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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF9358 it is the complementary color #506CA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF9358. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF9358 shade: #B49353, #C5A566, #D6B779, #E7C98C and #F8DB9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF9358. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF9358 shade: #AF9358, #9E8145, #8D6F32, #7C5D1F and #6B4B0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF9358 shade: #AF945A, #AF7D5A, #AF665A and #AF5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF9358 shade: #AF945A, #AFAB5A, #9DAF5A, #86AF5A and #6FAF5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF9358 shade matches the following richer shades: #AF945A, #C39B46, #D7A232, #EBA91E and #FFB00B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF9358 shade: #AF945A, #9C8D6E, #888681, #747F95 and #6078A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF9358 shade: #AF655A, #AF7C5A, #AF935A, #AFAA5A and #9EAF5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF9358 shade: #7B673B, #977E49, #AF945A, #BDA676 and #CAB891

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF9358 shade: #AF9358, #65AF5A and #715AAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF9358 shade: #AF9358, #5AAF93 and #935AAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF9358 shade: #AF9358, #65AF5A, #5A76AF and #A45AAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF9358 shade: #AF9358, #5AAF68, #5A76AF and #AF5AA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 50 / 31

HEX #AF9358

RGB 175 147 88

HSL 40.69, 0.35%, 0.52%

LAB 62.24, 2.71, 34.97

 

Complementary color

CMYK 52 / 35 / 0 / 35

HEX #506CA7

RGB 80 108 167

HSL 220.69, 0.35%, 0.48%

LAB 45.93, 7.06, -34.85

 

CMYK 0 / 18 / 54 / 29

HEX #B49353

RGB 180 147 83

HSL 39.59, 0.39%, 0.52%

LAB 62.67, 4.39, 38.23

 

CMYK 0 / 16 / 48 / 23

HEX #C5A566

RGB 197 165 102

HSL 39.79, 0.45%, 0.59%

LAB 69.28, 3.56, 36.89

 

CMYK 0 / 14 / 43 / 16

HEX #D6B779

RGB 214 183 121

HSL 40, 0.53%, 0.66%

LAB 75.79, 2.85, 35.6

 

CMYK 0 / 13 / 39 / 9

HEX #E7C98C

RGB 231 201 140

HSL 40.22, 0.65%, 0.73%

LAB 82.19, 2.25, 34.37

 

CMYK 0 / 12 / 36 / 3

HEX #F8DB9F

RGB 248 219 159

HSL 40.45, 0.86%, 0.8%

LAB 88.51, 1.72, 33.21

 

CMYK 0 / 16 / 50 / 31

HEX #AF9358

RGB 175 147 88

HSL 40.69, 0.35%, 0.52%

LAB 62.24, 2.71, 34.97

 

CMYK 0 / 18 / 56 / 38

HEX #9E8145

RGB 158 129 69

HSL 40.45, 0.39%, 0.45%

LAB 55.48, 3.58, 36.34

 

CMYK 0 / 21 / 65 / 45

HEX #8D6F32

RGB 141 111 50

HSL 40.22, 0.48%, 0.37%

LAB 48.59, 4.66, 37.69

 

CMYK 0 / 25 / 75 / 51

HEX #7C5D1F

RGB 124 93 31

HSL 40, 0.6%, 0.3%

LAB 41.55, 6.02, 38.85

 

CMYK 0 / 30 / 89 / 58

HEX #6B4B0C

RGB 107 75 12

HSL 39.79, 0.8%, 0.23%

LAB 34.36, 7.78, 39.19

 

CMYK 0 / 15 / 49 / 31

HEX #AF945A

RGB 175 148 90

HSL 40.94, 0.35%, 0.52%

LAB 62.53, 2.35, 34.28

 

CMYK 0 / 29 / 49 / 31

HEX #AF7D5A

RGB 175 125 90

HSL 24.71, 0.35%, 0.52%

LAB 56.6, 15.16, 26.72

 

CMYK 0 / 42 / 49 / 31

HEX #AF665A

RGB 175 102 90

HSL 8.47, 0.35%, 0.52%

LAB 51.1, 28.01, 19.46

 

CMYK 0 / 49 / 49 / 31

HEX #AF5A5A

RGB 175 90 90

HSL 0, 0.35%, 0.52%

LAB 48.47, 34.52, 15.89

 

CMYK 0 / 15 / 49 / 31

HEX #AF945A

RGB 175 148 90

HSL 40.94, 0.35%, 0.52%

LAB 62.53, 2.35, 34.28

 

CMYK 0 / 2 / 49 / 31

HEX #AFAB5A

RGB 175 171 90

HSL 57.18, 0.35%, 0.52%

LAB 68.74, -10, 41.89

 

CMYK 10 / 0 / 49 / 31

HEX #9DAF5A

RGB 157 175 90

HSL 72.71, 0.35%, 0.52%

LAB 68.44, -19.48, 41.2

 

CMYK 23 / 0 / 49 / 31

HEX #86AF5A

RGB 134 175 90

HSL 88.94, 0.35%, 0.52%

LAB 66.87, -28.51, 38.94

 

CMYK 37 / 0 / 49 / 31

HEX #6FAF5A

RGB 111 175 90

HSL 105.18, 0.35%, 0.52%

LAB 65.58, -36.77, 37.04

 

CMYK 0 / 15 / 49 / 31

HEX #AF945A

RGB 175 148 90

HSL 40.94, 0.35%, 0.52%

LAB 62.53, 2.35, 34.28

 

CMYK 0 / 21 / 64 / 24

HEX #C39B46

RGB 195 155 70

HSL 40.8, 0.51%, 0.52%

LAB 66.13, 5.52, 49.07

 

CMYK 0 / 25 / 77 / 16

HEX #D7A232

RGB 215 162 50

HSL 40.73, 0.67%, 0.52%

LAB 69.84, 9.4, 62.02

 

CMYK 0 / 28 / 87 / 8

HEX #EBA91E

RGB 235 169 30

HSL 40.68, 0.84%, 0.52%

LAB 73.63, 13.71, 72.31

 

CMYK 0 / 31 / 96 / 0

HEX #FFB00B

RGB 255 176 11

HSL 40.57, 1%, 0.52%

LAB 77.48, 18.28, 79.47

 

CMYK 0 / 15 / 49 / 31

HEX #AF945A

RGB 175 148 90

HSL 40.94, 0.35%, 0.52%

LAB 62.53, 2.35, 34.28

 

CMYK 0 / 10 / 29 / 39

HEX #9C8D6E

RGB 156 141 110

HSL 40.43, 0.19%, 0.52%

LAB 59.2, 0.65, 18.61

 

CMYK 0 / 1 / 5 / 47

HEX #888681

RGB 136 134 129

HSL 42.86, 0.03%, 0.52%

LAB 55.96, -0.21, 2.94

 

CMYK 22 / 15 / 0 / 42

HEX #747F95

RGB 116 127 149

HSL 220, 0.13%, 0.52%

LAB 53.02, 0.98, -13.19

 

CMYK 43 / 29 / 0 / 34

HEX #6078A9

RGB 96 120 169

HSL 220.27, 0.3%, 0.52%

LAB 50.43, 4.46, -28.91

 

CMYK 0 / 42 / 49 / 31

HEX #AF655A

RGB 175 101 90

HSL 7.76, 0.35%, 0.52%

LAB 50.87, 28.56, 19.15

 

CMYK 0 / 29 / 49 / 31

HEX #AF7C5A

RGB 175 124 90

HSL 24, 0.35%, 0.52%

LAB 56.35, 15.72, 26.4

 

CMYK 0 / 16 / 49 / 31

HEX #AF935A

RGB 175 147 90

HSL 40.24, 0.35%, 0.52%

LAB 62.27, 2.9, 33.95

 

CMYK 0 / 3 / 49 / 31

HEX #AFAA5A

RGB 175 170 90

HSL 56.47, 0.35%, 0.52%

LAB 68.46, -9.47, 41.56

 

CMYK 10 / 0 / 49 / 31

HEX #9EAF5A

RGB 158 175 90

HSL 72, 0.35%, 0.52%

LAB 68.51, -19.07, 41.3

 

CMYK 0 / 16 / 52 / 52

HEX #7B673B

RGB 123 103 59

HSL 41.25, 0.35%, 0.36%

LAB 44.56, 1.82, 27.65

 

CMYK 0 / 17 / 52 / 41

HEX #977E49

RGB 151 126 73

HSL 40.77, 0.35%, 0.44%

LAB 54.01, 2.54, 32.26

 

CMYK 0 / 15 / 49 / 31

HEX #AF945A

RGB 175 148 90

HSL 40.94, 0.35%, 0.52%

LAB 62.53, 2.35, 34.28

 

CMYK 0 / 12 / 38 / 26

HEX #BDA676

RGB 189 166 118

HSL 40.56, 0.35%, 0.6%

LAB 69.04, 1.45, 27.95

 

CMYK 0 / 9 / 28 / 21

HEX #CAB891

RGB 202 184 145

HSL 41.05, 0.35%, 0.68%

LAB 75.38, 0.42, 22.17

 

CMYK 0 / 16 / 50 / 31

HEX #AF9358

RGB 175 147 88

HSL 40.69, 0.35%, 0.52%

LAB 62.24, 2.71, 34.97

 

CMYK 42 / 0 / 49 / 31

HEX #65AF5A

RGB 101 175 90

HSL 112.24, 0.35%, 0.52%

LAB 65.09, -40.04, 36.34

 

CMYK 35 / 49 / 0 / 31

HEX #715AAF

RGB 113 90 175

HSL 256.24, 0.35%, 0.52%

LAB 44.12, 29.09, -42.27

 

CMYK 0 / 16 / 50 / 31

HEX #AF9358

RGB 175 147 88

HSL 40.69, 0.35%, 0.52%

LAB 62.24, 2.71, 34.97

 

CMYK 49 / 0 / 16 / 31

HEX #5AAF93

RGB 90 175 147

HSL 160.24, 0.35%, 0.52%

LAB 65.7, -32.61, 6.47

 

CMYK 16 / 49 / 0 / 31

HEX #935AAF

RGB 147 90 175

HSL 280.24, 0.35%, 0.52%

LAB 47.77, 38.64, -36.26

 

CMYK 0 / 16 / 50 / 31

HEX #AF9358

RGB 175 147 88

HSL 40.69, 0.35%, 0.52%

LAB 62.24, 2.71, 34.97

 

CMYK 42 / 0 / 49 / 31

HEX #65AF5A

RGB 101 175 90

HSL 112.24, 0.35%, 0.52%

LAB 65.09, -40.04, 36.34

 

CMYK 49 / 33 / 0 / 31

HEX #5A76AF

RGB 90 118 175

HSL 220.24, 0.35%, 0.52%

LAB 49.77, 5.93, -33.46

 

CMYK 6 / 49 / 0 / 31

HEX #A45AAF

RGB 164 90 175

HSL 292.24, 0.35%, 0.52%

LAB 49.86, 43.61, -32.82

 

CMYK 0 / 16 / 50 / 31

HEX #AF9358

RGB 175 147 88

HSL 40.69, 0.35%, 0.52%

LAB 62.24, 2.71, 34.97

 

CMYK 49 / 0 / 41 / 31

HEX #5AAF68

RGB 90 175 104

HSL 129.88, 0.35%, 0.52%

LAB 64.83, -41.2, 28.66

 

CMYK 49 / 33 / 0 / 31

HEX #5A76AF

RGB 90 118 175

HSL 220.24, 0.35%, 0.52%

LAB 49.77, 5.93, -33.46

 

CMYK 0 / 49 / 8 / 31

HEX #AF5AA1

RGB 175 90 161

HSL 309.88, 0.35%, 0.52%

LAB 50.69, 44.33, -23.22

 

Description

Color code: HEX #AF9358 | qconv.com Color code: HEX #AF9358 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 147 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 147 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 50 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 50% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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