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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFADC2 it is the complementary color #50523D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFADC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFADC2 shade: #B4ADBD, #C5BFD0, #D6D1E3, #E7E3F6 and #F8F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFADC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFADC2 shade: #AFADC2, #9E9BAF, #8D899C, #7C7789 and #6B6576

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFADC2 shade: #AFADC2, #B5ADC2, #BAADC2, #C0ADC2 and #C2ADBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFADC2 shade: #AFADC2 and #ADADC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFADC2 shade matches the following richer shades: #AFADC2, #A6A1CE, #9C96D9, #938AE5 and #8A7FF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFADC2 shade: #AFADC2, #B8B8B7, #C2C4AB, #CBD0A0 and #D4DB94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFADC2 shade: #ADB7C2, #ADB1C2, #AFADC2, #B4ADC2 and #BAADC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFADC2 shade: #817D9F, #9895B1, #AFADC2, #C6C5D4 and #DDDCE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFADC2 shade: #AFADC2, #C2ADBC and #B4C2AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFADC2 shade: #AFADC2, #C2AFAD and #ADC2AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFADC2 shade: #AFADC2, #C2ADBC, #C1C2AD and #ADC2B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFADC2 shade: #AFADC2, #C2ADB6, #C1C2AD and #ADC2B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 11 / 0 / 24

HEX #AFADC2

RGB 175 173 194

HSL 245.71, 0.15%, 0.72%

LAB 71.48, 4.84, -10.43

 

Complementary color

CMYK 2 / 0 / 26 / 68

HEX #50523D

RGB 80 82 61

HSL 65.71, 0.15%, 0.28%

LAB 34.14, -4.89, 12.09

 

CMYK 5 / 8 / 0 / 26

HEX #B4ADBD

RGB 180 173 189

HSL 266.25, 0.11%, 0.71%

LAB 71.73, 5.53, -7.27

 

CMYK 5 / 8 / 0 / 18

HEX #C5BFD0

RGB 197 191 208

HSL 261.18, 0.15%, 0.78%

LAB 78.28, 5.28, -7.77

 

CMYK 6 / 8 / 0 / 11

HEX #D6D1E3

RGB 214 209 227

HSL 256.67, 0.24%, 0.85%

LAB 84.71, 5.05, -8.26

 

CMYK 6 / 8 / 0 / 4

HEX #E7E3F6

RGB 231 227 246

HSL 252.63, 0.51%, 0.93%

LAB 91.04, 4.83, -8.74

 

CMYK 3 / 4 / 0 / 0

HEX #F8F5FF

RGB 248 245 255

HSL 258, 1%, 0.98%

LAB 97.02, 2.78, -4.44

 

CMYK 10 / 11 / 0 / 24

HEX #AFADC2

RGB 175 173 194

HSL 245.71, 0.15%, 0.72%

LAB 71.48, 4.84, -10.43

 

CMYK 10 / 11 / 0 / 31

HEX #9E9BAF

RGB 158 155 175

HSL 249, 0.11%, 0.65%

LAB 64.81, 5.08, -10

 

CMYK 10 / 12 / 0 / 39

HEX #8D899C

RGB 141 137 156

HSL 252.63, 0.09%, 0.57%

LAB 57.99, 5.35, -9.55

 

CMYK 9 / 13 / 0 / 46

HEX #7C7789

RGB 124 119 137

HSL 256.67, 0.07%, 0.5%

LAB 51.02, 5.64, -9.11

 

CMYK 9 / 14 / 0 / 54

HEX #6B6576

RGB 107 101 118

HSL 261.18, 0.08%, 0.43%

LAB 43.86, 5.96, -8.66

 

CMYK 10 / 11 / 0 / 24

HEX #AFADC2

RGB 175 173 194

HSL 245.71, 0.15%, 0.72%

LAB 71.48, 4.84, -10.43

 

CMYK 7 / 11 / 0 / 24

HEX #B5ADC2

RGB 181 173 194

HSL 262.86, 0.15%, 0.72%

LAB 71.96, 6.86, -9.67

 

CMYK 4 / 11 / 0 / 24

HEX #BAADC2

RGB 186 173 194

HSL 277.14, 0.15%, 0.72%

LAB 72.38, 8.57, -9.01

 

CMYK 1 / 11 / 0 / 24

HEX #C0ADC2

RGB 192 173 194

HSL 294.29, 0.15%, 0.72%

LAB 72.88, 10.63, -8.2

 

CMYK 0 / 11 / 2 / 24

HEX #C2ADBF

RGB 194 173 191

HSL 308.57, 0.15%, 0.72%

LAB 72.97, 10.76, -6.41

 

CMYK 10 / 11 / 0 / 24

HEX #AFADC2

RGB 175 173 194

HSL 245.71, 0.15%, 0.72%

LAB 71.48, 4.84, -10.43

 

CMYK 11 / 11 / 0 / 24

HEX #ADADC2

RGB 173 173 194

HSL 240, 0.15%, 0.72%

LAB 71.33, 4.17, -10.68

 

CMYK 10 / 11 / 0 / 24

HEX #AFADC2

RGB 175 173 194

HSL 245.71, 0.15%, 0.72%

LAB 71.48, 4.84, -10.43

 

CMYK 19 / 22 / 0 / 19

HEX #A6A1CE

RGB 166 161 206

HSL 246.67, 0.31%, 0.72%

LAB 68.06, 11.15, -22.3

 

CMYK 28 / 31 / 0 / 15

HEX #9C96D9

RGB 156 150 217

HSL 245.37, 0.47%, 0.72%

LAB 64.88, 16.94, -33.36

 

CMYK 36 / 40 / 0 / 10

HEX #938AE5

RGB 147 138 229

HSL 245.93, 0.64%, 0.72%

LAB 61.69, 24.43, -45.06

 

CMYK 43 / 47 / 0 / 5

HEX #8A7FF1

RGB 138 127 241

HSL 245.79, 0.8%, 0.72%

LAB 58.91, 31.86, -56.16

 

CMYK 10 / 11 / 0 / 24

HEX #AFADC2

RGB 175 173 194

HSL 245.71, 0.15%, 0.72%

LAB 71.48, 4.84, -10.43

 

CMYK 0 / 0 / 1 / 28

HEX #B8B8B7

RGB 184 184 183

HSL 60, 0.01%, 0.72%

LAB 74.76, -0.18, 0.5

 

CMYK 1 / 0 / 13 / 23

HEX #C2C4AB

RGB 194 196 171

HSL 64.8, 0.17%, 0.72%

LAB 78.4, -5.04, 12.33

 

CMYK 2 / 0 / 23 / 18

HEX #CBD0A0

RGB 203 208 160

HSL 66.25, 0.34%, 0.72%

LAB 82.03, -9.62, 23.32

 

CMYK 3 / 0 / 32 / 14

HEX #D4DB94

RGB 212 219 148

HSL 65.92, 0.5%, 0.72%

LAB 85.4, -13.4, 34.19

 

CMYK 11 / 6 / 0 / 24

HEX #ADB7C2

RGB 173 183 194

HSL 211.43, 0.15%, 0.72%

LAB 73.96, -1.26, -6.76

 

CMYK 11 / 9 / 0 / 24

HEX #ADB1C2

RGB 173 177 194

HSL 228.57, 0.15%, 0.72%

LAB 72.38, 1.98, -9.12

 

CMYK 10 / 11 / 0 / 24

HEX #AFADC2

RGB 175 173 194

HSL 245.71, 0.15%, 0.72%

LAB 71.48, 4.84, -10.43

 

CMYK 7 / 11 / 0 / 24

HEX #B4ADC2

RGB 180 173 194

HSL 260, 0.15%, 0.72%

LAB 71.88, 6.52, -9.8

 

CMYK 4 / 11 / 0 / 24

HEX #BAADC2

RGB 186 173 194

HSL 277.14, 0.15%, 0.72%

LAB 72.38, 8.57, -9.01

 

CMYK 19 / 21 / 0 / 38

HEX #817D9F

RGB 129 125 159

HSL 247.06, 0.15%, 0.56%

LAB 53.85, 8.87, -17.63

 

CMYK 14 / 16 / 0 / 31

HEX #9895B1

RGB 152 149 177

HSL 246.43, 0.15%, 0.64%

LAB 62.8, 6.85, -14.19

 

CMYK 10 / 11 / 0 / 24

HEX #AFADC2

RGB 175 173 194

HSL 245.71, 0.15%, 0.72%

LAB 71.48, 4.84, -10.43

 

CMYK 7 / 7 / 0 / 17

HEX #C6C5D4

RGB 198 197 212

HSL 244, 0.15%, 0.8%

LAB 80.01, 3.19, -7.35

 

CMYK 3 / 4 / 0 / 10

HEX #DDDCE5

RGB 221 220 229

HSL 246.67, 0.15%, 0.88%

LAB 88.07, 1.99, -4.29

 

CMYK 10 / 11 / 0 / 24

HEX #AFADC2

RGB 175 173 194

HSL 245.71, 0.15%, 0.72%

LAB 71.48, 4.84, -10.43

 

CMYK 0 / 11 / 3 / 24

HEX #C2ADBC

RGB 194 173 188

HSL 317.14, 0.15%, 0.72%

LAB 72.88, 10.21, -4.89

 

CMYK 7 / 0 / 11 / 24

HEX #B4C2AD

RGB 180 194 173

HSL 100, 0.15%, 0.72%

LAB 76.86, -8.69, 8.92

 

CMYK 10 / 11 / 0 / 24

HEX #AFADC2

RGB 175 173 194

HSL 245.71, 0.15%, 0.72%

LAB 71.48, 4.84, -10.43

 

CMYK 0 / 10 / 11 / 24

HEX #C2AFAD

RGB 194 175 173

HSL 5.71, 0.15%, 0.72%

LAB 72.99, 6.48, 3.5

 

CMYK 11 / 0 / 10 / 24

HEX #ADC2AF

RGB 173 194 175

HSL 125.71, 0.15%, 0.72%

LAB 76.41, -10.77, 7.14

 

CMYK 10 / 11 / 0 / 24

HEX #AFADC2

RGB 175 173 194

HSL 245.71, 0.15%, 0.72%

LAB 71.48, 4.84, -10.43

 

CMYK 0 / 11 / 3 / 24

HEX #C2ADBC

RGB 194 173 188

HSL 317.14, 0.15%, 0.72%

LAB 72.88, 10.21, -4.89

 

CMYK 1 / 0 / 11 / 24

HEX #C1C2AD

RGB 193 194 173

HSL 62.86, 0.15%, 0.72%

LAB 77.84, -4.03, 10.45

 

CMYK 11 / 0 / 8 / 24

HEX #ADC2B3

RGB 173 194 179

HSL 137.14, 0.15%, 0.72%

LAB 76.51, -10.03, 5.11

 

CMYK 10 / 11 / 0 / 24

HEX #AFADC2

RGB 175 173 194

HSL 245.71, 0.15%, 0.72%

LAB 71.48, 4.84, -10.43

 

CMYK 0 / 11 / 6 / 24

HEX #C2ADB6

RGB 194 173 182

HSL 334.29, 0.15%, 0.72%

LAB 72.72, 9.13, -1.84

 

CMYK 1 / 0 / 11 / 24

HEX #C1C2AD

RGB 193 194 173

HSL 62.86, 0.15%, 0.72%

LAB 77.84, -4.03, 10.45

 

CMYK 11 / 0 / 5 / 24

HEX #ADC2B9

RGB 173 194 185

HSL 154.29, 0.15%, 0.72%

LAB 76.66, -8.89, 2.09

 

Description

Color code: HEX #AFADC2 | qconv.com Color code: HEX #AFADC2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 173 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 173 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 11 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 11% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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