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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF8A3C it is the complementary color #5075C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF8A3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF8A3C shade: #B48A37, #C59C4A, #D6AE5D, #E7C070 and #F8D283

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF8A3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF8A3C shade: #AF8A3C, #9E7829, #8D6616, #7C5403 and #6B4200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF8A3C shade: #AF8A3C, #AF6B3C, #AF4C3C and #AF3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF8A3C shade: #AF8A3C, #AFA93C, #96AF3C, #77AF3C and #58AF3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF8A3C shade matches the following richer shades: #AF8A3C, #C29129, #D59716 and #E89E03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF8A3C shade: #AF8A3C, #9C834F, #897C62, #767575 and #636F88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF8A3C shade: #AF4B3C, #AF6A3C, #AF883C, #AFA73C and #98AF3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF8A3C shade: #715927, #907231, #AF8A3C, #C39E51 and #CEAF6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF8A3C shade: #AF8A3C, #4BAF3C and #5A3CAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF8A3C shade: #AF8A3C, #3CAF88 and #883CAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF8A3C shade: #AF8A3C, #4BAF3C, #3C62AF and #9F3CAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF8A3C shade: #AF8A3C, #3CAF4F, #3C62AF and #AF3C9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 66 / 31

HEX #AF8A3C

RGB 175 138 60

HSL 40.7, 0.49%, 0.46%

LAB 59.54, 5.42, 45.95

 

Complementary color

CMYK 59 / 40 / 0 / 24

HEX #5075C3

RGB 80 117 195

HSL 220.7, 0.49%, 0.54%

LAB 49.94, 10.77, -44.76

 

CMYK 0 / 23 / 69 / 29

HEX #B48A37

RGB 180 138 55

HSL 39.84, 0.53%, 0.46%

LAB 60.03, 7.34, 48.95

 

CMYK 0 / 21 / 62 / 23

HEX #C59C4A

RGB 197 156 74

HSL 40, 0.51%, 0.53%

LAB 66.63, 6.11, 47.79

 

CMYK 0 / 19 / 57 / 16

HEX #D6AE5D

RGB 214 174 93

HSL 40.17, 0.6%, 0.6%

LAB 73.13, 5.08, 46.51

 

CMYK 0 / 17 / 52 / 9

HEX #E7C070

RGB 231 192 112

HSL 40.34, 0.71%, 0.67%

LAB 79.53, 4.19, 45.21

 

CMYK 0 / 15 / 47 / 3

HEX #F8D283

RGB 248 210 131

HSL 40.51, 0.89%, 0.74%

LAB 85.85, 3.43, 43.94

 

CMYK 0 / 21 / 66 / 31

HEX #AF8A3C

RGB 175 138 60

HSL 40.7, 0.49%, 0.46%

LAB 59.54, 5.42, 45.95

 

CMYK 0 / 24 / 74 / 38

HEX #9E7829

RGB 158 120 41

HSL 40.51, 0.59%, 0.39%

LAB 52.8, 6.77, 46.97

 

CMYK 0 / 28 / 84 / 45

HEX #8D6616

RGB 141 102 22

HSL 40.34, 0.73%, 0.32%

LAB 45.94, 8.41, 47.34

 

CMYK 0 / 32 / 98 / 51

HEX #7C5403

RGB 124 84 3

HSL 40.17, 0.95%, 0.25%

LAB 38.95, 10.42, 46.46

 

CMYK 0 / 38 / 100 / 58

HEX #6B4200

RGB 107 66 0

HSL 37.01, 1%, 0.21%

LAB 31.86, 12.95, 41.58

 

CMYK 0 / 21 / 66 / 31

HEX #AF8A3C

RGB 175 138 60

HSL 40.7, 0.49%, 0.46%

LAB 59.54, 5.42, 45.95

 

CMYK 0 / 39 / 66 / 31

HEX #AF6B3C

RGB 175 107 60

HSL 24.52, 0.49%, 0.46%

LAB 51.79, 22.75, 37.23

 

CMYK 0 / 57 / 66 / 31

HEX #AF4C3C

RGB 175 76 60

HSL 8.35, 0.49%, 0.46%

LAB 45.09, 39.31, 29.3

 

CMYK 0 / 66 / 66 / 31

HEX #AF3C3C

RGB 175 60 60

HSL 0, 0.49%, 0.46%

LAB 42.26, 46.8, 25.81

 

CMYK 0 / 21 / 66 / 31

HEX #AF8A3C

RGB 175 138 60

HSL 40.7, 0.49%, 0.46%

LAB 59.54, 5.42, 45.95

 

CMYK 0 / 3 / 66 / 31

HEX #AFA93C

RGB 175 169 60

HSL 56.87, 0.49%, 0.46%

LAB 67.88, -11.28, 54.84

 

CMYK 14 / 0 / 66 / 31

HEX #96AF3C

RGB 150 175 60

HSL 73.04, 0.49%, 0.46%

LAB 67.63, -24.93, 53.97

 

CMYK 32 / 0 / 66 / 31

HEX #77AF3C

RGB 119 175 60

HSL 89.22, 0.49%, 0.46%

LAB 65.68, -37.11, 51.31

 

CMYK 50 / 0 / 66 / 31

HEX #58AF3C

RGB 88 175 60

HSL 105.39, 0.49%, 0.46%

LAB 64.21, -47.5, 49.3

 

CMYK 0 / 21 / 66 / 31

HEX #AF8A3C

RGB 175 138 60

HSL 40.7, 0.49%, 0.46%

LAB 59.54, 5.42, 45.95

 

CMYK 0 / 25 / 79 / 24

HEX #C29129

RGB 194 145 41

HSL 40.78, 0.65%, 0.46%

LAB 63.24, 9.05, 58.37

 

CMYK 0 / 29 / 90 / 16

HEX #D59716

RGB 213 151 22

HSL 40.52, 0.81%, 0.46%

LAB 66.78, 13.64, 67.75

 

CMYK 0 / 32 / 99 / 9

HEX #E89E03

RGB 232 158 3

HSL 40.61, 0.97%, 0.46%

LAB 70.61, 17.9, 74.42

 

CMYK 0 / 21 / 66 / 31

HEX #AF8A3C

RGB 175 138 60

HSL 40.7, 0.49%, 0.46%

LAB 59.54, 5.42, 45.95

 

CMYK 0 / 16 / 49 / 39

HEX #9C834F

RGB 156 131 79

HSL 40.52, 0.33%, 0.46%

LAB 55.95, 2.51, 31.54

 

CMYK 0 / 9 / 28 / 46

HEX #897C62

RGB 137 124 98

HSL 40, 0.17%, 0.46%

LAB 52.53, 0.67, 16.03

 

CMYK 0 / 1 / 1 / 54

HEX #767575

RGB 118 117 117

HSL 0, 0%, 0.46%

LAB 49.32, 0.38, 0.13

 

CMYK 27 / 18 / 0 / 47

HEX #636F88

RGB 99 111 136

HSL 220.54, 0.16%, 0.46%

LAB 46.71, 1.54, -15.22

 

CMYK 0 / 57 / 66 / 31

HEX #AF4B3C

RGB 175 75 60

HSL 7.83, 0.49%, 0.46%

LAB 44.9, 39.81, 29.06

 

CMYK 0 / 39 / 66 / 31

HEX #AF6A3C

RGB 175 106 60

HSL 24, 0.49%, 0.46%

LAB 51.55, 23.31, 36.96

 

CMYK 0 / 22 / 66 / 31

HEX #AF883C

RGB 175 136 60

HSL 39.65, 0.49%, 0.46%

LAB 59.02, 6.53, 45.38

 

CMYK 0 / 5 / 66 / 31

HEX #AFA73C

RGB 175 167 60

HSL 55.83, 0.49%, 0.46%

LAB 67.34, -10.24, 54.27

 

CMYK 13 / 0 / 66 / 31

HEX #98AF3C

RGB 152 175 60

HSL 72, 0.49%, 0.46%

LAB 67.77, -24.11, 54.16

 

CMYK 0 / 21 / 65 / 56

HEX #715927

RGB 113 89 39

HSL 40.54, 0.49%, 0.3%

LAB 39.24, 3.67, 32.04

 

CMYK 0 / 21 / 66 / 44

HEX #907231

RGB 144 114 49

HSL 41.05, 0.49%, 0.38%

LAB 49.72, 4.24, 39.54

 

CMYK 0 / 21 / 66 / 31

HEX #AF8A3C

RGB 175 138 60

HSL 40.7, 0.49%, 0.46%

LAB 59.54, 5.42, 45.95

 

CMYK 0 / 19 / 58 / 24

HEX #C39E51

RGB 195 158 81

HSL 40.53, 0.49%, 0.54%

LAB 67.01, 4.67, 44.77

 

CMYK 0 / 15 / 46 / 19

HEX #CEAF6F

RGB 206 175 111

HSL 40.42, 0.49%, 0.62%

LAB 72.85, 2.82, 36.88

 

CMYK 0 / 21 / 66 / 31

HEX #AF8A3C

RGB 175 138 60

HSL 40.7, 0.49%, 0.46%

LAB 59.54, 5.42, 45.95

 

CMYK 57 / 0 / 66 / 31

HEX #4BAF3C

RGB 75 175 60

HSL 112.17, 0.49%, 0.46%

LAB 63.74, -51.11, 48.65

 

CMYK 49 / 66 / 0 / 31

HEX #5A3CAF

RGB 90 60 175

HSL 255.65, 0.49%, 0.46%

LAB 35, 41.48, -57.05

 

CMYK 0 / 21 / 66 / 31

HEX #AF8A3C

RGB 175 138 60

HSL 40.7, 0.49%, 0.46%

LAB 59.54, 5.42, 45.95

 

CMYK 66 / 0 / 22 / 31

HEX #3CAF88

RGB 60 175 136

HSL 159.65, 0.49%, 0.46%

LAB 64.48, -41.61, 10.68

 

CMYK 22 / 66 / 0 / 31

HEX #883CAF

RGB 136 60 175

HSL 279.65, 0.49%, 0.46%

LAB 40.51, 51.35, -47.88

 

CMYK 0 / 21 / 66 / 31

HEX #AF8A3C

RGB 175 138 60

HSL 40.7, 0.49%, 0.46%

LAB 59.54, 5.42, 45.95

 

CMYK 57 / 0 / 66 / 31

HEX #4BAF3C

RGB 75 175 60

HSL 112.17, 0.49%, 0.46%

LAB 63.74, -51.11, 48.65

 

CMYK 66 / 44 / 0 / 31

HEX #3C62AF

RGB 60 98 175

HSL 220.17, 0.49%, 0.46%

LAB 42.45, 11.94, -45.15

 

CMYK 9 / 66 / 0 / 31

HEX #9F3CAF

RGB 159 60 175

HSL 291.65, 0.49%, 0.46%

LAB 43.8, 56.75, -42.44

 

CMYK 0 / 21 / 66 / 31

HEX #AF8A3C

RGB 175 138 60

HSL 40.7, 0.49%, 0.46%

LAB 59.54, 5.42, 45.95

 

CMYK 66 / 0 / 55 / 31

HEX #3CAF4F

RGB 60 175 79

HSL 129.91, 0.49%, 0.46%

LAB 63.5, -52.34, 39.53

 

CMYK 66 / 44 / 0 / 31

HEX #3C62AF

RGB 60 98 175

HSL 220.17, 0.49%, 0.46%

LAB 42.45, 11.94, -45.15

 

CMYK 0 / 66 / 11 / 31

HEX #AF3C9C

RGB 175 60 156

HSL 309.91, 0.49%, 0.46%

LAB 45.28, 57.46, -28.63

 

Description

Color code: HEX #AF8A3C | qconv.com Color code: HEX #AF8A3C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 138 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 138 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 66 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 66% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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