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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E4ACF it is the complementary color #71B530. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E4ACF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E4ACF shade: #934ACA, #A45CDD, #B56EF0, #C680FF and #D792FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E4ACF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E4ACF shade: #8E4ACF, #7D38BC, #6C26A9, #5B1496 and #4A0283

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E4ACF shade: #8E4ACF, #B24ACF, #CF4AC8, #CF4AA4 and #CF4A80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E4ACF shade: #8E4ACF, #6A4ACF and #4A4ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E4ACF shade matches the following richer shades: #8E4ACF, #8E37E1 and #8F25F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E4ACF shade: #8E4ACF, #8D5CBC, #8D6FAA, #8C8197 and #8C9485

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E4ACF shade: #4A4ECF, #694ACF, #8C4ACF, #B04ACF and #CF4ACA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E4ACF shade: #642A9C, #7932BD, #8E4ACF, #A26AD7 and #B68BE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E4ACF shade: #8E4ACF, #CF4A72 and #4ACF57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E4ACF shade: #8E4ACF, #CF8C4A and #4ACF8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E4ACF shade: #8E4ACF, #CF4A72, #8CCF4A and #4ACFA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E4ACF shade: #8E4ACF, #CF4A4A, #8CCF4A and #4ACFCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 64 / 0 / 19

HEX #8E4ACF

RGB 142 74 207

HSL 270.68, 0.58%, 0.55%

LAB 45.84, 53.22, -57.93

 

Complementary color

CMYK 38 / 0 / 73 / 29

HEX #71B530

RGB 113 181 48

HSL 90.68, 0.58%, 0.45%

LAB 67.11, -42.77, 57.35

 

CMYK 27 / 63 / 0 / 21

HEX #934ACA

RGB 147 74 202

HSL 274.22, 0.55%, 0.54%

LAB 46.13, 53.16, -54.55

 

CMYK 26 / 58 / 0 / 13

HEX #A45CDD

RGB 164 92 221

HSL 273.49, 0.65%, 0.61%

LAB 52.69, 52.42, -54.76

 

CMYK 25 / 54 / 0 / 6

HEX #B56EF0

RGB 181 110 240

HSL 272.77, 0.81%, 0.69%

LAB 59.22, 51.59, -54.88

 

CMYK 22 / 50 / 0 / 0

HEX #C680FF

RGB 198 128 255

HSL 273.07, 1%, 0.75%

LAB 65.49, 49.84, -53.07

 

CMYK 16 / 43 / 0 / 0

HEX #D792FF

RGB 215 146 255

HSL 277.98, 1%, 0.79%

LAB 71.03, 44.94, -44.22

 

CMYK 31 / 64 / 0 / 19

HEX #8E4ACF

RGB 142 74 207

HSL 270.68, 0.58%, 0.55%

LAB 45.84, 53.22, -57.93

 

CMYK 34 / 70 / 0 / 26

HEX #7D38BC

RGB 125 56 188

HSL 271.36, 0.54%, 0.48%

LAB 39.27, 53.84, -57.62

 

CMYK 36 / 78 / 0 / 34

HEX #6C26A9

RGB 108 38 169

HSL 272.06, 0.63%, 0.41%

LAB 32.79, 54.02, -56.98

 

CMYK 39 / 87 / 0 / 41

HEX #5B1496

RGB 91 20 150

HSL 272.77, 0.76%, 0.33%

LAB 26.52, 53.29, -55.77

 

CMYK 44 / 98 / 0 / 49

HEX #4A0283

RGB 74 2 131

HSL 273.49, 0.97%, 0.26%

LAB 20.59, 51.3, -53.76

 

CMYK 31 / 64 / 0 / 19

HEX #8E4ACF

RGB 142 74 207

HSL 270.68, 0.58%, 0.55%

LAB 45.84, 53.22, -57.93

 

CMYK 14 / 64 / 0 / 19

HEX #B24ACF

RGB 178 74 207

HSL 286.92, 0.58%, 0.55%

LAB 50.53, 61.32, -50.15

 

CMYK 0 / 64 / 3 / 19

HEX #CF4AC8

RGB 207 74 200

HSL 303.16, 0.58%, 0.55%

LAB 54.38, 66.93, -39.77

 

CMYK 0 / 64 / 21 / 19

HEX #CF4AA4

RGB 207 74 164

HSL 319.4, 0.58%, 0.55%

LAB 52.78, 61.52, -21.37

 

CMYK 0 / 64 / 38 / 19

HEX #CF4A80

RGB 207 74 128

HSL 335.64, 0.58%, 0.55%

LAB 51.52, 57.08, -1.89

 

CMYK 31 / 64 / 0 / 19

HEX #8E4ACF

RGB 142 74 207

HSL 270.68, 0.58%, 0.55%

LAB 45.84, 53.22, -57.93

 

CMYK 49 / 64 / 0 / 19

HEX #6A4ACF

RGB 106 74 207

HSL 254.44, 0.58%, 0.55%

LAB 41.95, 45.9, -64.42

 

CMYK 64 / 64 / 0 / 19

HEX #4A4ACF

RGB 74 74 207

HSL 240, 0.58%, 0.55%

LAB 39.34, 40.58, -68.79

 

CMYK 31 / 64 / 0 / 19

HEX #8E4ACF

RGB 142 74 207

HSL 270.68, 0.58%, 0.55%

LAB 45.84, 53.22, -57.93

 

CMYK 37 / 76 / 0 / 12

HEX #8E37E1

RGB 142 55 225

HSL 270.71, 0.74%, 0.55%

LAB 44.12, 65.92, -71.03

 

CMYK 41 / 85 / 0 / 4

HEX #8F25F4

RGB 143 37 244

HSL 270.72, 0.9%, 0.55%

LAB 43.79, 76.23, -82.31

 

CMYK 31 / 64 / 0 / 19

HEX #8E4ACF

RGB 142 74 207

HSL 270.68, 0.58%, 0.55%

LAB 45.84, 53.22, -57.93

 

CMYK 25 / 51 / 0 / 26

HEX #8D5CBC

RGB 141 92 188

HSL 270.63, 0.42%, 0.55%

LAB 48.19, 38.84, -43.2

 

CMYK 17 / 35 / 0 / 33

HEX #8D6FAA

RGB 141 111 170

HSL 270.51, 0.26%, 0.55%

LAB 51.76, 23.62, -27.14

 

CMYK 7 / 15 / 0 / 41

HEX #8C8197

RGB 140 129 151

HSL 270, 0.1%, 0.55%

LAB 55.59, 8.53, -10.27

 

CMYK 5 / 0 / 10 / 42

HEX #8C9485

RGB 140 148 133

HSL 92, 0.07%, 0.55%

LAB 60.29, -5.78, 6.94

 

CMYK 64 / 62 / 0 / 19

HEX #4A4ECF

RGB 74 78 207

HSL 238.2, 0.58%, 0.55%

LAB 40.26, 38.16, -67.28

 

CMYK 49 / 64 / 0 / 19

HEX #694ACF

RGB 105 74 207

HSL 253.98, 0.58%, 0.55%

LAB 41.85, 45.71, -64.58

 

CMYK 32 / 64 / 0 / 19

HEX #8C4ACF

RGB 140 74 207

HSL 269.77, 0.58%, 0.55%

LAB 45.6, 52.79, -58.33

 

CMYK 15 / 64 / 0 / 19

HEX #B04ACF

RGB 176 74 207

HSL 286.02, 0.58%, 0.55%

LAB 50.25, 60.86, -50.61

 

CMYK 0 / 64 / 2 / 19

HEX #CF4ACA

RGB 207 74 202

HSL 302.26, 0.58%, 0.55%

LAB 54.48, 67.26, -40.76

 

CMYK 36 / 73 / 0 / 39

HEX #642A9C

RGB 100 42 156

HSL 270.53, 0.58%, 0.39%

LAB 31.27, 47.68, -51.64

 

CMYK 36 / 74 / 0 / 26

HEX #7932BD

RGB 121 50 189

HSL 270.65, 0.58%, 0.47%

LAB 37.88, 56.01, -60.49

 

CMYK 31 / 64 / 0 / 19

HEX #8E4ACF

RGB 142 74 207

HSL 270.68, 0.58%, 0.55%

LAB 45.84, 53.22, -57.93

 

CMYK 25 / 51 / 0 / 16

HEX #A26AD7

RGB 162 106 215

HSL 270.83, 0.58%, 0.63%

LAB 54.96, 43.11, -47.76

 

CMYK 19 / 38 / 0 / 12

HEX #B68BE0

RGB 182 139 224

HSL 270.35, 0.58%, 0.71%

LAB 64.8, 32.51, -37.19

 

CMYK 31 / 64 / 0 / 19

HEX #8E4ACF

RGB 142 74 207

HSL 270.68, 0.58%, 0.55%

LAB 45.84, 53.22, -57.93

 

CMYK 0 / 64 / 45 / 19

HEX #CF4A72

RGB 207 74 114

HSL 341.95, 0.58%, 0.55%

LAB 51.13, 55.64, 5.94

 

CMYK 64 / 0 / 58 / 19

HEX #4ACF57

RGB 74 207 87

HSL 125.86, 0.58%, 0.55%

LAB 74.04, -60.01, 48.34

 

CMYK 31 / 64 / 0 / 19

HEX #8E4ACF

RGB 142 74 207

HSL 270.68, 0.58%, 0.55%

LAB 45.84, 53.22, -57.93

 

CMYK 0 / 32 / 64 / 19

HEX #CF8C4A

RGB 207 140 74

HSL 29.77, 0.58%, 0.55%

LAB 63.77, 19.1, 44.84

 

CMYK 64 / 0 / 32 / 19

HEX #4ACF8C

RGB 74 207 140

HSL 149.77, 0.58%, 0.55%

LAB 74.81, -51.48, 22.91

 

CMYK 31 / 64 / 0 / 19

HEX #8E4ACF

RGB 142 74 207

HSL 270.68, 0.58%, 0.55%

LAB 45.84, 53.22, -57.93

 

CMYK 0 / 64 / 45 / 19

HEX #CF4A72

RGB 207 74 114

HSL 341.95, 0.58%, 0.55%

LAB 51.13, 55.64, 5.94

 

CMYK 32 / 0 / 64 / 19

HEX #8CCF4A

RGB 140 207 74

HSL 90.23, 0.58%, 0.55%

LAB 76.49, -42.48, 57.45

 

CMYK 64 / 0 / 19 / 19

HEX #4ACFA7

RGB 74 207 167

HSL 161.95, 0.58%, 0.55%

LAB 75.37, -45.6, 9.34

 

CMYK 31 / 64 / 0 / 19

HEX #8E4ACF

RGB 142 74 207

HSL 270.68, 0.58%, 0.55%

LAB 45.84, 53.22, -57.93

 

CMYK 0 / 64 / 64 / 19

HEX #CF4A4A

RGB 207 74 74

HSL 0, 0.58%, 0.55%

LAB 50.28, 52.51, 28.71

 

CMYK 32 / 0 / 64 / 19

HEX #8CCF4A

RGB 140 207 74

HSL 90.23, 0.58%, 0.55%

LAB 76.49, -42.48, 57.45

 

CMYK 64 / 0 / 0 / 19

HEX #4ACFCF

RGB 74 207 207

HSL 180, 0.58%, 0.55%

LAB 76.43, -35.3, -10.65

 

Description

Color code: HEX #8E4ACF | qconv.com Color code: HEX #8E4ACF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 74 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 74 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 64 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 64% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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