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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE9A8C it is the complementary color #516573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE9A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE9A8C shade: #B39A87, #C4AC9A, #D5BEAD, #E6D0C0 and #F7E2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE9A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE9A8C shade: #AE9A8C, #9D8879, #8C7666, #7B6453 and #6A5240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE9A8C shade: #AE9B8D, #AE928D and #AE8D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE9A8C shade: #AE9B8D, #AEA48D, #AEAC8D, #A7AE8D and #9EAE8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE9A8C shade matches the following richer shades: #AE9B8D, #BE987D, #CD956E, #DD925E and #ED904E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE9A8C shade: #AE9B8D, #9E9D9D, #8FA0AC, #7FA3BC and #6FA6CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE9A8C shade: #AE8D92, #AE928D, #AE9A8D, #AEA38D and #AEAC8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE9A8C shade: #887160, #9D8575, #AE9B8D, #BFB0A5 and #D0C5BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE9A8C shade: #AE9A8C, #9AAE8D and #8D8DAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE9A8C shade: #AE9A8C, #8DAE9A and #9A8DAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE9A8C shade: #AE9A8C, #9AAE8D, #8DA1AE and #A18DAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE9A8C shade: #AE9A8C, #90AE8D, #8DA1AE and #AB8DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 20 / 32

HEX #AE9A8C

RGB 174 154 140

HSL 24.71, 0.17%, 0.62%

LAB 64.97, 5.06, 10.04

 

Complementary color

CMYK 30 / 12 / 0 / 55

HEX #516573

RGB 81 101 115

HSL 204.71, 0.17%, 0.38%

LAB 41.68, -3.92, -10.33

 

CMYK 0 / 14 / 25 / 30

HEX #B39A87

RGB 179 154 135

HSL 25.91, 0.22%, 0.62%

LAB 65.31, 6.24, 13.39

 

CMYK 0 / 12 / 21 / 23

HEX #C4AC9A

RGB 196 172 154

HSL 25.71, 0.26%, 0.69%

LAB 71.94, 5.81, 12.44

 

CMYK 0 / 11 / 19 / 16

HEX #D5BEAD

RGB 213 190 173

HSL 25.5, 0.32%, 0.76%

LAB 78.46, 5.43, 11.55

 

CMYK 0 / 10 / 17 / 10

HEX #E6D0C0

RGB 230 208 192

HSL 25.26, 0.43%, 0.83%

LAB 84.86, 5.09, 10.71

 

CMYK 0 / 9 / 15 / 3

HEX #F7E2D3

RGB 247 226 211

HSL 25, 0.69%, 0.9%

LAB 91.18, 4.77, 9.92

 

CMYK 0 / 11 / 20 / 32

HEX #AE9A8C

RGB 174 154 140

HSL 24.71, 0.17%, 0.62%

LAB 64.97, 5.06, 10.04

 

CMYK 0 / 13 / 23 / 38

HEX #9D8879

RGB 157 136 121

HSL 25, 0.16%, 0.55%

LAB 58.19, 5.47, 10.98

 

CMYK 0 / 16 / 27 / 45

HEX #8C7666

RGB 140 118 102

HSL 25.26, 0.16%, 0.47%

LAB 51.26, 5.96, 12

 

CMYK 0 / 19 / 33 / 52

HEX #7B6453

RGB 123 100 83

HSL 25.5, 0.19%, 0.4%

LAB 44.16, 6.54, 13.12

 

CMYK 0 / 23 / 40 / 58

HEX #6A5240

RGB 106 82 64

HSL 25.71, 0.25%, 0.33%

LAB 36.87, 7.25, 14.39

 

CMYK 0 / 11 / 19 / 32

HEX #AE9B8D

RGB 174 155 141

HSL 25.45, 0.17%, 0.62%

LAB 65.25, 4.66, 9.89

 

CMYK 0 / 16 / 19 / 32

HEX #AE928D

RGB 174 146 141

HSL 9.09, 0.17%, 0.62%

LAB 62.91, 9.66, 6.55

 

CMYK 0 / 19 / 19 / 32

HEX #AE8D8D

RGB 174 141 141

HSL 0, 0.17%, 0.62%

LAB 61.63, 12.46, 4.71

 

CMYK 0 / 11 / 19 / 32

HEX #AE9B8D

RGB 174 155 141

HSL 25.45, 0.17%, 0.62%

LAB 65.25, 4.66, 9.89

 

CMYK 0 / 6 / 19 / 32

HEX #AEA48D

RGB 174 164 141

HSL 41.82, 0.17%, 0.62%

LAB 67.63, -0.26, 13.24

 

CMYK 0 / 1 / 19 / 32

HEX #AEAC8D

RGB 174 172 141

HSL 56.36, 0.17%, 0.62%

LAB 69.77, -4.57, 16.24

 

CMYK 4 / 0 / 19 / 32

HEX #A7AE8D

RGB 167 174 141

HSL 72.73, 0.17%, 0.62%

LAB 69.76, -8.3, 16.14

 

CMYK 9 / 0 / 19 / 32

HEX #9EAE8D

RGB 158 174 141

HSL 89.09, 0.17%, 0.62%

LAB 69.09, -11.66, 15.1

 

CMYK 0 / 11 / 19 / 32

HEX #AE9B8D

RGB 174 155 141

HSL 25.45, 0.17%, 0.62%

LAB 65.25, 4.66, 9.89

 

CMYK 0 / 20 / 34 / 25

HEX #BE987D

RGB 190 152 125

HSL 24.92, 0.33%, 0.62%

LAB 65.66, 10.34, 19.59

 

CMYK 0 / 27 / 46 / 20

HEX #CD956E

RGB 205 149 110

HSL 24.63, 0.49%, 0.62%

LAB 66.21, 16.35, 28.86

 

CMYK 0 / 34 / 57 / 13

HEX #DD925E

RGB 221 146 94

HSL 24.57, 0.65%, 0.62%

LAB 67.08, 23.09, 38.9

 

CMYK 0 / 39 / 67 / 7

HEX #ED904E

RGB 237 144 78

HSL 24.91, 0.82%, 0.62%

LAB 68.39, 29.6, 49.08

 

CMYK 0 / 11 / 19 / 32

HEX #AE9B8D

RGB 174 155 141

HSL 25.45, 0.17%, 0.62%

LAB 65.25, 4.66, 9.89

 

CMYK 0 / 1 / 1 / 38

HEX #9E9D9D

RGB 158 157 157

HSL 0, 0.01%, 0.62%

LAB 64.82, 0.36, 0.12

 

CMYK 17 / 7 / 0 / 33

HEX #8FA0AC

RGB 143 160 172

HSL 204.83, 0.15%, 0.62%

LAB 64.93, -3.39, -8.25

 

CMYK 32 / 13 / 0 / 26

HEX #7FA3BC

RGB 127 163 188

HSL 204.59, 0.31%, 0.62%

LAB 65.23, -6.22, -16.85

 

CMYK 46 / 19 / 0 / 20

HEX #6FA6CC

RGB 111 166 204

HSL 204.52, 0.48%, 0.62%

LAB 65.76, -7.89, -25.03

 

CMYK 0 / 19 / 16 / 32

HEX #AE8D92

RGB 174 141 146

HSL 350.91, 0.17%, 0.62%

LAB 61.76, 13.27, 2.06

 

CMYK 0 / 16 / 19 / 32

HEX #AE928D

RGB 174 146 141

HSL 9.09, 0.17%, 0.62%

LAB 62.91, 9.66, 6.55

 

CMYK 0 / 11 / 19 / 32

HEX #AE9A8D

RGB 174 154 141

HSL 23.64, 0.17%, 0.62%

LAB 64.99, 5.22, 9.51

 

CMYK 0 / 6 / 19 / 32

HEX #AEA38D

RGB 174 163 141

HSL 40, 0.17%, 0.62%

LAB 67.36, 0.28, 12.87

 

CMYK 0 / 1 / 19 / 32

HEX #AEAC8D

RGB 174 172 141

HSL 56.36, 0.17%, 0.62%

LAB 69.77, -4.57, 16.24

 

CMYK 0 / 17 / 29 / 47

HEX #887160

RGB 136 113 96

HSL 25.5, 0.17%, 0.45%

LAB 49.36, 6.3, 12.81

 

CMYK 0 / 15 / 25 / 38

HEX #9D8575

RGB 157 133 117

HSL 24, 0.17%, 0.54%

LAB 57.3, 6.56, 12.02

 

CMYK 0 / 11 / 19 / 32

HEX #AE9B8D

RGB 174 155 141

HSL 25.45, 0.17%, 0.62%

LAB 65.25, 4.66, 9.89

 

CMYK 0 / 8 / 14 / 25

HEX #BFB0A5

RGB 191 176 165

HSL 25.38, 0.17%, 0.7%

LAB 72.79, 3.5, 7.56

 

CMYK 0 / 5 / 9 / 18

HEX #D0C5BD

RGB 208 197 189

HSL 25.26, 0.17%, 0.78%

LAB 80.19, 2.46, 5.37

 

CMYK 0 / 11 / 20 / 32

HEX #AE9A8C

RGB 174 154 140

HSL 24.71, 0.17%, 0.62%

LAB 64.97, 5.06, 10.04

 

CMYK 11 / 0 / 19 / 32

HEX #9AAE8D

RGB 154 174 141

HSL 96.36, 0.17%, 0.62%

LAB 68.8, -13.13, 14.65

 

CMYK 19 / 19 / 0 / 32

HEX #8D8DAE

RGB 141 141 174

HSL 240, 0.17%, 0.62%

LAB 59.68, 7.08, -17.29

 

CMYK 0 / 11 / 20 / 32

HEX #AE9A8C

RGB 174 154 140

HSL 24.71, 0.17%, 0.62%

LAB 64.97, 5.06, 10.04

 

CMYK 19 / 0 / 11 / 32

HEX #8DAE9A

RGB 141 174 154

HSL 143.64, 0.17%, 0.62%

LAB 68.22, -15.34, 6.56

 

CMYK 11 / 19 / 0 / 32

HEX #9A8DAE

RGB 154 141 174

HSL 263.64, 0.17%, 0.62%

LAB 60.76, 11.42, -15.55

 

CMYK 0 / 11 / 20 / 32

HEX #AE9A8C

RGB 174 154 140

HSL 24.71, 0.17%, 0.62%

LAB 64.97, 5.06, 10.04

 

CMYK 11 / 0 / 19 / 32

HEX #9AAE8D

RGB 154 174 141

HSL 96.36, 0.17%, 0.62%

LAB 68.8, -13.13, 14.65

 

CMYK 19 / 7 / 0 / 32

HEX #8DA1AE

RGB 141 161 174

HSL 203.64, 0.17%, 0.62%

LAB 65.13, -4.15, -9.09

 

CMYK 7 / 19 / 0 / 32

HEX #A18DAE

RGB 161 141 174

HSL 276.36, 0.17%, 0.62%

LAB 61.38, 13.8, -14.56

 

CMYK 0 / 11 / 20 / 32

HEX #AE9A8C

RGB 174 154 140

HSL 24.71, 0.17%, 0.62%

LAB 64.97, 5.06, 10.04

 

CMYK 17 / 0 / 19 / 32

HEX #90AE8D

RGB 144 174 141

HSL 114.55, 0.17%, 0.62%

LAB 68.11, -16.74, 13.59

 

CMYK 19 / 7 / 0 / 32

HEX #8DA1AE

RGB 141 161 174

HSL 203.64, 0.17%, 0.62%

LAB 65.13, -4.15, -9.09

 

CMYK 2 / 19 / 0 / 32

HEX #AB8DAE

RGB 171 141 174

HSL 294.55, 0.17%, 0.62%

LAB 62.31, 17.26, -13.07

 

Description

Color code: HEX #AE9A8C | qconv.com Color code: HEX #AE9A8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 154 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 154 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 20 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 20% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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