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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E29B3 it is the complementary color #71D64C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E29B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E29B3 shade: #9329AE, #A43BC1, #B54DD4, #C65FE7 and #D771FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E29B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E29B3 shade: #8E29B3, #7D17A0, #6C058D, #5B007A and #4A0067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E29B3 shade: #8E29B3, #B329B3, #B3298D, #B32968 and #B32943

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E29B3 shade: #8E29B3, #6829B3, #4329B3 and #2929B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E29B3 shade matches the following richer shades: #8E29B3, #9617C4 and #9E05D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E29B3 shade: #8E29B3, #853AA1, #7D4C8F, #755E7E and #6D706C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E29B3 shade: #4229B3, #6729B3, #8C29B3, #B029B3 and #B32990

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E29B3 shade: #58196F, #732191, #8E29B3, #A734D1 and #B555D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E29B3 shade: #8E29B3, #B32934 and #29B354

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E29B3 shade: #8E29B3, #B38C29 and #29B38C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E29B3 shade: #8E29B3, #B32934, #50B329 and #29B3A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E29B3 shade: #8E29B3, #B34729, #50B329 and #2995B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 77 / 0 / 30

HEX #8E29B3

RGB 142 41 179

HSL 283.91, 0.63%, 0.43%

LAB 38.88, 61.25, -52.83

 

Complementary color

CMYK 47 / 0 / 64 / 16

HEX #71D64C

RGB 113 214 76

HSL 103.91, 0.63%, 0.57%

LAB 77.36, -53.98, 57.2

 

CMYK 16 / 76 / 0 / 32

HEX #9329AE

RGB 147 41 174

HSL 287.82, 0.62%, 0.42%

LAB 39.32, 61.25, -49.12

 

CMYK 15 / 69 / 0 / 24

HEX #A43BC1

RGB 164 59 193

HSL 287.01, 0.53%, 0.49%

LAB 45.46, 61.74, -50.3

 

CMYK 15 / 64 / 0 / 17

HEX #B54DD4

RGB 181 77 212

HSL 286.22, 0.61%, 0.57%

LAB 51.71, 61.68, -51.11

 

CMYK 14 / 59 / 0 / 9

HEX #C65FE7

RGB 198 95 231

HSL 285.44, 0.74%, 0.64%

LAB 58, 61.29, -51.68

 

CMYK 14 / 55 / 0 / 2

HEX #D771FA

RGB 215 113 250

HSL 284.67, 0.93%, 0.71%

LAB 64.29, 60.71, -52.1

 

CMYK 21 / 77 / 0 / 30

HEX #8E29B3

RGB 142 41 179

HSL 283.91, 0.63%, 0.43%

LAB 38.88, 61.25, -52.83

 

CMYK 22 / 86 / 0 / 37

HEX #7D17A0

RGB 125 23 160

HSL 284.67, 0.75%, 0.36%

LAB 32.94, 59.89, -51.18

 

CMYK 23 / 96 / 0 / 45

HEX #6C058D

RGB 108 5 141

HSL 285.44, 0.93%, 0.29%

LAB 27.35, 57.14, -48.74

 

CMYK 25 / 100 / 0 / 52

HEX #5B007A

RGB 91 0 122

HSL 284.75, 1%, 0.24%

LAB 22.41, 51.99, -44.95

 

CMYK 28 / 100 / 0 / 60

HEX #4A0067

RGB 74 0 103

HSL 283.11, 1%, 0.2%

LAB 17.62, 45.76, -40.57

 

CMYK 21 / 77 / 0 / 30

HEX #8E29B3

RGB 142 41 179

HSL 283.91, 0.63%, 0.43%

LAB 38.88, 61.25, -52.83

 

CMYK 0 / 77 / 0 / 30

HEX #B329B3

RGB 179 41 179

HSL 300, 0.63%, 0.43%

LAB 44.84, 68.56, -42.95

 

CMYK 0 / 77 / 21 / 30

HEX #B3298D

RGB 179 41 141

HSL 316.52, 0.63%, 0.43%

LAB 42.9, 62.98, -23.24

 

CMYK 0 / 77 / 42 / 30

HEX #B32968

RGB 179 41 104

HSL 332.61, 0.63%, 0.43%

LAB 41.48, 58.67, -2.53

 

CMYK 0 / 77 / 63 / 30

HEX #B32943

RGB 179 41 67

HSL 348.7, 0.63%, 0.43%

LAB 40.53, 55.67, 19.43

 

CMYK 21 / 77 / 0 / 30

HEX #8E29B3

RGB 142 41 179

HSL 283.91, 0.63%, 0.43%

LAB 38.88, 61.25, -52.83

 

CMYK 42 / 77 / 0 / 30

HEX #6829B3

RGB 104 41 179

HSL 267.39, 0.63%, 0.43%

LAB 33.53, 54.53, -61.77

 

CMYK 63 / 77 / 0 / 30

HEX #4329B3

RGB 67 41 179

HSL 251.3, 0.63%, 0.43%

LAB 29.5, 49.34, -68.54

 

CMYK 77 / 77 / 0 / 30

HEX #2929B3

RGB 41 41 179

HSL 240, 0.63%, 0.43%

LAB 27.61, 46.85, -71.73

 

CMYK 21 / 77 / 0 / 30

HEX #8E29B3

RGB 142 41 179

HSL 283.91, 0.63%, 0.43%

LAB 38.88, 61.25, -52.83

 

CMYK 23 / 88 / 0 / 23

HEX #9617C4

RGB 150 23 196

HSL 284.05, 0.79%, 0.43%

LAB 39.72, 70.72, -61.42

 

CMYK 26 / 98 / 0 / 16

HEX #9E05D6

RGB 158 5 214

HSL 283.92, 0.95%, 0.43%

LAB 41.58, 77.58, -68.77

 

CMYK 21 / 77 / 0 / 30

HEX #8E29B3

RGB 142 41 179

HSL 283.91, 0.63%, 0.43%

LAB 38.88, 61.25, -52.83

 

CMYK 17 / 64 / 0 / 37

HEX #853AA1

RGB 133 58 161

HSL 283.69, 0.47%, 0.43%

LAB 38.87, 48.57, -42.18

 

CMYK 13 / 47 / 0 / 44

HEX #7D4C8F

RGB 125 76 143

HSL 283.88, 0.31%, 0.43%

LAB 40.43, 32.84, -28.92

 

CMYK 7 / 25 / 0 / 51

HEX #755E7E

RGB 117 94 126

HSL 283.13, 0.15%, 0.43%

LAB 43.2, 15.65, -14.41

 

CMYK 3 / 0 / 4 / 56

HEX #6D706C

RGB 109 112 108

HSL 105, 0.02%, 0.43%

LAB 46.87, -1.96, 1.82

 

CMYK 63 / 77 / 0 / 30

HEX #4229B3

RGB 66 41 179

HSL 250.87, 0.63%, 0.43%

LAB 29.41, 49.23, -68.69

 

CMYK 42 / 77 / 0 / 30

HEX #6729B3

RGB 103 41 179

HSL 266.96, 0.63%, 0.43%

LAB 33.4, 54.37, -61.98

 

CMYK 22 / 77 / 0 / 30

HEX #8C29B3

RGB 140 41 179

HSL 283.04, 0.63%, 0.43%

LAB 38.58, 60.87, -53.33

 

CMYK 2 / 77 / 0 / 30

HEX #B029B3

RGB 176 41 179

HSL 298.7, 0.63%, 0.43%

LAB 44.33, 67.95, -43.78

 

CMYK 0 / 77 / 20 / 30

HEX #B32990

RGB 179 41 144

HSL 315.22, 0.63%, 0.43%

LAB 43.04, 63.38, -24.85

 

CMYK 21 / 77 / 0 / 56

HEX #58196F

RGB 88 25 111

HSL 283.95, 0.63%, 0.27%

LAB 23.4, 42.15, -36.31

 

CMYK 21 / 77 / 0 / 43

HEX #732191

RGB 115 33 145

HSL 283.93, 0.63%, 0.35%

LAB 31.29, 51.93, -44.77

 

CMYK 21 / 77 / 0 / 30

HEX #8E29B3

RGB 142 41 179

HSL 283.91, 0.63%, 0.43%

LAB 38.88, 61.25, -52.83

 

CMYK 20 / 75 / 0 / 18

HEX #A734D1

RGB 167 52 209

HSL 283.95, 0.63%, 0.51%

LAB 46.01, 68.06, -58.64

 

CMYK 16 / 61 / 0 / 15

HEX #B555D8

RGB 181 85 216

HSL 283.97, 0.63%, 0.59%

LAB 53.25, 58.85, -50.92

 

CMYK 21 / 77 / 0 / 30

HEX #8E29B3

RGB 142 41 179

HSL 283.91, 0.63%, 0.43%

LAB 38.88, 61.25, -52.83

 

CMYK 0 / 77 / 71 / 30

HEX #B32934

RGB 179 41 52

HSL 355.22, 0.63%, 0.43%

LAB 40.27, 54.85, 28.4

 

CMYK 77 / 0 / 53 / 30

HEX #29B354

RGB 41 179 84

HSL 138.7, 0.63%, 0.43%

LAB 64.44, -56.28, 38.13

 

CMYK 21 / 77 / 0 / 30

HEX #8E29B3

RGB 142 41 179

HSL 283.91, 0.63%, 0.43%

LAB 38.88, 61.25, -52.83

 

CMYK 0 / 22 / 77 / 30

HEX #B38C29

RGB 179 140 41

HSL 43.04, 0.63%, 0.43%

LAB 60.34, 5.1, 55.07

 

CMYK 77 / 0 / 22 / 30

HEX #29B38C

RGB 41 179 140

HSL 163.04, 0.63%, 0.43%

LAB 65.44, -45.12, 9.78

 

CMYK 21 / 77 / 0 / 30

HEX #8E29B3

RGB 142 41 179

HSL 283.91, 0.63%, 0.43%

LAB 38.88, 61.25, -52.83

 

CMYK 0 / 77 / 71 / 30

HEX #B32934

RGB 179 41 52

HSL 355.22, 0.63%, 0.43%

LAB 40.27, 54.85, 28.4

 

CMYK 55 / 0 / 77 / 30

HEX #50B329

RGB 80 179 41

HSL 103.04, 0.63%, 0.43%

LAB 65.05, -52.79, 57.26

 

CMYK 77 / 0 / 7 / 30

HEX #29B3A7

RGB 41 179 167

HSL 174.78, 0.63%, 0.43%

LAB 66.14, -37.97, -4.14

 

CMYK 21 / 77 / 0 / 30

HEX #8E29B3

RGB 142 41 179

HSL 283.91, 0.63%, 0.43%

LAB 38.88, 61.25, -52.83

 

CMYK 0 / 60 / 77 / 30

HEX #B34729

RGB 179 71 41

HSL 13.04, 0.63%, 0.43%

LAB 44.59, 42.27, 39.52

 

CMYK 55 / 0 / 77 / 30

HEX #50B329

RGB 80 179 41

HSL 103.04, 0.63%, 0.43%

LAB 65.05, -52.79, 57.26

 

CMYK 77 / 17 / 0 / 30

HEX #2995B3

RGB 41 149 179

HSL 193.04, 0.63%, 0.43%

LAB 57.29, -19.51, -24.22

 

Description

Color code: HEX #8E29B3 | qconv.com Color code: HEX #8E29B3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 41 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 41 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 77 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 77% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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