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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFCE08 it is the complementary color #5031F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFCE08. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AFCE08: #B4CE03, #C5E016, #D6F229, #E7FF3C and #F8FF4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFCE08. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AFCE08: #AFCE08, #9EBC00, #8DAA00, #7C9800 and #6B8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 96 / 19

HEX #AFCE08

RGB 175 206 8

HSL 69.39, 0.93%, 0.42%

LAB 78.04, -31.28, 76.94

 

Complementary color

CMYK 68 / 80 / 0 / 3

HEX #5031F7

RGB 80 49 247

HSL 249.39, 0.93%, 0.58%

LAB 38.93, 66.44, -92.24

 

CMYK 13 / 0 / 99 / 19

HEX #B4CE03

RGB 180 206 3

HSL 67.68, 0.97%, 0.41%

LAB 78.38, -29.28, 77.83

 

CMYK 12 / 0 / 90 / 12

HEX #C5E016

RGB 197 224 22

HSL 68.02, 0.82%, 0.48%

LAB 84.61, -30.49, 81.09

 

CMYK 12 / 0 / 83 / 5

HEX #D6F229

RGB 214 242 41

HSL 68.36, 0.89%, 0.55%

LAB 90.76, -31.54, 83.15

 

CMYK 9 / 0 / 76 / 0

HEX #E7FF3C

RGB 231 255 60

HSL 67.38, 1%, 0.62%

LAB 95.51, -30.13, 82.99

 

CMYK 3 / 0 / 69 / 0

HEX #F8FF4F

RGB 248 255 79

HSL 62.39, 1%, 0.65%

LAB 96.84, -22.52, 78.69

 

CMYK 15 / 0 / 96 / 19

HEX #AFCE08

RGB 175 206 8

HSL 69.39, 0.93%, 0.42%

LAB 78.04, -31.28, 76.94

 

CMYK 16 / 0 / 100 / 26

HEX #9EBC00

RGB 158 188 0

HSL 69.57, 1%, 0.37%

LAB 71.71, -29.94, 72.45

 

CMYK 17 / 0 / 100 / 33

HEX #8DAA00

RGB 141 170 0

HSL 70.24, 1%, 0.33%

LAB 65.29, -28.49, 67.1

 

CMYK 18 / 0 / 100 / 40

HEX #7C9800

RGB 124 152 0

HSL 71.05, 1%, 0.3%

LAB 58.73, -27.03, 61.64

 

CMYK 20 / 0 / 100 / 47

HEX #6B8600

RGB 107 134 0

HSL 72.09, 1%, 0.26%

LAB 52.04, -25.55, 56.07

 

CMYK 15 / 0 / 96 / 19

HEX #AFCE08

RGB 175 206 8

HSL 69.39, 0.93%, 0.42%

LAB 78.04, -31.28, 76.94

 

CMYK 31 / 0 / 97 / 19

HEX #8FCE07

RGB 143 206 7

HSL 78.99, 0.93%, 0.42%

LAB 76.07, -43.88, 74.66

 

CMYK 47 / 0 / 97 / 19

HEX #6ECE07

RGB 110 206 7

HSL 88.94, 0.93%, 0.42%

LAB 74.49, -55.23, 72.74

 

CMYK 63 / 0 / 97 / 19

HEX #4DCE07

RGB 77 206 7

HSL 98.89, 0.93%, 0.42%

LAB 73.37, -64.15, 71.38

 

CMYK 79 / 0 / 97 / 19

HEX #2CCE07

RGB 44 206 7

HSL 108.84, 0.93%, 0.42%

LAB 72.69, -70.04, 70.54

 

CMYK 15 / 0 / 96 / 19

HEX #AFCE08

RGB 175 206 8

HSL 69.39, 0.93%, 0.42%

LAB 78.04, -31.28, 76.94

 

CMYK 0 / 0 / 100 / 99

HEX #020200

RGB 2 2 0

HSL 60, 1%, 0%

LAB 0.51, -0.28, 0.76

 

CMYK 15 / 0 / 96 / 79

HEX #2D3502

RGB 45 53 2

HSL 69.41, 0.93%, 0.11%

LAB 20.47, -11.22, 27.68

 

CMYK 15 / 0 / 96 / 59

HEX #586804

RGB 88 104 4

HSL 69.6, 0.93%, 0.21%

LAB 41.19, -18.64, 46.24

 

CMYK 15 / 0 / 96 / 39

HEX #849B06

RGB 132 155 6

HSL 69.26, 0.93%, 0.32%

LAB 60.21, -24.95, 62.12

 

CMYK 15 / 0 / 96 / 19

HEX #AFCE08

RGB 175 206 8

HSL 69.39, 0.93%, 0.42%

LAB 78.04, -31.28, 76.94

 

CMYK 97 / 0 / 63 / 19

HEX #07CE4D

RGB 7 206 77

HSL 141.11, 0.93%, 0.42%

LAB 72.71, -68.56, 51.01

 

CMYK 24 / 97 / 0 / 19

HEX #9C07CE

RGB 156 7 206

HSL 284.92, 0.93%, 0.42%

LAB 40.7, 75.66, -65.61

 

CMYK 15 / 0 / 96 / 19

HEX #AFCE08

RGB 175 206 8

HSL 69.39, 0.93%, 0.42%

LAB 78.04, -31.28, 76.94

 

CMYK 97 / 15 / 0 / 19

HEX #07B0CE

RGB 7 176 206

HSL 189.05, 0.93%, 0.42%

LAB 66.18, -26.53, -25.72

 

CMYK 0 / 97 / 15 / 19

HEX #CE07B0

RGB 206 7 176

HSL 309.05, 0.93%, 0.42%

LAB 47.51, 78.98, -36.65

 

CMYK 15 / 0 / 96 / 19

HEX #AFCE08

RGB 175 206 8

HSL 69.39, 0.93%, 0.42%

LAB 78.04, -31.28, 76.94

 

CMYK 97 / 0 / 63 / 19

HEX #07CE4D

RGB 7 206 77

HSL 141.11, 0.93%, 0.42%

LAB 72.71, -68.56, 51.01

 

CMYK 82 / 97 / 0 / 19

HEX #2507CE

RGB 37 7 206

HSL 249.05, 0.93%, 0.42%

LAB 26.74, 66.47, -89.11

 

CMYK 0 / 97 / 34 / 19

HEX #CE0788

RGB 206 7 136

HSL 321.11, 0.93%, 0.42%

LAB 45.7, 74.36, -15.45

 

CMYK 15 / 0 / 96 / 19

HEX #AFCE08

RGB 175 206 8

HSL 69.39, 0.93%, 0.42%

LAB 78.04, -31.28, 76.94

 

CMYK 97 / 0 / 34 / 19

HEX #07CE88

RGB 7 206 136

HSL 158.89, 0.93%, 0.42%

LAB 73.52, -58.81, 23.11

 

CMYK 82 / 97 / 0 / 19

HEX #2507CE

RGB 37 7 206

HSL 249.05, 0.93%, 0.42%

LAB 26.74, 66.47, -89.11

 

CMYK 0 / 97 / 63 / 19

HEX #CE074D

RGB 206 7 77

HSL 338.89, 0.93%, 0.42%

LAB 43.96, 69.71, 18.68

 

Description

Color code: HEX #AFCE08 | qconv.com Color code: HEX #AFCE08 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 206 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 206 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 96 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 96% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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