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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58196F it is the complementary color #A7E690. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58196F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58196F shade: #5D196A, #6E2B7D, #7F3D90, #904FA3 and #A161B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58196F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58196F shade: #58196F, #47075C, #360049, #250036 and #140023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58196F shade: #591970, #701970, #701959, #701941 and #70192A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58196F shade: #591970, #421970, #2A1970 and #191970

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58196F shade matches the following richer shades: #591970, #5E0E7B and #630387

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58196F shade: #591970, #542565, #4F305A, #493B4F and #444644

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58196F shade: #291970, #411970, #581970, #6F1970 and #70195B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58196F shade: #240A2D, #3E124F, #591970, #742192 and #8E29B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58196F shade: #58196F, #701921 and #197035

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58196F shade: #58196F, #705819 and #197058

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58196F shade: #58196F, #701921, #327019 and #197069

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58196F shade: #58196F, #702C19, #327019 and #195D70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 77 / 0 / 56

HEX #58196F

RGB 88 25 111

HSL 283.95, 0.63%, 0.27%

LAB 23.4, 42.15, -36.31

 

Complementary color

CMYK 27 / 0 / 37 / 10

HEX #A7E690

RGB 167 230 144

HSL 103.95, 0.63%, 0.73%

LAB 85.41, -35.49, 35.68

 

CMYK 12 / 76 / 0 / 58

HEX #5D196A

RGB 93 25 106

HSL 290.37, 0.62%, 0.26%

LAB 23.88, 42.22, -32.25

 

CMYK 12 / 66 / 0 / 51

HEX #6E2B7D

RGB 110 43 125

HSL 289.02, 0.49%, 0.33%

LAB 30.7, 42.35, -33.33

 

CMYK 12 / 58 / 0 / 44

HEX #7F3D90

RGB 127 61 144

HSL 287.71, 0.4%, 0.4%

LAB 37.6, 41.89, -33.98

 

CMYK 12 / 52 / 0 / 36

HEX #904FA3

RGB 144 79 163

HSL 286.43, 0.35%, 0.47%

LAB 44.47, 41.19, -34.4

 

CMYK 12 / 47 / 0 / 29

HEX #A161B6

RGB 161 97 182

HSL 285.18, 0.37%, 0.55%

LAB 51.27, 40.4, -34.71

 

CMYK 21 / 77 / 0 / 56

HEX #58196F

RGB 88 25 111

HSL 283.95, 0.63%, 0.27%

LAB 23.4, 42.15, -36.31

 

CMYK 23 / 92 / 0 / 64

HEX #47075C

RGB 71 7 92

HSL 285.18, 0.86%, 0.19%

LAB 16.82, 40.84, -34.61

 

CMYK 26 / 100 / 0 / 71

HEX #360049

RGB 54 0 73

HSL 284.38, 1%, 0.14%

LAB 11.03, 36.5, -31.17

 

CMYK 31 / 100 / 0 / 79

HEX #250036

RGB 37 0 54

HSL 281.11, 1%, 0.11%

LAB 5.96, 28.75, -25.99

 

CMYK 43 / 100 / 0 / 86

HEX #140023

RGB 20 0 35

HSL 274.29, 1%, 0.07%

LAB 2.44, 13.73, -17.31

 

CMYK 21 / 78 / 0 / 56

HEX #591970

RGB 89 25 112

HSL 284.14, 0.64%, 0.27%

LAB 23.63, 42.59, -36.56

 

CMYK 0 / 78 / 0 / 56

HEX #701970

RGB 112 25 112

HSL 300, 0.64%, 0.27%

LAB 27.6, 47.75, -29.99

 

CMYK 0 / 78 / 21 / 56

HEX #701959

RGB 112 25 89

HSL 315.86, 0.64%, 0.27%

LAB 26.34, 44, -17.01

 

CMYK 0 / 78 / 42 / 56

HEX #701941

RGB 112 25 65

HSL 332.41, 0.64%, 0.27%

LAB 25.33, 40.85, -2.47

 

CMYK 0 / 78 / 63 / 56

HEX #70192A

RGB 112 25 42

HSL 348.28, 0.64%, 0.27%

LAB 24.66, 38.69, 12.3

 

CMYK 21 / 78 / 0 / 56

HEX #591970

RGB 89 25 112

HSL 284.14, 0.64%, 0.27%

LAB 23.63, 42.59, -36.56

 

CMYK 41 / 78 / 0 / 56

HEX #421970

RGB 66 25 112

HSL 268.28, 0.64%, 0.27%

LAB 20.14, 37.85, -42.4

 

CMYK 63 / 78 / 0 / 56

HEX #2A1970

RGB 42 25 112

HSL 251.72, 0.64%, 0.27%

LAB 17.26, 33.78, -47.22

 

CMYK 78 / 78 / 0 / 56

HEX #191970

RGB 25 25 112

HSL 240, 0.64%, 0.27%

LAB 15.86, 31.72, -49.58

 

CMYK 21 / 78 / 0 / 56

HEX #591970

RGB 89 25 112

HSL 284.14, 0.64%, 0.27%

LAB 23.63, 42.59, -36.56

 

CMYK 24 / 89 / 0 / 52

HEX #5E0E7B

RGB 94 14 123

HSL 284.04, 0.8%, 0.27%

LAB 24.08, 49.51, -42.85

 

CMYK 27 / 98 / 0 / 47

HEX #630387

RGB 99 3 135

HSL 283.64, 0.96%, 0.27%

LAB 25.16, 55.05, -48.63

 

CMYK 21 / 78 / 0 / 56

HEX #591970

RGB 89 25 112

HSL 284.14, 0.64%, 0.27%

LAB 23.63, 42.59, -36.56

 

CMYK 17 / 63 / 0 / 60

HEX #542565

RGB 84 37 101

HSL 284.06, 0.46%, 0.27%

LAB 24.15, 33.13, -28.65

 

CMYK 12 / 47 / 0 / 65

HEX #4F305A

RGB 79 48 90

HSL 284.29, 0.3%, 0.27%

LAB 25.3, 22.45, -19.68

 

CMYK 8 / 25 / 0 / 69

HEX #493B4F

RGB 73 59 79

HSL 282, 0.14%, 0.27%

LAB 27.04, 10.44, -9.84

 

CMYK 3 / 0 / 3 / 73

HEX #444644

RGB 68 70 68

HSL 120, 0.01%, 0.27%

LAB 29.48, -1.27, 0.91

 

CMYK 63 / 78 / 0 / 56

HEX #291970

RGB 41 25 112

HSL 251.03, 0.64%, 0.27%

LAB 17.16, 33.64, -47.39

 

CMYK 42 / 78 / 0 / 56

HEX #411970

RGB 65 25 112

HSL 267.59, 0.64%, 0.27%

LAB 20, 37.66, -42.63

 

CMYK 21 / 78 / 0 / 56

HEX #581970

RGB 88 25 112

HSL 283.45, 0.64%, 0.27%

LAB 23.47, 42.37, -36.83

 

CMYK 1 / 78 / 0 / 56

HEX #6F1970

RGB 111 25 112

HSL 299.31, 0.64%, 0.27%

LAB 27.42, 47.52, -30.29

 

CMYK 0 / 78 / 19 / 56

HEX #70195B

RGB 112 25 91

HSL 314.48, 0.64%, 0.27%

LAB 26.43, 44.3, -18.18

 

CMYK 20 / 78 / 0 / 82

HEX #240A2D

RGB 36 10 45

HSL 284.57, 0.64%, 0.11%

LAB 7.06, 20.48, -17.57

 

CMYK 22 / 77 / 0 / 69

HEX #3E124F

RGB 62 18 79

HSL 283.28, 0.63%, 0.19%

LAB 15.6, 31.94, -27.86

 

CMYK 21 / 78 / 0 / 56

HEX #591970

RGB 89 25 112

HSL 284.14, 0.64%, 0.27%

LAB 23.63, 42.59, -36.56

 

CMYK 21 / 77 / 0 / 43

HEX #742192

RGB 116 33 146

HSL 284.07, 0.63%, 0.35%

LAB 31.52, 52.34, -45

 

CMYK 21 / 77 / 0 / 30

HEX #8E29B3

RGB 142 41 179

HSL 283.91, 0.63%, 0.43%

LAB 38.88, 61.25, -52.83

 

CMYK 21 / 77 / 0 / 56

HEX #58196F

RGB 88 25 111

HSL 283.95, 0.63%, 0.27%

LAB 23.4, 42.15, -36.31

 

CMYK 0 / 78 / 71 / 56

HEX #701921

RGB 112 25 33

HSL 354.48, 0.64%, 0.27%

LAB 24.48, 38.09, 18.16

 

CMYK 78 / 0 / 53 / 56

HEX #197035

RGB 25 112 53

HSL 139.31, 0.64%, 0.27%

LAB 41.3, -39.03, 25.61

 

CMYK 21 / 77 / 0 / 56

HEX #58196F

RGB 88 25 111

HSL 283.95, 0.63%, 0.27%

LAB 23.4, 42.15, -36.31

 

CMYK 0 / 21 / 78 / 56

HEX #705819

RGB 112 88 25

HSL 43.45, 0.64%, 0.27%

LAB 38.72, 2.9, 38.26

 

CMYK 78 / 0 / 21 / 56

HEX #197058

RGB 25 112 88

HSL 163.45, 0.64%, 0.27%

LAB 42, -31.27, 6.22

 

CMYK 21 / 77 / 0 / 56

HEX #58196F

RGB 88 25 111

HSL 283.95, 0.63%, 0.27%

LAB 23.4, 42.15, -36.31

 

CMYK 0 / 78 / 71 / 56

HEX #701921

RGB 112 25 33

HSL 354.48, 0.64%, 0.27%

LAB 24.48, 38.09, 18.16

 

CMYK 55 / 0 / 78 / 56

HEX #327019

RGB 50 112 25

HSL 102.76, 0.64%, 0.27%

LAB 41.75, -36.52, 39.72

 

CMYK 78 / 0 / 6 / 56

HEX #197069

RGB 25 112 105

HSL 175.17, 0.64%, 0.27%

LAB 42.48, -26.36, -3.32

 

CMYK 21 / 77 / 0 / 56

HEX #58196F

RGB 88 25 111

HSL 283.95, 0.63%, 0.27%

LAB 23.4, 42.15, -36.31

 

CMYK 0 / 61 / 78 / 56

HEX #702C19

RGB 112 44 25

HSL 13.1, 0.64%, 0.27%

LAB 27.62, 28.89, 26.87

 

CMYK 55 / 0 / 78 / 56

HEX #327019

RGB 50 112 25

HSL 102.76, 0.64%, 0.27%

LAB 41.75, -36.52, 39.72

 

CMYK 78 / 17 / 0 / 56

HEX #195D70

RGB 25 93 112

HSL 193.1, 0.64%, 0.27%

LAB 36.38, -13.81, -16.81

 

Description

Color code: HEX #58196F | qconv.com Color code: HEX #58196F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 25 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 25 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 77 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 77% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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