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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEE788 it is the complementary color #511877. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEE788. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEE788 shade: #B3E783, #C4F996, #D5FFA9, #E6FFBC and #F7FFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEE788. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEE788 shade: #AEE788, #9DD575, #8CC362, #7BB14F and #6A9F3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEE788 shade: #AEE788, #C8E788, #E1E788, #E7D388 and #E7BA88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEE788 shade: #AEE788, #95E788, #88E796, #88E7AF and #88E7C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEE788 shade matches the following richer shades: #AEE788, #ACF27D and #AAFE71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEE788 shade: #AEE788, #B0DB94, #B3D0A0, #B5C4AB and #B7B9B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEE788 shade: #E0E788, #C7E788, #AEE788, #95E788 and #88E795

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEE788 shade: #7FD944, #97E066, #AEE788, #C6EEAB and #DDF5CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEE788 shade: #AEE788, #88E7D4 and #E788D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEE788 shade: #AEE788, #88AEE7 and #E788AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEE788 shade: #AEE788, #88E7D4, #C188E7 and #E7889B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEE788 shade: #AEE788, #88DDE7, #C188E7 and #E79288

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 41 / 9

HEX #AEE788

RGB 174 231 136

HSL 96, 0.66%, 0.72%

LAB 85.97, -34.63, 40.47

 

Complementary color

CMYK 32 / 80 / 0 / 53

HEX #511877

RGB 81 24 119

HSL 276, 0.66%, 0.28%

LAB 22.77, 42.95, -42.51

 

CMYK 23 / 0 / 43 / 9

HEX #B3E783

RGB 179 231 131

HSL 91.2, 0.68%, 0.71%

LAB 86.19, -33.49, 43.27

 

CMYK 21 / 0 / 40 / 2

HEX #C4F996

RGB 196 249 150

HSL 92.12, 0.89%, 0.78%

LAB 92.44, -33.43, 42.13

 

CMYK 16 / 0 / 34 / 0

HEX #D5FFA9

RGB 213 255 169

HSL 89.3, 1%, 0.83%

LAB 95.38, -27.79, 36.8

 

CMYK 10 / 0 / 26 / 0

HEX #E6FFBC

RGB 230 255 188

HSL 82.39, 1%, 0.87%

LAB 96.81, -19.19, 29.4

 

CMYK 3 / 0 / 19 / 0

HEX #F7FFCF

RGB 247 255 207

HSL 70, 1%, 0.91%

LAB 98.35, -10.46, 22.1

 

CMYK 25 / 0 / 41 / 9

HEX #AEE788

RGB 174 231 136

HSL 96, 0.66%, 0.72%

LAB 85.97, -34.63, 40.47

 

CMYK 26 / 0 / 45 / 16

HEX #9DD575

RGB 157 213 117

HSL 95, 0.53%, 0.65%

LAB 79.64, -34.72, 41.63

 

CMYK 28 / 0 / 50 / 24

HEX #8CC362

RGB 140 195 98

HSL 94.02, 0.45%, 0.57%

LAB 73.21, -34.77, 42.8

 

CMYK 31 / 0 / 55 / 31

HEX #7BB14F

RGB 123 177 79

HSL 93.06, 0.39%, 0.5%

LAB 66.69, -34.77, 43.94

 

CMYK 33 / 0 / 62 / 38

HEX #6A9F3C

RGB 106 159 60

HSL 92.12, 0.45%, 0.43%

LAB 60.06, -34.67, 44.97

 

CMYK 25 / 0 / 41 / 9

HEX #AEE788

RGB 174 231 136

HSL 96, 0.66%, 0.72%

LAB 85.97, -34.63, 40.47

 

CMYK 13 / 0 / 41 / 9

HEX #C8E788

RGB 200 231 136

HSL 79.58, 0.66%, 0.72%

LAB 87.59, -25.24, 42.86

 

CMYK 3 / 0 / 41 / 9

HEX #E1E788

RGB 225 231 136

HSL 63.79, 0.66%, 0.72%

LAB 89.36, -15.75, 45.47

 

CMYK 0 / 9 / 41 / 9

HEX #E7D388

RGB 231 211 136

HSL 47.37, 0.66%, 0.72%

LAB 84.67, -3.34, 39.62

 

CMYK 0 / 19 / 41 / 9

HEX #E7BA88

RGB 231 186 136

HSL 31.58, 0.66%, 0.72%

LAB 78.39, 9.68, 31.46

 

CMYK 25 / 0 / 41 / 9

HEX #AEE788

RGB 174 231 136

HSL 96, 0.66%, 0.72%

LAB 85.97, -34.63, 40.47

 

CMYK 35 / 0 / 41 / 9

HEX #95E788

RGB 149 231 136

HSL 111.79, 0.66%, 0.72%

LAB 84.65, -42.94, 38.5

 

CMYK 41 / 0 / 35 / 9

HEX #88E796

RGB 136 231 150

HSL 128.84, 0.66%, 0.72%

LAB 84.27, -44.73, 30.86

 

CMYK 41 / 0 / 24 / 9

HEX #88E7AF

RGB 136 231 175

HSL 144.63, 0.66%, 0.72%

LAB 84.73, -40.3, 18.61

 

CMYK 41 / 0 / 13 / 9

HEX #88E7C8

RGB 136 231 200

HSL 160.42, 0.66%, 0.72%

LAB 85.28, -35.21, 6.3

 

CMYK 25 / 0 / 41 / 9

HEX #AEE788

RGB 174 231 136

HSL 96, 0.66%, 0.72%

LAB 85.97, -34.63, 40.47

 

CMYK 29 / 0 / 48 / 5

HEX #ACF27D

RGB 172 242 125

HSL 95.9, 0.82%, 0.72%

LAB 88.81, -41.59, 49.31

 

CMYK 33 / 0 / 56 / 0

HEX #AAFE71

RGB 170 254 113

HSL 95.74, 0.99%, 0.72%

LAB 91.96, -48.7, 58.53

 

CMYK 25 / 0 / 41 / 9

HEX #AEE788

RGB 174 231 136

HSL 96, 0.66%, 0.72%

LAB 85.97, -34.63, 40.47

 

CMYK 20 / 0 / 32 / 14

HEX #B0DB94

RGB 176 219 148

HSL 96.34, 0.5%, 0.72%

LAB 82.93, -26.65, 30.47

 

CMYK 14 / 0 / 23 / 18

HEX #B3D0A0

RGB 179 208 160

HSL 96.25, 0.34%, 0.72%

LAB 80.31, -18.37, 20.69

 

CMYK 8 / 0 / 13 / 23

HEX #B5C4AB

RGB 181 196 171

HSL 96, 0.17%, 0.72%

LAB 77.43, -9.72, 10.81

 

CMYK 1 / 0 / 1 / 27

HEX #B7B9B7

RGB 183 185 183

HSL 120, 0.01%, 0.72%

LAB 74.94, -1.07, 0.76

 

CMYK 3 / 0 / 41 / 9

HEX #E0E788

RGB 224 231 136

HSL 64.42, 0.66%, 0.72%

LAB 89.29, -16.13, 45.36

 

CMYK 14 / 0 / 41 / 9

HEX #C7E788

RGB 199 231 136

HSL 80.21, 0.66%, 0.72%

LAB 87.52, -25.61, 42.76

 

CMYK 25 / 0 / 41 / 9

HEX #AEE788

RGB 174 231 136

HSL 96, 0.66%, 0.72%

LAB 85.97, -34.63, 40.47

 

CMYK 35 / 0 / 41 / 9

HEX #95E788

RGB 149 231 136

HSL 111.79, 0.66%, 0.72%

LAB 84.65, -42.94, 38.5

 

CMYK 41 / 0 / 35 / 9

HEX #88E795

RGB 136 231 149

HSL 128.21, 0.66%, 0.72%

LAB 84.25, -44.89, 31.34

 

CMYK 41 / 0 / 69 / 15

HEX #7FD944

RGB 127 217 68

HSL 96.24, 0.66%, 0.56%

LAB 78.78, -51.51, 62.06

 

CMYK 33 / 0 / 54 / 12

HEX #97E066

RGB 151 224 102

HSL 95.9, 0.66%, 0.64%

LAB 82.3, -43.42, 51.92

 

CMYK 25 / 0 / 41 / 9

HEX #AEE788

RGB 174 231 136

HSL 96, 0.66%, 0.72%

LAB 85.97, -34.63, 40.47

 

CMYK 17 / 0 / 28 / 7

HEX #C6EEAB

RGB 198 238 171

HSL 95.82, 0.66%, 0.8%

LAB 89.9, -24.69, 28.3

 

CMYK 10 / 0 / 16 / 4

HEX #DDF5CD

RGB 221 245 205

HSL 96, 0.67%, 0.88%

LAB 93.92, -14.87, 16.65

 

CMYK 25 / 0 / 41 / 9

HEX #AEE788

RGB 174 231 136

HSL 96, 0.66%, 0.72%

LAB 85.97, -34.63, 40.47

 

CMYK 41 / 0 / 8 / 9

HEX #88E7D4

RGB 136 231 212

HSL 168, 0.66%, 0.72%

LAB 85.57, -32.55, 0.42

 

CMYK 0 / 41 / 8 / 9

HEX #E788D4

RGB 231 136 212

HSL 312, 0.66%, 0.72%

LAB 69, 46.8, -23.6

 

CMYK 25 / 0 / 41 / 9

HEX #AEE788

RGB 174 231 136

HSL 96, 0.66%, 0.72%

LAB 85.97, -34.63, 40.47

 

CMYK 41 / 25 / 0 / 9

HEX #88AEE7

RGB 136 174 231

HSL 216, 0.66%, 0.72%

LAB 70.37, 1.52, -32.66

 

CMYK 0 / 41 / 25 / 9

HEX #E788AE

RGB 231 136 174

HSL 336, 0.66%, 0.72%

LAB 67.76, 40.95, -4.23

 

CMYK 25 / 0 / 41 / 9

HEX #AEE788

RGB 174 231 136

HSL 96, 0.66%, 0.72%

LAB 85.97, -34.63, 40.47

 

CMYK 41 / 0 / 8 / 9

HEX #88E7D4

RGB 136 231 212

HSL 168, 0.66%, 0.72%

LAB 85.57, -32.55, 0.42

 

CMYK 16 / 41 / 0 / 9

HEX #C188E7

RGB 193 136 231

HSL 276, 0.66%, 0.72%

LAB 65.53, 38.93, -39.85

 

CMYK 0 / 41 / 33 / 9

HEX #E7889B

RGB 231 136 155

HSL 348, 0.66%, 0.72%

LAB 67.25, 38.44, 5.71

 

CMYK 25 / 0 / 41 / 9

HEX #AEE788

RGB 174 231 136

HSL 96, 0.66%, 0.72%

LAB 85.97, -34.63, 40.47

 

CMYK 41 / 4 / 0 / 9

HEX #88DDE7

RGB 136 221 231

HSL 186.32, 0.66%, 0.72%

LAB 83.29, -23.2, -12.99

 

CMYK 16 / 41 / 0 / 9

HEX #C188E7

RGB 193 136 231

HSL 276, 0.66%, 0.72%

LAB 65.53, 38.93, -39.85

 

CMYK 0 / 37 / 41 / 9

HEX #E79288

RGB 231 146 136

HSL 6.32, 0.66%, 0.72%

LAB 68.99, 30.96, 18.79

 

Description

Color code: HEX #AEE788 | qconv.com Color code: HEX #AEE788 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 231 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 231 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 41 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 41% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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