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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF78133F it is the complementary color #5087EC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF78133F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF78133F shade: #B4780E3F, #C58A213F, #D69C343F, #E7AE473F and #F8C05A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF78133F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF78133F shade: #AF78133F, #9E66003F, #8D54003F, #7C42003F and #6B30003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF78133F shade: #AE7813, #AE4E13, #AE2413 and #AE1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF78133F shade: #AE7813, #AEA213, #91AE13, #68AE13 and #3EAE13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF78133F shade matches the following richer shades: #AE7813 and #BE7C04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF78133F shade: #AE7813, #9F7323, #8F6F33, #7F6A42 and #706552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF78133F shade: #AE2313, #AE4C13, #AE7613, #AE9F13 and #95AE13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF78133F shade: #64450B, #895E0F, #AE7813, #D49118 and #E8A62D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF78133F shade: #AF7813, #2DAE13 and #3813AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF78133F shade: #AF7813, #13AE76 and #7613AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF78133F shade: #AF7813, #2DAE13, #134CAE and #9513AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF78133F shade: #AF7813, #13AE28, #134CAE and #AE139A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 22 / 8

HEX #AF78133F

RGBA 175 120 19 0.25

HSLA 38.85, 0.8%, 0.38%, 0.25

LABA 54.65, 13.73, 57.12, 0.25

 

Complementary color

CMYK 17 / 11 / 0 / 2

HEX #5087EC3F

RGBA 80 135 236 0.25

HSLA 218.85, 0.8%, 0.62%, 0.25

LABA 57.16, 13.78, -56.39, 0.25

 

CMYK 0 / 8 / 23 / 7

HEX #B4780E3F

RGBA 180 120 14 0.25

HSLA 38.31, 0.86%, 0.38%, 0.25

LABA 55.24, 15.89, 59.02, 0.25

 

CMYK 0 / 7 / 21 / 6

HEX #C58A213F

RGBA 197 138 33 0.25

HSLA 38.41, 0.71%, 0.45%, 0.25

LABA 61.79, 13.94, 59.95, 0.25

 

CMYK 0 / 7 / 19 / 4

HEX #D69C343F

RGBA 214 156 52 0.25

HSLA 38.52, 0.66%, 0.52%, 0.25

LABA 68.26, 12.27, 59.71, 0.25

 

CMYK 0 / 6 / 17 / 2

HEX #E7AE473F

RGBA 231 174 71 0.25

HSLA 38.63, 0.77%, 0.59%, 0.25

LABA 74.65, 10.83, 58.88, 0.25

 

CMYK 0 / 6 / 16 / 1

HEX #F8C05A3F

RGBA 248 192 90 0.25

HSLA 38.73, 0.92%, 0.66%, 0.25

LABA 80.96, 9.58, 57.78, 0.25

 

CMYK 0 / 8 / 22 / 8

HEX #AF78133F

RGBA 175 120 19 0.25

HSLA 38.85, 0.8%, 0.38%, 0.25

LABA 54.65, 13.73, 57.12, 0.25

 

CMYK 0 / 9 / 25 / 10

HEX #9E66003F

RGBA 158 102 0 0.25

HSLA 38.73, 1%, 0.31%, 0.25

LABA 47.97, 15.85, 55.46, 0.25

 

CMYK 0 / 10 / 25 / 11

HEX #8D54003F

RGBA 141 84 0 0.25

HSLA 35.74, 1%, 0.28%, 0.25

LABA 41.22, 18.38, 49.97, 0.25

 

CMYK 0 / 12 / 25 / 13

HEX #7C42003F

RGBA 124 66 0 0.25

HSLA 31.94, 1%, 0.24%, 0.25

LABA 34.36, 21.01, 44.41, 0.25

 

CMYK 0 / 14 / 25 / 15

HEX #6B30003F

RGBA 107 48 0 0.25

HSLA 26.92, 1%, 0.21%, 0.25

LABA 27.41, 23.68, 38.16, 0.25

 

CMYK 0 / 31 / 89 / 32

HEX #AE7813

RGB 174 120 19

HSL 39.1, 0.8%, 0.38%

LAB 54.53, 13.28, 56.97

 

CMYK 0 / 55 / 89 / 32

HEX #AE4E13

RGB 174 78 19

HSL 22.84, 0.8%, 0.38%

LAB 44.93, 36.22, 49.42

 

CMYK 0 / 79 / 89 / 32

HEX #AE2413

RGB 174 36 19

HSL 6.58, 0.8%, 0.38%

LAB 38.39, 53.78, 44.32

 

CMYK 0 / 89 / 89 / 32

HEX #AE1313

RGB 174 19 19

HSL 0, 0.8%, 0.38%

LAB 36.95, 57.86, 43.21

 

CMYK 0 / 31 / 89 / 32

HEX #AE7813

RGB 174 120 19

HSL 39.1, 0.8%, 0.38%

LAB 54.53, 13.28, 56.97

 

CMYK 0 / 7 / 89 / 32

HEX #AEA213

RGB 174 162 19

HSL 55.35, 0.8%, 0.38%

LAB 65.66, -9.69, 65.79

 

CMYK 17 / 0 / 89 / 32

HEX #91AE13

RGB 145 174 19

HSL 71.23, 0.8%, 0.38%

LAB 66.78, -28.4, 65.73

 

CMYK 40 / 0 / 89 / 32

HEX #68AE13

RGB 104 174 19

HSL 87.1, 0.8%, 0.38%

LAB 64.37, -44.34, 62.76

 

CMYK 64 / 0 / 89 / 32

HEX #3EAE13

RGB 62 174 19

HSL 103.35, 0.8%, 0.38%

LAB 62.8, -56.61, 60.79

 

CMYK 0 / 31 / 89 / 32

HEX #AE7813

RGB 174 120 19

HSL 39.1, 0.8%, 0.38%

LAB 54.53, 13.28, 56.97

 

CMYK 0 / 35 / 98 / 25

HEX #BE7C04

RGB 190 124 4

HSL 38.71, 0.96%, 0.38%

LAB 57.44, 17.99, 62.95

 

CMYK 0 / 31 / 89 / 32

HEX #AE7813

RGB 174 120 19

HSL 39.1, 0.8%, 0.38%

LAB 54.53, 13.28, 56.97

 

CMYK 0 / 28 / 78 / 38

HEX #9F7323

RGB 159 115 35

HSL 38.71, 0.64%, 0.38%

LAB 51.56, 9.78, 48.32

 

CMYK 0 / 22 / 64 / 44

HEX #8F6F33

RGB 143 111 51

HSL 39.13, 0.47%, 0.38%

LAB 48.82, 5.65, 37.51

 

CMYK 0 / 17 / 48 / 50

HEX #7F6A42

RGB 127 106 66

HSL 39.34, 0.32%, 0.38%

LAB 45.93, 2.62, 25.5

 

CMYK 0 / 10 / 27 / 56

HEX #706552

RGB 112 101 82

HSL 38, 0.15%, 0.38%

LAB 43.3, 1.06, 12.36

 

CMYK 0 / 80 / 89 / 32

HEX #AE2313

RGB 174 35 19

HSL 6.19, 0.8%, 0.38%

LAB 38.28, 54.07, 44.24

 

CMYK 0 / 56 / 89 / 32

HEX #AE4C13

RGB 174 76 19

HSL 22.06, 0.8%, 0.38%

LAB 44.54, 37.23, 49.11

 

CMYK 0 / 32 / 89 / 32

HEX #AE7613

RGB 174 118 19

HSL 38.32, 0.8%, 0.38%

LAB 54.03, 14.4, 56.58

 

CMYK 0 / 9 / 89 / 32

HEX #AE9F13

RGB 174 159 19

HSL 54.19, 0.8%, 0.38%

LAB 64.84, -8.11, 65.14

 

CMYK 14 / 0 / 89 / 32

HEX #95AE13

RGB 149 174 19

HSL 69.68, 0.8%, 0.38%

LAB 67.06, -26.72, 66.08

 

CMYK 0 / 31 / 89 / 61

HEX #64450B

RGB 100 69 11

HSL 39.1, 0.8%, 0.22%

LAB 31.78, 7.96, 36.99

 

CMYK 0 / 31 / 89 / 46

HEX #895E0F

RGB 137 94 15

HSL 38.85, 0.8%, 0.3%

LAB 43.3, 10.99, 47.18

 

CMYK 0 / 31 / 89 / 32

HEX #AE7813

RGB 174 120 19

HSL 39.1, 0.8%, 0.38%

LAB 54.53, 13.28, 56.97

 

CMYK 0 / 32 / 89 / 17

HEX #D49118

RGB 212 145 24

HSL 38.62, 0.8%, 0.46%

LAB 65.21, 16.48, 66.02

 

CMYK 0 / 28 / 81 / 9

HEX #E8A62D

RGB 232 166 45

HSL 38.82, 0.8%, 0.54%

LAB 72.64, 14.41, 67.03

 

CMYK 0 / 31 / 89 / 31

HEX #AF7813

RGB 175 120 19

HSL 38.85, 0.8%, 0.38%

LAB 54.65, 13.73, 57.12

 

CMYK 74 / 0 / 89 / 32

HEX #2DAE13

RGB 45 174 19

HSL 109.94, 0.8%, 0.38%

LAB 62.4, -59.95, 60.3

 

CMYK 68 / 89 / 0 / 32

HEX #3813AE

RGB 56 19 174

HSL 254.32, 0.8%, 0.38%

LAB 24.84, 56.06, -73.29

 

CMYK 0 / 31 / 89 / 31

HEX #AF7813

RGB 175 120 19

HSL 38.85, 0.8%, 0.38%

LAB 54.65, 13.73, 57.12

 

CMYK 89 / 0 / 32 / 32

HEX #13AE76

RGB 19 174 118

HSL 158.32, 0.8%, 0.38%

LAB 63.11, -50.31, 18.55

 

CMYK 32 / 89 / 0 / 32

HEX #7613AE

RGB 118 19 174

HSL 278.32, 0.8%, 0.38%

LAB 32.64, 62.59, -60.16

 

CMYK 0 / 31 / 89 / 31

HEX #AF7813

RGB 175 120 19

HSL 38.85, 0.8%, 0.38%

LAB 54.65, 13.73, 57.12

 

CMYK 74 / 0 / 89 / 32

HEX #2DAE13

RGB 45 174 19

HSL 109.94, 0.8%, 0.38%

LAB 62.4, -59.95, 60.3

 

CMYK 89 / 56 / 0 / 32

HEX #134CAE

RGB 19 76 174

HSL 217.94, 0.8%, 0.38%

LAB 34.73, 21.2, -57.08

 

CMYK 14 / 89 / 0 / 32

HEX #9513AE

RGB 149 19 174

HSL 290.32, 0.8%, 0.38%

LAB 37.68, 67.32, -51.74

 

CMYK 0 / 31 / 89 / 31

HEX #AF7813

RGB 175 120 19

HSL 38.85, 0.8%, 0.38%

LAB 54.65, 13.73, 57.12

 

CMYK 89 / 0 / 77 / 32

HEX #13AE28

RGB 19 174 40

HSL 128.13, 0.8%, 0.38%

LAB 62.14, -61.95, 54.32

 

CMYK 89 / 56 / 0 / 32

HEX #134CAE

RGB 19 76 174

HSL 217.94, 0.8%, 0.38%

LAB 34.73, 21.2, -57.08

 

CMYK 0 / 89 / 11 / 32

HEX #AE139A

RGB 174 19 154

HSL 307.74, 0.8%, 0.38%

LAB 40.89, 68.69, -34.34

 

Description

Color code: HEX #AF78133F | qconv.com Color code: HEX #AF78133F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 120 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 120 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 22 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 22% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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