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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 45 166 it is the complementary color RGB 81 210 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 45 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 45 166 shade: RGB 179 45 161, RGB 196 63 180, RGB 213 81 199, RGB 230 99 218 and RGB 247 117 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 45 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 45 166 shade: RGB 174 45 166, RGB 157 27 147, RGB 140 9 128, RGB 123 0 109 and RGB 106 0 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 45 166 shade: RGB 174 45 166, RGB 174 45 131, RGB 174 45 97, RGB 174 45 62 and RGB 174 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 45 166 shade: RGB 174 45 166, RGB 147 45 174, RGB 113 45 174, RGB 78 45 174 and RGB 45 45 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 45 166 shade matches the following richer shades: RGB 174 45 166, RGB 192 27 182 and RGB 210 9 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 45 166 shade: RGB 174 45 166, RGB 157 63 151, RGB 139 80 135, RGB 121 98 120 and RGB 103 116 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 45 166 shade: RGB 112 45 174, RGB 146 45 174, RGB 174 45 168, RGB 174 45 133 and RGB 174 45 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 45 166 shade: RGB 109 28 104, RGB 142 36 135, RGB 174 45 166, RGB 204 57 195 and RGB 212 89 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 45 166 shade: RGB 174 45 166, RGB 174 77 45 and RGB 45 174 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 45 166 shade: RGB 174 45 166, RGB 168 174 45 and RGB 45 168 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 45 166 shade: RGB 174 45 166, RGB 174 77 45, RGB 45 174 51 and RGB 45 142 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 45 166 shade: RGB 174 45 166, RGB 174 116 45, RGB 45 174 51 and RGB 45 103 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 5 / 32

HEX #AE2DA6

RGB 174 45 166

HSL 303.72, 0.59%, 0.43%

LAB 43.7, 64.23, -37.11

 

Complementary color

CMYK 61 / 0 / 58 / 18

HEX #51D259

RGB 81 210 89

HSL 123.72, 0.59%, 0.57%

LAB 75.18, -59.36, 48.81

 

CMYK 0 / 75 / 10 / 30

HEX #B32DA1

RGB 179 45 161

HSL 308.06, 0.6%, 0.44%

LAB 44.28, 64.58, -33.15

 

CMYK 0 / 68 / 8 / 23

HEX #C43FB4

RGB 196 63 180

HSL 307.22, 0.53%, 0.51%

LAB 50.2, 65.3, -34.88

 

CMYK 0 / 62 / 7 / 16

HEX #D551C7

RGB 213 81 199

HSL 306.36, 0.61%, 0.58%

LAB 56.24, 65.45, -36.21

 

CMYK 0 / 57 / 5 / 10

HEX #E663DA

RGB 230 99 218

HSL 305.5, 0.72%, 0.65%

LAB 62.35, 65.26, -37.25

 

CMYK 0 / 53 / 4 / 3

HEX #F775ED

RGB 247 117 237

HSL 304.62, 0.89%, 0.71%

LAB 68.47, 64.84, -38.09

 

CMYK 0 / 74 / 5 / 32

HEX #AE2DA6

RGB 174 45 166

HSL 303.72, 0.59%, 0.43%

LAB 43.7, 64.23, -37.11

 

CMYK 0 / 83 / 6 / 38

HEX #9D1B93

RGB 157 27 147

HSL 304.62, 0.71%, 0.36%

LAB 37.95, 62.68, -34.94

 

CMYK 0 / 94 / 9 / 45

HEX #8C0980

RGB 140 9 128

HSL 305.5, 0.88%, 0.29%

LAB 32.55, 59.8, -31.96

 

CMYK 0 / 100 / 11 / 52

HEX #7B006D

RGB 123 0 109

HSL 306.83, 1%, 0.24%

LAB 27.61, 55.14, -27.91

 

CMYK 0 / 100 / 15 / 58

HEX #6A005A

RGB 106 0 90

HSL 309.06, 1%, 0.21%

LAB 23.01, 49.05, -22.97

 

CMYK 0 / 74 / 5 / 32

HEX #AE2DA6

RGB 174 45 166

HSL 303.72, 0.59%, 0.43%

LAB 43.7, 64.23, -37.11

 

CMYK 0 / 74 / 25 / 32

HEX #AE2D83

RGB 174 45 131

HSL 320, 0.59%, 0.43%

LAB 42.02, 59.17, -18.56

 

CMYK 0 / 74 / 44 / 32

HEX #AE2D61

RGB 174 45 97

HSL 335.81, 0.59%, 0.43%

LAB 40.8, 55.29, 0.74

 

CMYK 0 / 74 / 64 / 32

HEX #AE2D3E

RGB 174 45 62

HSL 352.09, 0.59%, 0.43%

LAB 39.95, 52.52, 21.62

 

CMYK 0 / 74 / 74 / 32

HEX #AE2D2D

RGB 174 45 45

HSL 0, 0.59%, 0.43%

LAB 39.69, 51.63, 31.68

 

CMYK 0 / 74 / 5 / 32

HEX #AE2DA6

RGB 174 45 166

HSL 303.72, 0.59%, 0.43%

LAB 43.7, 64.23, -37.11

 

CMYK 16 / 74 / 0 / 32

HEX #932DAE

RGB 147 45 174

HSL 287.44, 0.59%, 0.43%

LAB 39.81, 59.84, -48.33

 

CMYK 35 / 74 / 0 / 32

HEX #712DAE

RGB 113 45 174

HSL 271.63, 0.59%, 0.43%

LAB 34.89, 53.16, -56.52

 

CMYK 55 / 74 / 0 / 32

HEX #4E2DAE

RGB 78 45 174

HSL 255.35, 0.59%, 0.43%

LAB 30.77, 47.29, -63.43

 

CMYK 74 / 74 / 0 / 32

HEX #2D2DAE

RGB 45 45 174

HSL 240, 0.59%, 0.43%

LAB 28.09, 43.3, -67.93

 

CMYK 0 / 74 / 5 / 32

HEX #AE2DA6

RGB 174 45 166

HSL 303.72, 0.59%, 0.43%

LAB 43.7, 64.23, -37.11

 

CMYK 0 / 86 / 5 / 25

HEX #C01BB6

RGB 192 27 182

HSL 303.64, 0.75%, 0.43%

LAB 46.13, 74.77, -42.52

 

CMYK 0 / 96 / 6 / 18

HEX #D209C5

RGB 210 9 197

HSL 303.88, 0.92%, 0.43%

LAB 49.41, 82.34, -45.87

 

CMYK 0 / 74 / 5 / 32

HEX #AE2DA6

RGB 174 45 166

HSL 303.72, 0.59%, 0.43%

LAB 43.7, 64.23, -37.11

 

CMYK 0 / 60 / 4 / 38

HEX #9D3F97

RGB 157 63 151

HSL 303.83, 0.43%, 0.43%

LAB 42.7, 50.54, -29.88

 

CMYK 0 / 42 / 3 / 45

HEX #8B5087

RGB 139 80 135

HSL 304.07, 0.27%, 0.43%

LAB 42.73, 33.41, -20.37

 

CMYK 0 / 19 / 1 / 53

HEX #796278

RGB 121 98 120

HSL 302.61, 0.11%, 0.43%

LAB 44.46, 13.42, -8.84

 

CMYK 11 / 0 / 10 / 55

HEX #677468

RGB 103 116 104

HSL 124.62, 0.06%, 0.43%

LAB 47.46, -7.38, 4.98

 

CMYK 36 / 74 / 0 / 32

HEX #702DAE

RGB 112 45 174

HSL 271.16, 0.59%, 0.43%

LAB 34.76, 52.98, -56.74

 

CMYK 16 / 74 / 0 / 32

HEX #922DAE

RGB 146 45 174

HSL 286.98, 0.59%, 0.43%

LAB 39.65, 59.64, -48.58

 

CMYK 0 / 74 / 3 / 32

HEX #AE2DA8

RGB 174 45 168

HSL 302.79, 0.59%, 0.43%

LAB 43.8, 64.55, -38.13

 

CMYK 0 / 74 / 24 / 32

HEX #AE2D85

RGB 174 45 133

HSL 319.07, 0.59%, 0.43%

LAB 42.11, 59.43, -19.65

 

CMYK 0 / 74 / 43 / 32

HEX #AE2D63

RGB 174 45 99

HSL 334.88, 0.59%, 0.43%

LAB 40.86, 55.48, -0.42

 

CMYK 0 / 74 / 5 / 57

HEX #6D1C68

RGB 109 28 104

HSL 303.7, 0.59%, 0.27%

LAB 26.96, 44.55, -25.88

 

CMYK 0 / 75 / 5 / 44

HEX #8E2487

RGB 142 36 135

HSL 303.96, 0.6%, 0.35%

LAB 35.52, 54.92, -31.58

 

CMYK 0 / 74 / 5 / 32

HEX #AE2DA6

RGB 174 45 166

HSL 303.72, 0.59%, 0.43%

LAB 43.7, 64.23, -37.11

 

CMYK 0 / 72 / 4 / 20

HEX #CC39C3

RGB 204 57 195

HSL 303.67, 0.59%, 0.51%

LAB 51.5, 71.53, -41.46

 

CMYK 0 / 58 / 3 / 17

HEX #D459CD

RGB 212 89 205

HSL 303.41, 0.59%, 0.59%

LAB 57.61, 62.79, -37.5

 

CMYK 0 / 74 / 5 / 32

HEX #AE2DA6

RGB 174 45 166

HSL 303.72, 0.59%, 0.43%

LAB 43.7, 64.23, -37.11

 

CMYK 0 / 56 / 74 / 32

HEX #AE4D2D

RGB 174 77 45

HSL 14.88, 0.59%, 0.43%

LAB 44.94, 37.6, 37.51

 

CMYK 74 / 0 / 26 / 32

HEX #2DAE81

RGB 45 174 129

HSL 159.07, 0.59%, 0.43%

LAB 63.68, -45.18, 13.37

 

CMYK 0 / 74 / 5 / 32

HEX #AE2DA6

RGB 174 45 166

HSL 303.72, 0.59%, 0.43%

LAB 43.7, 64.23, -37.11

 

CMYK 3 / 0 / 74 / 32

HEX #A8AE2D

RGB 168 174 45

HSL 62.79, 0.59%, 0.43%

LAB 68.6, -17.68, 61.07

 

CMYK 74 / 3 / 0 / 32

HEX #2DA8AE

RGB 45 168 174

HSL 182.79, 0.59%, 0.43%

LAB 63.03, -30.3, -12.67

 

CMYK 0 / 74 / 5 / 32

HEX #AE2DA6

RGB 174 45 166

HSL 303.72, 0.59%, 0.43%

LAB 43.7, 64.23, -37.11

 

CMYK 0 / 56 / 74 / 32

HEX #AE4D2D

RGB 174 77 45

HSL 14.88, 0.59%, 0.43%

LAB 44.94, 37.6, 37.51

 

CMYK 74 / 0 / 71 / 32

HEX #2DAE33

RGB 45 174 51

HSL 122.79, 0.59%, 0.43%

LAB 62.57, -57.95, 50.85

 

CMYK 74 / 18 / 0 / 32

HEX #2D8EAE

RGB 45 142 174

HSL 194.88, 0.59%, 0.43%

LAB 55.03, -16.95, -24.84

 

CMYK 0 / 74 / 5 / 32

HEX #AE2DA6

RGB 174 45 166

HSL 303.72, 0.59%, 0.43%

LAB 43.7, 64.23, -37.11

 

CMYK 0 / 33 / 74 / 32

HEX #AE742D

RGB 174 116 45

HSL 33.02, 0.59%, 0.43%

LAB 53.68, 16.43, 46.7

 

CMYK 74 / 0 / 71 / 32

HEX #2DAE33

RGB 45 174 51

HSL 122.79, 0.59%, 0.43%

LAB 62.57, -57.95, 50.85

 

CMYK 74 / 41 / 0 / 32

HEX #2D67AE

RGB 45 103 174

HSL 213.02, 0.59%, 0.43%

LAB 43.23, 6.03, -43.35

 

Description

Color code: RGB 174 45 166 | qconv.com Color code: RGB 174 45 166 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 45 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 45 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 5 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 5% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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