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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B01448 it is the complementary color #4FEBB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B01448. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B01448: #B51443, #C62656, #D73869, #E84A7C and #F95C8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B01448. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B01448: #B01448, #9F0235, #8E0022, #7D000F and #6C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 59 / 31

HEX #B01448

RGB 176 20 72

HSL 340, 0.8%, 0.38%

LAB 38.2, 60.4, 13.01

 

Complementary color

CMYK 66 / 0 / 22 / 8

HEX #4FEBB7

RGB 79 235 183

HSL 160, 0.8%, 0.62%

LAB 84.22, -52.74, 13.46

 

CMYK 0 / 89 / 63 / 29

HEX #B51443

RGB 181 20 67

HSL 342.48, 0.8%, 0.39%

LAB 39.12, 61.38, 17.64

 

CMYK 0 / 81 / 57 / 22

HEX #C62656

RGB 198 38 86

HSL 342, 0.68%, 0.46%

LAB 44.32, 63.14, 13.28

 

CMYK 0 / 74 / 51 / 16

HEX #D73869

RGB 215 56 105

HSL 341.51, 0.67%, 0.53%

LAB 49.85, 63.95, 9.77

 

CMYK 0 / 68 / 47 / 9

HEX #E84A7C

RGB 232 74 124

HSL 341.01, 0.77%, 0.6%

LAB 55.59, 64.11, 6.91

 

CMYK 0 / 63 / 43 / 2

HEX #F95C8F

RGB 249 92 143

HSL 340.51, 0.93%, 0.67%

LAB 61.46, 63.88, 4.56

 

CMYK 0 / 89 / 59 / 31

HEX #B01448

RGB 176 20 72

HSL 340, 0.8%, 0.38%

LAB 38.2, 60.4, 13.01

 

CMYK 0 / 99 / 67 / 38

HEX #9F0235

RGB 159 2 53

HSL 340.51, 0.98%, 0.32%

LAB 33.29, 57.52, 18.16

 

CMYK 0 / 100 / 76 / 44

HEX #8E0022

RGB 142 0 34

HSL 345.63, 1%, 0.28%

LAB 29.07, 52.62, 24.57

 

CMYK 0 / 100 / 88 / 51

HEX #7D000F

RGB 125 0 15

HSL 352.8, 1%, 0.25%

LAB 24.93, 47.53, 30.84

 

CMYK 0 / 100 / 100 / 58

HEX #6C0000

RGB 108 0 0

HSL 0, 1%, 0.21%

LAB 20.78, 42.56, 31.69

 

CMYK 0 / 89 / 59 / 31

HEX #B01448

RGB 176 20 72

HSL 340, 0.8%, 0.38%

LAB 38.2, 60.4, 13.01

 

CMYK 0 / 89 / 74 / 32

HEX #AE132D

RGB 174 19 45

HSL 349.94, 0.8%, 0.38%

LAB 37.21, 58.62, 28.84

 

CMYK 0 / 89 / 89 / 32

HEX #AE1313

RGB 174 19 19

HSL 0, 0.8%, 0.38%

LAB 36.95, 57.86, 43.21

 

CMYK 0 / 74 / 89 / 32

HEX #AE2D13

RGB 174 45 19

HSL 10.06, 0.8%, 0.38%

LAB 39.45, 50.82, 45.14

 

CMYK 0 / 59 / 89 / 32

HEX #AE4713

RGB 174 71 19

HSL 20.13, 0.8%, 0.38%

LAB 43.58, 39.71, 48.37

 

CMYK 0 / 89 / 59 / 31

HEX #B01448

RGB 176 20 72

HSL 340, 0.8%, 0.38%

LAB 38.2, 60.4, 13.01

 

CMYK 0 / 89 / 59 / 11

HEX #E31A5D

RGB 227 26 93

HSL 340, 0.79%, 0.5%

LAB 49.33, 73.44, 16.71

 

CMYK 0 / 87 / 61 / 91

HEX #170309

RGB 23 3 9

HSL 342, 0.77%, 0.05%

LAB 2.41, 7.43, 0.05

 

CMYK 0 / 89 / 59 / 71

HEX #4A081E

RGB 74 8 30

HSL 340, 0.8%, 0.16%

LAB 13.96, 31.38, 4.86

 

CMYK 0 / 89 / 59 / 51

HEX #7D0E33

RGB 125 14 51

HSL 340, 0.8%, 0.27%

LAB 26.49, 46.54, 9.09

 

CMYK 0 / 89 / 59 / 31

HEX #B01448

RGB 176 20 72

HSL 340, 0.8%, 0.38%

LAB 38.2, 60.4, 13.01

 

CMYK 0 / 12 / 89 / 32

HEX #AE9913

RGB 174 153 19

HSL 51.87, 0.8%, 0.38%

LAB 63.2, -4.91, 63.84

 

CMYK 89 / 24 / 0 / 32

HEX #1385AE

RGB 19 133 174

HSL 195.87, 0.8%, 0.38%

LAB 51.8, -14.48, -29.88

 

CMYK 0 / 89 / 59 / 31

HEX #B01448

RGB 176 20 72

HSL 340, 0.8%, 0.38%

LAB 38.2, 60.4, 13.01

 

CMYK 59 / 0 / 89 / 32

HEX #47AE13

RGB 71 174 19

HSL 99.87, 0.8%, 0.38%

LAB 63.06, -54.43, 61.12

 

CMYK 89 / 59 / 0 / 32

HEX #1347AE

RGB 19 71 174

HSL 219.87, 0.8%, 0.38%

LAB 33.35, 24.58, -59.33

 

CMYK 0 / 89 / 59 / 31

HEX #B01448

RGB 176 20 72

HSL 340, 0.8%, 0.38%

LAB 38.2, 60.4, 13.01

 

CMYK 0 / 12 / 89 / 32

HEX #AE9913

RGB 174 153 19

HSL 51.87, 0.8%, 0.38%

LAB 63.2, -4.91, 63.84

 

CMYK 89 / 0 / 30 / 32

HEX #13AE7A

RGB 19 174 122

HSL 159.87, 0.8%, 0.38%

LAB 63.19, -49.41, 16.47

 

CMYK 89 / 77 / 0 / 32

HEX #1328AE

RGB 19 40 174

HSL 231.87, 0.8%, 0.38%

LAB 25.9, 44.46, -71.59

 

CMYK 0 / 89 / 59 / 31

HEX #B01448

RGB 176 20 72

HSL 340, 0.8%, 0.38%

LAB 38.2, 60.4, 13.01

 

CMYK 15 / 0 / 89 / 32

HEX #94AE13

RGB 148 174 19

HSL 70.06, 0.8%, 0.38%

LAB 66.99, -27.14, 65.99

 

CMYK 89 / 0 / 30 / 32

HEX #13AE7A

RGB 19 174 122

HSL 159.87, 0.8%, 0.38%

LAB 63.19, -49.41, 16.47

 

CMYK 74 / 89 / 0 / 32

HEX #2D13AE

RGB 45 19 174

HSL 250.06, 0.8%, 0.38%

LAB 23.93, 55.39, -74.82

 

Description

Color code: HEX #B01448 | qconv.com Color code: HEX #B01448 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 20 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 20 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 59 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 59% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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