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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF752C3F it is the complementary color #508AD33F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF752C3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF752C3F shade: #B475273F, #C5873A3F, #D6994D3F, #E7AB603F and #F8BD733F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF752C3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF752C3F shade: #AF752C3F, #9E63193F, #8D51063F, #7C3F003F and #6B2D003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF752C3F shade: #AF752C, #AF522C, #AF2E2C and #AF2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF752C3F shade: #AF752C, #AF992C, #A3AF2C, #7FAF2C and #5CAF2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF752C3F shade matches the following richer shades: #AF752C, #C1771A and #D37908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF752C3F shade: #AF752C, #9E733E, #8C714F, #7A6F61 and #686D73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF752C3F shade: #AF2E2C, #AF512C, #AF742C, #AF972C and #A4AF2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF752C3F shade: #6D491B, #8E5F24, #AF752C, #CD8B37 and #D59E58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF752C3F shade: #AF752C, #4DAF2C and #402CAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF752C3F shade: #AF752C, #2CAF74 and #742CAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF752C3F shade: #AF752C, #4DAF2C, #2C67AF and #8F2CAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF752C3F shade: #AF752C, #2CAF32, #2C67AF and #AF2CA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 19 / 8

HEX #AF752C3F

RGBA 175 117 44 0.25

HSLA 33.44, 0.6%, 0.43%, 0.25

LABA 54.05, 16.26, 47.55, 0.25

 

Complementary color

CMYK 16 / 9 / 0 / 4

HEX #508AD33F

RGBA 80 138 211 0.25

HSLA 213.44, 0.6%, 0.57%, 0.25

LABA 56.67, 3.48, -43.2, 0.25

 

CMYK 0 / 9 / 20 / 7

HEX #B475273F

RGBA 180 117 39 0.25

HSLA 33.19, 0.64%, 0.43%, 0.25

LABA 54.63, 18.26, 50.49, 0.25

 

CMYK 0 / 8 / 18 / 6

HEX #C5873A3F

RGBA 197 135 58 0.25

HSLA 33.24, 0.55%, 0.5%, 0.25

LABA 61.22, 16.61, 49.42, 0.25

 

CMYK 0 / 7 / 16 / 4

HEX #D6994D3F

RGBA 214 153 77 0.25

HSLA 33.28, 0.63%, 0.57%, 0.25

LABA 67.74, 15.2, 48.09, 0.25

 

CMYK 0 / 6 / 15 / 2

HEX #E7AB603F

RGBA 231 171 96 0.25

HSLA 33.33, 0.74%, 0.64%, 0.25

LABA 74.16, 13.99, 46.68, 0.25

 

CMYK 0 / 6 / 13 / 1

HEX #F8BD733F

RGBA 248 189 115 0.25

HSLA 33.38, 0.9%, 0.71%, 0.25

LABA 80.51, 12.93, 45.29, 0.25

 

CMYK 0 / 8 / 19 / 8

HEX #AF752C3F

RGBA 175 117 44 0.25

HSLA 33.44, 0.6%, 0.43%, 0.25

LABA 54.05, 16.26, 47.55, 0.25

 

CMYK 0 / 9 / 21 / 10

HEX #9E63193F

RGBA 158 99 25 0.25

HSLA 33.38, 0.73%, 0.36%, 0.25

LABA 47.32, 18.08, 48.29, 0.25

 

CMYK 0 / 11 / 24 / 11

HEX #8D51063F

RGBA 141 81 6 0.25

HSLA 33.33, 0.92%, 0.29%, 0.25

LABA 40.51, 20.23, 47.76, 0.25

 

CMYK 0 / 12 / 25 / 13

HEX #7C3F003F

RGBA 124 63 0 0.25

HSLA 30.48, 1%, 0.24%, 0.25

LABA 33.65, 22.75, 43.98, 0.25

 

CMYK 0 / 14 / 25 / 15

HEX #6B2D003F

RGBA 107 45 0 0.25

HSLA 25.23, 1%, 0.21%, 0.25

LABA 26.74, 25.37, 37.57, 0.25

 

CMYK 0 / 33 / 75 / 31

HEX #AF752C

RGB 175 117 44

HSL 33.44, 0.6%, 0.43%

LAB 54.05, 16.26, 47.55

 

CMYK 0 / 53 / 75 / 31

HEX #AF522C

RGB 175 82 44

HSL 17.4, 0.6%, 0.43%

LAB 46.08, 35.39, 39.32

 

CMYK 0 / 74 / 75 / 31

HEX #AF2E2C

RGB 175 46 44

HSL 0.92, 0.6%, 0.43%

LAB 40, 51.55, 32.67

 

CMYK 0 / 75 / 75 / 31

HEX #AF2C2C

RGB 175 44 44

HSL 0, 0.6%, 0.43%

LAB 39.74, 52.26, 32.39

 

CMYK 0 / 33 / 75 / 31

HEX #AF752C

RGB 175 117 44

HSL 33.44, 0.6%, 0.43%

LAB 54.05, 16.26, 47.55

 

CMYK 0 / 13 / 75 / 31

HEX #AF992C

RGB 175 153 44

HSL 49.92, 0.6%, 0.43%

LAB 63.41, -3.65, 56.72

 

CMYK 7 / 0 / 75 / 31

HEX #A3AF2C

RGB 163 175 44

HSL 65.5, 0.6%, 0.43%

LAB 68.48, -20.38, 61.16

 

CMYK 27 / 0 / 75 / 31

HEX #7FAF2C

RGB 127 175 44

HSL 81.98, 0.6%, 0.43%

LAB 66.02, -35.18, 57.95

 

CMYK 47 / 0 / 75 / 31

HEX #5CAF2C

RGB 92 175 44

HSL 98.02, 0.6%, 0.43%

LAB 64.26, -47.55, 55.63

 

CMYK 0 / 33 / 75 / 31

HEX #AF752C

RGB 175 117 44

HSL 33.44, 0.6%, 0.43%

LAB 54.05, 16.26, 47.55

 

CMYK 0 / 38 / 87 / 24

HEX #C1771A

RGB 193 119 26

HSL 33.41, 0.76%, 0.43%

LAB 56.69, 22.42, 57.7

 

CMYK 0 / 43 / 96 / 17

HEX #D37908

RGB 211 121 8

HSL 33.4, 0.93%, 0.43%

LAB 59.47, 28.74, 64.95

 

CMYK 0 / 33 / 75 / 31

HEX #AF752C

RGB 175 117 44

HSL 33.44, 0.6%, 0.43%

LAB 54.05, 16.26, 47.55

 

CMYK 0 / 27 / 61 / 38

HEX #9E733E

RGB 158 115 62

HSL 33.13, 0.44%, 0.43%

LAB 51.7, 10.95, 35.54

 

CMYK 0 / 19 / 44 / 45

HEX #8C714F

RGB 140 113 79

HSL 33.44, 0.28%, 0.43%

LAB 49.44, 5.78, 22.87

 

CMYK 0 / 9 / 20 / 52

HEX #7A6F61

RGB 122 111 97

HSL 33.6, 0.11%, 0.43%

LAB 47.46, 1.8, 9.35

 

CMYK 10 / 5 / 0 / 55

HEX #686D73

RGB 104 109 115

HSL 212.73, 0.05%, 0.43%

LAB 45.8, -0.6, -4

 

CMYK 0 / 74 / 75 / 31

HEX #AF2E2C

RGB 175 46 44

HSL 0.92, 0.6%, 0.43%

LAB 40, 51.55, 32.67

 

CMYK 0 / 54 / 75 / 31

HEX #AF512C

RGB 175 81 44

HSL 16.95, 0.6%, 0.43%

LAB 45.88, 35.91, 39.1

 

CMYK 0 / 34 / 75 / 31

HEX #AF742C

RGB 175 116 44

HSL 32.98, 0.6%, 0.43%

LAB 53.8, 16.82, 47.31

 

CMYK 0 / 14 / 75 / 31

HEX #AF972C

RGB 175 151 44

HSL 49.01, 0.6%, 0.43%

LAB 62.87, -2.57, 56.2

 

CMYK 6 / 0 / 75 / 31

HEX #A4AF2C

RGB 164 175 44

HSL 65.04, 0.6%, 0.43%

LAB 68.56, -19.95, 61.26

 

CMYK 0 / 33 / 75 / 57

HEX #6D491B

RGB 109 73 27

HSL 33.66, 0.6%, 0.27%

LAB 34.18, 10.64, 32.62

 

CMYK 0 / 33 / 75 / 44

HEX #8E5F24

RGB 142 95 36

HSL 33.4, 0.6%, 0.35%

LAB 44.32, 13.55, 40.03

 

CMYK 0 / 33 / 75 / 31

HEX #AF752C

RGB 175 117 44

HSL 33.44, 0.6%, 0.43%

LAB 54.05, 16.26, 47.55

 

CMYK 0 / 32 / 73 / 20

HEX #CD8B37

RGB 205 139 55

HSL 33.6, 0.6%, 0.51%

LAB 63.11, 17.72, 53.03

 

CMYK 0 / 26 / 59 / 16

HEX #D59E58

RGB 213 158 88

HSL 33.6, 0.6%, 0.59%

LAB 68.97, 12.85, 44.05

 

CMYK 0 / 33 / 75 / 31

HEX #AF752C

RGB 175 117 44

HSL 33.44, 0.6%, 0.43%

LAB 54.05, 16.26, 47.55

 

CMYK 56 / 0 / 75 / 31

HEX #4DAF2C

RGB 77 175 44

HSL 104.89, 0.6%, 0.43%

LAB 63.69, -51.93, 54.88

 

CMYK 63 / 75 / 0 / 31

HEX #402CAF

RGB 64 44 175

HSL 249.16, 0.6%, 0.43%

LAB 29.38, 46.23, -66.36

 

CMYK 0 / 33 / 75 / 31

HEX #AF752C

RGB 175 117 44

HSL 33.44, 0.6%, 0.43%

LAB 54.05, 16.26, 47.55

 

CMYK 75 / 0 / 34 / 31

HEX #2CAF74

RGB 44 175 116

HSL 152.98, 0.6%, 0.43%

LAB 63.72, -48.61, 20.52

 

CMYK 34 / 75 / 0 / 31

HEX #742CAF

RGB 116 44 175

HSL 272.98, 0.6%, 0.43%

LAB 35.22, 54.38, -56.56

 

CMYK 0 / 33 / 75 / 31

HEX #AF752C

RGB 175 117 44

HSL 33.44, 0.6%, 0.43%

LAB 54.05, 16.26, 47.55

 

CMYK 56 / 0 / 75 / 31

HEX #4DAF2C

RGB 77 175 44

HSL 104.89, 0.6%, 0.43%

LAB 63.69, -51.93, 54.88

 

CMYK 75 / 41 / 0 / 31

HEX #2C67AF

RGB 44 103 175

HSL 212.98, 0.6%, 0.43%

LAB 43.26, 6.27, -43.89

 

CMYK 18 / 75 / 0 / 31

HEX #8F2CAF

RGB 143 44 175

HSL 285.34, 0.6%, 0.43%

LAB 39.13, 59.59, -50.04

 

CMYK 0 / 33 / 75 / 31

HEX #AF752C

RGB 175 117 44

HSL 33.44, 0.6%, 0.43%

LAB 54.05, 16.26, 47.55

 

CMYK 75 / 0 / 71 / 31

HEX #2CAF32

RGB 44 175 50

HSL 122.75, 0.6%, 0.43%

LAB 62.87, -58.53, 51.55

 

CMYK 75 / 41 / 0 / 31

HEX #2C67AF

RGB 44 103 175

HSL 212.98, 0.6%, 0.43%

LAB 43.26, 6.27, -43.89

 

CMYK 0 / 75 / 3 / 31

HEX #AF2CA9

RGB 175 44 169

HSL 302.75, 0.6%, 0.43%

LAB 43.92, 65.24, -38.54

 

Description

Color code: HEX #AF752C3F | qconv.com Color code: HEX #AF752C3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 117 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 117 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 19 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 19% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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