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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE9D90 it is the complementary color #51626F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE9D90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AE9D90: #B39D8B, #C4AF9E, #D5C1B1, #E6D3C4 and #F7E5D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE9D90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AE9D90: #AE9D90, #9D8B7D, #8C796A, #7B6757 and #6A5544

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 17 / 32

HEX #AE9D90

RGB 174 157 144

HSL 26, 0.16%, 0.62%

LAB 65.85, 4.04, 9.06

 

Complementary color

CMYK 27 / 12 / 0 / 56

HEX #51626F

RGB 81 98 111

HSL 206, 0.16%, 0.38%

LAB 40.63, -3.18, -9.48

 

CMYK 0 / 12 / 22 / 30

HEX #B39D8B

RGB 179 157 139

HSL 27, 0.21%, 0.62%

LAB 66.18, 5.19, 12.38

 

CMYK 0 / 11 / 19 / 23

HEX #C4AF9E

RGB 196 175 158

HSL 26.84, 0.24%, 0.69%

LAB 72.8, 4.8, 11.47

 

CMYK 0 / 9 / 17 / 16

HEX #D5C1B1

RGB 213 193 177

HSL 26.67, 0.3%, 0.76%

LAB 79.31, 4.45, 10.61

 

CMYK 0 / 8 / 15 / 10

HEX #E6D3C4

RGB 230 211 196

HSL 26.47, 0.4%, 0.84%

LAB 85.7, 4.14, 9.79

 

CMYK 0 / 7 / 13 / 3

HEX #F7E5D7

RGB 247 229 215

HSL 26.25, 0.67%, 0.91%

LAB 92.01, 3.86, 9.02

 

CMYK 0 / 10 / 17 / 32

HEX #AE9D90

RGB 174 157 144

HSL 26, 0.16%, 0.62%

LAB 65.85, 4.04, 9.06

 

CMYK 0 / 11 / 20 / 38

HEX #9D8B7D

RGB 157 139 125

HSL 26.25, 0.14%, 0.55%

LAB 59.08, 4.41, 9.96

 

CMYK 0 / 14 / 24 / 45

HEX #8C796A

RGB 140 121 106

HSL 26.47, 0.14%, 0.48%

LAB 52.16, 4.84, 10.93

 

CMYK 0 / 16 / 29 / 52

HEX #7B6757

RGB 123 103 87

HSL 26.67, 0.17%, 0.41%

LAB 45.08, 5.35, 12

 

CMYK 0 / 20 / 36 / 58

HEX #6A5544

RGB 106 85 68

HSL 26.84, 0.22%, 0.34%

LAB 37.8, 5.97, 13.2

 

CMYK 0 / 10 / 17 / 32

HEX #AE9D90

RGB 174 157 144

HSL 26, 0.16%, 0.62%

LAB 65.85, 4.04, 9.06

 

CMYK 0 / 7 / 18 / 32

HEX #ADA18E

RGB 173 161 142

HSL 36.77, 0.16%, 0.62%

LAB 66.77, 1.14, 11.47

 

CMYK 0 / 4 / 18 / 32

HEX #ADA68E

RGB 173 166 142

HSL 46.45, 0.16%, 0.62%

LAB 68.1, -1.57, 13.34

 

CMYK 0 / 1 / 18 / 32

HEX #ADAB8E

RGB 173 171 142

HSL 56.13, 0.16%, 0.62%

LAB 69.44, -4.27, 15.22

 

CMYK 2 / 0 / 18 / 32

HEX #AAAD8E

RGB 170 173 142

HSL 65.81, 0.16%, 0.62%

LAB 69.74, -6.47, 15.6

 

CMYK 0 / 10 / 17 / 32

HEX #AE9D90

RGB 174 157 144

HSL 26, 0.16%, 0.62%

LAB 65.85, 4.04, 9.06

 

CMYK 0 / 10 / 17 / 12

HEX #E1CBBA

RGB 225 203 186

HSL 26.15, 0.39%, 0.81%

LAB 83.05, 4.97, 11.27

 

CMYK 0 / 10 / 19 / 92

HEX #151311

RGB 21 19 17

HSL 30, 0.11%, 0.07%

LAB 6.01, 0.44, 1.43

 

CMYK 0 / 10 / 17 / 72

HEX #48413C

RGB 72 65 60

HSL 25, 0.09%, 0.26%

LAB 28.07, 1.99, 4.13

 

CMYK 0 / 10 / 17 / 52

HEX #7B6F66

RGB 123 111 102

HSL 25.71, 0.09%, 0.44%

LAB 47.67, 3.06, 6.7

 

CMYK 0 / 10 / 17 / 32

HEX #AE9D90

RGB 174 157 144

HSL 26, 0.16%, 0.62%

LAB 65.85, 4.04, 9.06

 

CMYK 12 / 0 / 18 / 32

HEX #99AD8E

RGB 153 173 142

HSL 98.71, 0.16%, 0.62%

LAB 68.47, -12.8, 13.63

 

CMYK 17 / 18 / 0 / 32

HEX #8F8EAD

RGB 143 142 173

HSL 241.94, 0.16%, 0.62%

LAB 60.07, 6.94, -16.11

 

CMYK 0 / 10 / 17 / 32

HEX #AE9D90

RGB 174 157 144

HSL 26, 0.16%, 0.62%

LAB 65.85, 4.04, 9.06

 

CMYK 18 / 0 / 10 / 32

HEX #8EAD9C

RGB 142 173 156

HSL 147.1, 0.16%, 0.62%

LAB 68.05, -14.08, 5.22

 

CMYK 10 / 18 / 0 / 32

HEX #9C8EAD

RGB 156 142 173

HSL 267.1, 0.16%, 0.62%

LAB 61.16, 11.31, -14.36

 

CMYK 0 / 10 / 17 / 32

HEX #AE9D90

RGB 174 157 144

HSL 26, 0.16%, 0.62%

LAB 65.85, 4.04, 9.06

 

CMYK 12 / 0 / 18 / 32

HEX #99AD8E

RGB 153 173 142

HSL 98.71, 0.16%, 0.62%

LAB 68.47, -12.8, 13.63

 

CMYK 18 / 8 / 0 / 32

HEX #8EA0AD

RGB 142 160 173

HSL 205.16, 0.16%, 0.62%

LAB 64.89, -3.5, -8.88

 

CMYK 6 / 18 / 0 / 32

HEX #A28EAD

RGB 162 142 173

HSL 278.71, 0.16%, 0.62%

LAB 61.69, 13.37, -13.51

 

CMYK 0 / 10 / 17 / 32

HEX #AE9D90

RGB 174 157 144

HSL 26, 0.16%, 0.62%

LAB 65.85, 4.04, 9.06

 

CMYK 17 / 0 / 18 / 32

HEX #90AD8E

RGB 144 173 142

HSL 116.13, 0.16%, 0.62%

LAB 67.85, -16.04, 12.67

 

CMYK 18 / 8 / 0 / 32

HEX #8EA0AD

RGB 142 160 173

HSL 205.16, 0.16%, 0.62%

LAB 64.89, -3.5, -8.88

 

CMYK 1 / 18 / 0 / 32

HEX #AB8EAD

RGB 171 142 173

HSL 296.13, 0.16%, 0.62%

LAB 62.53, 16.5, -12.17

 

Description

Color code: HEX #AE9D90 | qconv.com Color code: HEX #AE9D90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 157 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 157 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 17 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 17% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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