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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 59 / 40 / 0 / 24 it is the complementary color CMYK 0 / 21 / 65 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 59 / 40 / 0 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 59 / 40 / 0 / 24: CMYK 56 / 39 / 0 / 26, CMYK 51 / 36 / 0 / 18, CMYK 48 / 33 / 0 / 11, CMYK 45 / 31 / 0 / 4 and CMYK 40 / 26 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 59 / 40 / 0 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 59 / 40 / 0 / 24: CMYK 59 / 40 / 0 / 24, CMYK 65 / 44 / 0 / 31, CMYK 71 / 49 / 0 / 39, CMYK 80 / 55 / 0 / 46 and CMYK 91 / 63 / 0 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 40 / 0 / 24

HEX #4F74C2

RGB 79 116 194

HSL 220.7, 0.49%, 0.54%

LAB 49.55, 10.85, -44.8

 

Complementary color

CMYK 0 / 21 / 65 / 31

HEX #B08B3D

RGB 176 139 61

HSL 40.7, 0.49%, 0.46%

LAB 59.92, 5.38, 45.92

 

CMYK 56 / 39 / 0 / 26

HEX #5474BD

RGB 84 116 189

HSL 221.71, 0.44%, 0.54%

LAB 49.56, 10.23, -41.91

 

CMYK 51 / 36 / 0 / 18

HEX #6586D0

RGB 101 134 208

HSL 221.5, 0.53%, 0.61%

LAB 56.46, 9.22, -41.77

 

CMYK 48 / 33 / 0 / 11

HEX #7698E3

RGB 118 152 227

HSL 221.28, 0.66%, 0.68%

LAB 63.22, 8.39, -41.68

 

CMYK 45 / 31 / 0 / 4

HEX #87AAF6

RGB 135 170 246

HSL 221.08, 0.86%, 0.75%

LAB 69.86, 7.7, -41.62

 

CMYK 40 / 26 / 0 / 0

HEX #98BCFF

RGB 152 188 255

HSL 219.03, 1%, 0.8%

LAB 75.98, 4.39, -36.88

 

CMYK 59 / 40 / 0 / 24

HEX #4F74C2

RGB 79 116 194

HSL 220.7, 0.49%, 0.54%

LAB 49.55, 10.85, -44.8

 

CMYK 65 / 44 / 0 / 31

HEX #3E62AF

RGB 62 98 175

HSL 220.88, 0.48%, 0.46%

LAB 42.54, 12.29, -44.99

 

CMYK 71 / 49 / 0 / 39

HEX #2D509C

RGB 45 80 156

HSL 221.08, 0.55%, 0.39%

LAB 35.39, 14.15, -45.2

 

CMYK 80 / 55 / 0 / 46

HEX #1C3E89

RGB 28 62 137

HSL 221.28, 0.66%, 0.32%

LAB 28.11, 16.59, -45.39

 

CMYK 91 / 63 / 0 / 54

HEX #0B2C76

RGB 11 44 118

HSL 221.5, 0.83%, 0.25%

LAB 20.75, 19.86, -45.43

 

CMYK 59 / 40 / 0 / 24

HEX #4F74C2

RGB 79 116 194

HSL 220.7, 0.49%, 0.54%

LAB 49.55, 10.85, -44.8

 

CMYK 59 / 49 / 0 / 24

HEX #5063C3

RGB 80 99 195

HSL 230.09, 0.49%, 0.54%

LAB 45.04, 22, -52.59

 

CMYK 59 / 59 / 0 / 24

HEX #5050C3

RGB 80 80 195

HSL 240, 0.49%, 0.54%

LAB 40.22, 33.91, -60.38

 

CMYK 49 / 59 / 0 / 24

HEX #6350C3

RGB 99 80 195

HSL 249.91, 0.49%, 0.54%

LAB 41.74, 37.55, -57.85

 

CMYK 39 / 59 / 0 / 24

HEX #7650C3

RGB 118 80 195

HSL 259.83, 0.49%, 0.54%

LAB 43.55, 41.65, -54.83

 

CMYK 59 / 40 / 0 / 24

HEX #4F74C2

RGB 79 116 194

HSL 220.7, 0.49%, 0.54%

LAB 49.55, 10.85, -44.8

 

CMYK 59 / 40 / 0 / 4

HEX #6492F5

RGB 100 146 245

HSL 220.97, 0.88%, 0.68%

LAB 61.53, 13.7, -54.34

 

CMYK 59 / 39 / 0 / 84

HEX #111929

RGB 17 25 41

HSL 220, 0.41%, 0.11%

LAB 8.78, 1.99, -12.04

 

CMYK 60 / 40 / 0 / 64

HEX #25375C

RGB 37 55 92

HSL 220.36, 0.43%, 0.25%

LAB 23.33, 5.26, -24.37

 

CMYK 59 / 40 / 0 / 44

HEX #3A568F

RGB 58 86 143

HSL 220.24, 0.42%, 0.39%

LAB 37, 7.83, -34.73

 

CMYK 59 / 40 / 0 / 24

HEX #4F74C2

RGB 79 116 194

HSL 220.7, 0.49%, 0.54%

LAB 49.55, 10.85, -44.8

 

CMYK 8 / 59 / 0 / 24

HEX #B350C3

RGB 179 80 195

HSL 291.65, 0.49%, 0.54%

LAB 50.99, 56.56, -42.51

 

CMYK 16 / 0 / 59 / 24

HEX #A4C350

RGB 164 195 80

HSL 76.17, 0.49%, 0.54%

LAB 74.51, -27.45, 53.11

 

CMYK 59 / 40 / 0 / 24

HEX #4F74C2

RGB 79 116 194

HSL 220.7, 0.49%, 0.54%

LAB 49.55, 10.85, -44.8

 

CMYK 0 / 59 / 39 / 24

HEX #C35076

RGB 195 80 118

HSL 340.17, 0.49%, 0.54%

LAB 50.27, 49.57, 2.05

 

CMYK 39 / 0 / 59 / 24

HEX #76C350

RGB 118 195 80

HSL 100.17, 0.49%, 0.54%

LAB 71.87, -44.33, 49.41

 

CMYK 59 / 40 / 0 / 24

HEX #4F74C2

RGB 79 116 194

HSL 220.7, 0.49%, 0.54%

LAB 49.55, 10.85, -44.8

 

CMYK 8 / 59 / 0 / 24

HEX #B350C3

RGB 179 80 195

HSL 291.65, 0.49%, 0.54%

LAB 50.99, 56.56, -42.51

 

CMYK 0 / 20 / 59 / 24

HEX #C39C50

RGB 195 156 80

HSL 39.65, 0.49%, 0.54%

LAB 66.49, 5.68, 44.65

 

CMYK 51 / 0 / 59 / 24

HEX #5FC350

RGB 95 195 80

HSL 112.17, 0.49%, 0.54%

LAB 70.9, -51.32, 48.05

 

CMYK 59 / 40 / 0 / 24

HEX #4F74C2

RGB 79 116 194

HSL 220.7, 0.49%, 0.54%

LAB 49.55, 10.85, -44.8

 

CMYK 0 / 59 / 10 / 24

HEX #C350B0

RGB 195 80 176

HSL 309.91, 0.49%, 0.54%

LAB 52.37, 57.47, -29.17

 

CMYK 0 / 20 / 59 / 24

HEX #C39C50

RGB 195 156 80

HSL 39.65, 0.49%, 0.54%

LAB 66.49, 5.68, 44.65

 

CMYK 59 / 0 / 49 / 24

HEX #50C363

RGB 80 195 99

HSL 129.91, 0.49%, 0.54%

LAB 70.62, -52.68, 38.53

 

Description

Color code: CMYK 59 / 40 / 0 / 24 | qconv.com Color code: CMYK 59 / 40 / 0 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 116 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 116 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 40 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 40% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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