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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68AE13 it is the complementary color #9751EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68AE13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68AE13 shade: #6DAE0E, #7EC021, #8FD234, #A0E447 and #B1F65A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68AE13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68AE13 shade: #68AE13, #579C00, #468A00, #357800 and #246600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68AE13 shade: #68AE13, #92AE13, #AEA113, #AE7713 and #AE4D13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68AE13 shade: #68AE13, #3FAE13, #15AE13, #13AE3C and #13AE66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68AE13 shade matches the following richer shades: #68AE13 and #6ABE04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68AE13 shade: #68AE13, #679F23, #658F33, #647F42 and #627052

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68AE13 shade: #AEA213, #92AE13, #69AE13, #3FAE13 and #16AE13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68AE13 shade: #3C640B, #52890F, #68AE13, #7FD418 and #93E82D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68AE13 shade: #68AE13, #13AE78 and #AE13A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68AE13 shade: #68AE13, #1369AE and #AE1369

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68AE13 shade: #68AE13, #13AE78, #5913AE and #AE134A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68AE13 shade: #68AE13, #13AEA7, #5913AE and #AE131B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 89 / 32

HEX #68AE13

RGB 104 174 19

HSL 87.1, 0.8%, 0.38%

LAB 64.37, -44.34, 62.76

 

Complementary color

CMYK 36 / 66 / 0 / 7

HEX #9751EC

RGB 151 81 236

HSL 267.1, 0.8%, 0.62%

LAB 50.12, 58.59, -67.45

 

CMYK 37 / 0 / 92 / 32

HEX #6DAE0E

RGB 109 174 14

HSL 84.38, 0.85%, 0.37%

LAB 64.61, -42.69, 63.91

 

CMYK 34 / 0 / 83 / 25

HEX #7EC021

RGB 126 192 33

HSL 84.91, 0.71%, 0.44%

LAB 71.04, -43.56, 65.84

 

CMYK 32 / 0 / 75 / 18

HEX #8FD234

RGB 143 210 52

HSL 85.44, 0.64%, 0.51%

LAB 77.39, -44.18, 66.54

 

CMYK 30 / 0 / 69 / 11

HEX #A0E447

RGB 160 228 71

HSL 85.99, 0.74%, 0.59%

LAB 83.66, -44.61, 66.47

 

CMYK 28 / 0 / 63 / 4

HEX #B1F65A

RGB 177 246 90

HSL 86.54, 0.9%, 0.66%

LAB 89.86, -44.91, 65.96

 

CMYK 40 / 0 / 89 / 32

HEX #68AE13

RGB 104 174 19

HSL 87.1, 0.8%, 0.38%

LAB 64.37, -44.34, 62.76

 

CMYK 44 / 0 / 100 / 39

HEX #579C00

RGB 87 156 0

HSL 86.54, 1%, 0.31%

LAB 57.85, -43.29, 60.04

 

CMYK 49 / 0 / 100 / 46

HEX #468A00

RGB 70 138 0

HSL 89.57, 1%, 0.27%

LAB 51.24, -41.72, 54.55

 

CMYK 56 / 0 / 100 / 53

HEX #357800

RGB 53 120 0

HSL 93.5, 1%, 0.24%

LAB 44.5, -40, 48.97

 

CMYK 65 / 0 / 100 / 60

HEX #246600

RGB 36 102 0

HSL 98.82, 1%, 0.2%

LAB 37.62, -37.98, 43.28

 

CMYK 40 / 0 / 89 / 32

HEX #68AE13

RGB 104 174 19

HSL 87.1, 0.8%, 0.38%

LAB 64.37, -44.34, 62.76

 

CMYK 16 / 0 / 89 / 32

HEX #92AE13

RGB 146 174 19

HSL 70.84, 0.8%, 0.38%

LAB 66.85, -27.98, 65.82

 

CMYK 0 / 7 / 89 / 32

HEX #AEA113

RGB 174 161 19

HSL 54.97, 0.8%, 0.38%

LAB 65.39, -9.17, 65.57

 

CMYK 0 / 32 / 89 / 32

HEX #AE7713

RGB 174 119 19

HSL 38.71, 0.8%, 0.38%

LAB 54.28, 13.84, 56.77

 

CMYK 0 / 56 / 89 / 32

HEX #AE4D13

RGB 174 77 19

HSL 22.45, 0.8%, 0.38%

LAB 44.74, 36.72, 49.27

 

CMYK 40 / 0 / 89 / 32

HEX #68AE13

RGB 104 174 19

HSL 87.1, 0.8%, 0.38%

LAB 64.37, -44.34, 62.76

 

CMYK 64 / 0 / 89 / 32

HEX #3FAE13

RGB 63 174 19

HSL 102.97, 0.8%, 0.38%

LAB 62.82, -56.38, 60.82

 

CMYK 88 / 0 / 89 / 32

HEX #15AE13

RGB 21 174 19

HSL 119.23, 0.8%, 0.38%

LAB 62.06, -62.95, 59.87

 

CMYK 89 / 0 / 66 / 32

HEX #13AE3C

RGB 19 174 60

HSL 135.87, 0.8%, 0.38%

LAB 62.28, -60.1, 46.73

 

CMYK 89 / 0 / 41 / 32

HEX #13AE66

RGB 19 174 102

HSL 152.13, 0.8%, 0.38%

LAB 62.82, -53.66, 26.77

 

CMYK 40 / 0 / 89 / 32

HEX #68AE13

RGB 104 174 19

HSL 87.1, 0.8%, 0.38%

LAB 64.37, -44.34, 62.76

 

CMYK 44 / 0 / 98 / 25

HEX #6ABE04

RGB 106 190 4

HSL 87.1, 0.96%, 0.38%

LAB 69.4, -50.41, 68.95

 

CMYK 40 / 0 / 89 / 32

HEX #68AE13

RGB 104 174 19

HSL 87.1, 0.8%, 0.38%

LAB 64.37, -44.34, 62.76

 

CMYK 35 / 0 / 78 / 38

HEX #679F23

RGB 103 159 35

HSL 87.1, 0.64%, 0.38%

LAB 59.71, -37.64, 54.46

 

CMYK 29 / 0 / 64 / 44

HEX #658F33

RGB 101 143 51

HSL 87.39, 0.47%, 0.38%

LAB 54.71, -29.94, 43.07

 

CMYK 21 / 0 / 48 / 50

HEX #647F42

RGB 100 127 66

HSL 86.56, 0.32%, 0.38%

LAB 49.84, -20.8, 29.9

 

CMYK 13 / 0 / 27 / 56

HEX #627052

RGB 98 112 82

HSL 88, 0.15%, 0.38%

LAB 45.35, -11.17, 14.98

 

CMYK 0 / 7 / 89 / 32

HEX #AEA213

RGB 174 162 19

HSL 55.35, 0.8%, 0.38%

LAB 65.66, -9.69, 65.79

 

CMYK 16 / 0 / 89 / 32

HEX #92AE13

RGB 146 174 19

HSL 70.84, 0.8%, 0.38%

LAB 66.85, -27.98, 65.82

 

CMYK 40 / 0 / 89 / 32

HEX #69AE13

RGB 105 174 19

HSL 86.71, 0.8%, 0.38%

LAB 64.42, -43.99, 62.82

 

CMYK 64 / 0 / 89 / 32

HEX #3FAE13

RGB 63 174 19

HSL 102.97, 0.8%, 0.38%

LAB 62.82, -56.38, 60.82

 

CMYK 87 / 0 / 89 / 32

HEX #16AE13

RGB 22 174 19

HSL 118.84, 0.8%, 0.38%

LAB 62.07, -62.86, 59.88

 

CMYK 40 / 0 / 89 / 61

HEX #3C640B

RGB 60 100 11

HSL 86.97, 0.8%, 0.22%

LAB 38.02, -28.57, 41.04

 

CMYK 40 / 0 / 89 / 46

HEX #52890F

RGB 82 137 15

HSL 87.05, 0.8%, 0.3%

LAB 51.52, -36.68, 52.23

 

CMYK 40 / 0 / 89 / 32

HEX #68AE13

RGB 104 174 19

HSL 87.1, 0.8%, 0.38%

LAB 64.37, -44.34, 62.76

 

CMYK 40 / 0 / 89 / 17

HEX #7FD418

RGB 127 212 24

HSL 87.13, 0.8%, 0.46%

LAB 77.08, -51.71, 72.96

 

CMYK 37 / 0 / 81 / 9

HEX #93E82D

RGB 147 232 45

HSL 87.27, 0.8%, 0.54%

LAB 84.02, -52.22, 74.79

 

CMYK 40 / 0 / 89 / 32

HEX #68AE13

RGB 104 174 19

HSL 87.1, 0.8%, 0.38%

LAB 64.37, -44.34, 62.76

 

CMYK 89 / 0 / 31 / 32

HEX #13AE78

RGB 19 174 120

HSL 159.1, 0.8%, 0.38%

LAB 63.15, -49.86, 17.51

 

CMYK 0 / 89 / 4 / 32

HEX #AE13A7

RGB 174 19 167

HSL 302.71, 0.8%, 0.38%

LAB 41.62, 70.56, -41.01

 

CMYK 40 / 0 / 89 / 32

HEX #68AE13

RGB 104 174 19

HSL 87.1, 0.8%, 0.38%

LAB 64.37, -44.34, 62.76

 

CMYK 89 / 40 / 0 / 32

HEX #1369AE

RGB 19 105 174

HSL 206.71, 0.8%, 0.38%

LAB 43.21, 2.14, -43.42

 

CMYK 0 / 89 / 40 / 32

HEX #AE1369

RGB 174 19 105

HSL 326.71, 0.8%, 0.38%

LAB 38.7, 62.8, -7.41

 

CMYK 40 / 0 / 89 / 32

HEX #68AE13

RGB 104 174 19

HSL 87.1, 0.8%, 0.38%

LAB 64.37, -44.34, 62.76

 

CMYK 89 / 0 / 31 / 32

HEX #13AE78

RGB 19 174 120

HSL 159.1, 0.8%, 0.38%

LAB 63.15, -49.86, 17.51

 

CMYK 49 / 89 / 0 / 32

HEX #5913AE

RGB 89 19 174

HSL 267.1, 0.8%, 0.38%

LAB 28.5, 58.97, -67.11

 

CMYK 0 / 89 / 57 / 32

HEX #AE134A

RGB 174 19 74

HSL 338.71, 0.8%, 0.38%

LAB 37.77, 60.21, 11.07

 

CMYK 40 / 0 / 89 / 32

HEX #68AE13

RGB 104 174 19

HSL 87.1, 0.8%, 0.38%

LAB 64.37, -44.34, 62.76

 

CMYK 89 / 0 / 4 / 32

HEX #13AEA7

RGB 19 174 167

HSL 177.29, 0.8%, 0.38%

LAB 64.32, -37.47, -6.86

 

CMYK 49 / 89 / 0 / 32

HEX #5913AE

RGB 89 19 174

HSL 267.1, 0.8%, 0.38%

LAB 28.5, 58.97, -67.11

 

CMYK 0 / 89 / 84 / 32

HEX #AE131B

RGB 174 19 27

HSL 356.9, 0.8%, 0.38%

LAB 37.01, 58.03, 39.19

 

Description

Color code: HEX #68AE13 | qconv.com Color code: HEX #68AE13 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 174 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 174 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 89 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 89% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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