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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFD876 it is the complementary color #502789. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFD876. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AFD876: #B4D871, #C5EA84, #D6FC97, #E7FFAA and #F8FFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFD876. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AFD876: #AFD876, #9EC663, #8DB450, #7CA23D and #6B902A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 45 / 15

HEX #AFD876

RGB 175 216 118

HSL 85.1, 0.56%, 0.65%

LAB 81.58, -29.47, 43.8

 

Complementary color

CMYK 42 / 72 / 0 / 46

HEX #502789

RGB 80 39 137

HSL 265.1, 0.56%, 0.35%

LAB 26.63, 40.28, -47.61

 

CMYK 17 / 0 / 48 / 15

HEX #B4D871

RGB 180 216 113

HSL 80.97, 0.57%, 0.65%

LAB 81.84, -28.15, 46.62

 

CMYK 16 / 0 / 44 / 8

HEX #C5EA84

RGB 197 234 132

HSL 81.76, 0.71%, 0.72%

LAB 88.15, -28.24, 45.48

 

CMYK 15 / 0 / 40 / 1

HEX #D6FC97

RGB 214 252 151

HSL 82.57, 0.94%, 0.79%

LAB 94.38, -28.29, 44.35

 

CMYK 9 / 0 / 33 / 0

HEX #E7FFAA

RGB 231 255 170

HSL 76.94, 1%, 0.83%

LAB 96.58, -21.23, 38.1

 

CMYK 3 / 0 / 26 / 0

HEX #F8FFBD

RGB 248 255 189

HSL 66.36, 1%, 0.87%

LAB 98.09, -12.61, 30.85

 

CMYK 19 / 0 / 45 / 15

HEX #AFD876

RGB 175 216 118

HSL 85.1, 0.56%, 0.65%

LAB 81.58, -29.47, 43.8

 

CMYK 20 / 0 / 50 / 22

HEX #9EC663

RGB 158 198 99

HSL 84.24, 0.46%, 0.58%

LAB 75.18, -29.41, 44.95

 

CMYK 22 / 0 / 56 / 29

HEX #8DB450

RGB 141 180 80

HSL 83.4, 0.4%, 0.51%

LAB 68.67, -29.29, 46.05

 

CMYK 23 / 0 / 62 / 36

HEX #7CA23D

RGB 124 162 61

HSL 82.57, 0.45%, 0.44%

LAB 62.05, -29.09, 47.03

 

CMYK 26 / 0 / 71 / 44

HEX #6B902A

RGB 107 144 42

HSL 81.76, 0.55%, 0.36%

LAB 55.32, -28.74, 47.67

 

CMYK 19 / 0 / 45 / 15

HEX #AFD876

RGB 175 216 118

HSL 85.1, 0.56%, 0.65%

LAB 81.58, -29.47, 43.8

 

CMYK 27 / 0 / 47 / 16

HEX #9DD773

RGB 157 215 115

HSL 94.8, 0.56%, 0.65%

LAB 80.18, -35.87, 43.29

 

CMYK 35 / 0 / 47 / 16

HEX #8CD773

RGB 140 215 115

HSL 105, 0.56%, 0.65%

LAB 79.28, -41.67, 41.97

 

CMYK 42 / 0 / 47 / 16

HEX #7CD773

RGB 124 215 115

HSL 114.6, 0.56%, 0.65%

LAB 78.53, -46.69, 40.87

 

CMYK 47 / 0 / 42 / 16

HEX #73D77C

RGB 115 215 124

HSL 125.4, 0.56%, 0.65%

LAB 78.29, -48, 36.01

 

CMYK 19 / 0 / 45 / 15

HEX #AFD876

RGB 175 216 118

HSL 85.1, 0.56%, 0.65%

LAB 81.58, -29.47, 43.8

 

CMYK 17 / 0 / 42 / 95

HEX #0A0C07

RGB 10 12 7

HSL 84, 0.26%, 0.04%

LAB 3.1, -1.26, 1.74

 

CMYK 19 / 0 / 46 / 75

HEX #333F22

RGB 51 63 34

HSL 84.83, 0.3%, 0.19%

LAB 24.87, -10.92, 16.19

 

CMYK 19 / 0 / 46 / 55

HEX #5C723E

RGB 92 114 62

HSL 85.38, 0.3%, 0.35%

LAB 45.16, -17.77, 26.14

 

CMYK 19 / 0 / 45 / 35

HEX #86A55A

RGB 134 165 90

HSL 84.8, 0.29%, 0.5%

LAB 63.93, -23.61, 35.3

 

CMYK 19 / 0 / 45 / 15

HEX #AFD876

RGB 175 216 118

HSL 85.1, 0.56%, 0.65%

LAB 81.58, -29.47, 43.8

 

CMYK 47 / 0 / 18 / 16

HEX #73D7B1

RGB 115 215 177

HSL 157.2, 0.56%, 0.65%

LAB 79.28, -38.18, 9.75

 

CMYK 0 / 47 / 0 / 16

HEX #D773D6

RGB 215 115 214

HSL 300.6, 0.56%, 0.65%

LAB 62.98, 52.96, -34.17

 

CMYK 19 / 0 / 45 / 15

HEX #AFD876

RGB 175 216 118

HSL 85.1, 0.56%, 0.65%

LAB 81.58, -29.47, 43.8

 

CMYK 47 / 19 / 0 / 16

HEX #73AED7

RGB 115 174 215

HSL 204.6, 0.56%, 0.65%

LAB 68.62, -8.18, -26.68

 

CMYK 0 / 47 / 19 / 16

HEX #D773AE

RGB 215 115 174

HSL 324.6, 0.56%, 0.65%

LAB 61.45, 46.38, -13.86

 

CMYK 19 / 0 / 45 / 15

HEX #AFD876

RGB 175 216 118

HSL 85.1, 0.56%, 0.65%

LAB 81.58, -29.47, 43.8

 

CMYK 47 / 0 / 18 / 16

HEX #73D7B1

RGB 115 215 177

HSL 157.2, 0.56%, 0.65%

LAB 79.28, -38.18, 9.75

 

CMYK 27 / 47 / 0 / 16

HEX #9D73D7

RGB 157 115 215

HSL 265.2, 0.56%, 0.65%

LAB 56.42, 36.76, -45.49

 

CMYK 0 / 47 / 28 / 16

HEX #D7739A

RGB 215 115 154

HSL 336.6, 0.56%, 0.65%

LAB 60.82, 43.54, -3.33

 

CMYK 19 / 0 / 45 / 15

HEX #AFD876

RGB 175 216 118

HSL 85.1, 0.56%, 0.65%

LAB 81.58, -29.47, 43.8

 

CMYK 47 / 0 / 4 / 16

HEX #73D7CF

RGB 115 215 207

HSL 175.2, 0.56%, 0.65%

LAB 80.04, -31.22, -5.15

 

CMYK 27 / 47 / 0 / 16

HEX #9D73D7

RGB 157 115 215

HSL 265.2, 0.56%, 0.65%

LAB 56.42, 36.76, -45.49

 

CMYK 0 / 47 / 42 / 16

HEX #D7737C

RGB 215 115 124

HSL 354.6, 0.56%, 0.65%

LAB 60.04, 39.93, 12.83

 

Description

Color code: HEX #AFD876 | qconv.com Color code: HEX #AFD876 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 216 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 216 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 45 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 45% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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