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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFA48E it is the complementary color #505B71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFA48E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFA48E shade: #B4A489, #C5B69C, #D6C8AF, #E7DAC2 and #F8ECD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFA48E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFA48E shade: #AFA48E, #9E927B, #8D8068, #7C6E55 and #6B5C42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFA48E shade: #AFA48E, #AF9B8E, #AF928E and #AF8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFA48E shade: #AFA48E, #AFAC8E, #A8AF8E, #9FAF8E and #96AF8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFA48E shade matches the following richer shades: #AFA48E, #BEA97E, #CEAE6E, #DEB35F and #EDB84F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFA48E shade: #AFA48E, #9F9E9D, #8F99AD, #8094BD and #708FCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFA48E shade: #AF928E, #AF9B8E, #AFA48E, #AFAC8E and #A8AF8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFA48E shade: #897B61, #9D9075, #AFA48E, #C0B7A6 and #D1CBBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFA48E shade: #AFA48E, #92AF8E and #968EAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFA48E shade: #AFA48E, #8EAFA4 and #A48EAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFA48E shade: #AFA48E, #92AF8E, #8E99AF and #AA8EAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFA48E shade: #AFA48E, #8EAF93, #8E99AF and #AF8EA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 19 / 31

HEX #AFA48E

RGB 175 164 142

HSL 40, 0.17%, 0.62%

LAB 67.74, 0.28, 12.86

 

Complementary color

CMYK 29 / 19 / 0 / 56

HEX #505B71

RGB 80 91 113

HSL 220, 0.17%, 0.38%

LAB 38.52, 1.3, -13.91

 

CMYK 0 / 9 / 24 / 29

HEX #B4A489

RGB 180 164 137

HSL 37.67, 0.22%, 0.62%

LAB 68.07, 1.46, 16.14

 

CMYK 0 / 8 / 21 / 23

HEX #C5B69C

RGB 197 182 156

HSL 38.05, 0.26%, 0.69%

LAB 74.65, 1.12, 15.17

 

CMYK 0 / 7 / 18 / 16

HEX #D6C8AF

RGB 214 200 175

HSL 38.46, 0.32%, 0.76%

LAB 81.13, 0.83, 14.27

 

CMYK 0 / 6 / 16 / 9

HEX #E7DAC2

RGB 231 218 194

HSL 38.92, 0.44%, 0.83%

LAB 87.5, 0.56, 13.41

 

CMYK 0 / 5 / 14 / 3

HEX #F8ECD5

RGB 248 236 213

HSL 39.43, 0.71%, 0.9%

LAB 93.78, 0.32, 12.6

 

CMYK 0 / 6 / 19 / 31

HEX #AFA48E

RGB 175 164 142

HSL 40, 0.17%, 0.62%

LAB 67.74, 0.28, 12.86

 

CMYK 0 / 8 / 22 / 38

HEX #9E927B

RGB 158 146 123

HSL 39.43, 0.15%, 0.55%

LAB 61.01, 0.58, 13.81

 

CMYK 0 / 9 / 26 / 45

HEX #8D8068

RGB 141 128 104

HSL 38.92, 0.15%, 0.48%

LAB 54.13, 0.94, 14.84

 

CMYK 0 / 11 / 31 / 51

HEX #7C6E55

RGB 124 110 85

HSL 38.46, 0.19%, 0.41%

LAB 47.1, 1.37, 15.97

 

CMYK 0 / 14 / 38 / 58

HEX #6B5C42

RGB 107 92 66

HSL 38.05, 0.24%, 0.34%

LAB 39.87, 1.9, 17.22

 

CMYK 0 / 6 / 19 / 31

HEX #AFA48E

RGB 175 164 142

HSL 40, 0.17%, 0.62%

LAB 67.74, 0.28, 12.86

 

CMYK 0 / 11 / 19 / 31

HEX #AF9B8E

RGB 175 155 142

HSL 23.64, 0.17%, 0.62%

LAB 65.37, 5.21, 9.5

 

CMYK 0 / 17 / 19 / 31

HEX #AF928E

RGB 175 146 142

HSL 7.27, 0.17%, 0.62%

LAB 63.03, 10.2, 6.17

 

CMYK 0 / 19 / 19 / 31

HEX #AF8E8E

RGB 175 142 142

HSL 0, 0.17%, 0.62%

LAB 62.01, 12.44, 4.7

 

CMYK 0 / 6 / 19 / 31

HEX #AFA48E

RGB 175 164 142

HSL 40, 0.17%, 0.62%

LAB 67.74, 0.28, 12.86

 

CMYK 0 / 2 / 19 / 31

HEX #AFAC8E

RGB 175 172 142

HSL 54.55, 0.17%, 0.62%

LAB 69.88, -4.04, 15.85

 

CMYK 4 / 0 / 19 / 31

HEX #A8AF8E

RGB 168 175 142

HSL 72.73, 0.17%, 0.62%

LAB 70.13, -8.29, 16.12

 

CMYK 9 / 0 / 19 / 31

HEX #9FAF8E

RGB 159 175 142

HSL 89.09, 0.17%, 0.62%

LAB 69.46, -11.65, 15.08

 

CMYK 14 / 0 / 19 / 31

HEX #96AF8E

RGB 150 175 142

HSL 105.45, 0.17%, 0.62%

LAB 68.82, -14.93, 14.1

 

CMYK 0 / 6 / 19 / 31

HEX #AFA48E

RGB 175 164 142

HSL 40, 0.17%, 0.62%

LAB 67.74, 0.28, 12.86

 

CMYK 0 / 11 / 34 / 25

HEX #BEA97E

RGB 190 169 126

HSL 40.31, 0.33%, 0.62%

LAB 70.06, 1.21, 25.01

 

CMYK 0 / 16 / 47 / 19

HEX #CEAE6E

RGB 206 174 110

HSL 40, 0.49%, 0.62%

LAB 72.57, 3.25, 37.06

 

CMYK 0 / 19 / 57 / 13

HEX #DEB35F

RGB 222 179 95

HSL 39.69, 0.66%, 0.62%

LAB 75.2, 5.93, 48.17

 

CMYK 0 / 22 / 67 / 7

HEX #EDB84F

RGB 237 184 79

HSL 39.87, 0.81%, 0.62%

LAB 77.79, 8.52, 58.92

 

CMYK 0 / 6 / 19 / 31

HEX #AFA48E

RGB 175 164 142

HSL 40, 0.17%, 0.62%

LAB 67.74, 0.28, 12.86

 

CMYK 0 / 1 / 1 / 38

HEX #9F9E9D

RGB 159 158 157

HSL 30, 0.01%, 0.62%

LAB 65.17, 0.17, 0.64

 

CMYK 17 / 12 / 0 / 32

HEX #8F99AD

RGB 143 153 173

HSL 220, 0.15%, 0.62%

LAB 63.04, 0.71, -11.63

 

CMYK 32 / 22 / 0 / 26

HEX #8094BD

RGB 128 148 189

HSL 220.33, 0.32%, 0.62%

LAB 61.17, 2.72, -23.59

 

CMYK 45 / 30 / 0 / 20

HEX #708FCC

RGB 112 143 204

HSL 219.78, 0.47%, 0.62%

LAB 59.39, 5.37, -34.88

 

CMYK 0 / 17 / 19 / 31

HEX #AF928E

RGB 175 146 142

HSL 7.27, 0.17%, 0.62%

LAB 63.03, 10.2, 6.17

 

CMYK 0 / 11 / 19 / 31

HEX #AF9B8E

RGB 175 155 142

HSL 23.64, 0.17%, 0.62%

LAB 65.37, 5.21, 9.5

 

CMYK 0 / 6 / 19 / 31

HEX #AFA48E

RGB 175 164 142

HSL 40, 0.17%, 0.62%

LAB 67.74, 0.28, 12.86

 

CMYK 0 / 2 / 19 / 31

HEX #AFAC8E

RGB 175 172 142

HSL 54.55, 0.17%, 0.62%

LAB 69.88, -4.04, 15.85

 

CMYK 4 / 0 / 19 / 31

HEX #A8AF8E

RGB 168 175 142

HSL 72.73, 0.17%, 0.62%

LAB 70.13, -8.29, 16.12

 

CMYK 0 / 10 / 29 / 46

HEX #897B61

RGB 137 123 97

HSL 39, 0.17%, 0.46%

LAB 52.23, 1.1, 16.2

 

CMYK 0 / 8 / 25 / 38

HEX #9D9075

RGB 157 144 117

HSL 40.5, 0.17%, 0.54%

LAB 60.25, 0.39, 16.12

 

CMYK 0 / 6 / 19 / 31

HEX #AFA48E

RGB 175 164 142

HSL 40, 0.17%, 0.62%

LAB 67.74, 0.28, 12.86

 

CMYK 0 / 5 / 14 / 25

HEX #C0B7A6

RGB 192 183 166

HSL 39.23, 0.17%, 0.7%

LAB 74.72, 0.28, 9.78

 

CMYK 0 / 3 / 9 / 18

HEX #D1CBBE

RGB 209 203 190

HSL 41.05, 0.17%, 0.78%

LAB 81.83, -0.17, 7.21

 

CMYK 0 / 6 / 19 / 31

HEX #AFA48E

RGB 175 164 142

HSL 40, 0.17%, 0.62%

LAB 67.74, 0.28, 12.86

 

CMYK 17 / 0 / 19 / 31

HEX #92AF8E

RGB 146 175 142

HSL 112.73, 0.17%, 0.62%

LAB 68.55, -16.37, 13.68

 

CMYK 14 / 19 / 0 / 31

HEX #968EAF

RGB 150 142 175

HSL 254.55, 0.17%, 0.62%

LAB 60.72, 9.72, -16.22

 

CMYK 0 / 6 / 19 / 31

HEX #AFA48E

RGB 175 164 142

HSL 40, 0.17%, 0.62%

LAB 67.74, 0.28, 12.86

 

CMYK 19 / 0 / 6 / 31

HEX #8EAFA4

RGB 142 175 164

HSL 160, 0.17%, 0.62%

LAB 68.82, -13.51, 1.91

 

CMYK 6 / 19 / 0 / 31

HEX #A48EAF

RGB 164 142 175

HSL 280, 0.17%, 0.62%

LAB 61.94, 14.47, -14.25

 

CMYK 0 / 6 / 19 / 31

HEX #AFA48E

RGB 175 164 142

HSL 40, 0.17%, 0.62%

LAB 67.74, 0.28, 12.86

 

CMYK 17 / 0 / 19 / 31

HEX #92AF8E

RGB 146 175 142

HSL 112.73, 0.17%, 0.62%

LAB 68.55, -16.37, 13.68

 

CMYK 19 / 13 / 0 / 31

HEX #8E99AF

RGB 142 153 175

HSL 220, 0.17%, 0.62%

LAB 63.03, 0.84, -12.78

 

CMYK 3 / 19 / 0 / 31

HEX #AA8EAF

RGB 170 142 175

HSL 290.91, 0.17%, 0.62%

LAB 62.5, 16.55, -13.36

 

CMYK 0 / 6 / 19 / 31

HEX #AFA48E

RGB 175 164 142

HSL 40, 0.17%, 0.62%

LAB 67.74, 0.28, 12.86

 

CMYK 19 / 0 / 16 / 31

HEX #8EAF93

RGB 142 175 147

HSL 129.09, 0.17%, 0.62%

LAB 68.4, -16.86, 10.68

 

CMYK 19 / 13 / 0 / 31

HEX #8E99AF

RGB 142 153 175

HSL 220, 0.17%, 0.62%

LAB 63.03, 0.84, -12.78

 

CMYK 0 / 19 / 3 / 31

HEX #AF8EA9

RGB 175 142 169

HSL 310.91, 0.17%, 0.62%

LAB 62.78, 17.14, -9.49

 

Description

Color code: HEX #AFA48E | qconv.com Color code: HEX #AFA48E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 164 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 164 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 19 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 19% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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