMYK 9 / 30 / 0 / 49

HEX #765A81

RGB 118 90 129

HSL 283.08, 0.18%, 0.43%

LAB 42.38, 19.09, -17.47

 

CMYK 0 / 30 / 0 / 49

HEX #815A81

RGB 129 90 129

HSL 300, 0.18%, 0.43%

LAB 43.6, 22.98, -15.49

 

CMYK 0 / 30 / 8 / 49

HEX #815A77

RGB 129 90 119

HSL 315.38, 0.18%, 0.43%

LAB 43.23, 21.01, -9.99

 

CMYK 0 / 30 / 16 / 49

HEX #815A6D

RGB 129 90 109

HSL 330.77, 0.18%, 0.43%

LAB 42.89, 19.16, -4.4

 

CMYK 16 / 30 / 0 / 49

HEX #6C5A81

RGB 108 90 129

HSL 267.69, 0.18%, 0.43%

LAB 41.35, 15.61, -19.14

 

CMYK 25 / 30 / 0 / 49

HEX #615A81

RGB 97 90 129

HSL 250.77, 0.18%, 0.43%

LAB 40.31, 11.88, -20.83

 

CMYK 30 / 30 / 0 / 49

HEX #5A5A81

RGB 90 90 129

HSL 240, 0.18%, 0.43%

LAB 39.7, 9.59, -21.82

 

CMYK 16 / 30 / 0 / 49

HEX #6C5A81

RGB 108 90 129

HSL 267.69, 0.18%, 0.43%

LAB 41.35, 15.61, -19.14

 

CMYK 28 / 51 / 0 / 42

HEX #6A4893

RGB 106 72 147

HSL 267.2, 0.34%, 0.43%

LAB 37.49, 30.49, -36.13

 

CMYK 37 / 67 / 0 / 35

HEX #6836A5

RGB 104 54 165

HSL 267.03, 0.51%, 0.43%

LAB 34.6, 44.83, -51.66

 

CMYK 44 / 80 / 0 / 28

HEX #6625B7

RGB 102 37 183

HSL 266.71, 0.66%, 0.43%

LAB 33.06, 56.83, -64.92

 

CMYK 50 / 91 / 0 / 22

HEX #6513C8

RGB 101 19 200

HSL 267.18, 0.83%, 0.43%

LAB 32.71, 66.28, -75.52

 

CMYK 16 / 30 / 0 / 49

HEX #6C5A81

RGB 108 90 129

HSL 267.69, 0.18%, 0.43%

LAB 41.35, 15.61, -19.14

 

CMYK 3 / 4 / 0 / 56

HEX #6D6C70

RGB 109 108 112

HSL 255, 0.02%, 0.43%

LAB 45.83, 1.22, -2.1

 

CMYK 11 / 0 / 25 / 51

HEX #6F7D5E

RGB 111 125 94

HSL 87.1, 0.14%, 0.43%

LAB 50.52, -11.16, 15.23

 

CMYK 21 / 0 / 47 / 44

HEX #718F4C

RGB 113 143 76

HSL 86.87, 0.31%, 0.43%

LAB 55.76, -22.53, 32.12

 

CMYK 29 / 0 / 64 / 37

HEX #73A13A

RGB 115 161 58

HSL 86.8, 0.47%, 0.43%

LAB 61.17, -32.38, 47.23

 

CMYK 30 / 28 / 0 / 49

HEX #5A5D81

RGB 90 93 129

HSL 235.38, 0.18%, 0.43%

LAB 40.55, 7.72, -20.51

 

CMYK 25 / 30 / 0 / 49

HEX #615A81

RGB 97 90 129

HSL 250.77, 0.18%, 0.43%

LAB 40.31, 11.88, -20.83

 

CMYK 16 / 30 / 0 / 49

HEX #6C5A81

RGB 108 90 129

HSL 267.69, 0.18%, 0.43%

LAB 41.35, 15.61, -19.14

 

CMYK 9 / 30 / 0 / 49

HEX #765A81

RGB 118 90 129

HSL 283.08, 0.18%, 0.43%

LAB 42.38, 19.09, -17.47

 

CMYK 0 / 30 / 0 / 49

HEX #815A81

RGB 129 90 129

HSL 300, 0.18%, 0.43%

LAB 43.6, 22.98, -15.49

 

CMYK 17 / 31 / 0 / 68

HEX #433851

RGB 67 56 81

HSL 266.4, 0.18%, 0.27%

LAB 25.61, 10.63, -13.4

 

CMYK 17 / 30 / 0 / 59

HEX #574969

RGB 87 73 105

HSL 266.25, 0.18%, 0.35%

LAB 33.59, 13, -16.42

 

CMYK 16 / 30 / 0 / 49

HEX #6C5A81

RGB 108 90 129

HSL 267.69, 0.18%, 0.43%

LAB 41.35, 15.61, -19.14

 

CMYK 16 / 29 / 0 / 40

HEX #806C99

RGB 128 108 153

HSL 266.67, 0.18%, 0.51%

LAB 49.02, 17.19, -21.52

 

CMYK 12 / 22 / 0 / 33

HEX #9584AA

RGB 149 132 170

HSL 266.84, 0.18%, 0.59%

LAB 57.84, 14.02, -17.74

 

CMYK 17 / 31 / 0 / 49

HEX #6C5A82

RGB 108 90 130

HSL 267, 0.18%, 0.43%

LAB 41.39, 15.85, -19.68

 

CMYK 0 / 30 / 19 / 49

HEX #815A68

RGB 129 90 104

HSL 338.46, 0.18%, 0.43%

LAB 42.73, 18.29, -1.57

 

CMYK 30 / 0 / 29 / 49

HEX #5A815C

RGB 90 129 92

HSL 123.08, 0.18%, 0.43%

LAB 50.27, -21.6, 15.81

 

CMYK 17 / 31 / 0 / 49

HEX #6C5A82

RGB 108 90 130

HSL 267, 0.18%, 0.43%

LAB 41.39, 15.85, -19.68

 

CMYK 0 / 16 / 30 / 49

HEX #816C5A

RGB 129 108 90

HSL 27.69, 0.18%, 0.43%

LAB 47.15, 5.39, 13.17

 

CMYK 30 / 0 / 16 / 49

HEX #5A816C

RGB 90 129 108

HSL 147.69, 0.18%, 0.43%

LAB 50.64, -18.39, 7.05

 

CMYK 17 / 31 / 0 / 49

HEX #6C5A82

RGB 108 90 130

HSL 267, 0.18%, 0.43%

LAB 41.39, 15.85, -19.68

 

CMYK 0 / 30 / 19 / 49

HEX #815A68

RGB 129 90 104

HSL 338.46, 0.18%, 0.43%

LAB 42.73, 18.29, -1.57

 

CMYK 13 / 0 / 30 / 49

HEX #70815A

RGB 112 129 90

HSL 86.15, 0.18%, 0.43%

LAB 51.71, -13.6, 19.15

 

CMYK 30 / 0 / 10 / 49

HEX #5A8174

RGB 90 129 116

HSL 160, 0.18%, 0.43%

LAB 50.84, -16.61, 2.68

 

CMYK 17 / 31 / 0 / 49

HEX #6C5A82

RGB 108 90 130

HSL 267, 0.18%, 0.43%

LAB 41.39, 15.85, -19.68

 

CMYK 0 / 30 / 29 / 49

HEX #815A5C

RGB 129 90 92

HSL 356.92, 0.18%, 0.43%

LAB 42.39, 16.36, 5.27

 

CMYK 13 / 0 / 30 / 49

HEX #70815A

RGB 112 129 90

HSL 86.15, 0.18%, 0.43%

LAB 51.71, -13.6, 19.15

 

CMYK 30 / 0 / 2 / 49

HEX #5A817F

RGB 90 129 127

HSL 176.92, 0.18%, 0.43%

LAB 51.16, -13.99, -3.3

 

Description

Color code: HEX #6C5A82 | qconv.com Color code: HEX #6C5A82 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 90 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 90 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 31 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 31% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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