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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE4656 it is the complementary color #51B9A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE4656. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE4656 shade: #B34651, #C45864, #D56A77, #E67C8A and #F78E9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE4656. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE4656 shade: #AE4656, #9D3443, #8C2230, #7B101D and #6A000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE4656 shade: #AF4656 and #AF4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE4656 shade: #AF4656, #AF4672, #AF468F, #AF46AB and #9746AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE4656 shade matches the following richer shades: #AF4656, #C33248, #D71E3B and #EA0A2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE4656 shade: #AF4656, #9B5A64, #876D71, #74817F and #60958D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE4656 shade: #AF468F, #AF4673, #AF4657, #AF5046 and #AF6C46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE4656 shade: #742E39, #923A47, #AF4656, #BF5F6E and #CB7C88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE4656 shade: #AE4656, #ACAF46 and #4681AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE4656 shade: #AE4656, #57AF46 and #4657AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE4656 shade: #AE4656, #ACAF46, #46AF9D and #4946AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE4656 shade: #AE4656, #8CAF46, #46AF9D and #6946AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 51 / 32

HEX #AE4656

RGB 174 70 86

HSL 350.77, 0.43%, 0.48%

LAB 44.31, 43.89, 12.58

 

Complementary color

CMYK 56 / 0 / 9 / 27

HEX #51B9A9

RGB 81 185 169

HSL 170.77, 0.43%, 0.52%

LAB 68.98, -33.97, -0.96

 

CMYK 0 / 61 / 55 / 30

HEX #B34651

RGB 179 70 81

HSL 353.94, 0.44%, 0.49%

LAB 45.02, 45.2, 16.75

 

CMYK 0 / 55 / 49 / 23

HEX #C45864

RGB 196 88 100

HSL 353.33, 0.48%, 0.56%

LAB 51.42, 44.26, 14.49

 

CMYK 0 / 50 / 44 / 16

HEX #D56A77

RGB 213 106 119

HSL 352.71, 0.56%, 0.63%

LAB 57.83, 43.26, 12.6

 

CMYK 0 / 46 / 40 / 10

HEX #E67C8A

RGB 230 124 138

HSL 352.08, 0.68%, 0.69%

LAB 64.22, 42.26, 11

 

CMYK 0 / 43 / 36 / 3

HEX #F78E9D

RGB 247 142 157

HSL 351.43, 0.87%, 0.76%

LAB 70.56, 41.3, 9.6

 

CMYK 0 / 60 / 51 / 32

HEX #AE4656

RGB 174 70 86

HSL 350.77, 0.43%, 0.48%

LAB 44.31, 43.89, 12.58

 

CMYK 0 / 67 / 57 / 38

HEX #9D3443

RGB 157 52 67

HSL 351.43, 0.5%, 0.41%

LAB 37.9, 44.61, 15.18

 

CMYK 0 / 76 / 66 / 45

HEX #8C2230

RGB 140 34 48

HSL 352.08, 0.61%, 0.34%

LAB 31.65, 44.88, 18.53

 

CMYK 0 / 87 / 76 / 52

HEX #7B101D

RGB 123 16 29

HSL 352.71, 0.77%, 0.27%

LAB 25.77, 44.2, 22.92

 

CMYK 0 / 100 / 91 / 58

HEX #6A000A

RGB 106 0 10

HSL 354.34, 1%, 0.21%

LAB 20.39, 42.24, 27.04

 

CMYK 0 / 60 / 51 / 31

HEX #AF4656

RGB 175 70 86

HSL 350.86, 0.43%, 0.48%

LAB 44.47, 44.24, 12.83

 

CMYK 0 / 60 / 60 / 31

HEX #AF4646

RGB 175 70 70

HSL 0, 0.43%, 0.48%

LAB 44.14, 42.92, 22.15

 

CMYK 0 / 60 / 51 / 31

HEX #AF4656

RGB 175 70 86

HSL 350.86, 0.43%, 0.48%

LAB 44.47, 44.24, 12.83

 

CMYK 0 / 60 / 35 / 31

HEX #AF4672

RGB 175 70 114

HSL 334.86, 0.43%, 0.48%

LAB 45.23, 47.22, -3.27

 

CMYK 0 / 60 / 18 / 31

HEX #AF468F

RGB 175 70 143

HSL 318.29, 0.43%, 0.48%

LAB 46.28, 51.17, -19.29

 

CMYK 0 / 60 / 2 / 31

HEX #AF46AB

RGB 175 70 171

HSL 302.29, 0.43%, 0.48%

LAB 47.54, 55.7, -34.01

 

CMYK 14 / 60 / 0 / 31

HEX #9746AF

RGB 151 70 175

HSL 286.29, 0.43%, 0.48%

LAB 44.31, 50.21, -41.69

 

CMYK 0 / 60 / 51 / 31

HEX #AF4656

RGB 175 70 86

HSL 350.86, 0.43%, 0.48%

LAB 44.47, 44.24, 12.83

 

CMYK 0 / 74 / 63 / 24

HEX #C33248

RGB 195 50 72

HSL 350.9, 0.59%, 0.48%

LAB 44.73, 57.79, 22.39

 

CMYK 0 / 86 / 73 / 16

HEX #D71E3B

RGB 215 30 59

HSL 350.59, 0.76%, 0.48%

LAB 46.57, 67.99, 33.39

 

CMYK 0 / 96 / 81 / 8

HEX #EA0A2D

RGB 234 10 45

HSL 350.63, 0.92%, 0.48%

LAB 49.37, 74.93, 45.58

 

CMYK 0 / 60 / 51 / 31

HEX #AF4656

RGB 175 70 86

HSL 350.86, 0.43%, 0.48%

LAB 44.47, 44.24, 12.83

 

CMYK 0 / 42 / 35 / 39

HEX #9B5A64

RGB 155 90 100

HSL 350.77, 0.27%, 0.48%

LAB 45.91, 27.92, 5.88

 

CMYK 0 / 19 / 16 / 47

HEX #876D71

RGB 135 109 113

HSL 350.77, 0.11%, 0.48%

LAB 48.61, 10.96, 1.66

 

CMYK 10 / 0 / 2 / 49

HEX #74817F

RGB 116 129 127

HSL 170.77, 0.05%, 0.48%

LAB 52.89, -5.19, -0.55

 

CMYK 36 / 0 / 5 / 42

HEX #60958D

RGB 96 149 141

HSL 170.94, 0.22%, 0.48%

LAB 57.95, -19.47, -1.37

 

CMYK 0 / 60 / 18 / 31

HEX #AF468F

RGB 175 70 143

HSL 318.29, 0.43%, 0.48%

LAB 46.28, 51.17, -19.29

 

CMYK 0 / 60 / 34 / 31

HEX #AF4673

RGB 175 70 115

HSL 334.29, 0.43%, 0.48%

LAB 45.27, 47.34, -3.84

 

CMYK 0 / 60 / 50 / 31

HEX #AF4657

RGB 175 70 87

HSL 350.29, 0.43%, 0.48%

LAB 44.49, 44.33, 12.25

 

CMYK 0 / 54 / 60 / 31

HEX #AF5046

RGB 175 80 70

HSL 5.71, 0.43%, 0.48%

LAB 46.03, 37.99, 24.59

 

CMYK 0 / 38 / 60 / 31

HEX #AF6C46

RGB 175 108 70

HSL 21.71, 0.43%, 0.48%

LAB 52.15, 22.91, 32.24

 

CMYK 0 / 60 / 51 / 55

HEX #742E39

RGB 116 46 57

HSL 350.57, 0.43%, 0.32%

LAB 29.32, 31.87, 8.72

 

CMYK 0 / 60 / 51 / 43

HEX #923A47

RGB 146 58 71

HSL 351.14, 0.43%, 0.4%

LAB 37.1, 38.31, 11.25

 

CMYK 0 / 60 / 51 / 31

HEX #AF4656

RGB 175 70 86

HSL 350.86, 0.43%, 0.48%

LAB 44.47, 44.24, 12.83

 

CMYK 0 / 50 / 42 / 25

HEX #BF5F6E

RGB 191 95 110

HSL 350.63, 0.43%, 0.56%

LAB 52.27, 39.97, 9.61

 

CMYK 0 / 39 / 33 / 20

HEX #CB7C88

RGB 203 124 136

HSL 350.89, 0.43%, 0.64%

LAB 60.68, 32.17, 6.63

 

CMYK 0 / 60 / 51 / 32

HEX #AE4656

RGB 174 70 86

HSL 350.77, 0.43%, 0.48%

LAB 44.31, 43.89, 12.58

 

CMYK 2 / 0 / 60 / 31

HEX #ACAF46

RGB 172 175 70

HSL 61.71, 0.43%, 0.48%

LAB 69.38, -15, 52.05

 

CMYK 60 / 26 / 0 / 31

HEX #4681AF

RGB 70 129 175

HSL 206.29, 0.43%, 0.48%

LAB 51.95, -5.14, -30.13

 

CMYK 0 / 60 / 51 / 32

HEX #AE4656

RGB 174 70 86

HSL 350.77, 0.43%, 0.48%

LAB 44.31, 43.89, 12.58

 

CMYK 50 / 0 / 60 / 31

HEX #57AF46

RGB 87 175 70

HSL 110.29, 0.43%, 0.48%

LAB 64.26, -46.77, 44.91

 

CMYK 60 / 50 / 0 / 31

HEX #4657AF

RGB 70 87 175

HSL 230.29, 0.43%, 0.48%

LAB 39.94, 20.87, -49.15

 

CMYK 0 / 60 / 51 / 32

HEX #AE4656

RGB 174 70 86

HSL 350.77, 0.43%, 0.48%

LAB 44.31, 43.89, 12.58

 

CMYK 2 / 0 / 60 / 31

HEX #ACAF46

RGB 172 175 70

HSL 61.71, 0.43%, 0.48%

LAB 69.38, -15, 52.05

 

CMYK 60 / 0 / 10 / 31

HEX #46AF9D

RGB 70 175 157

HSL 169.71, 0.43%, 0.48%

LAB 65.28, -34.55, 0.22

 

CMYK 58 / 60 / 0 / 31

HEX #4946AF

RGB 73 70 175

HSL 241.71, 0.43%, 0.48%

LAB 35.78, 32.29, -55.86

 

CMYK 0 / 60 / 51 / 32

HEX #AE4656

RGB 174 70 86

HSL 350.77, 0.43%, 0.48%

LAB 44.31, 43.89, 12.58

 

CMYK 20 / 0 / 60 / 31

HEX #8CAF46

RGB 140 175 70

HSL 80, 0.43%, 0.48%

LAB 67.03, -28.21, 48.8

 

CMYK 60 / 0 / 10 / 31

HEX #46AF9D

RGB 70 175 157

HSL 169.71, 0.43%, 0.48%

LAB 65.28, -34.55, 0.22

 

CMYK 40 / 60 / 0 / 31

HEX #6946AF

RGB 105 70 175

HSL 260, 0.43%, 0.48%

LAB 38.69, 38.93, -51.01

 

Description

Color code: HEX #AE4656 | qconv.com Color code: HEX #AE4656 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 70 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 70 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 51 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 51% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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