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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE706D it is the complementary color #518F92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE706D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AE706D: #B37068, #C4827B, #D5948E, #E6A6A1 and #F7B8B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE706D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AE706D: #AE706D, #9D5E5A, #8C4C47, #7B3A34 and #6A2821

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 37 / 32

HEX #AE706D

RGB 174 112 109

HSL 2.77, 0.29%, 0.55%

LAB 53.7, 24.2, 11.88

 

Complementary color

CMYK 45 / 2 / 0 / 43

HEX #518F92

RGB 81 143 146

HSL 182.77, 0.29%, 0.45%

LAB 55.55, -19.15, -7.86

 

CMYK 0 / 37 / 42 / 30

HEX #B37068

RGB 179 112 104

HSL 6.4, 0.33%, 0.55%

LAB 54.21, 25.59, 15.6

 

CMYK 0 / 34 / 37 / 23

HEX #C4827B

RGB 196 130 123

HSL 5.75, 0.38%, 0.63%

LAB 60.9, 24.6, 14.25

 

CMYK 0 / 31 / 33 / 16

HEX #D5948E

RGB 213 148 142

HSL 5.07, 0.46%, 0.7%

LAB 67.49, 23.73, 13.04

 

CMYK 0 / 28 / 30 / 10

HEX #E6A6A1

RGB 230 166 161

HSL 4.35, 0.58%, 0.77%

LAB 73.98, 22.94, 11.96

 

CMYK 0 / 26 / 27 / 3

HEX #F7B8B4

RGB 247 184 180

HSL 3.58, 0.81%, 0.84%

LAB 80.38, 22.23, 10.96

 

CMYK 0 / 36 / 37 / 32

HEX #AE706D

RGB 174 112 109

HSL 2.77, 0.29%, 0.55%

LAB 53.7, 24.2, 11.88

 

CMYK 0 / 40 / 43 / 38

HEX #9D5E5A

RGB 157 94 90

HSL 3.58, 0.27%, 0.48%

LAB 46.86, 25.22, 13.28

 

CMYK 0 / 46 / 49 / 45

HEX #8C4C47

RGB 140 76 71

HSL 4.35, 0.33%, 0.41%

LAB 39.91, 26.38, 14.94

 

CMYK 0 / 53 / 58 / 52

HEX #7B3A34

RGB 123 58 52

HSL 5.07, 0.41%, 0.34%

LAB 32.89, 27.67, 16.98

 

CMYK 0 / 62 / 69 / 58

HEX #6A2821

RGB 106 40 33

HSL 5.75, 0.53%, 0.27%

LAB 25.84, 29.02, 19.57

 

CMYK 0 / 36 / 37 / 32

HEX #AE706D

RGB 174 112 109

HSL 2.77, 0.29%, 0.55%

LAB 53.7, 24.2, 11.88

 

CMYK 0 / 31 / 39 / 32

HEX #AD786A

RGB 173 120 106

HSL 12.54, 0.29%, 0.55%

LAB 55.44, 18.93, 16.02

 

CMYK 0 / 24 / 39 / 32

HEX #AD836A

RGB 173 131 106

HSL 22.39, 0.29%, 0.55%

LAB 58.19, 12.73, 19.77

 

CMYK 0 / 18 / 39 / 32

HEX #AD8E6A

RGB 173 142 106

HSL 32.24, 0.29%, 0.55%

LAB 61.02, 6.58, 23.58

 

CMYK 0 / 12 / 39 / 32

HEX #AD996A

RGB 173 153 106

HSL 42.09, 0.29%, 0.55%

LAB 63.92, 0.51, 27.42

 

CMYK 0 / 36 / 37 / 32

HEX #AE706D

RGB 174 112 109

HSL 2.77, 0.29%, 0.55%

LAB 53.7, 24.2, 11.88

 

CMYK 0 / 36 / 37 / 12

HEX #E1918D

RGB 225 145 141

HSL 2.86, 0.58%, 0.72%

LAB 68.15, 29.79, 14.74

 

CMYK 0 / 33 / 38 / 92

HEX #150E0D

RGB 21 14 13

HSL 7.5, 0.24%, 0.07%

LAB 4.54, 2.51, 1.4

 

CMYK 0 / 36 / 38 / 72

HEX #482E2D

RGB 72 46 45

HSL 2.22, 0.23%, 0.23%

LAB 22.02, 11.8, 5.52

 

CMYK 0 / 36 / 37 / 52

HEX #7B4F4D

RGB 123 79 77

HSL 2.61, 0.23%, 0.39%

LAB 38.44, 18.26, 8.84

 

CMYK 0 / 36 / 37 / 32

HEX #AE706D

RGB 174 112 109

HSL 2.77, 0.29%, 0.55%

LAB 53.7, 24.2, 11.88

 

CMYK 9 / 0 / 39 / 32

HEX #9DAD6A

RGB 157 173 106

HSL 74.33, 0.29%, 0.55%

LAB 68.09, -16.63, 32.58

 

CMYK 39 / 24 / 0 / 32

HEX #6A83AD

RGB 106 131 173

HSL 217.61, 0.29%, 0.55%

LAB 54.36, 1.87, -25.09

 

CMYK 0 / 36 / 37 / 32

HEX #AE706D

RGB 174 112 109

HSL 2.77, 0.29%, 0.55%

LAB 53.7, 24.2, 11.88

 

CMYK 39 / 0 / 37 / 32

HEX #6AAD6D

RGB 106 173 109

HSL 122.69, 0.29%, 0.55%

LAB 65.01, -34.69, 26.37

 

CMYK 37 / 39 / 0 / 32

HEX #6D6AAD

RGB 109 106 173

HSL 242.69, 0.29%, 0.55%

LAB 47.72, 17.71, -35.41

 

CMYK 0 / 36 / 37 / 32

HEX #AE706D

RGB 174 112 109

HSL 2.77, 0.29%, 0.55%

LAB 53.7, 24.2, 11.88

 

CMYK 9 / 0 / 39 / 32

HEX #9DAD6A

RGB 157 173 106

HSL 74.33, 0.29%, 0.55%

LAB 68.09, -16.63, 32.58

 

CMYK 39 / 1 / 0 / 32

HEX #6AABAD

RGB 106 171 173

HSL 181.79, 0.29%, 0.55%

LAB 65.91, -20.17, -7.59

 

CMYK 29 / 39 / 0 / 32

HEX #7A6AAD

RGB 122 106 173

HSL 254.33, 0.29%, 0.55%

LAB 48.84, 21.46, -33.58

 

CMYK 0 / 36 / 37 / 32

HEX #AE706D

RGB 174 112 109

HSL 2.77, 0.29%, 0.55%

LAB 53.7, 24.2, 11.88

 

CMYK 20 / 0 / 39 / 32

HEX #8AAD6A

RGB 138 173 106

HSL 91.34, 0.29%, 0.55%

LAB 66.77, -23.98, 30.61

 

CMYK 39 / 1 / 0 / 32

HEX #6AABAD

RGB 106 171 173

HSL 181.79, 0.29%, 0.55%

LAB 65.91, -20.17, -7.59

 

CMYK 18 / 39 / 0 / 32

HEX #8E6AAD

RGB 142 106 173

HSL 272.24, 0.29%, 0.55%

LAB 50.78, 27.55, -30.41

 

Description

Color code: HEX #AE706D | qconv.com Color code: HEX #AE706D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 112 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 112 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 37 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 37% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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