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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B05934 it is the complementary color #4FA6CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B05934. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B05934: #B5592F, #C66B42, #D77D55, #E88F68 and #F9A17B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B05934. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B05934: #B05934, #9F4721, #8E350E, #7D2300 and #6C1100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 70 / 31

HEX #B05934

RGB 176 89 52

HSL 17.9, 0.54%, 0.45%

LAB 47.78, 32.53, 36.98

 

Complementary color

CMYK 61 / 18 / 0 / 20

HEX #4FA6CB

RGB 79 166 203

HSL 197.9, 0.54%, 0.55%

LAB 64.36, -15.12, -26.74

 

CMYK 0 / 51 / 74 / 29

HEX #B5592F

RGB 181 89 47

HSL 18.81, 0.59%, 0.45%

LAB 48.48, 34.29, 40.59

 

CMYK 0 / 46 / 67 / 22

HEX #C66B42

RGB 198 107 66

HSL 18.64, 0.54%, 0.52%

LAB 54.98, 32.68, 38.55

 

CMYK 0 / 42 / 60 / 16

HEX #D77D55

RGB 215 125 85

HSL 18.46, 0.62%, 0.59%

LAB 61.46, 31.22, 36.63

 

CMYK 0 / 38 / 55 / 9

HEX #E88F68

RGB 232 143 104

HSL 18.28, 0.74%, 0.66%

LAB 67.87, 29.9, 34.86

 

CMYK 0 / 35 / 51 / 2

HEX #F9A17B

RGB 249 161 123

HSL 18.1, 0.91%, 0.73%

LAB 74.23, 28.72, 33.26

 

CMYK 0 / 49 / 70 / 31

HEX #B05934

RGB 176 89 52

HSL 17.9, 0.54%, 0.45%

LAB 47.78, 32.53, 36.98

 

CMYK 0 / 55 / 79 / 38

HEX #9F4721

RGB 159 71 33

HSL 18.1, 0.66%, 0.38%

LAB 41.2, 34.21, 39.12

 

CMYK 0 / 63 / 90 / 44

HEX #8E350E

RGB 142 53 14

HSL 18.28, 0.82%, 0.31%

LAB 34.66, 35.97, 40.89

 

CMYK 0 / 72 / 100 / 51

HEX #7D2300

RGB 125 35 0

HSL 16.8, 1%, 0.25%

LAB 28.28, 37.53, 40.23

 

CMYK 0 / 84 / 100 / 58

HEX #6C1100

RGB 108 17 0

HSL 9.44, 1%, 0.21%

LAB 22.26, 38.33, 33.29

 

CMYK 0 / 49 / 70 / 31

HEX #B05934

RGB 176 89 52

HSL 17.9, 0.54%, 0.45%

LAB 47.78, 32.53, 36.98

 

CMYK 0 / 39 / 70 / 31

HEX #B06C34

RGB 176 108 52

HSL 27.1, 0.54%, 0.45%

LAB 52.07, 22.14, 41.72

 

CMYK 0 / 27 / 70 / 31

HEX #B08134

RGB 176 129 52

HSL 37.26, 0.54%, 0.45%

LAB 57.25, 10.4, 47.26

 

CMYK 0 / 15 / 70 / 31

HEX #B09534

RGB 176 149 52

HSL 46.94, 0.54%, 0.45%

LAB 62.48, -0.64, 52.67

 

CMYK 0 / 3 / 70 / 31

HEX #B0AA34

RGB 176 170 52

HSL 57.1, 0.54%, 0.45%

LAB 68.19, -11.82, 58.38

 

CMYK 0 / 49 / 70 / 31

HEX #B05934

RGB 176 89 52

HSL 17.9, 0.54%, 0.45%

LAB 47.78, 32.53, 36.98

 

CMYK 0 / 49 / 70 / 11

HEX #E37343

RGB 227 115 67

HSL 18, 0.74%, 0.58%

LAB 60.78, 40.03, 45.71

 

CMYK 0 / 48 / 70 / 91

HEX #170C07

RGB 23 12 7

HSL 18.75, 0.53%, 0.06%

LAB 4.16, 3.5, 3.42

 

CMYK 0 / 50 / 70 / 71

HEX #4A2516

RGB 74 37 22

HSL 17.31, 0.54%, 0.19%

LAB 19.38, 15.89, 17.56

 

CMYK 0 / 50 / 70 / 51

HEX #7D3F25

RGB 125 63 37

HSL 17.73, 0.54%, 0.32%

LAB 34.08, 24.56, 27.69

 

CMYK 0 / 49 / 70 / 31

HEX #B05934

RGB 176 89 52

HSL 17.9, 0.54%, 0.45%

LAB 47.78, 32.53, 36.98

 

CMYK 34 / 0 / 70 / 31

HEX #74B034

RGB 116 176 52

HSL 89.03, 0.54%, 0.45%

LAB 65.76, -39.26, 54.57

 

CMYK 70 / 62 / 0 / 31

HEX #3443B0

RGB 52 67 176

HSL 232.74, 0.54%, 0.45%

LAB 33.73, 31.21, -59.85

 

CMYK 0 / 49 / 70 / 31

HEX #B05934

RGB 176 89 52

HSL 17.9, 0.54%, 0.45%

LAB 47.78, 32.53, 36.98

 

CMYK 70 / 0 / 51 / 31

HEX #34B057

RGB 52 176 87

HSL 136.94, 0.54%, 0.45%

LAB 63.73, -53.05, 35.8

 

CMYK 51 / 70 / 0 / 31

HEX #5734B0

RGB 87 52 176

HSL 256.94, 0.54%, 0.45%

LAB 33.17, 45.63, -60.65

 

CMYK 0 / 49 / 70 / 31

HEX #B05934

RGB 176 89 52

HSL 17.9, 0.54%, 0.45%

LAB 47.78, 32.53, 36.98

 

CMYK 34 / 0 / 70 / 31

HEX #74B034

RGB 116 176 52

HSL 89.03, 0.54%, 0.45%

LAB 65.76, -39.26, 54.57

 

CMYK 70 / 20 / 0 / 31

HEX #348DB0

RGB 52 141 176

HSL 196.94, 0.54%, 0.45%

LAB 54.98, -14.76, -26.04

 

CMYK 36 / 70 / 0 / 31

HEX #7034B0

RGB 112 52 176

HSL 269.03, 0.54%, 0.45%

LAB 36.05, 50.25, -55.83

 

CMYK 0 / 49 / 70 / 31

HEX #B05934

RGB 176 89 52

HSL 17.9, 0.54%, 0.45%

LAB 47.78, 32.53, 36.98

 

CMYK 55 / 0 / 70 / 31

HEX #4FB034

RGB 79 176 52

HSL 106.94, 0.54%, 0.45%

LAB 64.13, -51.15, 52.38

 

CMYK 70 / 20 / 0 / 31

HEX #348DB0

RGB 52 141 176

HSL 196.94, 0.54%, 0.45%

LAB 54.98, -14.76, -26.04

 

CMYK 15 / 70 / 0 / 31

HEX #9534B0

RGB 149 52 176

HSL 286.94, 0.54%, 0.45%

LAB 41.18, 57.97, -47.29

 

Description

Color code: HEX #B05934 | qconv.com Color code: HEX #B05934 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 89 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 89 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 70 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 70% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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