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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF8C8D it is the complementary color #507372. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF8C8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF8C8D shade: #B48C88, #C59E9B, #D6B0AE, #E7C2C1 and #F8D4D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF8C8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF8C8D shade: #AF8C8D, #9E7A7A, #8D6867, #7C5654 and #6B4441

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF8C8D shade: #B08D8E and #B08D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF8C8D shade: #B08D8E, #B08D97, #B08DA0, #B08DAA and #AC8DB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF8C8D shade matches the following richer shades: #B08D8E, #BF7D7F, #CF6D70, #DF5E61 and #EE4E53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF8C8D shade: #B08D8E, #A09C9C, #90ACAB, #81BCBA and #71CBC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF8C8D shade: #B08DA0, #B08D97, #B08D8E, #B0958D and #B09E8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF8C8D shade: #8A6061, #9F7476, #B08D8E, #C0A5A6 and #D1BDBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF8C8D shade: #AF8C8D, #AAB08D and #8D9CB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF8C8D shade: #AF8C8D, #8EB08D and #8D8EB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF8C8D shade: #AF8C8D, #AAB08D, #8DB0AE and #928DB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF8C8D shade: #AF8C8D, #9FB08D, #8DB0AE and #9D8DB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 19 / 31

HEX #AF8C8D

RGB 175 140 141

HSL 358.29, 0.18%, 0.62%

LAB 61.48, 13.4, 4.5

 

Complementary color

CMYK 30 / 0 / 1 / 55

HEX #507372

RGB 80 115 114

HSL 178.29, 0.18%, 0.38%

LAB 45.88, -12.63, -3.46

 

CMYK 0 / 22 / 24 / 29

HEX #B48C88

RGB 180 140 136

HSL 5.45, 0.23%, 0.62%

LAB 61.86, 14.56, 7.96

 

CMYK 0 / 20 / 21 / 23

HEX #C59E9B

RGB 197 158 155

HSL 4.29, 0.27%, 0.69%

LAB 68.53, 13.97, 7.05

 

CMYK 0 / 18 / 19 / 16

HEX #D6B0AE

RGB 214 176 174

HSL 3, 0.33%, 0.76%

LAB 75.08, 13.45, 6.2

 

CMYK 0 / 16 / 16 / 9

HEX #E7C2C1

RGB 231 194 193

HSL 1.58, 0.44%, 0.83%

LAB 81.52, 12.97, 5.4

 

CMYK 0 / 15 / 15 / 3

HEX #F8D4D4

RGB 248 212 212

HSL 0, 0.72%, 0.9%

LAB 87.87, 12.54, 4.65

 

CMYK 0 / 20 / 19 / 31

HEX #AF8C8D

RGB 175 140 141

HSL 358.29, 0.18%, 0.62%

LAB 61.48, 13.4, 4.5

 

CMYK 0 / 23 / 23 / 38

HEX #9E7A7A

RGB 158 122 122

HSL 0, 0.16%, 0.55%

LAB 54.65, 13.99, 5.39

 

CMYK 0 / 26 / 27 / 45

HEX #8D6867

RGB 141 104 103

HSL 1.58, 0.16%, 0.48%

LAB 47.68, 14.68, 6.37

 

CMYK 0 / 31 / 32 / 51

HEX #7C5654

RGB 124 86 84

HSL 3, 0.19%, 0.41%

LAB 40.54, 15.48, 7.48

 

CMYK 0 / 36 / 39 / 58

HEX #6B4441

RGB 107 68 65

HSL 4.29, 0.24%, 0.34%

LAB 33.23, 16.43, 8.78

 

CMYK 0 / 20 / 19 / 31

HEX #B08D8E

RGB 176 141 142

HSL 358.29, 0.18%, 0.62%

LAB 61.85, 13.38, 4.49

 

CMYK 0 / 20 / 20 / 31

HEX #B08D8D

RGB 176 141 141

HSL 0, 0.18%, 0.62%

LAB 61.83, 13.22, 5.02

 

CMYK 0 / 20 / 19 / 31

HEX #B08D8E

RGB 176 141 142

HSL 358.29, 0.18%, 0.62%

LAB 61.85, 13.38, 4.49

 

CMYK 0 / 20 / 14 / 31

HEX #B08D97

RGB 176 141 151

HSL 342.86, 0.18%, 0.62%

LAB 62.1, 14.86, -0.27

 

CMYK 0 / 20 / 9 / 31

HEX #B08DA0

RGB 176 141 160

HSL 327.43, 0.18%, 0.62%

LAB 62.35, 16.42, -5.01

 

CMYK 0 / 20 / 3 / 31

HEX #B08DAA

RGB 176 141 170

HSL 310.29, 0.18%, 0.62%

LAB 62.66, 18.25, -10.22

 

CMYK 2 / 20 / 0 / 31

HEX #AC8DB0

RGB 172 141 176

HSL 293.14, 0.18%, 0.62%

LAB 62.47, 18, -13.94

 

CMYK 0 / 20 / 19 / 31

HEX #B08D8E

RGB 176 141 142

HSL 358.29, 0.18%, 0.62%

LAB 61.85, 13.38, 4.49

 

CMYK 0 / 35 / 34 / 25

HEX #BF7D7F

RGB 191 125 127

HSL 358.18, 0.34%, 0.62%

LAB 59.23, 25.91, 9.53

 

CMYK 0 / 47 / 46 / 19

HEX #CF6D70

RGB 207 109 112

HSL 358.16, 0.51%, 0.62%

LAB 57.44, 38.83, 15.99

 

CMYK 0 / 58 / 57 / 13

HEX #DF5E61

RGB 223 94 97

HSL 358.6, 0.67%, 0.62%

LAB 56.64, 50.63, 24.01

 

CMYK 0 / 67 / 65 / 7

HEX #EE4E53

RGB 238 78 83

HSL 358.13, 0.82%, 0.62%

LAB 56.34, 61.47, 32.2

 

CMYK 0 / 20 / 19 / 31

HEX #B08D8E

RGB 176 141 142

HSL 358.29, 0.18%, 0.62%

LAB 61.85, 13.38, 4.49

 

CMYK 0 / 2 / 2 / 37

HEX #A09C9C

RGB 160 156 156

HSL 0, 0.02%, 0.62%

LAB 64.68, 1.45, 0.51

 

CMYK 16 / 0 / 1 / 33

HEX #90ACAB

RGB 144 172 171

HSL 177.86, 0.14%, 0.62%

LAB 68.3, -9.79, -2.71

 

CMYK 31 / 0 / 1 / 26

HEX #81BCBA

RGB 129 188 186

HSL 177.97, 0.31%, 0.62%

LAB 72.35, -19.38, -5.09

 

CMYK 44 / 0 / 1 / 20

HEX #71CBC9

RGB 113 203 201

HSL 178.67, 0.46%, 0.62%

LAB 76.34, -27.39, -7.41

 

CMYK 0 / 20 / 9 / 31

HEX #B08DA0

RGB 176 141 160

HSL 327.43, 0.18%, 0.62%

LAB 62.35, 16.42, -5.01

 

CMYK 0 / 20 / 14 / 31

HEX #B08D97

RGB 176 141 151

HSL 342.86, 0.18%, 0.62%

LAB 62.1, 14.86, -0.27

 

CMYK 0 / 20 / 19 / 31

HEX #B08D8E

RGB 176 141 142

HSL 358.29, 0.18%, 0.62%

LAB 61.85, 13.38, 4.49

 

CMYK 0 / 15 / 20 / 31

HEX #B0958D

RGB 176 149 141

HSL 13.71, 0.18%, 0.62%

LAB 63.87, 8.76, 7.95

 

CMYK 0 / 10 / 20 / 31

HEX #B09E8D

RGB 176 158 141

HSL 29.14, 0.18%, 0.62%

LAB 66.22, 3.78, 11.28

 

CMYK 0 / 30 / 30 / 46

HEX #8A6061

RGB 138 96 97

HSL 358.57, 0.18%, 0.46%

LAB 45.13, 17.25, 6.29

 

CMYK 0 / 27 / 26 / 38

HEX #9F7476

RGB 159 116 118

HSL 357.21, 0.18%, 0.54%

LAB 53.13, 17.21, 5.56

 

CMYK 0 / 20 / 19 / 31

HEX #B08D8E

RGB 176 141 142

HSL 358.29, 0.18%, 0.62%

LAB 61.85, 13.38, 4.49

 

CMYK 0 / 14 / 14 / 25

HEX #C0A5A6

RGB 192 165 166

HSL 357.78, 0.18%, 0.7%

LAB 70.08, 10.01, 3.13

 

CMYK 0 / 10 / 9 / 18

HEX #D1BDBE

RGB 209 189 190

HSL 357, 0.18%, 0.78%

LAB 78.27, 7.24, 2.06

 

CMYK 0 / 20 / 19 / 31

HEX #AF8C8D

RGB 175 140 141

HSL 358.29, 0.18%, 0.62%

LAB 61.48, 13.4, 4.5

 

CMYK 3 / 0 / 20 / 31

HEX #AAB08D

RGB 170 176 141

HSL 70.29, 0.18%, 0.62%

LAB 70.54, -8.22, 17.25

 

CMYK 20 / 11 / 0 / 31

HEX #8D9CB0

RGB 141 156 176

HSL 214.29, 0.18%, 0.62%

LAB 63.81, -0.93, -12.18

 

CMYK 0 / 20 / 19 / 31

HEX #AF8C8D

RGB 175 140 141

HSL 358.29, 0.18%, 0.62%

LAB 61.48, 13.4, 4.5

 

CMYK 19 / 0 / 20 / 31

HEX #8EB08D

RGB 142 176 141

HSL 118.29, 0.18%, 0.62%

LAB 68.55, -18.47, 14.19

 

CMYK 20 / 19 / 0 / 31

HEX #8D8EB0

RGB 141 142 176

HSL 238.29, 0.18%, 0.62%

LAB 60.02, 6.97, -17.91

 

CMYK 0 / 20 / 19 / 31

HEX #AF8C8D

RGB 175 140 141

HSL 358.29, 0.18%, 0.62%

LAB 61.48, 13.4, 4.5

 

CMYK 3 / 0 / 20 / 31

HEX #AAB08D

RGB 170 176 141

HSL 70.29, 0.18%, 0.62%

LAB 70.54, -8.22, 17.25

 

CMYK 20 / 0 / 1 / 31

HEX #8DB0AE

RGB 141 176 174

HSL 176.57, 0.18%, 0.62%

LAB 69.3, -12.24, -2.91

 

CMYK 17 / 20 / 0 / 31

HEX #928DB0

RGB 146 141 176

HSL 248.57, 0.18%, 0.62%

LAB 60.15, 9.19, -17.67

 

CMYK 0 / 20 / 19 / 31

HEX #AF8C8D

RGB 175 140 141

HSL 358.29, 0.18%, 0.62%

LAB 61.48, 13.4, 4.5

 

CMYK 10 / 0 / 20 / 31

HEX #9FB08D

RGB 159 176 141

HSL 89.14, 0.18%, 0.62%

LAB 69.71, -12.34, 15.98

 

CMYK 20 / 0 / 1 / 31

HEX #8DB0AE

RGB 141 176 174

HSL 176.57, 0.18%, 0.62%

LAB 69.3, -12.24, -2.91

 

CMYK 11 / 20 / 0 / 31

HEX #9D8DB0

RGB 157 141 176

HSL 267.43, 0.18%, 0.62%

LAB 61.09, 12.86, -16.16

 

Description

Color code: HEX #AF8C8D | qconv.com Color code: HEX #AF8C8D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 140 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 140 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 19 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 19% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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