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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AED5BA it is the complementary color #512A45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AED5BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AED5BA: #B3D5B5, #C4E7C8, #D5F9DB, #E6FFEE and #F7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AED5BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AED5BA: #AED5BA, #9DC3A7, #8CB194, #7B9F81 and #6A8D6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 13 / 16

HEX #AED5BA

RGB 174 213 186

HSL 138.46, 0.32%, 0.76%

LAB 81.91, -18.1, 9.13

 

Complementary color

CMYK 0 / 48 / 15 / 68

HEX #512A45

RGB 81 42 69

HSL 318.46, 0.32%, 0.24%

LAB 23.12, 22.36, -9.05

 

CMYK 16 / 0 / 15 / 16

HEX #B3D5B5

RGB 179 213 181

HSL 123.53, 0.29%, 0.77%

LAB 82.11, -17.33, 12.11

 

CMYK 15 / 0 / 13 / 9

HEX #C4E7C8

RGB 196 231 200

HSL 126.86, 0.42%, 0.84%

LAB 88.48, -17.24, 11.31

 

CMYK 14 / 0 / 12 / 2

HEX #D5F9DB

RGB 213 249 219

HSL 130, 0.75%, 0.91%

LAB 94.74, -17.15, 10.54

 

CMYK 10 / 0 / 7 / 0

HEX #E6FFEE

RGB 230 255 238

HSL 139.2, 1%, 0.95%

LAB 97.84, -11.19, 5.36

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 18 / 0 / 13 / 16

HEX #AED5BA

RGB 174 213 186

HSL 138.46, 0.32%, 0.76%

LAB 81.91, -18.1, 9.13

 

CMYK 19 / 0 / 14 / 24

HEX #9DC3A7

RGB 157 195 167

HSL 135.79, 0.24%, 0.69%

LAB 75.44, -18.23, 9.93

 

CMYK 21 / 0 / 16 / 31

HEX #8CB194

RGB 140 177 148

HSL 132.97, 0.19%, 0.62%

LAB 68.87, -18.39, 10.77

 

CMYK 23 / 0 / 19 / 38

HEX #7B9F81

RGB 123 159 129

HSL 130, 0.16%, 0.55%

LAB 62.16, -18.57, 11.67

 

CMYK 25 / 0 / 22 / 45

HEX #6A8D6E

RGB 106 141 110

HSL 126.86, 0.14%, 0.48%

LAB 55.32, -18.78, 12.64

 

CMYK 18 / 0 / 13 / 16

HEX #AED5BA

RGB 174 213 186

HSL 138.46, 0.32%, 0.76%

LAB 81.91, -18.1, 9.13

 

CMYK 18 / 0 / 10 / 16

HEX #AED5C0

RGB 174 213 192

HSL 147.69, 0.32%, 0.76%

LAB 82.05, -16.96, 6.14

 

CMYK 18 / 0 / 7 / 16

HEX #AED5C7

RGB 174 213 199

HSL 158.46, 0.32%, 0.76%

LAB 82.22, -15.6, 2.66

 

CMYK 18 / 0 / 4 / 16

HEX #AED5CD

RGB 174 213 205

HSL 167.69, 0.32%, 0.76%

LAB 82.38, -14.39, -0.31

 

CMYK 18 / 0 / 0 / 16

HEX #AED5D4

RGB 174 213 212

HSL 178.46, 0.32%, 0.76%

LAB 82.56, -12.95, -3.76

 

CMYK 18 / 0 / 13 / 16

HEX #AED5BA

RGB 174 213 186

HSL 138.46, 0.32%, 0.76%

LAB 81.91, -18.1, 9.13

 

CMYK 22 / 0 / 11 / 96

HEX #070908

RGB 7 9 8

HSL 150, 0.13%, 0.03%

LAB 2.33, -0.66, 0.19

 

CMYK 18 / 0 / 13 / 76

HEX #313C34

RGB 49 60 52

HSL 136.36, 0.1%, 0.21%

LAB 24.11, -6.48, 3.43

 

CMYK 18 / 0 / 13 / 56

HEX #5B6F61

RGB 91 111 97

HSL 138, 0.1%, 0.4%

LAB 44.88, -10.5, 5.34

 

CMYK 19 / 0 / 13 / 36

HEX #84A28D

RGB 132 162 141

HSL 138, 0.14%, 0.58%

LAB 63.89, -14.69, 7.5

 

CMYK 18 / 0 / 13 / 16

HEX #AED5BA

RGB 174 213 186

HSL 138.46, 0.32%, 0.76%

LAB 81.91, -18.1, 9.13

 

CMYK 18 / 9 / 0 / 16

HEX #AEC1D5

RGB 174 193 213

HSL 210.77, 0.32%, 0.76%

LAB 77.25, -2.28, -12.19

 

CMYK 0 / 18 / 16 / 16

HEX #D5AEB2

RGB 213 174 178

HSL 353.85, 0.32%, 0.76%

LAB 74.59, 14.78, 3.3

 

CMYK 18 / 0 / 13 / 16

HEX #AED5BA

RGB 174 213 186

HSL 138.46, 0.32%, 0.76%

LAB 81.91, -18.1, 9.13

 

CMYK 13 / 18 / 0 / 16

HEX #B9AED5

RGB 185 174 213

HSL 256.92, 0.32%, 0.76%

LAB 73.15, 11.56, -18.27

 

CMYK 0 / 13 / 18 / 16

HEX #D5B9AE

RGB 213 185 174

HSL 16.92, 0.32%, 0.76%

LAB 77.22, 8.25, 9.26

 

CMYK 18 / 0 / 13 / 16

HEX #AED5BA

RGB 174 213 186

HSL 138.46, 0.32%, 0.76%

LAB 81.91, -18.1, 9.13

 

CMYK 18 / 9 / 0 / 16

HEX #AEC1D5

RGB 174 193 213

HSL 210.77, 0.32%, 0.76%

LAB 77.25, -2.28, -12.19

 

CMYK 0 / 18 / 6 / 16

HEX #D5AEC9

RGB 213 174 201

HSL 318.46, 0.32%, 0.76%

LAB 75.22, 18.65, -8.35

 

CMYK 0 / 9 / 18 / 16

HEX #D5C1AE

RGB 213 193 174

HSL 29.23, 0.32%, 0.76%

LAB 79.24, 3.99, 12.12

 

CMYK 18 / 0 / 13 / 16

HEX #AED5BA

RGB 174 213 186

HSL 138.46, 0.32%, 0.76%

LAB 81.91, -18.1, 9.13

 

CMYK 18 / 15 / 0 / 16

HEX #AEB6D5

RGB 174 182 213

HSL 227.69, 0.32%, 0.76%

LAB 74.35, 3.65, -16.53

 

CMYK 0 / 18 / 6 / 16

HEX #D5AEC9

RGB 213 174 201

HSL 318.46, 0.32%, 0.76%

LAB 75.22, 18.65, -8.35

 

CMYK 0 / 4 / 18 / 16

HEX #D5CDAE

RGB 213 205 174

HSL 47.69, 0.32%, 0.76%

LAB 82.31, -2.3, 16.44

 

Description

Color code: HEX #AED5BA | qconv.com Color code: HEX #AED5BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 213 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 213 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 13 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 13% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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