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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B04DD9 it is the complementary color #4FB226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B04DD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B04DD9 shade: #B54DD4, #C65FE7, #D771FA, #E883FF and #F995FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B04DD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B04DD9 shade: #B04DD9, #9F3BC6, #8E29B3, #7D17A0 and #6C058D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B04DD9 shade: #B14EDA, #D64EDA, #DA4EB7, #DA4E92 and #DA4E6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B04DD9 shade: #B14EDA, #8B4EDA, #664EDA and #4E4EDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B04DD9 shade matches the following richer shades: #B14EDA, #B83DEB and #BF2CFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B04DD9 shade: #B14EDA, #AA60C8, #A271B7, #9B82A6 and #949494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B04DD9 shade: #654EDA, #8B4EDA, #B04EDA, #D54EDA and #DA4EB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B04DD9 shade: #8725B0, #A22DD2, #B14EDA, #C070E1 and #CF92E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B04DD9 shade: #B04DD9, #DA4E5C and #4EDA78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B04DD9 shade: #B04DD9, #DAB04E and #4EDAB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B04DD9 shade: #B04DD9, #DA4E5C, #78DA4E and #4EDACC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B04DD9 shade: #B04DD9, #DA6A4E, #78DA4E and #4EBEDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 65 / 0 / 15

HEX #B04DD9

RGB 176 77 217

HSL 282.43, 0.65%, 0.58%

LAB 51.32, 61.53, -54.61

 

Complementary color

CMYK 56 / 0 / 79 / 30

HEX #4FB226

RGB 79 178 38

HSL 102.43, 0.65%, 0.42%

LAB 64.68, -52.88, 57.85

 

CMYK 15 / 64 / 0 / 17

HEX #B54DD4

RGB 181 77 212

HSL 286.22, 0.61%, 0.57%

LAB 51.71, 61.68, -51.11

 

CMYK 14 / 59 / 0 / 9

HEX #C65FE7

RGB 198 95 231

HSL 285.44, 0.74%, 0.64%

LAB 58, 61.29, -51.68

 

CMYK 14 / 55 / 0 / 2

HEX #D771FA

RGB 215 113 250

HSL 284.67, 0.93%, 0.71%

LAB 64.29, 60.71, -52.1

 

CMYK 9 / 49 / 0 / 0

HEX #E883FF

RGB 232 131 255

HSL 288.87, 1%, 0.76%

LAB 69.9, 57.33, -45.86

 

CMYK 2 / 42 / 0 / 0

HEX #F995FF

RGB 249 149 255

HSL 296.6, 1%, 0.79%

LAB 75.36, 53.1, -37.19

 

CMYK 19 / 65 / 0 / 15

HEX #B04DD9

RGB 176 77 217

HSL 282.43, 0.65%, 0.58%

LAB 51.32, 61.53, -54.61

 

CMYK 20 / 70 / 0 / 22

HEX #9F3BC6

RGB 159 59 198

HSL 283.17, 0.55%, 0.5%

LAB 45.05, 61.67, -53.9

 

CMYK 21 / 77 / 0 / 30

HEX #8E29B3

RGB 142 41 179

HSL 283.91, 0.63%, 0.43%

LAB 38.88, 61.25, -52.83

 

CMYK 22 / 86 / 0 / 37

HEX #7D17A0

RGB 125 23 160

HSL 284.67, 0.75%, 0.36%

LAB 32.94, 59.89, -51.18

 

CMYK 23 / 96 / 0 / 45

HEX #6C058D

RGB 108 5 141

HSL 285.44, 0.93%, 0.29%

LAB 27.35, 57.14, -48.74

 

CMYK 19 / 64 / 0 / 15

HEX #B14EDA

RGB 177 78 218

HSL 282.43, 0.65%, 0.58%

LAB 51.68, 61.52, -54.6

 

CMYK 2 / 64 / 0 / 15

HEX #D64EDA

RGB 214 78 218

HSL 298.29, 0.65%, 0.58%

LAB 56.89, 70, -45.99

 

CMYK 0 / 64 / 16 / 15

HEX #DA4EB7

RGB 218 78 183

HSL 315, 0.65%, 0.58%

LAB 55.86, 65.53, -27.54

 

CMYK 0 / 64 / 33 / 15

HEX #DA4E92

RGB 218 78 146

HSL 330.86, 0.65%, 0.58%

LAB 54.48, 60.72, -8.02

 

CMYK 0 / 64 / 50 / 15

HEX #DA4E6C

RGB 218 78 108

HSL 347.14, 0.65%, 0.58%

LAB 53.42, 56.89, 13.04

 

CMYK 19 / 64 / 0 / 15

HEX #B14EDA

RGB 177 78 218

HSL 282.43, 0.65%, 0.58%

LAB 51.68, 61.52, -54.6

 

CMYK 36 / 64 / 0 / 15

HEX #8B4EDA

RGB 139 78 218

HSL 266.14, 0.65%, 0.58%

LAB 46.97, 53.25, -62.42

 

CMYK 53 / 64 / 0 / 15

HEX #664EDA

RGB 102 78 218

HSL 250.29, 0.65%, 0.58%

LAB 43.26, 46.14, -68.61

 

CMYK 64 / 64 / 0 / 15

HEX #4E4EDA

RGB 78 78 218

HSL 240, 0.65%, 0.58%

LAB 41.42, 42.37, -71.69

 

CMYK 19 / 64 / 0 / 15

HEX #B14EDA

RGB 177 78 218

HSL 282.43, 0.65%, 0.58%

LAB 51.68, 61.52, -54.6

 

CMYK 22 / 74 / 0 / 8

HEX #B83DEB

RGB 184 61 235

HSL 282.41, 0.81%, 0.58%

LAB 51.3, 73.13, -64.78

 

CMYK 24 / 83 / 0 / 1

HEX #BF2CFC

RGB 191 44 252

HSL 282.4, 0.97%, 0.58%

LAB 51.73, 82.62, -73.55

 

CMYK 19 / 64 / 0 / 15

HEX #B14EDA

RGB 177 78 218

HSL 282.43, 0.65%, 0.58%

LAB 51.68, 61.52, -54.6

 

CMYK 15 / 52 / 0 / 22

HEX #AA60C8

RGB 170 96 200

HSL 282.69, 0.49%, 0.58%

LAB 53.04, 47.28, -42.22

 

CMYK 11 / 38 / 0 / 28

HEX #A271B7

RGB 162 113 183

HSL 282, 0.33%, 0.58%

LAB 54.98, 32.02, -29.49

 

CMYK 7 / 22 / 0 / 35

HEX #9B82A6

RGB 155 130 166

HSL 281.67, 0.17%, 0.58%

LAB 57.74, 16.36, -15.55

 

CMYK 0 / 0 / 0 / 42

HEX #949494

RGB 148 148 148

HSL 0, 0%, 0.58%

LAB 61.32, 0, -0.01

 

CMYK 54 / 64 / 0 / 15

HEX #654EDA

RGB 101 78 218

HSL 249.86, 0.65%, 0.58%

LAB 43.18, 45.97, -68.75

 

CMYK 36 / 64 / 0 / 15

HEX #8B4EDA

RGB 139 78 218

HSL 266.14, 0.65%, 0.58%

LAB 46.97, 53.25, -62.42

 

CMYK 19 / 64 / 0 / 15

HEX #B04EDA

RGB 176 78 218

HSL 282, 0.65%, 0.58%

LAB 51.54, 61.29, -54.82

 

CMYK 2 / 64 / 0 / 15

HEX #D54EDA

RGB 213 78 218

HSL 297.86, 0.65%, 0.58%

LAB 56.74, 69.77, -46.24

 

CMYK 0 / 64 / 15 / 15

HEX #DA4EB9

RGB 218 78 185

HSL 314.14, 0.65%, 0.58%

LAB 55.94, 65.82, -28.57

 

CMYK 23 / 79 / 0 / 31

HEX #8725B0

RGB 135 37 176

HSL 282.3, 0.65%, 0.42%

LAB 37.13, 60.7, -53.93

 

CMYK 23 / 79 / 0 / 18

HEX #A22DD2

RGB 162 45 210

HSL 282.55, 0.65%, 0.5%

LAB 44.53, 69.66, -61.64

 

CMYK 19 / 64 / 0 / 15

HEX #B14EDA

RGB 177 78 218

HSL 282.43, 0.65%, 0.58%

LAB 51.68, 61.52, -54.6

 

CMYK 15 / 50 / 0 / 12

HEX #C070E1

RGB 192 112 225

HSL 282.48, 0.65%, 0.66%

LAB 60.1, 50.16, -45.05

 

CMYK 11 / 37 / 0 / 9

HEX #CF92E8

RGB 207 146 232

HSL 282.56, 0.65%, 0.74%

LAB 69.22, 37.85, -34.54

 

CMYK 19 / 65 / 0 / 15

HEX #B04DD9

RGB 176 77 217

HSL 282.43, 0.65%, 0.58%

LAB 51.32, 61.53, -54.61

 

CMYK 0 / 64 / 58 / 15

HEX #DA4E5C

RGB 218 78 92

HSL 354, 0.65%, 0.58%

LAB 53.09, 55.64, 22.09

 

CMYK 64 / 0 / 45 / 15

HEX #4EDA78

RGB 78 218 120

HSL 138, 0.65%, 0.58%

LAB 77.94, -58.54, 37.33

 

CMYK 19 / 65 / 0 / 15

HEX #B04DD9

RGB 176 77 217

HSL 282.43, 0.65%, 0.58%

LAB 51.32, 61.53, -54.61

 

CMYK 0 / 19 / 64 / 15

HEX #DAB04E

RGB 218 176 78

HSL 42, 0.65%, 0.58%

LAB 73.87, 4.65, 54.56

 

CMYK 64 / 0 / 19 / 15

HEX #4EDAB0

RGB 78 218 176

HSL 162, 0.65%, 0.58%

LAB 78.98, -47.47, 9.7

 

CMYK 19 / 65 / 0 / 15

HEX #B04DD9

RGB 176 77 217

HSL 282.43, 0.65%, 0.58%

LAB 51.32, 61.53, -54.61

 

CMYK 0 / 64 / 58 / 15

HEX #DA4E5C

RGB 218 78 92

HSL 354, 0.65%, 0.58%

LAB 53.09, 55.64, 22.09

 

CMYK 45 / 0 / 64 / 15

HEX #78DA4E

RGB 120 218 78

HSL 102, 0.65%, 0.58%

LAB 78.86, -53.28, 58.1

 

CMYK 64 / 0 / 6 / 15

HEX #4EDACC

RGB 78 218 204

HSL 174, 0.65%, 0.58%

LAB 79.68, -40.53, -4.2

 

CMYK 19 / 65 / 0 / 15

HEX #B04DD9

RGB 176 77 217

HSL 282.43, 0.65%, 0.58%

LAB 51.32, 61.53, -54.61

 

CMYK 0 / 51 / 64 / 15

HEX #DA6A4E

RGB 218 106 78

HSL 12, 0.65%, 0.58%

LAB 57.81, 41.73, 36.1

 

CMYK 45 / 0 / 64 / 15

HEX #78DA4E

RGB 120 218 78

HSL 102, 0.65%, 0.58%

LAB 78.86, -53.28, 58.1

 

CMYK 64 / 13 / 0 / 15

HEX #4EBEDA

RGB 78 190 218

HSL 192, 0.65%, 0.58%

LAB 71.9, -23.21, -23.44

 

Description

Color code: HEX #B04DD9 | qconv.com Color code: HEX #B04DD9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 77 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 77 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 65 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 65% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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