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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF105B it is the complementary color #50EFA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF105B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AF105B: #B41056, #C52269, #D6347C, #E7468F and #F858A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF105B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AF105B: #AF105B, #9E0048, #8D0035, #7C0022 and #6B000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 48 / 31

HEX #AF105B

RGB 175 16 91

HSL 331.7, 0.83%, 0.37%

LAB 38.27, 62.24, 0.89

 

Complementary color

CMYK 67 / 0 / 31 / 6

HEX #50EFA4

RGB 80 239 164

HSL 151.7, 0.83%, 0.63%

LAB 85.06, -58.18, 24.46

 

CMYK 0 / 91 / 52 / 29

HEX #B41056

RGB 180 16 86

HSL 334.39, 0.84%, 0.38%

LAB 39.15, 63.05, 5.49

 

CMYK 0 / 83 / 47 / 23

HEX #C52269

RGB 197 34 105

HSL 333.87, 0.71%, 0.45%

LAB 44.28, 65.35, 1.35

 

CMYK 0 / 76 / 42 / 16

HEX #D6347C

RGB 214 52 124

HSL 333.33, 0.66%, 0.52%

LAB 49.75, 66.6, -1.95

 

CMYK 0 / 70 / 38 / 9

HEX #E7468F

RGB 231 70 143

HSL 332.8, 0.77%, 0.59%

LAB 55.43, 67.11, -4.6

 

CMYK 0 / 65 / 35 / 3

HEX #F858A2

RGB 248 88 162

HSL 332.25, 0.92%, 0.66%

LAB 61.26, 67.15, -6.76

 

CMYK 0 / 91 / 48 / 31

HEX #AF105B

RGB 175 16 91

HSL 331.7, 0.83%, 0.37%

LAB 38.27, 62.24, 0.89

 

CMYK 0 / 100 / 54 / 38

HEX #9E0048

RGB 158 0 72

HSL 332.66, 1%, 0.31%

LAB 33.43, 58.76, 5.8

 

CMYK 0 / 100 / 62 / 45

HEX #8D0035

RGB 141 0 53

HSL 337.45, 1%, 0.28%

LAB 29.21, 53.34, 12.03

 

CMYK 0 / 100 / 73 / 51

HEX #7C0022

RGB 124 0 34

HSL 343.55, 1%, 0.24%

LAB 24.95, 47.95, 18.65

 

CMYK 0 / 100 / 86 / 58

HEX #6B000F

RGB 107 0 15

HSL 351.59, 1%, 0.21%

LAB 20.67, 42.65, 25.09

 

CMYK 0 / 91 / 48 / 31

HEX #AF105B

RGB 175 16 91

HSL 331.7, 0.83%, 0.37%

LAB 38.27, 62.24, 0.89

 

CMYK 0 / 91 / 62 / 33

HEX #AC1041

RGB 172 16 65

HSL 341.15, 0.83%, 0.37%

LAB 36.97, 59.61, 15.72

 

CMYK 0 / 91 / 77 / 33

HEX #AC1027

RGB 172 16 39

HSL 351.15, 0.83%, 0.37%

LAB 36.53, 58.37, 31.64

 

CMYK 0 / 90 / 91 / 33

HEX #AC1210

RGB 172 18 16

HSL 0.77, 0.83%, 0.37%

LAB 36.44, 57.44, 44.01

 

CMYK 0 / 74 / 91 / 33

HEX #AC2C10

RGB 172 44 16

HSL 10.77, 0.83%, 0.37%

LAB 38.91, 50.47, 45.81

 

CMYK 0 / 91 / 48 / 31

HEX #AF105B

RGB 175 16 91

HSL 331.7, 0.83%, 0.37%

LAB 38.27, 62.24, 0.89

 

CMYK 0 / 91 / 48 / 11

HEX #E21576

RGB 226 21 118

HSL 331.61, 0.83%, 0.48%

LAB 49.51, 75.67, 1.63

 

CMYK 0 / 91 / 50 / 91

HEX #16020B

RGB 22 2 11

HSL 333, 0.83%, 0.05%

LAB 2.15, 7.65, -1.17

 

CMYK 0 / 90 / 48 / 71

HEX #490726

RGB 73 7 38

HSL 331.82, 0.83%, 0.16%

LAB 13.88, 32.23, -1.23

 

CMYK 0 / 91 / 48 / 51

HEX #7C0B40

RGB 124 11 64

HSL 331.86, 0.84%, 0.26%

LAB 26.43, 47.98, 0.13

 

CMYK 0 / 91 / 48 / 31

HEX #AF105B

RGB 175 16 91

HSL 331.7, 0.83%, 0.37%

LAB 38.27, 62.24, 0.89

 

CMYK 0 / 26 / 91 / 33

HEX #AC8010

RGB 172 128 16

HSL 43.08, 0.83%, 0.37%

LAB 56.33, 7.83, 59

 

CMYK 91 / 10 / 0 / 33

HEX #109AAC

RGB 16 154 172

HSL 186.92, 0.83%, 0.37%

LAB 58.23, -26.49, -18.84

 

CMYK 0 / 91 / 48 / 31

HEX #AF105B

RGB 175 16 91

HSL 331.7, 0.83%, 0.37%

LAB 38.27, 62.24, 0.89

 

CMYK 47 / 0 / 91 / 33

HEX #5BAC10

RGB 91 172 16

HSL 91.15, 0.83%, 0.37%

LAB 63.15, -47.99, 62.03

 

CMYK 91 / 47 / 0 / 33

HEX #105BAC

RGB 16 91 172

HSL 211.15, 0.83%, 0.37%

LAB 38.85, 10.17, -49.23

 

CMYK 0 / 91 / 48 / 31

HEX #AF105B

RGB 175 16 91

HSL 331.7, 0.83%, 0.37%

LAB 38.27, 62.24, 0.89

 

CMYK 0 / 26 / 91 / 33

HEX #AC8010

RGB 172 128 16

HSL 43.08, 0.83%, 0.37%

LAB 56.33, 7.83, 59

 

CMYK 91 / 0 / 44 / 33

HEX #10AC60

RGB 16 172 96

HSL 150.77, 0.83%, 0.37%

LAB 62.05, -54.28, 28.93

 

CMYK 91 / 65 / 0 / 33

HEX #103CAC

RGB 16 60 172

HSL 223.08, 0.83%, 0.37%

LAB 30.21, 31.03, -63.29

 

CMYK 0 / 91 / 48 / 31

HEX #AF105B

RGB 175 16 91

HSL 331.7, 0.83%, 0.37%

LAB 38.27, 62.24, 0.89

 

CMYK 1 / 0 / 91 / 33

HEX #AAAC10

RGB 170 172 16

HSL 60.77, 0.83%, 0.37%

LAB 68.09, -16.7, 68.09

 

CMYK 91 / 0 / 44 / 33

HEX #10AC60

RGB 16 172 96

HSL 150.77, 0.83%, 0.37%

LAB 62.05, -54.28, 28.93

 

CMYK 90 / 91 / 0 / 33

HEX #1210AC

RGB 18 16 172

HSL 240.77, 0.83%, 0.37%

LAB 21.86, 54.83, -77.1

 

Description

Color code: HEX #AF105B | qconv.com Color code: HEX #AF105B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 16 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 16 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 48 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 48% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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