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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B08B20 it is the complementary color #4F74DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B08B20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B08B20: #B58B1B, #C69D2E, #D7AF41, #E8C154 and #F9D367

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B08B20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B08B20: #B08B20, #9F790D, #8E6700, #7D5500 and #6C4300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 82 / 31

HEX #B08B20

RGB 176 139 32

HSL 44.58, 0.69%, 0.41%

LAB 59.71, 3.97, 57.56

 

Complementary color

CMYK 65 / 48 / 0 / 13

HEX #4F74DF

RGB 79 116 223

HSL 224.58, 0.69%, 0.59%

LAB 51.24, 20.77, -58.6

 

CMYK 0 / 23 / 85 / 29

HEX #B58B1B

RGB 181 139 27

HSL 43.64, 0.74%, 0.41%

LAB 60.22, 6.07, 59.74

 

CMYK 0 / 21 / 77 / 22

HEX #C69D2E

RGB 198 157 46

HSL 43.82, 0.62%, 0.48%

LAB 66.76, 4.49, 59.96

 

CMYK 0 / 19 / 70 / 16

HEX #D7AF41

RGB 215 175 65

HSL 44, 0.65%, 0.55%

LAB 73.21, 3.15, 59.42

 

CMYK 0 / 17 / 64 / 9

HEX #E8C154

RGB 232 193 84

HSL 44.19, 0.76%, 0.62%

LAB 79.58, 2.01, 58.5

 

CMYK 0 / 15 / 59 / 2

HEX #F9D367

RGB 249 211 103

HSL 44.38, 0.92%, 0.69%

LAB 85.86, 1.03, 57.41

 

CMYK 0 / 21 / 82 / 31

HEX #B08B20

RGB 176 139 32

HSL 44.58, 0.69%, 0.41%

LAB 59.71, 3.97, 57.56

 

CMYK 0 / 24 / 92 / 38

HEX #9F790D

RGB 159 121 13

HSL 44.38, 0.85%, 0.34%

LAB 53.03, 5.72, 56.47

 

CMYK 0 / 27 / 100 / 44

HEX #8E6700

RGB 142 103 0

HSL 43.52, 1%, 0.28%

LAB 46.25, 7.81, 53.36

 

CMYK 0 / 32 / 100 / 51

HEX #7D5500

RGB 125 85 0

HSL 40.8, 1%, 0.25%

LAB 39.34, 10.24, 47.7

 

CMYK 0 / 38 / 100 / 58

HEX #6C4300

RGB 108 67 0

HSL 37.22, 1%, 0.21%

LAB 32.26, 12.83, 41.92

 

CMYK 0 / 21 / 82 / 31

HEX #B08B20

RGB 176 139 32

HSL 44.58, 0.69%, 0.41%

LAB 59.71, 3.97, 57.56

 

CMYK 0 / 8 / 82 / 31

HEX #B0A220

RGB 176 162 32

HSL 54.17, 0.69%, 0.41%

LAB 65.88, -8.46, 62.94

 

CMYK 5 / 0 / 82 / 31

HEX #A7B020

RGB 167 176 32

HSL 63.75, 0.69%, 0.41%

LAB 69.02, -19.63, 65.36

 

CMYK 19 / 0 / 82 / 31

HEX #8FB020

RGB 143 176 32

HSL 73.75, 0.69%, 0.41%

LAB 67.27, -29.79, 63.16

 

CMYK 33 / 0 / 82 / 31

HEX #76B020

RGB 118 176 32

HSL 84.17, 0.69%, 0.41%

LAB 65.75, -39.65, 61.23

 

CMYK 0 / 21 / 82 / 31

HEX #B08B20

RGB 176 139 32

HSL 44.58, 0.69%, 0.41%

LAB 59.71, 3.97, 57.56

 

CMYK 0 / 21 / 82 / 11

HEX #E3B329

RGB 227 179 41

HSL 44.52, 0.77%, 0.53%

LAB 75.28, 5.26, 70.38

 

CMYK 0 / 22 / 83 / 91

HEX #171204

RGB 23 18 4

HSL 44.21, 0.7%, 0.05%

LAB 5.63, -0.04, 6.79

 

CMYK 0 / 22 / 82 / 71

HEX #4A3A0D

RGB 74 58 13

HSL 44.26, 0.7%, 0.17%

LAB 25.29, 1.67, 29.05

 

CMYK 0 / 21 / 82 / 51

HEX #7D6317

RGB 125 99 23

HSL 44.71, 0.69%, 0.29%

LAB 43.28, 2.59, 43.9

 

CMYK 0 / 21 / 82 / 31

HEX #B08B20

RGB 176 139 32

HSL 44.58, 0.69%, 0.41%

LAB 59.71, 3.97, 57.56

 

CMYK 76 / 0 / 82 / 31

HEX #2AB020

RGB 42 176 32

HSL 115.83, 0.69%, 0.41%

LAB 63.05, -60.46, 57.76

 

CMYK 55 / 82 / 0 / 31

HEX #5020B0

RGB 80 32 176

HSL 260, 0.69%, 0.41%

LAB 29.09, 54.1, -67.38

 

CMYK 0 / 21 / 82 / 31

HEX #B08B20

RGB 176 139 32

HSL 44.58, 0.69%, 0.41%

LAB 59.71, 3.97, 57.56

 

CMYK 82 / 0 / 22 / 31

HEX #20B08A

RGB 32 176 138

HSL 164.17, 0.69%, 0.41%

LAB 64.32, -45.33, 9.27

 

CMYK 22 / 82 / 0 / 31

HEX #8A20B0

RGB 138 32 176

HSL 284.17, 0.69%, 0.41%

LAB 37.06, 62.79, -54.02

 

CMYK 0 / 21 / 82 / 31

HEX #B08B20

RGB 176 139 32

HSL 44.58, 0.69%, 0.41%

LAB 59.71, 3.97, 57.56

 

CMYK 76 / 0 / 82 / 31

HEX #2AB020

RGB 42 176 32

HSL 115.83, 0.69%, 0.41%

LAB 63.05, -60.46, 57.76

 

CMYK 82 / 60 / 0 / 31

HEX #2046B0

RGB 32 70 176

HSL 224.17, 0.69%, 0.41%

LAB 33.61, 27.01, -60.08

 

CMYK 5 / 82 / 0 / 31

HEX #A720B0

RGB 167 32 176

HSL 296.25, 0.69%, 0.41%

LAB 41.82, 68.08, -46.11

 

CMYK 0 / 21 / 82 / 31

HEX #B08B20

RGB 176 139 32

HSL 44.58, 0.69%, 0.41%

LAB 59.71, 3.97, 57.56

 

CMYK 82 / 0 / 63 / 31

HEX #20B042

RGB 32 176 66

HSL 134.17, 0.69%, 0.41%

LAB 63.14, -58.82, 45.07

 

CMYK 82 / 60 / 0 / 31

HEX #2046B0

RGB 32 70 176

HSL 224.17, 0.69%, 0.41%

LAB 33.61, 27.01, -60.08

 

CMYK 0 / 82 / 19 / 31

HEX #B0208F

RGB 176 32 143

HSL 313.75, 0.69%, 0.41%

LAB 41.6, 64.98, -26.51

 

Description

Color code: HEX #B08B20 | qconv.com Color code: HEX #B08B20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 139 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 139 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 82 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 82% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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PANTONE® to HKS®

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