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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B06EF5 it is the complementary color #4F910A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B06EF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B06EF5 shade: #B56EF0, #C680FF, #D792FF, #E8A4FF and #F9B6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B06EF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B06EF5 shade: #B06EF5, #9F5CE2, #8E4ACF, #7D38BC and #6C26A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B06EF5 shade: #B170F5, #D570F5, #F570F1, #F570CD and #F570AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B06EF5 shade: #B170F5, #8D70F5 and #7070F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B06EF5 shade matches the following richer shades: #B170F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B06EF5 shade: #B170F5, #B17CE9, #B289DC, #B295D0 and #B2A1C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B06EF5 shade: #7077F5, #8D70F5, #B070F5, #D470F5 and #F570F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B06EF5 shade: #8723F0, #9C49F2, #B170F5, #C697F8 and #DBBDFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B06EF5 shade: #B06EF5, #F5709A and #70F57B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B06EF5 shade: #B06EF5, #F5B070 and #70F5B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B06EF5 shade: #B06EF5, #F5709A, #B5F570 and #70F5CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B06EF5 shade: #B06EF5, #F57072, #B5F570 and #70F5F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 55 / 0 / 4

HEX #B06EF5

RGB 176 110 245

HSL 269.33, 0.87%, 0.7%

LAB 58.95, 51.51, -58.11

 

Complementary color

CMYK 46 / 0 / 93 / 43

HEX #4F910A

RGB 79 145 10

HSL 89.33, 0.87%, 0.3%

LAB 53.96, -41.28, 55.18

 

CMYK 25 / 54 / 0 / 6

HEX #B56EF0

RGB 181 110 240

HSL 272.77, 0.81%, 0.69%

LAB 59.22, 51.59, -54.88

 

CMYK 22 / 50 / 0 / 0

HEX #C680FF

RGB 198 128 255

HSL 273.07, 1%, 0.75%

LAB 65.49, 49.84, -53.07

 

CMYK 16 / 43 / 0 / 0

HEX #D792FF

RGB 215 146 255

HSL 277.98, 1%, 0.79%

LAB 71.03, 44.94, -44.22

 

CMYK 9 / 36 / 0 / 0

HEX #E8A4FF

RGB 232 164 255

HSL 284.84, 1%, 0.82%

LAB 76.63, 40.33, -35.36

 

CMYK 2 / 29 / 0 / 0

HEX #F9B6FF

RGB 249 182 255

HSL 295.07, 1%, 0.86%

LAB 82.28, 36.03, -26.54

 

CMYK 28 / 55 / 0 / 4

HEX #B06EF5

RGB 176 110 245

HSL 269.33, 0.87%, 0.7%

LAB 58.95, 51.51, -58.11

 

CMYK 30 / 59 / 0 / 11

HEX #9F5CE2

RGB 159 92 226

HSL 270, 0.7%, 0.62%

LAB 52.42, 52.4, -58.07

 

CMYK 31 / 64 / 0 / 19

HEX #8E4ACF

RGB 142 74 207

HSL 270.68, 0.58%, 0.55%

LAB 45.84, 53.22, -57.93

 

CMYK 34 / 70 / 0 / 26

HEX #7D38BC

RGB 125 56 188

HSL 271.36, 0.54%, 0.48%

LAB 39.27, 53.84, -57.62

 

CMYK 36 / 78 / 0 / 34

HEX #6C26A9

RGB 108 38 169

HSL 272.06, 0.63%, 0.41%

LAB 32.79, 54.02, -56.98

 

CMYK 28 / 54 / 0 / 4

HEX #B170F5

RGB 177 112 245

HSL 269.32, 0.87%, 0.7%

LAB 59.46, 50.7, -57.29

 

CMYK 13 / 54 / 0 / 4

HEX #D570F5

RGB 213 112 245

HSL 285.56, 0.87%, 0.7%

LAB 63.61, 59.71, -50.44

 

CMYK 0 / 54 / 2 / 4

HEX #F570F1

RGB 245 112 241

HSL 301.8, 0.87%, 0.7%

LAB 67.54, 67.22, -41.77

 

CMYK 0 / 54 / 16 / 4

HEX #F570CD

RGB 245 112 205

HSL 318.05, 0.87%, 0.7%

LAB 66.07, 61.58, -24.03

 

CMYK 0 / 54 / 31 / 4

HEX #F570AA

RGB 245 112 170

HSL 333.83, 0.87%, 0.7%

LAB 64.89, 56.87, -6.02

 

CMYK 28 / 54 / 0 / 4

HEX #B170F5

RGB 177 112 245

HSL 269.32, 0.87%, 0.7%

LAB 59.46, 50.7, -57.29

 

CMYK 42 / 54 / 0 / 4

HEX #8D70F5

RGB 141 112 245

HSL 253.08, 0.87%, 0.7%

LAB 55.93, 42.3, -63.15

 

CMYK 54 / 54 / 0 / 4

HEX #7070F5

RGB 112 112 245

HSL 240, 0.87%, 0.7%

LAB 53.63, 36.32, -66.98

 

CMYK 28 / 54 / 0 / 4

HEX #B170F5

RGB 177 112 245

HSL 269.32, 0.87%, 0.7%

LAB 59.46, 50.7, -57.29

 

CMYK 28 / 54 / 0 / 4

HEX #B170F5

RGB 177 112 245

HSL 269.32, 0.87%, 0.7%

LAB 59.46, 50.7, -57.29

 

CMYK 24 / 47 / 0 / 9

HEX #B17CE9

RGB 177 124 233

HSL 269.17, 0.71%, 0.7%

LAB 61.35, 41.45, -47.64

 

CMYK 19 / 38 / 0 / 14

HEX #B289DC

RGB 178 137 220

HSL 269.64, 0.54%, 0.7%

LAB 63.77, 31.54, -36.6

 

CMYK 14 / 28 / 0 / 18

HEX #B295D0

RGB 178 149 208

HSL 269.49, 0.39%, 0.7%

LAB 66.15, 22.15, -26.25

 

CMYK 9 / 18 / 0 / 23

HEX #B2A1C4

RGB 178 161 196

HSL 269.14, 0.23%, 0.7%

LAB 68.71, 12.88, -15.68

 

CMYK 54 / 51 / 0 / 4

HEX #7077F5

RGB 112 119 245

HSL 236.84, 0.87%, 0.7%

LAB 55.31, 32.16, -64.26

 

CMYK 42 / 54 / 0 / 4

HEX #8D70F5

RGB 141 112 245

HSL 253.08, 0.87%, 0.7%

LAB 55.93, 42.3, -63.15

 

CMYK 28 / 54 / 0 / 4

HEX #B070F5

RGB 176 112 245

HSL 268.87, 0.87%, 0.7%

LAB 59.35, 50.46, -57.47

 

CMYK 13 / 54 / 0 / 4

HEX #D470F5

RGB 212 112 245

HSL 285.11, 0.87%, 0.7%

LAB 63.49, 59.45, -50.64

 

CMYK 0 / 54 / 1 / 4

HEX #F570F3

RGB 245 112 243

HSL 300.9, 0.87%, 0.7%

LAB 67.63, 67.56, -42.73

 

CMYK 44 / 85 / 0 / 6

HEX #8723F0

RGB 135 35 240

HSL 269.27, 0.87%, 0.54%

LAB 42.22, 74.95, -82.68

 

CMYK 36 / 70 / 0 / 5

HEX #9C49F2

RGB 156 73 242

HSL 269.47, 0.87%, 0.62%

LAB 49.79, 64.69, -71.32

 

CMYK 28 / 54 / 0 / 4

HEX #B170F5

RGB 177 112 245

HSL 269.32, 0.87%, 0.7%

LAB 59.46, 50.7, -57.29

 

CMYK 20 / 39 / 0 / 3

HEX #C697F8

RGB 198 151 248

HSL 269.07, 0.87%, 0.78%

LAB 70.12, 35.9, -41.96

 

CMYK 12 / 24 / 0 / 2

HEX #DBBDFA

RGB 219 189 250

HSL 269.51, 0.86%, 0.86%

LAB 80.94, 21.93, -26.16

 

CMYK 28 / 55 / 0 / 4

HEX #B06EF5

RGB 176 110 245

HSL 269.33, 0.87%, 0.7%

LAB 58.95, 51.51, -58.11

 

CMYK 0 / 54 / 37 / 4

HEX #F5709A

RGB 245 112 154

HSL 341.05, 0.87%, 0.7%

LAB 64.43, 55.01, 2.45

 

CMYK 54 / 0 / 50 / 4

HEX #70F57B

RGB 112 245 123

HSL 124.96, 0.87%, 0.7%

LAB 87.08, -60.76, 47.56

 

CMYK 28 / 55 / 0 / 4

HEX #B06EF5

RGB 176 110 245

HSL 269.33, 0.87%, 0.7%

LAB 58.95, 51.51, -58.11

 

CMYK 0 / 28 / 54 / 4

HEX #F5B070

RGB 245 176 112

HSL 28.87, 0.87%, 0.7%

LAB 77.06, 18.31, 42.49

 

CMYK 54 / 0 / 28 / 4

HEX #70F5B0

RGB 112 245 176

HSL 148.87, 0.87%, 0.7%

LAB 87.91, -52.03, 22.37

 

CMYK 28 / 55 / 0 / 4

HEX #B06EF5

RGB 176 110 245

HSL 269.33, 0.87%, 0.7%

LAB 58.95, 51.51, -58.11

 

CMYK 0 / 54 / 37 / 4

HEX #F5709A

RGB 245 112 154

HSL 341.05, 0.87%, 0.7%

LAB 64.43, 55.01, 2.45

 

CMYK 26 / 0 / 54 / 4

HEX #B5F570

RGB 181 245 112

HSL 88.87, 0.87%, 0.7%

LAB 90, -41.16, 56.83

 

CMYK 54 / 0 / 17 / 4

HEX #70F5CB

RGB 112 245 203

HSL 161.05, 0.87%, 0.7%

LAB 88.48, -46.4, 9.21

 

CMYK 28 / 55 / 0 / 4

HEX #B06EF5

RGB 176 110 245

HSL 269.33, 0.87%, 0.7%

LAB 58.95, 51.51, -58.11

 

CMYK 0 / 54 / 53 / 4

HEX #F57072

RGB 245 112 114

HSL 359.1, 0.87%, 0.7%

LAB 63.52, 51.18, 24.01

 

CMYK 26 / 0 / 54 / 4

HEX #B5F570

RGB 181 245 112

HSL 88.87, 0.87%, 0.7%

LAB 90, -41.16, 56.83

 

CMYK 54 / 0 / 1 / 4

HEX #70F5F3

RGB 112 245 243

HSL 179.1, 0.87%, 0.7%

LAB 89.5, -36.78, -10.15

 

Description

Color code: HEX #B06EF5 | qconv.com Color code: HEX #B06EF5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 110 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 110 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 55 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 55% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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