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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CAF2C it is the complementary color #A350D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CAF2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CAF2C shade: #61AF27, #72C13A, #83D34D, #94E560 and #A5F773

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CAF2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CAF2C shade: #5CAF2C, #4B9D19, #3A8B06, #297900 and #186700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CAF2C shade: #5CAF2C, #80AF2C, #A3AF2C, #AF982C and #AF752C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CAF2C shade: #5CAF2C, #39AF2C, #2CAF43, #2CAF66 and #2CAF8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CAF2C shade matches the following richer shades: #5CAF2C, #57C11A and #53D308

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CAF2C shade: #5CAF2C, #619E3E, #668C4F, #6A7A61 and #6F6873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CAF2C shade: #A2AF2C, #7FAF2C, #5CAF2C, #39AF2C and #2CAF42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CAF2C shade: #396D1B, #4B8E24, #5CAF2C, #6ECD37 and #86D558

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CAF2C shade: #5CAF2C, #2CAF9A and #AF2C91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CAF2C shade: #5CAF2C, #2C5CAF and #AF2C5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CAF2C shade: #5CAF2C, #2CAF9A, #7F2CAF and #AF2C42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CAF2C shade: #5CAF2C, #2C9EAF, #7F2CAF and #AF3D2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 75 / 31

HEX #5CAF2C

RGB 92 175 44

HSL 98.02, 0.6%, 0.43%

LAB 64.26, -47.55, 55.63

 

Complementary color

CMYK 23 / 62 / 0 / 17

HEX #A350D3

RGB 163 80 211

HSL 278.02, 0.6%, 0.57%

LAB 49.77, 55.92, -53.77

 

CMYK 45 / 0 / 78 / 31

HEX #61AF27

RGB 97 175 39

HSL 94.41, 0.64%, 0.42%

LAB 64.44, -46.26, 57.56

 

CMYK 41 / 0 / 70 / 24

HEX #72C13A

RGB 114 193 58

HSL 95.11, 0.54%, 0.49%

LAB 70.89, -46.75, 57.5

 

CMYK 38 / 0 / 64 / 17

HEX #83D34D

RGB 131 211 77

HSL 95.82, 0.6%, 0.56%

LAB 77.25, -47.03, 56.9

 

CMYK 35 / 0 / 58 / 10

HEX #94E560

RGB 148 229 96

HSL 96.54, 0.72%, 0.64%

LAB 83.54, -47.16, 56.01

 

CMYK 33 / 0 / 53 / 3

HEX #A5F773

RGB 165 247 115

HSL 97.27, 0.89%, 0.71%

LAB 89.75, -47.2, 54.98

 

CMYK 47 / 0 / 75 / 31

HEX #5CAF2C

RGB 92 175 44

HSL 98.02, 0.6%, 0.43%

LAB 64.26, -47.55, 55.63

 

CMYK 52 / 0 / 84 / 38

HEX #4B9D19

RGB 75 157 25

HSL 97.27, 0.73%, 0.36%

LAB 57.73, -46.81, 55.13

 

CMYK 58 / 0 / 96 / 45

HEX #3A8B06

RGB 58 139 6

HSL 96.54, 0.92%, 0.28%

LAB 51.13, -45.6, 53.18

 

CMYK 66 / 0 / 100 / 53

HEX #297900

RGB 41 121 0

HSL 99.67, 1%, 0.24%

LAB 44.44, -43.69, 48.75

 

CMYK 77 / 0 / 100 / 60

HEX #186700

RGB 24 103 0

HSL 106.02, 1%, 0.2%

LAB 37.65, -41.12, 43.17

 

CMYK 47 / 0 / 75 / 31

HEX #5CAF2C

RGB 92 175 44

HSL 98.02, 0.6%, 0.43%

LAB 64.26, -47.55, 55.63

 

CMYK 27 / 0 / 75 / 31

HEX #80AF2C

RGB 128 175 44

HSL 81.53, 0.6%, 0.43%

LAB 66.08, -34.79, 58.03

 

CMYK 7 / 0 / 75 / 31

HEX #A3AF2C

RGB 163 175 44

HSL 65.5, 0.6%, 0.43%

LAB 68.48, -20.38, 61.16

 

CMYK 0 / 13 / 75 / 31

HEX #AF982C

RGB 175 152 44

HSL 49.47, 0.6%, 0.43%

LAB 63.14, -3.11, 56.46

 

CMYK 0 / 33 / 75 / 31

HEX #AF752C

RGB 175 117 44

HSL 33.44, 0.6%, 0.43%

LAB 54.05, 16.26, 47.55

 

CMYK 47 / 0 / 75 / 31

HEX #5CAF2C

RGB 92 175 44

HSL 98.02, 0.6%, 0.43%

LAB 64.26, -47.55, 55.63

 

CMYK 67 / 0 / 75 / 31

HEX #39AF2C

RGB 57 175 44

HSL 114.05, 0.6%, 0.43%

LAB 63.1, -56.67, 54.1

 

CMYK 75 / 0 / 62 / 31

HEX #2CAF43

RGB 44 175 67

HSL 130.53, 0.6%, 0.43%

LAB 63.01, -56.76, 44.53

 

CMYK 75 / 0 / 42 / 31

HEX #2CAF66

RGB 44 175 102

HSL 146.56, 0.6%, 0.43%

LAB 63.47, -51.39, 27.69

 

CMYK 75 / 0 / 21 / 31

HEX #2CAF8A

RGB 44 175 138

HSL 163.05, 0.6%, 0.43%

LAB 64.19, -43.57, 9.11

 

CMYK 47 / 0 / 75 / 31

HEX #5CAF2C

RGB 92 175 44

HSL 98.02, 0.6%, 0.43%

LAB 64.26, -47.55, 55.63

 

CMYK 55 / 0 / 87 / 24

HEX #57C11A

RGB 87 193 26

HSL 98.08, 0.76%, 0.43%

LAB 69.64, -56.72, 65.59

 

CMYK 61 / 0 / 96 / 17

HEX #53D308

RGB 83 211 8

HSL 97.83, 0.93%, 0.43%

LAB 75.1, -64.39, 72.75

 

CMYK 47 / 0 / 75 / 31

HEX #5CAF2C

RGB 92 175 44

HSL 98.02, 0.6%, 0.43%

LAB 64.26, -47.55, 55.63

 

CMYK 39 / 0 / 61 / 38

HEX #619E3E

RGB 97 158 62

HSL 98.13, 0.44%, 0.43%

LAB 59.29, -37.26, 43.06

 

CMYK 27 / 0 / 44 / 45

HEX #668C4F

RGB 102 140 79

HSL 97.38, 0.28%, 0.43%

LAB 54.18, -24.89, 28.38

 

CMYK 13 / 0 / 20 / 52

HEX #6A7A61

RGB 106 122 97

HSL 98.4, 0.11%, 0.43%

LAB 49.31, -10.94, 11.75

 

CMYK 3 / 10 / 0 / 55

HEX #6F6873

RGB 111 104 115

HSL 278.18, 0.05%, 0.43%

LAB 44.97, 4.99, -5.16

 

CMYK 7 / 0 / 75 / 31

HEX #A2AF2C

RGB 162 175 44

HSL 65.95, 0.6%, 0.43%

LAB 68.4, -20.81, 61.06

 

CMYK 27 / 0 / 75 / 31

HEX #7FAF2C

RGB 127 175 44

HSL 81.98, 0.6%, 0.43%

LAB 66.02, -35.18, 57.95

 

CMYK 47 / 0 / 75 / 31

HEX #5CAF2C

RGB 92 175 44

HSL 98.02, 0.6%, 0.43%

LAB 64.26, -47.55, 55.63

 

CMYK 67 / 0 / 75 / 31

HEX #39AF2C

RGB 57 175 44

HSL 114.05, 0.6%, 0.43%

LAB 63.1, -56.67, 54.1

 

CMYK 75 / 0 / 62 / 31

HEX #2CAF42

RGB 44 175 66

HSL 130.08, 0.6%, 0.43%

LAB 63, -56.88, 44.97

 

CMYK 48 / 0 / 75 / 57

HEX #396D1B

RGB 57 109 27

HSL 98.05, 0.6%, 0.27%

LAB 41.03, -32.78, 38.31

 

CMYK 47 / 0 / 75 / 44

HEX #4B8E24

RGB 75 142 36

HSL 97.92, 0.6%, 0.35%

LAB 52.92, -40.14, 47.02

 

CMYK 47 / 0 / 75 / 31

HEX #5CAF2C

RGB 92 175 44

HSL 98.02, 0.6%, 0.43%

LAB 64.26, -47.55, 55.63

 

CMYK 46 / 0 / 73 / 20

HEX #6ECD37

RGB 110 205 55

HSL 98, 0.6%, 0.51%

LAB 74.35, -53.03, 62.04

 

CMYK 37 / 0 / 59 / 16

HEX #86D558

RGB 134 213 88

HSL 97.92, 0.6%, 0.59%

LAB 78.09, -45.85, 53.14

 

CMYK 47 / 0 / 75 / 31

HEX #5CAF2C

RGB 92 175 44

HSL 98.02, 0.6%, 0.43%

LAB 64.26, -47.55, 55.63

 

CMYK 75 / 0 / 12 / 31

HEX #2CAF9A

RGB 44 175 154

HSL 170.38, 0.6%, 0.43%

LAB 64.59, -39.43, 0.81

 

CMYK 0 / 75 / 17 / 31

HEX #AF2C91

RGB 175 44 145

HSL 313.74, 0.6%, 0.43%

LAB 42.7, 61.64, -26.03

 

CMYK 47 / 0 / 75 / 31

HEX #5CAF2C

RGB 92 175 44

HSL 98.02, 0.6%, 0.43%

LAB 64.26, -47.55, 55.63

 

CMYK 75 / 47 / 0 / 31

HEX #2C5CAF

RGB 44 92 175

HSL 218.02, 0.6%, 0.43%

LAB 40.06, 13.35, -49.02

 

CMYK 0 / 75 / 47 / 31

HEX #AF2C5C

RGB 175 44 92

HSL 338.02, 0.6%, 0.43%

LAB 40.72, 55.44, 3.8

 

CMYK 47 / 0 / 75 / 31

HEX #5CAF2C

RGB 92 175 44

HSL 98.02, 0.6%, 0.43%

LAB 64.26, -47.55, 55.63

 

CMYK 75 / 0 / 12 / 31

HEX #2CAF9A

RGB 44 175 154

HSL 170.38, 0.6%, 0.43%

LAB 64.59, -39.43, 0.81

 

CMYK 27 / 75 / 0 / 31

HEX #7F2CAF

RGB 127 44 175

HSL 278.02, 0.6%, 0.43%

LAB 36.76, 56.45, -53.99

 

CMYK 0 / 75 / 62 / 31

HEX #AF2C42

RGB 175 44 66

HSL 349.92, 0.6%, 0.43%

LAB 40.1, 53.42, 19.34

 

CMYK 47 / 0 / 75 / 31

HEX #5CAF2C

RGB 92 175 44

HSL 98.02, 0.6%, 0.43%

LAB 64.26, -47.55, 55.63

 

CMYK 75 / 10 / 0 / 31

HEX #2C9EAF

RGB 44 158 175

HSL 187.79, 0.6%, 0.43%

LAB 59.96, -25.15, -17.86

 

CMYK 27 / 75 / 0 / 31

HEX #7F2CAF

RGB 127 44 175

HSL 278.02, 0.6%, 0.43%

LAB 36.76, 56.45, -53.99

 

CMYK 0 / 65 / 75 / 31

HEX #AF3D2C

RGB 175 61 44

HSL 7.79, 0.6%, 0.43%

LAB 42.21, 45.53, 35.12

 

Description

Color code: HEX #5CAF2C | qconv.com Color code: HEX #5CAF2C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 175 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 175 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 75 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 75% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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