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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF9F2D it is the complementary color #5060D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF9F2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF9F2D shade: #B49F28, #C5B13B, #D6C34E, #E7D561 and #F8E774

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF9F2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF9F2D shade: #AF9F2D, #9E8D1A, #8D7B07, #7C6900 and #6B5700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF9F2D shade: #AE9E2D, #AE7C2D, #AE592D, #AE362D and #AE2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF9F2D shade: #AE9E2D, #9BAE2D, #78AE2D, #56AE2D and #33AE2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF9F2D shade matches the following richer shades: #AE9E2D, #C0AC1B and #D2B909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF9F2D shade: #AE9E2D, #9D913F, #8B8450, #797662 and #676974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF9F2D shade: #AE582D, #AE7B2D, #AE9D2D, #9DAE2D and #7BAE2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF9F2D shade: #6D631C, #8E8124, #AE9E2D, #CCBA39 and #D4C559

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF9F2D shade: #AF9F2D, #2DAE36 and #692DAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF9F2D shade: #AF9F2D, #2DAE9D and #9D2DAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF9F2D shade: #AF9F2D, #2DAE36, #2D3EAE and #AE2DA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF9F2D shade: #AF9F2D, #2DAE5C, #2D3EAE and #AE2D7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 74 / 31

HEX #AF9F2D

RGB 175 159 45

HSL 52.62, 0.59%, 0.43%

LAB 65.04, -6.81, 57.91

 

Complementary color

CMYK 62 / 54 / 0 / 18

HEX #5060D2

RGB 80 96 210

HSL 232.62, 0.59%, 0.57%

LAB 45.25, 28.96, -60.88

 

CMYK 0 / 12 / 78 / 29

HEX #B49F28

RGB 180 159 40

HSL 51, 0.64%, 0.43%

LAB 65.48, -4.8, 60.24

 

CMYK 0 / 10 / 70 / 23

HEX #C5B13B

RGB 197 177 59

HSL 51.3, 0.54%, 0.5%

LAB 71.98, -5.98, 60.05

 

CMYK 0 / 9 / 64 / 16

HEX #D6C34E

RGB 214 195 78

HSL 51.62, 0.62%, 0.57%

LAB 78.39, -6.97, 59.35

 

CMYK 0 / 8 / 58 / 9

HEX #E7D561

RGB 231 213 97

HSL 51.94, 0.74%, 0.64%

LAB 84.71, -7.8, 58.39

 

CMYK 0 / 7 / 53 / 3

HEX #F8E774

RGB 248 231 116

HSL 52.27, 0.9%, 0.71%

LAB 90.95, -8.51, 57.31

 

CMYK 0 / 9 / 74 / 31

HEX #AF9F2D

RGB 175 159 45

HSL 52.62, 0.59%, 0.43%

LAB 65.04, -6.81, 57.91

 

CMYK 0 / 11 / 84 / 38

HEX #9E8D1A

RGB 158 141 26

HSL 52.27, 0.72%, 0.36%

LAB 58.41, -5.53, 57.56

 

CMYK 0 / 13 / 95 / 45

HEX #8D7B07

RGB 141 123 7

HSL 51.94, 0.91%, 0.29%

LAB 51.66, -3.95, 55.74

 

CMYK 0 / 15 / 100 / 51

HEX #7C6900

RGB 124 105 0

HSL 50.81, 1%, 0.24%

LAB 44.78, -2.01, 51.4

 

CMYK 0 / 19 / 100 / 58

HEX #6B5700

RGB 107 87 0

HSL 48.79, 1%, 0.21%

LAB 37.74, 0.18, 45.58

 

CMYK 0 / 9 / 74 / 32

HEX #AE9E2D

RGB 174 158 45

HSL 52.56, 0.59%, 0.43%

LAB 64.68, -6.73, 57.53

 

CMYK 0 / 29 / 74 / 32

HEX #AE7C2D

RGB 174 124 45

HSL 36.74, 0.59%, 0.43%

LAB 55.69, 11.94, 48.72

 

CMYK 0 / 49 / 74 / 32

HEX #AE592D

RGB 174 89 45

HSL 20.47, 0.59%, 0.43%

LAB 47.41, 31.35, 40.17

 

CMYK 0 / 69 / 74 / 32

HEX #AE362D

RGB 174 54 45

HSL 4.19, 0.59%, 0.43%

LAB 40.94, 48.2, 33.09

 

CMYK 0 / 74 / 74 / 32

HEX #AE2D2D

RGB 174 45 45

HSL 0, 0.59%, 0.43%

LAB 39.69, 51.63, 31.68

 

CMYK 0 / 9 / 74 / 32

HEX #AE9E2D

RGB 174 158 45

HSL 52.56, 0.59%, 0.43%

LAB 64.68, -6.73, 57.53

 

CMYK 11 / 0 / 74 / 32

HEX #9BAE2D

RGB 155 174 45

HSL 68.84, 0.59%, 0.43%

LAB 67.6, -23.24, 59.77

 

CMYK 31 / 0 / 74 / 32

HEX #78AE2D

RGB 120 174 45

HSL 85.12, 0.59%, 0.43%

LAB 65.32, -37.35, 56.79

 

CMYK 51 / 0 / 74 / 32

HEX #56AE2D

RGB 86 174 45

HSL 100.93, 0.59%, 0.43%

LAB 63.7, -48.92, 54.65

 

CMYK 71 / 0 / 74 / 32

HEX #33AE2D

RGB 51 174 45

HSL 117.21, 0.59%, 0.43%

LAB 62.65, -57.42, 53.24

 

CMYK 0 / 9 / 74 / 32

HEX #AE9E2D

RGB 174 158 45

HSL 52.56, 0.59%, 0.43%

LAB 64.68, -6.73, 57.53

 

CMYK 0 / 10 / 86 / 25

HEX #C0AC1B

RGB 192 172 27

HSL 52.73, 0.75%, 0.43%

LAB 70.03, -6.76, 68.29

 

CMYK 0 / 12 / 96 / 18

HEX #D2B909

RGB 210 185 9

HSL 52.54, 0.92%, 0.43%

LAB 75.09, -5.9, 75.85

 

CMYK 0 / 9 / 74 / 32

HEX #AE9E2D

RGB 174 158 45

HSL 52.56, 0.59%, 0.43%

LAB 64.68, -6.73, 57.53

 

CMYK 0 / 8 / 60 / 38

HEX #9D913F

RGB 157 145 63

HSL 52.34, 0.43%, 0.43%

LAB 59.69, -6.19, 44.19

 

CMYK 0 / 5 / 42 / 45

HEX #8B8450

RGB 139 132 80

HSL 52.88, 0.27%, 0.43%

LAB 54.63, -5.32, 28.98

 

CMYK 0 / 2 / 19 / 53

HEX #797662

RGB 121 118 98

HSL 52.17, 0.11%, 0.43%

LAB 49.38, -2.5, 11.45

 

CMYK 11 / 9 / 0 / 55

HEX #676974

RGB 103 105 116

HSL 230.77, 0.06%, 0.43%

LAB 44.59, 1.63, -6.41

 

CMYK 0 / 49 / 74 / 32

HEX #AE582D

RGB 174 88 45

HSL 20, 0.59%, 0.43%

LAB 47.19, 31.88, 39.94

 

CMYK 0 / 29 / 74 / 32

HEX #AE7B2D

RGB 174 123 45

HSL 36.28, 0.59%, 0.43%

LAB 55.44, 12.5, 48.47

 

CMYK 0 / 10 / 74 / 32

HEX #AE9D2D

RGB 174 157 45

HSL 52.09, 0.59%, 0.43%

LAB 64.4, -6.19, 57.27

 

CMYK 10 / 0 / 74 / 32

HEX #9DAE2D

RGB 157 174 45

HSL 67.91, 0.59%, 0.43%

LAB 67.75, -22.39, 59.96

 

CMYK 29 / 0 / 74 / 32

HEX #7BAE2D

RGB 123 174 45

HSL 83.72, 0.59%, 0.43%

LAB 65.49, -36.21, 57.01

 

CMYK 0 / 9 / 74 / 57

HEX #6D631C

RGB 109 99 28

HSL 52.59, 0.59%, 0.27%

LAB 41.62, -4.88, 39.72

 

CMYK 0 / 9 / 75 / 44

HEX #8E8124

RGB 142 129 36

HSL 52.64, 0.6%, 0.35%

LAB 53.58, -5.9, 49.23

 

CMYK 0 / 9 / 74 / 32

HEX #AE9E2D

RGB 174 158 45

HSL 52.56, 0.59%, 0.43%

LAB 64.68, -6.73, 57.53

 

CMYK 0 / 9 / 72 / 20

HEX #CCBA39

RGB 204 186 57

HSL 52.65, 0.59%, 0.51%

LAB 74.98, -7.74, 63.98

 

CMYK 0 / 7 / 58 / 17

HEX #D4C559

RGB 212 197 89

HSL 52.68, 0.59%, 0.59%

LAB 78.84, -8.09, 54.94

 

CMYK 0 / 9 / 74 / 31

HEX #AF9F2D

RGB 175 159 45

HSL 52.62, 0.59%, 0.43%

LAB 65.04, -6.81, 57.91

 

CMYK 74 / 0 / 69 / 32

HEX #2DAE36

RGB 45 174 54

HSL 124.19, 0.59%, 0.43%

LAB 62.59, -57.67, 49.68

 

CMYK 40 / 74 / 0 / 32

HEX #692DAE

RGB 105 45 174

HSL 267.91, 0.59%, 0.43%

LAB 33.85, 51.71, -58.26

 

CMYK 0 / 9 / 74 / 31

HEX #AF9F2D

RGB 175 159 45

HSL 52.62, 0.59%, 0.43%

LAB 65.04, -6.81, 57.91

 

CMYK 74 / 0 / 10 / 32

HEX #2DAE9D

RGB 45 174 157

HSL 172.09, 0.59%, 0.43%

LAB 64.37, -38.04, -1.17

 

CMYK 10 / 74 / 0 / 32

HEX #9D2DAE

RGB 157 45 174

HSL 292.09, 0.59%, 0.43%

LAB 41.38, 61.92, -45.73

 

CMYK 0 / 9 / 74 / 31

HEX #AF9F2D

RGB 175 159 45

HSL 52.62, 0.59%, 0.43%

LAB 65.04, -6.81, 57.91

 

CMYK 74 / 0 / 69 / 32

HEX #2DAE36

RGB 45 174 54

HSL 124.19, 0.59%, 0.43%

LAB 62.59, -57.67, 49.68

 

CMYK 74 / 64 / 0 / 32

HEX #2D3EAE

RGB 45 62 174

HSL 232.09, 0.59%, 0.43%

LAB 31.94, 32.85, -61.6

 

CMYK 0 / 74 / 5 / 32

HEX #AE2DA6

RGB 174 45 166

HSL 303.72, 0.59%, 0.43%

LAB 43.7, 64.23, -37.11

 

CMYK 0 / 9 / 74 / 31

HEX #AF9F2D

RGB 175 159 45

HSL 52.62, 0.59%, 0.43%

LAB 65.04, -6.81, 57.91

 

CMYK 74 / 0 / 47 / 32

HEX #2DAE5C

RGB 45 174 92

HSL 141.86, 0.59%, 0.43%

LAB 63.01, -52.65, 32.32

 

CMYK 74 / 64 / 0 / 32

HEX #2D3EAE

RGB 45 62 174

HSL 232.09, 0.59%, 0.43%

LAB 31.94, 32.85, -61.6

 

CMYK 0 / 74 / 27 / 32

HEX #AE2D7F

RGB 174 45 127

HSL 321.86, 0.59%, 0.43%

LAB 41.86, 58.65, -16.35

 

Description

Color code: HEX #AF9F2D | qconv.com Color code: HEX #AF9F2D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 159 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 159 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 74 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 74% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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