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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B05F52 it is the complementary color #4FA0AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B05F52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B05F52: #B55F4D, #C67160, #D78373, #E89586 and #F9A799

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B05F52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B05F52: #B05F52, #9F4D3F, #8E3B2C, #7D2919 and #6C1706

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 53 / 31

HEX #B05F52

RGB 176 95 82

HSL 8.3, 0.37%, 0.51%

LAB 49.52, 31.47, 22.08

 

Complementary color

CMYK 54 / 8 / 0 / 32

HEX #4FA0AD

RGB 79 160 173

HSL 188.3, 0.37%, 0.49%

LAB 61.5, -20.95, -14.31

 

CMYK 0 / 48 / 57 / 29

HEX #B55F4D

RGB 181 95 77

HSL 10.38, 0.41%, 0.51%

LAB 50.15, 33.03, 25.94

 

CMYK 0 / 43 / 52 / 22

HEX #C67160

RGB 198 113 96

HSL 10, 0.47%, 0.58%

LAB 56.74, 31.75, 24.05

 

CMYK 0 / 39 / 47 / 16

HEX #D78373

RGB 215 131 115

HSL 9.6, 0.56%, 0.65%

LAB 63.27, 30.59, 22.4

 

CMYK 0 / 36 / 42 / 9

HEX #E89586

RGB 232 149 134

HSL 9.18, 0.68%, 0.72%

LAB 69.73, 29.54, 20.94

 

CMYK 0 / 33 / 39 / 2

HEX #F9A799

RGB 249 167 153

HSL 8.75, 0.89%, 0.79%

LAB 76.12, 28.59, 19.62

 

CMYK 0 / 46 / 53 / 31

HEX #B05F52

RGB 176 95 82

HSL 8.3, 0.37%, 0.51%

LAB 49.52, 31.47, 22.08

 

CMYK 0 / 52 / 60 / 38

HEX #9F4D3F

RGB 159 77 63

HSL 8.75, 0.43%, 0.44%

LAB 42.82, 32.79, 24.15

 

CMYK 0 / 58 / 69 / 44

HEX #8E3B2C

RGB 142 59 44

HSL 9.18, 0.53%, 0.36%

LAB 36.1, 34.19, 26.62

 

CMYK 0 / 67 / 80 / 51

HEX #7D2919

RGB 125 41 25

HSL 9.6, 0.67%, 0.29%

LAB 29.45, 35.52, 29.54

 

CMYK 0 / 79 / 94 / 58

HEX #6C1706

RGB 108 23 6

HSL 10, 0.89%, 0.22%

LAB 23.05, 36.41, 31.66

 

CMYK 0 / 46 / 53 / 31

HEX #B05F52

RGB 176 95 82

HSL 8.3, 0.37%, 0.51%

LAB 49.52, 31.47, 22.08

 

CMYK 0 / 37 / 53 / 31

HEX #B06F53

RGB 176 111 83

HSL 18.06, 0.37%, 0.51%

LAB 53.19, 22.75, 26.28

 

CMYK 0 / 28 / 53 / 31

HEX #B07E53

RGB 176 126 83

HSL 27.74, 0.37%, 0.51%

LAB 56.86, 14.35, 30.95

 

CMYK 0 / 19 / 53 / 31

HEX #B08E53

RGB 176 142 83

HSL 38.06, 0.37%, 0.51%

LAB 60.96, 5.43, 36.05

 

CMYK 0 / 11 / 53 / 31

HEX #B09D53

RGB 176 157 83

HSL 47.74, 0.37%, 0.51%

LAB 64.94, -2.77, 40.87

 

CMYK 0 / 46 / 53 / 31

HEX #B05F52

RGB 176 95 82

HSL 8.3, 0.37%, 0.51%

LAB 49.52, 31.47, 22.08

 

CMYK 0 / 46 / 53 / 11

HEX #E37B6A

RGB 227 123 106

HSL 8.43, 0.68%, 0.65%

LAB 62.96, 38.56, 27.31

 

CMYK 0 / 48 / 52 / 91

HEX #170C0B

RGB 23 12 11

HSL 5, 0.35%, 0.07%

LAB 4.24, 4.06, 1.9

 

CMYK 0 / 46 / 54 / 71

HEX #4A2822

RGB 74 40 34

HSL 9, 0.37%, 0.21%

LAB 20.4, 15.15, 10.83

 

CMYK 0 / 46 / 54 / 51

HEX #7D433A

RGB 125 67 58

HSL 8.06, 0.37%, 0.36%

LAB 35.36, 23.96, 16.52

 

CMYK 0 / 46 / 53 / 31

HEX #B05F52

RGB 176 95 82

HSL 8.3, 0.37%, 0.51%

LAB 49.52, 31.47, 22.08

 

CMYK 18 / 0 / 53 / 31

HEX #91B053

RGB 145 176 83

HSL 80, 0.37%, 0.51%

LAB 67.8, -25.5, 43.67

 

CMYK 53 / 39 / 0 / 31

HEX #536CB0

RGB 83 108 176

HSL 223.87, 0.37%, 0.51%

LAB 46.58, 10.69, -39.09

 

CMYK 0 / 46 / 53 / 31

HEX #B05F52

RGB 176 95 82

HSL 8.3, 0.37%, 0.51%

LAB 49.52, 31.47, 22.08

 

CMYK 53 / 0 / 45 / 31

HEX #53B060

RGB 83 176 96

HSL 128.39, 0.37%, 0.51%

LAB 64.75, -44.82, 32.68

 

CMYK 45 / 53 / 0 / 31

HEX #6053B0

RGB 96 83 176

HSL 248.39, 0.37%, 0.51%

LAB 40.91, 29.35, -48.07

 

CMYK 0 / 46 / 53 / 31

HEX #B05F52

RGB 176 95 82

HSL 8.3, 0.37%, 0.51%

LAB 49.52, 31.47, 22.08

 

CMYK 18 / 0 / 53 / 31

HEX #91B053

RGB 145 176 83

HSL 80, 0.37%, 0.51%

LAB 67.8, -25.5, 43.67

 

CMYK 53 / 7 / 0 / 31

HEX #53A3B0

RGB 83 163 176

HSL 188.39, 0.37%, 0.51%

LAB 62.65, -20.79, -14.25

 

CMYK 35 / 53 / 0 / 31

HEX #7253B0

RGB 114 83 176

HSL 260, 0.37%, 0.51%

LAB 42.61, 33.81, -45.25

 

CMYK 0 / 46 / 53 / 31

HEX #B05F52

RGB 176 95 82

HSL 8.3, 0.37%, 0.51%

LAB 49.52, 31.47, 22.08

 

CMYK 34 / 0 / 53 / 31

HEX #75B053

RGB 117 176 83

HSL 98.06, 0.37%, 0.51%

LAB 66.1, -36.02, 41.24

 

CMYK 53 / 7 / 0 / 31

HEX #53A3B0

RGB 83 163 176

HSL 188.39, 0.37%, 0.51%

LAB 62.65, -20.79, -14.25

 

CMYK 19 / 53 / 0 / 31

HEX #8E53B0

RGB 142 83 176

HSL 278.06, 0.37%, 0.51%

LAB 45.73, 41.3, -40.09

 

Description

Color code: HEX #B05F52 | qconv.com Color code: HEX #B05F52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 95 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 95 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 53 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 53% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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