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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0958D it is the complementary color #4F6A72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0958D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0958D shade: #B59588, #C6A79B, #D7B9AE, #E8CBC1 and #F9DDD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0958D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0958D shade: #B0958D, #9F837A, #8E7167, #7D5F54 and #6C4D41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0958D shade: #B0958D and #B08D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0958D shade: #B0958D, #B09E8D, #B0A78D, #AEB08D and #A5B08D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0958D shade matches the following richer shades: #B0958D, #BF8C7D, #CF846D, #DF7B5E and #EE734E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0958D shade: #B0958D, #A09D9C, #90A6AC, #81AEBC and #71B7CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0958D shade: #B08D98, #B08D8E, #B0948D, #B09E8D and #B0A78D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0958D shade: #8A6960, #9F7E74, #B0958D, #C0ABA5 and #D1C2BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0958D shade: #B0958D, #A1B08D and #8D93B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0958D shade: #B0958D, #8DB094 and #948DB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0958D shade: #B0958D, #A1B08D, #8DA8B0 and #9B8DB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0958D shade: #B0958D, #97B08D, #8DA8B0 and #A68DB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 20 / 31

HEX #B0958D

RGB 176 149 141

HSL 13.71, 0.18%, 0.62%

LAB 63.87, 8.76, 7.95

 

Complementary color

CMYK 31 / 7 / 0 / 55

HEX #4F6A72

RGB 79 106 114

HSL 193.71, 0.18%, 0.38%

LAB 43.04, -7.79, -7.69

 

CMYK 0 / 18 / 25 / 29

HEX #B59588

RGB 181 149 136

HSL 17.33, 0.23%, 0.62%

LAB 64.24, 9.94, 11.35

 

CMYK 0 / 16 / 22 / 22

HEX #C6A79B

RGB 198 167 155

HSL 16.74, 0.27%, 0.69%

LAB 70.88, 9.44, 10.41

 

CMYK 0 / 14 / 19 / 16

HEX #D7B9AE

RGB 215 185 174

HSL 16.1, 0.34%, 0.76%

LAB 77.4, 8.99, 9.54

 

CMYK 0 / 13 / 17 / 9

HEX #E8CBC1

RGB 232 203 193

HSL 15.38, 0.46%, 0.83%

LAB 83.82, 8.59, 8.71

 

CMYK 0 / 11 / 15 / 2

HEX #F9DDD4

RGB 249 221 212

HSL 14.59, 0.76%, 0.9%

LAB 90.14, 8.22, 7.93

 

CMYK 0 / 15 / 20 / 31

HEX #B0958D

RGB 176 149 141

HSL 13.71, 0.18%, 0.62%

LAB 63.87, 8.76, 7.95

 

CMYK 0 / 18 / 23 / 38

HEX #9F837A

RGB 159 131 122

HSL 14.59, 0.16%, 0.55%

LAB 57.08, 9.26, 8.87

 

CMYK 0 / 20 / 27 / 44

HEX #8E7167

RGB 142 113 103

HSL 15.38, 0.16%, 0.48%

LAB 50.14, 9.83, 9.88

 

CMYK 0 / 24 / 33 / 51

HEX #7D5F54

RGB 125 95 84

HSL 16.1, 0.2%, 0.41%

LAB 43.04, 10.51, 11

 

CMYK 0 / 29 / 40 / 58

HEX #6C4D41

RGB 108 77 65

HSL 16.74, 0.25%, 0.34%

LAB 35.75, 11.35, 12.28

 

CMYK 0 / 15 / 20 / 31

HEX #B0958D

RGB 176 149 141

HSL 13.71, 0.18%, 0.62%

LAB 63.87, 8.76, 7.95

 

CMYK 0 / 20 / 20 / 31

HEX #B08D8D

RGB 176 141 141

HSL 0, 0.18%, 0.62%

LAB 61.83, 13.22, 5.02

 

CMYK 0 / 15 / 20 / 31

HEX #B0958D

RGB 176 149 141

HSL 13.71, 0.18%, 0.62%

LAB 63.87, 8.76, 7.95

 

CMYK 0 / 10 / 20 / 31

HEX #B09E8D

RGB 176 158 141

HSL 29.14, 0.18%, 0.62%

LAB 66.22, 3.78, 11.28

 

CMYK 0 / 5 / 20 / 31

HEX #B0A78D

RGB 176 167 141

HSL 44.57, 0.18%, 0.62%

LAB 68.6, -1.12, 14.63

 

CMYK 1 / 0 / 20 / 31

HEX #AEB08D

RGB 174 176 141

HSL 63.43, 0.18%, 0.62%

LAB 70.85, -6.7, 17.74

 

CMYK 6 / 0 / 20 / 31

HEX #A5B08D

RGB 165 176 141

HSL 78.86, 0.18%, 0.62%

LAB 70.16, -10.11, 16.67

 

CMYK 0 / 15 / 20 / 31

HEX #B0958D

RGB 176 149 141

HSL 13.71, 0.18%, 0.62%

LAB 63.87, 8.76, 7.95

 

CMYK 0 / 27 / 35 / 25

HEX #BF8C7D

RGB 191 140 125

HSL 13.64, 0.34%, 0.62%

LAB 62.77, 17.36, 15.63

 

CMYK 0 / 36 / 47 / 19

HEX #CF846D

RGB 207 132 109

HSL 14.08, 0.51%, 0.62%

LAB 62.4, 26.31, 24.42

 

CMYK 0 / 45 / 58 / 13

HEX #DF7B5E

RGB 223 123 94

HSL 13.49, 0.67%, 0.62%

LAB 62.22, 36.08, 32.91

 

CMYK 0 / 52 / 67 / 7

HEX #EE734E

RGB 238 115 78

HSL 13.88, 0.82%, 0.62%

LAB 62.5, 44.78, 42.38

 

CMYK 0 / 15 / 20 / 31

HEX #B0958D

RGB 176 149 141

HSL 13.71, 0.18%, 0.62%

LAB 63.87, 8.76, 7.95

 

CMYK 0 / 2 / 2 / 37

HEX #A09D9C

RGB 160 157 156

HSL 15, 0.02%, 0.62%

LAB 64.95, 0.9, 0.9

 

CMYK 16 / 3 / 0 / 33

HEX #90A6AC

RGB 144 166 172

HSL 192.86, 0.14%, 0.62%

LAB 66.66, -6.34, -5.68

 

CMYK 31 / 7 / 0 / 26

HEX #81AEBC

RGB 129 174 188

HSL 194.24, 0.31%, 0.62%

LAB 68.44, -11.6, -12.01

 

CMYK 44 / 10 / 0 / 20

HEX #71B7CB

RGB 113 183 203

HSL 193.33, 0.46%, 0.62%

LAB 70.66, -16.77, -17.01

 

CMYK 0 / 20 / 14 / 31

HEX #B08D98

RGB 176 141 152

HSL 341.14, 0.18%, 0.62%

LAB 62.12, 15.03, -0.8

 

CMYK 0 / 20 / 19 / 31

HEX #B08D8E

RGB 176 141 142

HSL 358.29, 0.18%, 0.62%

LAB 61.85, 13.38, 4.49

 

CMYK 0 / 16 / 20 / 31

HEX #B0948D

RGB 176 148 141

HSL 12, 0.18%, 0.62%

LAB 63.62, 9.31, 7.59

 

CMYK 0 / 10 / 20 / 31

HEX #B09E8D

RGB 176 158 141

HSL 29.14, 0.18%, 0.62%

LAB 66.22, 3.78, 11.28

 

CMYK 0 / 5 / 20 / 31

HEX #B0A78D

RGB 176 167 141

HSL 44.57, 0.18%, 0.62%

LAB 68.6, -1.12, 14.63

 

CMYK 0 / 24 / 30 / 46

HEX #8A6960

RGB 138 105 96

HSL 12.86, 0.18%, 0.46%

LAB 47.43, 11.81, 10.15

 

CMYK 0 / 21 / 27 / 38

HEX #9F7E74

RGB 159 126 116

HSL 13.95, 0.18%, 0.54%

LAB 55.64, 11.2, 10.29

 

CMYK 0 / 15 / 20 / 31

HEX #B0958D

RGB 176 149 141

HSL 13.71, 0.18%, 0.62%

LAB 63.87, 8.76, 7.95

 

CMYK 0 / 11 / 14 / 25

HEX #C0ABA5

RGB 192 171 165

HSL 13.33, 0.18%, 0.7%

LAB 71.59, 6.58, 5.85

 

CMYK 0 / 7 / 10 / 18

HEX #D1C2BD

RGB 209 194 189

HSL 15, 0.18%, 0.78%

LAB 79.51, 4.41, 4.4

 

CMYK 0 / 15 / 20 / 31

HEX #B0958D

RGB 176 149 141

HSL 13.71, 0.18%, 0.62%

LAB 63.87, 8.76, 7.95

 

CMYK 9 / 0 / 20 / 31

HEX #A1B08D

RGB 161 176 141

HSL 85.71, 0.18%, 0.62%

LAB 69.86, -11.6, 16.21

 

CMYK 20 / 16 / 0 / 31

HEX #8D93B0

RGB 141 147 176

HSL 229.71, 0.18%, 0.62%

LAB 61.36, 4.12, -15.87

 

CMYK 0 / 15 / 20 / 31

HEX #B0958D

RGB 176 149 141

HSL 13.71, 0.18%, 0.62%

LAB 63.87, 8.76, 7.95

 

CMYK 20 / 0 / 16 / 31

HEX #8DB094

RGB 141 176 148

HSL 132, 0.18%, 0.62%

LAB 68.64, -17.53, 10.47

 

CMYK 16 / 20 / 0 / 31

HEX #948DB0

RGB 148 141 176

HSL 252, 0.18%, 0.62%

LAB 60.32, 9.85, -17.4

 

CMYK 0 / 15 / 20 / 31

HEX #B0958D

RGB 176 149 141

HSL 13.71, 0.18%, 0.62%

LAB 63.87, 8.76, 7.95

 

CMYK 9 / 0 / 20 / 31

HEX #A1B08D

RGB 161 176 141

HSL 85.71, 0.18%, 0.62%

LAB 69.86, -11.6, 16.21

 

CMYK 20 / 5 / 0 / 31

HEX #8DA8B0

RGB 141 168 176

HSL 193.71, 0.18%, 0.62%

LAB 67.13, -7.52, -7.23

 

CMYK 12 / 20 / 0 / 31

HEX #9B8DB0

RGB 155 141 176

HSL 264, 0.18%, 0.62%

LAB 60.92, 12.19, -16.44

 

CMYK 0 / 15 / 20 / 31

HEX #B0958D

RGB 176 149 141

HSL 13.71, 0.18%, 0.62%

LAB 63.87, 8.76, 7.95

 

CMYK 14 / 0 / 20 / 31

HEX #97B08D

RGB 151 176 141

HSL 102.86, 0.18%, 0.62%

LAB 69.15, -15.27, 15.11

 

CMYK 20 / 5 / 0 / 31

HEX #8DA8B0

RGB 141 168 176

HSL 193.71, 0.18%, 0.62%

LAB 67.13, -7.52, -7.23

 

CMYK 6 / 20 / 0 / 31

HEX #A68DB0

RGB 166 141 176

HSL 282.86, 0.18%, 0.62%

LAB 61.9, 15.93, -14.85

 

Description

Color code: HEX #B0958D | qconv.com Color code: HEX #B0958D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 149 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 149 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 20 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 20% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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