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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF859C it is the complementary color #507A63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF859C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AF859C: #B48597, #C597AA, #D6A9BD, #E7BBD0 and #F8CDE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF859C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AF859C: #AF859C, #9E7389, #8D6176, #7C4F63 and #6B3D50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 11 / 31

HEX #AF859C

RGB 175 133 156

HSL 327.14, 0.21%, 0.6%

LAB 60.15, 19.85, -6

 

Complementary color

CMYK 34 / 0 / 19 / 52

HEX #507A63

RGB 80 122 99

HSL 147.14, 0.21%, 0.4%

LAB 47.66, -19.98, 8.01

 

CMYK 0 / 26 / 16 / 29

HEX #B48597

RGB 180 133 151

HSL 337.02, 0.24%, 0.61%

LAB 60.53, 20.84, -2.52

 

CMYK 0 / 23 / 14 / 23

HEX #C597AA

RGB 197 151 170

HSL 335.22, 0.28%, 0.68%

LAB 67.21, 20.21, -3.25

 

CMYK 0 / 21 / 12 / 16

HEX #D6A9BD

RGB 214 169 189

HSL 333.33, 0.35%, 0.75%

LAB 73.77, 19.64, -3.92

 

CMYK 0 / 19 / 10 / 9

HEX #E7BBD0

RGB 231 187 208

HSL 331.36, 0.48%, 0.82%

LAB 80.23, 19.12, -4.56

 

CMYK 0 / 17 / 8 / 3

HEX #F8CDE3

RGB 248 205 227

HSL 329.3, 0.75%, 0.89%

LAB 86.59, 18.64, -5.17

 

CMYK 0 / 24 / 11 / 31

HEX #AF859C

RGB 175 133 156

HSL 327.14, 0.21%, 0.6%

LAB 60.15, 19.85, -6

 

CMYK 0 / 27 / 13 / 38

HEX #9E7389

RGB 158 115 137

HSL 329.3, 0.18%, 0.54%

LAB 53.32, 20.5, -5.33

 

CMYK 0 / 31 / 16 / 45

HEX #8D6176

RGB 141 97 118

HSL 331.36, 0.18%, 0.47%

LAB 46.34, 21.22, -4.59

 

CMYK 0 / 36 / 20 / 51

HEX #7C4F63

RGB 124 79 99

HSL 333.33, 0.22%, 0.4%

LAB 39.2, 22.03, -3.76

 

CMYK 0 / 43 / 25 / 58

HEX #6B3D50

RGB 107 61 80

HSL 335.22, 0.27%, 0.33%

LAB 31.9, 22.93, -2.77

 

CMYK 0 / 24 / 11 / 31

HEX #AF859C

RGB 175 133 156

HSL 327.14, 0.21%, 0.6%

LAB 60.15, 19.85, -6

 

CMYK 0 / 25 / 15 / 32

HEX #AE8394

RGB 174 131 148

HSL 336.28, 0.21%, 0.6%

LAB 59.31, 19.23, -2.66

 

CMYK 0 / 25 / 20 / 32

HEX #AE838C

RGB 174 131 140

HSL 347.44, 0.21%, 0.6%

LAB 59.09, 17.92, 1.61

 

CMYK 0 / 25 / 24 / 32

HEX #AE8385

RGB 174 131 133

HSL 357.21, 0.21%, 0.6%

LAB 58.9, 16.83, 5.36

 

CMYK 0 / 22 / 25 / 32

HEX #AE8883

RGB 174 136 131

HSL 6.98, 0.21%, 0.6%

LAB 60.11, 13.71, 8.23

 

CMYK 0 / 24 / 11 / 31

HEX #AF859C

RGB 175 133 156

HSL 327.14, 0.21%, 0.6%

LAB 60.15, 19.85, -6

 

CMYK 0 / 24 / 11 / 11

HEX #E2ACC9

RGB 226 172 201

HSL 327.78, 0.48%, 0.78%

LAB 76, 24.24, -7.06

 

CMYK 0 / 23 / 9 / 91

HEX #161114

RGB 22 17 20

HSL 324, 0.13%, 0.08%

LAB 5.62, 2.72, -1

 

CMYK 0 / 25 / 11 / 71

HEX #493741

RGB 73 55 65

HSL 326.67, 0.14%, 0.25%

LAB 25.35, 9.95, -3.12

 

CMYK 0 / 24 / 10 / 51

HEX #7C5E6F

RGB 124 94 111

HSL 326, 0.14%, 0.43%

LAB 43.42, 15.2, -4.9

 

CMYK 0 / 24 / 11 / 31

HEX #AF859C

RGB 175 133 156

HSL 327.14, 0.21%, 0.6%

LAB 60.15, 19.85, -6

 

CMYK 0 / 9 / 25 / 32

HEX #AE9F83

RGB 174 159 131

HSL 39.07, 0.21%, 0.6%

LAB 66.08, 0.95, 16.62

 

CMYK 25 / 1 / 0 / 32

HEX #83ACAE

RGB 131 172 174

HSL 182.79, 0.21%, 0.6%

LAB 67.57, -13.26, -5.54

 

CMYK 0 / 24 / 11 / 31

HEX #AF859C

RGB 175 133 156

HSL 327.14, 0.21%, 0.6%

LAB 60.15, 19.85, -6

 

CMYK 11 / 0 / 25 / 32

HEX #9BAE83

RGB 155 174 131

HSL 86.51, 0.21%, 0.6%

LAB 68.66, -14.4, 19.93

 

CMYK 25 / 11 / 0 / 32

HEX #839BAE

RGB 131 155 174

HSL 206.51, 0.21%, 0.6%

LAB 62.78, -4.04, -12.68

 

CMYK 0 / 24 / 11 / 31

HEX #AF859C

RGB 175 133 156

HSL 327.14, 0.21%, 0.6%

LAB 60.15, 19.85, -6

 

CMYK 0 / 9 / 25 / 32

HEX #AE9F83

RGB 174 159 131

HSL 39.07, 0.21%, 0.6%

LAB 66.08, 0.95, 16.62

 

CMYK 25 / 0 / 14 / 32

HEX #83AE96

RGB 131 174 150

HSL 146.51, 0.21%, 0.6%

LAB 67.5, -19.48, 7.66

 

CMYK 25 / 16 / 0 / 32

HEX #8392AE

RGB 131 146 174

HSL 219.07, 0.21%, 0.6%

LAB 60.28, 1, -16.45

 

CMYK 0 / 24 / 11 / 31

HEX #AF859C

RGB 175 133 156

HSL 327.14, 0.21%, 0.6%

LAB 60.15, 19.85, -6

 

CMYK 0 / 1 / 25 / 32

HEX #AEAC83

RGB 174 172 131

HSL 57.21, 0.21%, 0.6%

LAB 69.57, -6.06, 21.41

 

CMYK 25 / 0 / 14 / 32

HEX #83AE96

RGB 131 174 150

HSL 146.51, 0.21%, 0.6%

LAB 67.5, -19.48, 7.66

 

CMYK 25 / 24 / 0 / 32

HEX #8385AE

RGB 131 133 174

HSL 237.21, 0.21%, 0.6%

LAB 56.74, 8.48, -21.85

 

Description

Color code: HEX #AF859C | qconv.com Color code: HEX #AF859C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 133 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 133 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 11 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 11% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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