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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 70 175 it is the complementary color RGB 150 185 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 70 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 105 70 175: RGB 110 70 170, RGB 127 88 189, RGB 144 106 208, RGB 161 124 227 and RGB 178 142 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 70 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 105 70 175: RGB 105 70 175, RGB 88 52 156, RGB 71 34 137, RGB 54 16 118 and RGB 37 0 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 60 / 0 / 31

HEX #6946AF

RGB 105 70 175

HSL 260, 0.43%, 0.48%

LAB 38.69, 38.93, -51.01

 

Complementary color

CMYK 19 / 0 / 57 / 27

HEX #96B950

RGB 150 185 80

HSL 80, 0.43%, 0.52%

LAB 70.71, -28.18, 48.56

 

CMYK 35 / 59 / 0 / 33

HEX #6E46AA

RGB 110 70 170

HSL 264, 0.42%, 0.47%

LAB 38.89, 38.75, -47.68

 

CMYK 33 / 53 / 0 / 26

HEX #7F58BD

RGB 127 88 189

HSL 263.17, 0.43%, 0.54%

LAB 45.86, 37.67, -47.59

 

CMYK 31 / 49 / 0 / 18

HEX #906AD0

RGB 144 106 208

HSL 262.35, 0.52%, 0.62%

LAB 52.72, 36.65, -47.47

 

CMYK 29 / 45 / 0 / 11

HEX #A17CE3

RGB 161 124 227

HSL 261.55, 0.65%, 0.69%

LAB 59.47, 35.69, -47.37

 

CMYK 28 / 42 / 0 / 4

HEX #B28EF6

RGB 178 142 246

HSL 260.77, 0.85%, 0.76%

LAB 66.11, 34.82, -47.29

 

CMYK 40 / 60 / 0 / 31

HEX #6946AF

RGB 105 70 175

HSL 260, 0.43%, 0.48%

LAB 38.69, 38.93, -51.01

 

CMYK 44 / 67 / 0 / 39

HEX #58349C

RGB 88 52 156

HSL 260.77, 0.5%, 0.41%

LAB 31.65, 40.13, -51.09

 

CMYK 48 / 75 / 0 / 46

HEX #472289

RGB 71 34 137

HSL 261.55, 0.6%, 0.34%

LAB 24.61, 41.19, -50.95

 

CMYK 54 / 86 / 0 / 54

HEX #361076

RGB 54 16 118

HSL 262.35, 0.76%, 0.26%

LAB 17.75, 41.58, -50.24

 

CMYK 63 / 100 / 0 / 61

HEX #250063

RGB 37 0 99

HSL 262.42, 1%, 0.19%

LAB 11.23, 40.89, -48.65

 

CMYK 40 / 60 / 0 / 31

HEX #6946AF

RGB 105 70 175

HSL 260, 0.43%, 0.48%

LAB 38.69, 38.93, -51.01

 

CMYK 30 / 61 / 0 / 31

HEX #7A45AF

RGB 122 69 175

HSL 270, 0.43%, 0.48%

LAB 40.39, 43.49, -48.17

 

CMYK 21 / 61 / 0 / 31

HEX #8B45AF

RGB 139 69 175

HSL 279.62, 0.43%, 0.48%

LAB 42.52, 47.67, -44.64

 

CMYK 10 / 61 / 0 / 31

HEX #9D45AF

RGB 157 69 175

HSL 289.81, 0.43%, 0.48%

LAB 44.97, 52.22, -40.59

 

CMYK 0 / 61 / 0 / 31

HEX #AF45AF

RGB 175 69 175

HSL 300, 0.43%, 0.48%

LAB 47.58, 56.83, -36.3

 

CMYK 40 / 60 / 0 / 31

HEX #6946AF

RGB 105 70 175

HSL 260, 0.43%, 0.48%

LAB 38.69, 38.93, -51.01

 

CMYK 40 / 60 / 0 / 11

HEX #885AE2

RGB 136 90 226

HSL 260.29, 0.7%, 0.62%

LAB 49.54, 48.34, -62.82

 

CMYK 41 / 59 / 0 / 91

HEX #0D0916

RGB 13 9 22

HSL 258.46, 0.42%, 0.06%

LAB 3.06, 3.54, -6.21

 

CMYK 40 / 60 / 0 / 71

HEX #2C1D49

RGB 44 29 73

HSL 260.45, 0.43%, 0.2%

LAB 14.93, 18.89, -24.95

 

CMYK 40 / 60 / 0 / 51

HEX #4A327C

RGB 74 50 124

HSL 259.46, 0.43%, 0.34%

LAB 27.28, 28.9, -38.45

 

CMYK 40 / 60 / 0 / 31

HEX #6946AF

RGB 105 70 175

HSL 260, 0.43%, 0.48%

LAB 38.69, 38.93, -51.01

 

CMYK 0 / 61 / 33 / 31

HEX #AF4576

RGB 175 69 118

HSL 332.26, 0.43%, 0.48%

LAB 45.19, 48.18, -5.78

 

CMYK 57 / 0 / 61 / 31

HEX #4CAF45

RGB 76 175 69

HSL 116.04, 0.43%, 0.48%

LAB 63.86, -49.9, 44.8

 

CMYK 40 / 60 / 0 / 31

HEX #6946AF

RGB 105 70 175

HSL 260, 0.43%, 0.48%

LAB 38.69, 38.93, -51.01

 

CMYK 0 / 41 / 61 / 31

HEX #AF6845

RGB 175 104 69

HSL 19.81, 0.43%, 0.48%

LAB 51.2, 25.06, 31.63

 

CMYK 61 / 0 / 41 / 31

HEX #45AF68

RGB 69 175 104

HSL 139.81, 0.43%, 0.48%

LAB 64.1, -46.47, 27.56

 

CMYK 40 / 60 / 0 / 31

HEX #6946AF

RGB 105 70 175

HSL 260, 0.43%, 0.48%

LAB 38.69, 38.93, -51.01

 

CMYK 0 / 61 / 33 / 31

HEX #AF4576

RGB 175 69 118

HSL 332.26, 0.43%, 0.48%

LAB 45.19, 48.18, -5.78

 

CMYK 21 / 0 / 61 / 31

HEX #8BAF45

RGB 139 175 69

HSL 80.38, 0.43%, 0.48%

LAB 66.96, -28.69, 49.14

 

CMYK 61 / 0 / 29 / 31

HEX #45AF7D

RGB 69 175 125

HSL 151.7, 0.43%, 0.48%

LAB 64.49, -42.35, 16.77

 

CMYK 40 / 60 / 0 / 31

HEX #6946AF

RGB 105 70 175

HSL 260, 0.43%, 0.48%

LAB 38.69, 38.93, -51.01

 

CMYK 0 / 61 / 50 / 31

HEX #AF4557

RGB 175 69 87

HSL 349.81, 0.43%, 0.48%

LAB 44.32, 44.8, 12

 

CMYK 21 / 0 / 61 / 31

HEX #8BAF45

RGB 139 175 69

HSL 80.38, 0.43%, 0.48%

LAB 66.96, -28.69, 49.14

 

CMYK 61 / 0 / 10 / 31

HEX #45AF9D

RGB 69 175 157

HSL 169.81, 0.43%, 0.48%

LAB 65.25, -34.74, 0.17

 

Description

Color code: RGB 105 70 175 | qconv.com Color code: RGB 105 70 175 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 70 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 70 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 60 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 60% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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