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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 90 161 it is the complementary color RGB 80 165 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 90 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 90 161 shade: RGB 180 90 156, RGB 197 108 175, RGB 214 126 194, RGB 231 144 213 and RGB 248 162 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 90 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 90 161 shade: RGB 175 90 161, RGB 158 72 142, RGB 141 54 123, RGB 124 36 104 and RGB 107 18 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 90 161 shade: RGB 175 90 161, RGB 175 90 138, RGB 175 90 115, RGB 175 90 92 and RGB 175 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 90 161 shade: RGB 175 90 161, RGB 166 90 175, RGB 143 90 175, RGB 120 90 175 and RGB 97 90 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 90 161 shade matches the following richer shades: RGB 175 90 161, RGB 195 70 175, RGB 215 50 188, RGB 235 30 201 and RGB 255 11 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 90 161 shade: RGB 175 90 161, RGB 156 110 148, RGB 136 129 135, RGB 116 149 121 and RGB 96 169 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 90 161 shade: RGB 143 90 175, RGB 165 90 175, RGB 175 90 163, RGB 175 90 140 and RGB 175 90 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 90 161 shade: RGB 123 59 113, RGB 151 73 138, RGB 175 90 161, RGB 189 118 177 and RGB 202 145 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 90 161 shade: RGB 175 90 161, RGB 175 120 90 and RGB 90 175 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 90 161 shade: RGB 175 90 161, RGB 163 175 90 and RGB 90 163 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 90 161 shade: RGB 175 90 161, RGB 175 120 90, RGB 90 175 103 and RGB 90 145 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 90 161 shade: RGB 175 90 161, RGB 175 145 90, RGB 90 175 103 and RGB 90 120 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 8 / 31

HEX #AF5AA1

RGB 175 90 161

HSL 309.88, 0.35%, 0.52%

LAB 50.69, 44.33, -23.22

 

Complementary color

CMYK 52 / 0 / 43 / 35

HEX #50A55E

RGB 80 165 94

HSL 129.88, 0.35%, 0.48%

LAB 61.15, -41.32, 29.09

 

CMYK 0 / 50 / 13 / 29

HEX #B45A9C

RGB 180 90 156

HSL 316, 0.38%, 0.53%

LAB 51.17, 45.05, -19.47

 

CMYK 0 / 45 / 11 / 23

HEX #C56CAF

RGB 197 108 175

HSL 314.83, 0.43%, 0.6%

LAB 57.74, 44.33, -20.29

 

CMYK 0 / 41 / 9 / 16

HEX #D67EC2

RGB 214 126 194

HSL 313.64, 0.52%, 0.67%

LAB 64.25, 43.58, -20.98

 

CMYK 0 / 38 / 8 / 9

HEX #E790D5

RGB 231 144 213

HSL 312.41, 0.64%, 0.74%

LAB 70.69, 42.83, -21.58

 

CMYK 0 / 35 / 6 / 3

HEX #F8A2E8

RGB 248 162 232

HSL 311.16, 0.86%, 0.8%

LAB 77.06, 42.1, -22.13

 

CMYK 0 / 49 / 8 / 31

HEX #AF5AA1

RGB 175 90 161

HSL 309.88, 0.35%, 0.52%

LAB 50.69, 44.33, -23.22

 

CMYK 0 / 54 / 10 / 38

HEX #9E488E

RGB 158 72 142

HSL 311.16, 0.37%, 0.45%

LAB 44.03, 44.97, -22.38

 

CMYK 0 / 62 / 13 / 45

HEX #8D367B

RGB 141 54 123

HSL 312.41, 0.45%, 0.38%

LAB 37.36, 45.4, -21.28

 

CMYK 0 / 71 / 16 / 51

HEX #7C2468

RGB 124 36 104

HSL 313.64, 0.55%, 0.31%

LAB 30.75, 45.37, -19.75

 

CMYK 0 / 83 / 21 / 58

HEX #6B1255

RGB 107 18 85

HSL 314.83, 0.71%, 0.25%

LAB 24.37, 44.39, -17.49

 

CMYK 0 / 49 / 8 / 31

HEX #AF5AA1

RGB 175 90 161

HSL 309.88, 0.35%, 0.52%

LAB 50.69, 44.33, -23.22

 

CMYK 0 / 49 / 21 / 31

HEX #AF5A8A

RGB 175 90 138

HSL 326.12, 0.35%, 0.52%

LAB 49.81, 40.58, -10.93

 

CMYK 0 / 49 / 34 / 31

HEX #AF5A73

RGB 175 90 115

HSL 342.35, 0.35%, 0.52%

LAB 49.09, 37.36, 1.76

 

CMYK 0 / 49 / 47 / 31

HEX #AF5A5C

RGB 175 90 92

HSL 358.59, 0.35%, 0.52%

LAB 48.51, 34.72, 14.76

 

CMYK 0 / 49 / 49 / 31

HEX #AF5A5A

RGB 175 90 90

HSL 0, 0.35%, 0.52%

LAB 48.47, 34.52, 15.89

 

CMYK 0 / 49 / 8 / 31

HEX #AF5AA1

RGB 175 90 161

HSL 309.88, 0.35%, 0.52%

LAB 50.69, 44.33, -23.22

 

CMYK 5 / 49 / 0 / 31

HEX #A65AAF

RGB 166 90 175

HSL 293.65, 0.35%, 0.52%

LAB 50.11, 44.19, -32.4

 

CMYK 18 / 49 / 0 / 31

HEX #8F5AAF

RGB 143 90 175

HSL 277.41, 0.35%, 0.52%

LAB 47.3, 37.48, -37.03

 

CMYK 31 / 49 / 0 / 31

HEX #785AAF

RGB 120 90 175

HSL 261.18, 0.35%, 0.52%

LAB 44.8, 30.99, -41.14

 

CMYK 45 / 49 / 0 / 31

HEX #615AAF

RGB 97 90 175

HSL 244.94, 0.35%, 0.52%

LAB 42.69, 24.97, -44.63

 

CMYK 0 / 49 / 8 / 31

HEX #AF5AA1

RGB 175 90 161

HSL 309.88, 0.35%, 0.52%

LAB 50.69, 44.33, -23.22

 

CMYK 0 / 64 / 10 / 24

HEX #C346AF

RGB 195 70 175

HSL 309.6, 0.51%, 0.52%

LAB 50.78, 61.56, -31.06

 

CMYK 0 / 77 / 13 / 16

HEX #D732BC

RGB 215 50 188

HSL 309.82, 0.67%, 0.52%

LAB 52.24, 74.98, -36.12

 

CMYK 0 / 87 / 14 / 8

HEX #EB1EC9

RGB 235 30 201

HSL 309.95, 0.84%, 0.52%

LAB 54.87, 84.98, -39.25

 

CMYK 0 / 96 / 16 / 0

HEX #FF0BD6

RGB 255 11 214

HSL 310.08, 1%, 0.52%

LAB 58.37, 92.26, -40.94

 

CMYK 0 / 49 / 8 / 31

HEX #AF5AA1

RGB 175 90 161

HSL 309.88, 0.35%, 0.52%

LAB 50.69, 44.33, -23.22

 

CMYK 0 / 29 / 5 / 39

HEX #9C6E94

RGB 156 110 148

HSL 310.43, 0.19%, 0.52%

LAB 52.24, 24.64, -13.42

 

CMYK 0 / 5 / 1 / 47

HEX #888187

RGB 136 129 135

HSL 308.57, 0.03%, 0.52%

LAB 54.75, 3.8, -2.3

 

CMYK 22 / 0 / 19 / 42

HEX #749579

RGB 116 149 121

HSL 129.09, 0.13%, 0.52%

LAB 58.59, -17.33, 11.08

 

CMYK 43 / 0 / 36 / 34

HEX #60A96C

RGB 96 169 108

HSL 129.86, 0.3%, 0.52%

LAB 63.3, -36.12, 24.55

 

CMYK 18 / 49 / 0 / 31

HEX #8F5AAF

RGB 143 90 175

HSL 277.41, 0.35%, 0.52%

LAB 47.3, 37.48, -37.03

 

CMYK 6 / 49 / 0 / 31

HEX #A55AAF

RGB 165 90 175

HSL 292.94, 0.35%, 0.52%

LAB 49.99, 43.9, -32.61

 

CMYK 0 / 49 / 7 / 31

HEX #AF5AA3

RGB 175 90 163

HSL 308.47, 0.35%, 0.52%

LAB 50.77, 44.68, -24.27

 

CMYK 0 / 49 / 20 / 31

HEX #AF5A8C

RGB 175 90 140

HSL 324.71, 0.35%, 0.52%

LAB 49.88, 40.89, -12.02

 

CMYK 0 / 49 / 33 / 31

HEX #AF5A75

RGB 175 90 117

HSL 340.94, 0.35%, 0.52%

LAB 49.14, 37.62, 0.64

 

CMYK 0 / 52 / 8 / 52

HEX #7B3B71

RGB 123 59 113

HSL 309.38, 0.35%, 0.36%

LAB 35.07, 35.6, -18.8

 

CMYK 0 / 52 / 9 / 41

HEX #97498A

RGB 151 73 138

HSL 310, 0.35%, 0.44%

LAB 43.03, 41.61, -21.58

 

CMYK 0 / 49 / 8 / 31

HEX #AF5AA1

RGB 175 90 161

HSL 309.88, 0.35%, 0.52%

LAB 50.69, 44.33, -23.22

 

CMYK 0 / 38 / 6 / 26

HEX #BD76B1

RGB 189 118 177

HSL 310.14, 0.35%, 0.6%

LAB 58.93, 36.78, -19.71

 

CMYK 0 / 28 / 4 / 21

HEX #CA91C1

RGB 202 145 193

HSL 309.47, 0.35%, 0.68%

LAB 67.02, 29.26, -16.34

 

CMYK 0 / 49 / 8 / 31

HEX #AF5AA1

RGB 175 90 161

HSL 309.88, 0.35%, 0.52%

LAB 50.69, 44.33, -23.22

 

CMYK 0 / 31 / 49 / 31

HEX #AF785A

RGB 175 120 90

HSL 21.18, 0.35%, 0.52%

LAB 55.36, 17.97, 25.11

 

CMYK 49 / 0 / 12 / 31

HEX #5AAF9A

RGB 90 175 154

HSL 165.18, 0.35%, 0.52%

LAB 65.88, -30.95, 2.84

 

CMYK 0 / 49 / 8 / 31

HEX #AF5AA1

RGB 175 90 161

HSL 309.88, 0.35%, 0.52%

LAB 50.69, 44.33, -23.22

 

CMYK 7 / 0 / 49 / 31

HEX #A3AF5A

RGB 163 175 90

HSL 68.47, 0.35%, 0.52%

LAB 68.88, -17.04, 41.85

 

CMYK 49 / 7 / 0 / 31

HEX #5AA3AF

RGB 90 163 175

HSL 188.47, 0.35%, 0.52%

LAB 62.9, -19.49, -13.29

 

CMYK 0 / 49 / 8 / 31

HEX #AF5AA1

RGB 175 90 161

HSL 309.88, 0.35%, 0.52%

LAB 50.69, 44.33, -23.22

 

CMYK 0 / 31 / 49 / 31

HEX #AF785A

RGB 175 120 90

HSL 21.18, 0.35%, 0.52%

LAB 55.36, 17.97, 25.11

 

CMYK 49 / 0 / 41 / 31

HEX #5AAF67

RGB 90 175 103

HSL 129.18, 0.35%, 0.52%

LAB 64.81, -41.37, 29.16

 

CMYK 49 / 17 / 0 / 31

HEX #5A91AF

RGB 90 145 175

HSL 201.18, 0.35%, 0.52%

LAB 57.58, -9.78, -21.36

 

CMYK 0 / 49 / 8 / 31

HEX #AF5AA1

RGB 175 90 161

HSL 309.88, 0.35%, 0.52%

LAB 50.69, 44.33, -23.22

 

CMYK 0 / 17 / 49 / 31

HEX #AF915A

RGB 175 145 90

HSL 38.82, 0.35%, 0.52%

LAB 61.74, 4, 33.29

 

CMYK 49 / 0 / 41 / 31

HEX #5AAF67

RGB 90 175 103

HSL 129.18, 0.35%, 0.52%

LAB 64.81, -41.37, 29.16

 

CMYK 49 / 31 / 0 / 31

HEX #5A78AF

RGB 90 120 175

HSL 218.82, 0.35%, 0.52%

LAB 50.34, 4.72, -32.57

 

Description

Color code: RGB 175 90 161 | qconv.com Color code: RGB 175 90 161 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 90 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 90 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 8 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 8% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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