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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF272D it is the complementary color #50D8D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF272D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AF272D: #B42728, #C5393B, #D64B4E, #E75D61 and #F86F74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF272D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AF272D: #AF272D, #9E151A, #8D0307, #7C0000 and #6B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 74 / 31

HEX #AF272D

RGB 175 39 45

HSL 357.35, 0.64%, 0.42%

LAB 39.16, 53.95, 31.14

 

Complementary color

CMYK 63 / 0 / 3 / 15

HEX #50D8D2

RGB 80 216 210

HSL 177.35, 0.64%, 0.58%

LAB 79.31, -37.71, -7.95

 

CMYK 0 / 78 / 78 / 29

HEX #B42728

RGB 180 39 40

HSL 359.57, 0.64%, 0.43%

LAB 40.09, 55.27, 35.38

 

CMYK 0 / 71 / 70 / 23

HEX #C5393B

RGB 197 57 59

HSL 359.14, 0.55%, 0.5%

LAB 45.79, 55.22, 31.62

 

CMYK 0 / 65 / 64 / 16

HEX #D64B4E

RGB 214 75 78

HSL 358.71, 0.63%, 0.57%

LAB 51.7, 54.66, 28.4

 

CMYK 0 / 60 / 58 / 9

HEX #E75D61

RGB 231 93 97

HSL 358.26, 0.74%, 0.64%

LAB 57.73, 53.82, 25.68

 

CMYK 0 / 55 / 53 / 3

HEX #F86F74

RGB 248 111 116

HSL 357.81, 0.91%, 0.7%

LAB 63.82, 52.85, 23.36

 

CMYK 0 / 78 / 74 / 31

HEX #AF272D

RGB 175 39 45

HSL 357.35, 0.64%, 0.42%

LAB 39.16, 53.95, 31.14

 

CMYK 0 / 87 / 84 / 38

HEX #9E151A

RGB 158 21 26

HSL 357.81, 0.77%, 0.35%

LAB 33.73, 53.14, 35.45

 

CMYK 0 / 98 / 95 / 45

HEX #8D0307

RGB 141 3 7

HSL 358.26, 0.96%, 0.28%

LAB 28.76, 51.16, 39.18

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 78 / 74 / 31

HEX #AF272D

RGB 175 39 45

HSL 357.35, 0.64%, 0.42%

LAB 39.16, 53.95, 31.14

 

CMYK 0 / 69 / 78 / 31

HEX #AF3626

RGB 175 54 38

HSL 7.01, 0.64%, 0.42%

LAB 41.04, 48.25, 37.22

 

CMYK 0 / 56 / 78 / 31

HEX #AF4D26

RGB 175 77 38

HSL 17.08, 0.64%, 0.42%

LAB 45.03, 37.69, 41.3

 

CMYK 0 / 43 / 78 / 31

HEX #AF6426

RGB 175 100 38

HSL 27.15, 0.64%, 0.42%

LAB 49.94, 25.47, 46.17

 

CMYK 0 / 30 / 78 / 31

HEX #AF7B26

RGB 175 123 38

HSL 37.23, 0.64%, 0.42%

LAB 55.5, 12.64, 51.51

 

CMYK 0 / 78 / 74 / 31

HEX #AF272D

RGB 175 39 45

HSL 357.35, 0.64%, 0.42%

LAB 39.16, 53.95, 31.14

 

CMYK 0 / 78 / 74 / 11

HEX #E2323A

RGB 226 50 58

HSL 357.27, 0.75%, 0.54%

LAB 50.4, 66.17, 38.93

 

CMYK 0 / 77 / 73 / 91

HEX #160506

RGB 22 5 6

HSL 356.47, 0.63%, 0.05%

LAB 2.64, 5.74, 1.6

 

CMYK 0 / 78 / 74 / 71

HEX #491013

RGB 73 16 19

HSL 356.84, 0.64%, 0.17%

LAB 14.59, 27.04, 13.58

 

CMYK 0 / 77 / 74 / 51

HEX #7C1C20

RGB 124 28 32

HSL 357.5, 0.63%, 0.3%

LAB 27.35, 40.93, 22.87

 

CMYK 0 / 78 / 74 / 31

HEX #AF272D

RGB 175 39 45

HSL 357.35, 0.64%, 0.42%

LAB 39.16, 53.95, 31.14

 

CMYK 11 / 0 / 78 / 31

HEX #9BAF26

RGB 155 175 38

HSL 68.76, 0.64%, 0.42%

LAB 67.85, -24.05, 62.28

 

CMYK 78 / 43 / 0 / 31

HEX #2664AF

RGB 38 100 175

HSL 212.85, 0.64%, 0.42%

LAB 42.19, 7.43, -45.62

 

CMYK 0 / 78 / 74 / 31

HEX #AF272D

RGB 175 39 45

HSL 357.35, 0.64%, 0.42%

LAB 39.16, 53.95, 31.14

 

CMYK 74 / 0 / 78 / 31

HEX #2DAF26

RGB 45 175 38

HSL 116.93, 0.64%, 0.42%

LAB 62.81, -59.3, 55.75

 

CMYK 78 / 74 / 0 / 31

HEX #262DAF

RGB 38 45 175

HSL 236.93, 0.64%, 0.42%

LAB 27.8, 43.04, -69.02

 

CMYK 0 / 78 / 74 / 31

HEX #AF272D

RGB 175 39 45

HSL 357.35, 0.64%, 0.42%

LAB 39.16, 53.95, 31.14

 

CMYK 11 / 0 / 78 / 31

HEX #9BAF26

RGB 155 175 38

HSL 68.76, 0.64%, 0.42%

LAB 67.85, -24.05, 62.28

 

CMYK 78 / 0 / 4 / 31

HEX #26AFA8

RGB 38 175 168

HSL 176.93, 0.64%, 0.42%

LAB 64.88, -36.17, -6.56

 

CMYK 66 / 78 / 0 / 31

HEX #3B26AF

RGB 59 38 175

HSL 249.2, 0.64%, 0.42%

LAB 27.88, 48.76, -68.85

 

CMYK 0 / 78 / 74 / 31

HEX #AF272D

RGB 175 39 45

HSL 357.35, 0.64%, 0.42%

LAB 39.16, 53.95, 31.14

 

CMYK 35 / 0 / 78 / 31

HEX #71AF26

RGB 113 175 38

HSL 87.15, 0.64%, 0.42%

LAB 65.21, -40.78, 58.87

 

CMYK 78 / 0 / 4 / 31

HEX #26AFA8

RGB 38 175 168

HSL 176.93, 0.64%, 0.42%

LAB 64.88, -36.17, -6.56

 

CMYK 43 / 78 / 0 / 31

HEX #6426AF

RGB 100 38 175

HSL 267.15, 0.64%, 0.42%

LAB 32.24, 54.15, -61.52

 

Description

Color code: HEX #AF272D | qconv.com Color code: HEX #AF272D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 39 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 39 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 74 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 74% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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