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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E788D4 it is the complementary color #18772B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E788D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E788D4 shade: #EC88CF, #FD9AE2, #FFACF5, #FFBEFF and #FFD0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E788D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E788D4 shade: #E788D4, #D676C1, #C564AE, #B4529B and #A34088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E788D4 shade: #E788D4, #E788BA, #E788A1 and #E78888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E788D4 shade: #E788D4, #E088E7, #C788E7, #AD88E7 and #9488E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E788D4 shade matches the following richer shades: #E788D4, #F27DDB and #FE71E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E788D4 shade: #E788D4, #DB94CD, #D0A0C6, #C4ABBF and #B9B7B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E788D4 shade: #C788E7, #E088E7, #E788D4, #E788BB and #E788A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E788D4 shade: #D944BB, #E066C7, #E788D4, #EEABE0 and #F5CDED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E788D4 shade: #E788D4, #E7AE88 and #88E7D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E788D4 shade: #E788D4, #D4E788 and #88D4E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E788D4 shade: #E788D4, #E7AE88, #88E79B and #88C1E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E788D4 shade: #E788D4, #E7CA88, #88E79B and #88A5E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 8 / 9

HEX #E788D4

RGB 231 136 212

HSL 312, 0.66%, 0.72%

LAB 69, 46.8, -23.6

 

Complementary color

CMYK 80 / 0 / 64 / 53

HEX #18772B

RGB 24 119 43

HSL 132, 0.66%, 0.28%

LAB 43.6, -43.3, 33.54

 

CMYK 0 / 42 / 12 / 7

HEX #EC88CF

RGB 236 136 207

HSL 317.4, 0.72%, 0.73%

LAB 69.43, 47.55, -20.12

 

CMYK 0 / 39 / 11 / 1

HEX #FD9AE2

RGB 253 154 226

HSL 316.36, 0.96%, 0.8%

LAB 75.75, 46.81, -20.79

 

CMYK 0 / 33 / 4 / 0

HEX #FFACF5

RGB 255 172 245

HSL 307.23, 1%, 0.84%

LAB 80.38, 41.36, -24.02

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 41 / 8 / 9

HEX #E788D4

RGB 231 136 212

HSL 312, 0.66%, 0.72%

LAB 69, 46.8, -23.6

 

CMYK 0 / 45 / 10 / 16

HEX #D676C1

RGB 214 118 193

HSL 313.13, 0.54%, 0.65%

LAB 62.59, 47.54, -22.94

 

CMYK 0 / 49 / 12 / 23

HEX #C564AE

RGB 197 100 174

HSL 314.23, 0.46%, 0.58%

LAB 56.13, 48.24, -22.18

 

CMYK 0 / 54 / 14 / 29

HEX #B4529B

RGB 180 82 155

HSL 315.31, 0.4%, 0.51%

LAB 49.62, 48.87, -21.26

 

CMYK 0 / 61 / 17 / 36

HEX #A34088

RGB 163 64 136

HSL 316.36, 0.44%, 0.45%

LAB 43.11, 49.31, -20.1

 

CMYK 0 / 41 / 8 / 9

HEX #E788D4

RGB 231 136 212

HSL 312, 0.66%, 0.72%

LAB 69, 46.8, -23.6

 

CMYK 0 / 41 / 19 / 9

HEX #E788BA

RGB 231 136 186

HSL 328.42, 0.66%, 0.72%

LAB 68.13, 42.68, -10.43

 

CMYK 0 / 41 / 30 / 9

HEX #E788A1

RGB 231 136 161

HSL 344.21, 0.66%, 0.72%

LAB 67.4, 39.2, 2.56

 

CMYK 0 / 41 / 41 / 9

HEX #E78888

RGB 231 136 136

HSL 0, 0.66%, 0.72%

LAB 66.81, 36.22, 15.77

 

CMYK 0 / 41 / 8 / 9

HEX #E788D4

RGB 231 136 212

HSL 312, 0.66%, 0.72%

LAB 69, 46.8, -23.6

 

CMYK 3 / 41 / 0 / 9

HEX #E088E7

RGB 224 136 231

HSL 295.58, 0.66%, 0.72%

LAB 68.91, 48.03, -34.31

 

CMYK 14 / 41 / 0 / 9

HEX #C788E7

RGB 199 136 231

HSL 279.79, 0.66%, 0.72%

LAB 66.15, 40.67, -38.82

 

CMYK 25 / 41 / 0 / 9

HEX #AD88E7

RGB 173 136 231

HSL 263.37, 0.66%, 0.72%

LAB 63.56, 33.2, -43.07

 

CMYK 36 / 41 / 0 / 9

HEX #9488E7

RGB 148 136 231

HSL 247.58, 0.66%, 0.72%

LAB 61.37, 26.38, -46.66

 

CMYK 0 / 41 / 8 / 9

HEX #E788D4

RGB 231 136 212

HSL 312, 0.66%, 0.72%

LAB 69, 46.8, -23.6

 

CMYK 0 / 48 / 10 / 5

HEX #F27DDB

RGB 242 125 219

HSL 311.79, 0.82%, 0.72%

LAB 68.5, 56.76, -28.13

 

CMYK 0 / 56 / 11 / 0

HEX #FE71E2

RGB 254 113 226

HSL 311.91, 0.99%, 0.72%

LAB 68.29, 66.78, -32.21

 

CMYK 0 / 41 / 8 / 9

HEX #E788D4

RGB 231 136 212

HSL 312, 0.66%, 0.72%

LAB 69, 46.8, -23.6

 

CMYK 0 / 32 / 6 / 14

HEX #DB94CD

RGB 219 148 205

HSL 311.83, 0.5%, 0.72%

LAB 69.93, 35.45, -18.44

 

CMYK 0 / 23 / 5 / 18

HEX #D0A0C6

RGB 208 160 198

HSL 312.5, 0.34%, 0.72%

LAB 71.3, 24, -12.61

 

CMYK 0 / 13 / 3 / 23

HEX #C4ABBF

RGB 196 171 191

HSL 312, 0.17%, 0.72%

LAB 72.64, 12.55, -6.87

 

CMYK 0 / 1 / 1 / 27

HEX #B9B7B8

RGB 185 183 184

HSL 330, 0.01%, 0.72%

LAB 74.6, 0.89, -0.27

 

CMYK 14 / 41 / 0 / 9

HEX #C788E7

RGB 199 136 231

HSL 279.79, 0.66%, 0.72%

LAB 66.15, 40.67, -38.82

 

CMYK 3 / 41 / 0 / 9

HEX #E088E7

RGB 224 136 231

HSL 295.58, 0.66%, 0.72%

LAB 68.91, 48.03, -34.31

 

CMYK 0 / 41 / 8 / 9

HEX #E788D4

RGB 231 136 212

HSL 312, 0.66%, 0.72%

LAB 69, 46.8, -23.6

 

CMYK 0 / 41 / 19 / 9

HEX #E788BB

RGB 231 136 187

HSL 327.79, 0.66%, 0.72%

LAB 68.16, 42.83, -10.94

 

CMYK 0 / 41 / 30 / 9

HEX #E788A2

RGB 231 136 162

HSL 343.58, 0.66%, 0.72%

LAB 67.43, 39.33, 2.03

 

CMYK 0 / 69 / 14 / 15

HEX #D944BB

RGB 217 68 187

HSL 312.08, 0.66%, 0.56%

LAB 54.53, 69.61, -31.94

 

CMYK 0 / 54 / 11 / 12

HEX #E066C7

RGB 224 102 199

HSL 312.3, 0.66%, 0.64%

LAB 61.2, 59.25, -28.38

 

CMYK 0 / 41 / 8 / 9

HEX #E788D4

RGB 231 136 212

HSL 312, 0.66%, 0.72%

LAB 69, 46.8, -23.6

 

CMYK 0 / 28 / 6 / 7

HEX #EEABE0

RGB 238 171 224

HSL 312.54, 0.66%, 0.8%

LAB 77.69, 32.76, -16.93

 

CMYK 0 / 16 / 3 / 4

HEX #F5CDED

RGB 245 205 237

HSL 312, 0.67%, 0.88%

LAB 86.6, 19.34, -10.48

 

CMYK 0 / 41 / 8 / 9

HEX #E788D4

RGB 231 136 212

HSL 312, 0.66%, 0.72%

LAB 69, 46.8, -23.6

 

CMYK 0 / 25 / 41 / 9

HEX #E7AE88

RGB 231 174 136

HSL 24, 0.66%, 0.72%

LAB 75.48, 16.05, 27.59

 

CMYK 41 / 0 / 8 / 9

HEX #88E7D4

RGB 136 231 212

HSL 168, 0.66%, 0.72%

LAB 85.57, -32.55, 0.42

 

CMYK 0 / 41 / 8 / 9

HEX #E788D4

RGB 231 136 212

HSL 312, 0.66%, 0.72%

LAB 69, 46.8, -23.6

 

CMYK 8 / 0 / 41 / 9

HEX #D4E788

RGB 212 231 136

HSL 72, 0.66%, 0.72%

LAB 88.41, -20.73, 44.07

 

CMYK 41 / 8 / 0 / 9

HEX #88D4E7

RGB 136 212 231

HSL 192, 0.66%, 0.72%

LAB 80.79, -18.69, -16.75

 

CMYK 0 / 41 / 8 / 9

HEX #E788D4

RGB 231 136 212

HSL 312, 0.66%, 0.72%

LAB 69, 46.8, -23.6

 

CMYK 0 / 25 / 41 / 9

HEX #E7AE88

RGB 231 174 136

HSL 24, 0.66%, 0.72%

LAB 75.48, 16.05, 27.59

 

CMYK 41 / 0 / 33 / 9

HEX #88E79B

RGB 136 231 155

HSL 132, 0.66%, 0.72%

LAB 84.36, -43.9, 28.42

 

CMYK 41 / 16 / 0 / 9

HEX #88C1E7

RGB 136 193 231

HSL 204, 0.66%, 0.72%

LAB 75.54, -8.82, -24.71

 

CMYK 0 / 41 / 8 / 9

HEX #E788D4

RGB 231 136 212

HSL 312, 0.66%, 0.72%

LAB 69, 46.8, -23.6

 

CMYK 0 / 13 / 41 / 9

HEX #E7CA88

RGB 231 202 136

HSL 41.68, 0.66%, 0.72%

LAB 82.38, 1.3, 36.68

 

CMYK 41 / 0 / 33 / 9

HEX #88E79B

RGB 136 231 155

HSL 132, 0.66%, 0.72%

LAB 84.36, -43.9, 28.42

 

CMYK 41 / 29 / 0 / 9

HEX #88A5E7

RGB 136 165 231

HSL 221.68, 0.66%, 0.72%

LAB 67.96, 6.56, -36.4

 

Description

Color code: HEX #E788D4 | qconv.com Color code: HEX #E788D4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 136 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 136 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 8 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 8% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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