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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFA35A it is the complementary color #505CA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFA35A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AFA35A: #B4A355, #C5B568, #D6C77B, #E7D98E and #F8EBA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFA35A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AFA35A: #AFA35A, #9E9147, #8D7F34, #7C6D21 and #6B5B0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 49 / 31

HEX #AFA35A

RGB 175 163 90

HSL 51.53, 0.35%, 0.52%

LAB 66.56, -5.77, 39.25

 

Complementary color

CMYK 52 / 44 / 0 / 35

HEX #505CA5

RGB 80 92 165

HSL 231.53, 0.35%, 0.48%

LAB 41.34, 16.45, -40.95

 

CMYK 0 / 9 / 53 / 29

HEX #B4A355

RGB 180 163 85

HSL 49.26, 0.39%, 0.52%

LAB 66.94, -4.11, 42.34

 

CMYK 0 / 8 / 47 / 23

HEX #C5B568

RGB 197 181 104

HSL 49.68, 0.44%, 0.59%

LAB 73.49, -4.76, 41.1

 

CMYK 0 / 7 / 43 / 16

HEX #D6C77B

RGB 214 199 123

HSL 50.11, 0.53%, 0.66%

LAB 79.94, -5.3, 39.87

 

CMYK 0 / 6 / 39 / 9

HEX #E7D98E

RGB 231 217 142

HSL 50.56, 0.65%, 0.73%

LAB 86.29, -5.76, 38.68

 

CMYK 0 / 5 / 35 / 3

HEX #F8EBA1

RGB 248 235 161

HSL 51.03, 0.86%, 0.8%

LAB 92.55, -6.16, 37.53

 

CMYK 0 / 7 / 49 / 31

HEX #AFA35A

RGB 175 163 90

HSL 51.53, 0.35%, 0.52%

LAB 66.56, -5.77, 39.25

 

CMYK 0 / 8 / 55 / 38

HEX #9E9147

RGB 158 145 71

HSL 51.03, 0.38%, 0.45%

LAB 59.87, -5.11, 40.5

 

CMYK 0 / 10 / 63 / 45

HEX #8D7F34

RGB 141 127 52

HSL 50.56, 0.46%, 0.38%

LAB 53.05, -4.27, 41.66

 

CMYK 0 / 12 / 73 / 51

HEX #7C6D21

RGB 124 109 33

HSL 50.11, 0.58%, 0.31%

LAB 46.09, -3.21, 42.51

 

CMYK 0 / 15 / 87 / 58

HEX #6B5B0E

RGB 107 91 14

HSL 49.68, 0.77%, 0.24%

LAB 38.97, -1.8, 42.46

 

CMYK 0 / 7 / 49 / 31

HEX #AFA35A

RGB 175 163 90

HSL 51.53, 0.35%, 0.52%

LAB 66.56, -5.77, 39.25

 

CMYK 1 / 0 / 49 / 31

HEX #AEAF59

RGB 174 175 89

HSL 60.7, 0.35%, 0.52%

LAB 69.74, -12.59, 43.57

 

CMYK 9 / 0 / 49 / 31

HEX #9FAF59

RGB 159 175 89

HSL 71.16, 0.35%, 0.52%

LAB 68.57, -18.77, 41.89

 

CMYK 17 / 0 / 49 / 31

HEX #91AF59

RGB 145 175 89

HSL 80.93, 0.35%, 0.52%

LAB 67.58, -24.37, 40.46

 

CMYK 25 / 0 / 49 / 31

HEX #83AF59

RGB 131 175 89

HSL 90.7, 0.35%, 0.52%

LAB 66.68, -29.75, 39.15

 

CMYK 0 / 7 / 49 / 31

HEX #AFA35A

RGB 175 163 90

HSL 51.53, 0.35%, 0.52%

LAB 66.56, -5.77, 39.25

 

CMYK 0 / 7 / 49 / 11

HEX #E2D374

RGB 226 211 116

HSL 51.82, 0.65%, 0.67%

LAB 83.98, -7.29, 48.56

 

CMYK 0 / 9 / 50 / 91

HEX #16140B

RGB 22 20 11

HSL 49.09, 0.33%, 0.06%

LAB 6.28, -0.79, 4.86

 

CMYK 0 / 7 / 48 / 71

HEX #494426

RGB 73 68 38

HSL 51.43, 0.32%, 0.22%

LAB 28.62, -2.94, 18.9

 

CMYK 0 / 7 / 48 / 51

HEX #7C7340

RGB 124 115 64

HSL 51, 0.32%, 0.37%

LAB 48.15, -4.13, 29.34

 

CMYK 0 / 7 / 49 / 31

HEX #AFA35A

RGB 175 163 90

HSL 51.53, 0.35%, 0.52%

LAB 66.56, -5.77, 39.25

 

CMYK 49 / 0 / 46 / 31

HEX #59AF5E

RGB 89 175 94

HSL 123.49, 0.35%, 0.52%

LAB 64.64, -43.06, 33.62

 

CMYK 27 / 49 / 0 / 31

HEX #8059AF

RGB 128 89 175

HSL 267.21, 0.35%, 0.52%

LAB 45.4, 33.79, -40.14

 

CMYK 0 / 7 / 49 / 31

HEX #AFA35A

RGB 175 163 90

HSL 51.53, 0.35%, 0.52%

LAB 66.56, -5.77, 39.25

 

CMYK 49 / 0 / 7 / 31

HEX #59AFA2

RGB 89 175 162

HSL 170.93, 0.35%, 0.52%

LAB 66.05, -29.22, -1.34

 

CMYK 7 / 49 / 0 / 31

HEX #A259AF

RGB 162 89 175

HSL 290.93, 0.35%, 0.52%

LAB 49.4, 43.55, -33.56

 

CMYK 0 / 7 / 49 / 31

HEX #AFA35A

RGB 175 163 90

HSL 51.53, 0.35%, 0.52%

LAB 66.56, -5.77, 39.25

 

CMYK 49 / 0 / 46 / 31

HEX #59AF5E

RGB 89 175 94

HSL 123.49, 0.35%, 0.52%

LAB 64.64, -43.06, 33.62

 

CMYK 49 / 42 / 0 / 31

HEX #5966AF

RGB 89 102 175

HSL 230.93, 0.35%, 0.52%

LAB 45.25, 15.53, -40.59

 

CMYK 0 / 49 / 2 / 31

HEX #AF59AB

RGB 175 89 171

HSL 302.79, 0.35%, 0.52%

LAB 50.92, 46.62, -28.72

 

CMYK 0 / 7 / 49 / 31

HEX #AFA35A

RGB 175 163 90

HSL 51.53, 0.35%, 0.52%

LAB 66.56, -5.77, 39.25

 

CMYK 49 / 0 / 32 / 31

HEX #59AF77

RGB 89 175 119

HSL 140.93, 0.35%, 0.52%

LAB 65.05, -38.79, 20.92

 

CMYK 49 / 42 / 0 / 31

HEX #5966AF

RGB 89 102 175

HSL 230.93, 0.35%, 0.52%

LAB 45.25, 15.53, -40.59

 

CMYK 0 / 49 / 17 / 31

HEX #AF5991

RGB 175 89 145

HSL 320.93, 0.35%, 0.52%

LAB 49.86, 42.19, -15.02

 

Description

Color code: HEX #AFA35A | qconv.com Color code: HEX #AFA35A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 163 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 163 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 49 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 49% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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