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Color name
HEX #AE4516

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE4516 it is the complementary color #51BAE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE4516. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE4516 shade: #B34511, #C45724, #D56937, #E67B4A and #F78D5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE4516. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE4516 shade: #AE4516, #9D3303, #8C2100, #7B0F00 and #6A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE4516 shade: #AC4415, #AC1B15 and #AC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE4516 shade: #AC4415, #AC6D15, #AC9615, #9BAC15 and #72AC15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE4516 shade matches the following richer shades: #AC4415 and #BC3E06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE4516 shade: #AC4415, #9D4A25, #8D5035, #7D5644 and #6E5C54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE4516 shade: #AC1539, #AC1A15, #AC4315, #AC6B15 and #AC9315

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE4516 shade: #63270C, #883611, #AC4415, #D1531A and #E5672F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE4516 shade: #AE4516, #61AC15 and #1524AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE4516 shade: #AE4516, #15AC43 and #4315AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE4516 shade: #AE4516, #61AC15, #157FAC and #6115AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE4516 shade: #AE4516, #34AC15, #157FAC and #8E15AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 87 / 32

HEX #AE4516

RGB 174 69 22

HSL 18.55, 0.78%, 0.38%

LAB 43.23, 40.74, 46.92

 

Complementary color

CMYK 65 / 20 / 0 / 9

HEX #51BAE9

RGB 81 186 233

HSL 198.55, 0.78%, 0.62%

LAB 71.39, -16.04, -32.37

 

CMYK 0 / 61 / 91 / 30

HEX #B34511

RGB 179 69 17

HSL 19.26, 0.83%, 0.38%

LAB 44.06, 42.52, 49.81

 

CMYK 0 / 56 / 82 / 23

HEX #C45724

RGB 196 87 36

HSL 19.13, 0.69%, 0.45%

LAB 50.31, 40.79, 48.52

 

CMYK 0 / 51 / 74 / 16

HEX #D56937

RGB 213 105 55

HSL 18.99, 0.65%, 0.53%

LAB 56.61, 39.09, 46.63

 

CMYK 0 / 47 / 68 / 10

HEX #E67B4A

RGB 230 123 74

HSL 18.85, 0.76%, 0.6%

LAB 62.91, 37.5, 44.64

 

CMYK 0 / 43 / 62 / 3

HEX #F78D5D

RGB 247 141 93

HSL 18.7, 0.91%, 0.67%

LAB 69.19, 36.03, 42.74

 

CMYK 0 / 60 / 87 / 32

HEX #AE4516

RGB 174 69 22

HSL 18.55, 0.78%, 0.38%

LAB 43.23, 40.74, 46.92

 

CMYK 0 / 68 / 98 / 38

HEX #9D3303

RGB 157 51 3

HSL 18.7, 0.96%, 0.31%

LAB 37.01, 42.35, 47.74

 

CMYK 0 / 76 / 100 / 45

HEX #8C2100

RGB 140 33 0

HSL 14.14, 1%, 0.27%

LAB 31.03, 43.58, 43.66

 

CMYK 0 / 88 / 100 / 52

HEX #7B0F00

RGB 123 15 0

HSL 7.32, 1%, 0.24%

LAB 25.42, 43.64, 37.55

 

CMYK 0 / 100 / 100 / 58

HEX #6A0000

RGB 106 0 0

HSL 0, 1%, 0.21%

LAB 20.3, 42, 31.02

 

CMYK 0 / 60 / 88 / 33

HEX #AC4415

RGB 172 68 21

HSL 18.68, 0.78%, 0.38%

LAB 42.7, 40.43, 46.75

 

CMYK 0 / 84 / 88 / 33

HEX #AC1B15

RGB 172 27 21

HSL 2.38, 0.78%, 0.38%

LAB 37.13, 55.66, 42.22

 

CMYK 0 / 88 / 88 / 33

HEX #AC1515

RGB 172 21 21

HSL 0, 0.78%, 0.38%

LAB 36.67, 56.97, 41.84

 

CMYK 0 / 60 / 88 / 33

HEX #AC4415

RGB 172 68 21

HSL 18.68, 0.78%, 0.38%

LAB 42.7, 40.43, 46.75

 

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

CMYK 0 / 13 / 88 / 33

HEX #AC9615

RGB 172 150 21

HSL 51.26, 0.78%, 0.38%

LAB 62.2, -4.16, 62.53

 

CMYK 10 / 0 / 88 / 33

HEX #9BAC15

RGB 155 172 21

HSL 66.75, 0.78%, 0.38%

LAB 66.92, -23.13, 65.76

 

CMYK 34 / 0 / 88 / 33

HEX #72AC15

RGB 114 172 21

HSL 83.05, 0.78%, 0.38%

LAB 64.27, -39.81, 62.48

 

CMYK 0 / 60 / 88 / 33

HEX #AC4415

RGB 172 68 21

HSL 18.68, 0.78%, 0.38%

LAB 42.7, 40.43, 46.75

 

CMYK 0 / 67 / 97 / 26

HEX #BC3E06

RGB 188 62 6

HSL 18.46, 0.94%, 0.38%

LAB 44.45, 48.73, 54.06

 

CMYK 0 / 60 / 88 / 33

HEX #AC4415

RGB 172 68 21

HSL 18.68, 0.78%, 0.38%

LAB 42.7, 40.43, 46.75

 

CMYK 0 / 53 / 76 / 38

HEX #9D4A25

RGB 157 74 37

HSL 18.5, 0.62%, 0.38%

LAB 41.53, 32, 37.31

 

CMYK 0 / 43 / 62 / 45

HEX #8D5035

RGB 141 80 53

HSL 18.41, 0.45%, 0.38%

LAB 40.67, 22.89, 26.78

 

CMYK 0 / 31 / 46 / 51

HEX #7D5644

RGB 125 86 68

HSL 18.95, 0.3%, 0.38%

LAB 40.3, 13.8, 16.95

 

CMYK 0 / 16 / 24 / 57

HEX #6E5C54

RGB 110 92 84

HSL 18.46, 0.13%, 0.38%

LAB 40.59, 5.92, 7.32

 

CMYK 0 / 88 / 67 / 33

HEX #AC1539

RGB 172 21 57

HSL 345.7, 0.78%, 0.38%

LAB 37.12, 58.28, 21.06

 

CMYK 0 / 85 / 88 / 33

HEX #AC1A15

RGB 172 26 21

HSL 1.99, 0.78%, 0.38%

LAB 37.05, 55.89, 42.15

 

CMYK 0 / 61 / 88 / 33

HEX #AC4315

RGB 172 67 21

HSL 18.28, 0.78%, 0.38%

LAB 42.52, 40.91, 46.6

 

CMYK 0 / 38 / 88 / 33

HEX #AC6B15

RGB 172 107 21

HSL 34.17, 0.78%, 0.38%

LAB 51.08, 19.72, 53.55

 

CMYK 0 / 15 / 88 / 33

HEX #AC9315

RGB 172 147 21

HSL 50.07, 0.78%, 0.38%

LAB 61.39, -2.54, 61.87

 

CMYK 0 / 61 / 88 / 61

HEX #63270C

RGB 99 39 12

HSL 18.62, 0.78%, 0.22%

LAB 24.1, 25.56, 29.65

 

CMYK 0 / 60 / 88 / 47

HEX #883611

RGB 136 54 17

HSL 18.66, 0.78%, 0.3%

LAB 33.8, 33.17, 38.48

 

CMYK 0 / 60 / 88 / 33

HEX #AC4415

RGB 172 68 21

HSL 18.68, 0.78%, 0.38%

LAB 42.7, 40.43, 46.75

 

CMYK 0 / 60 / 88 / 18

HEX #D1531A

RGB 209 83 26

HSL 18.69, 0.78%, 0.46%

LAB 51.63, 47.31, 54.6

 

CMYK 0 / 55 / 79 / 10

HEX #E5672F

RGB 229 103 47

HSL 18.46, 0.78%, 0.54%

LAB 58.57, 45.88, 53.18

 

CMYK 0 / 60 / 87 / 32

HEX #AE4516

RGB 174 69 22

HSL 18.55, 0.78%, 0.38%

LAB 43.23, 40.74, 46.92

 

CMYK 44 / 0 / 88 / 33

HEX #61AC15

RGB 97 172 21

HSL 89.8, 0.78%, 0.38%

LAB 63.43, -45.86, 61.43

 

CMYK 88 / 79 / 0 / 33

HEX #1524AC

RGB 21 36 172

HSL 234.04, 0.78%, 0.38%

LAB 24.95, 46.08, -71.96

 

CMYK 0 / 60 / 87 / 32

HEX #AE4516

RGB 174 69 22

HSL 18.55, 0.78%, 0.38%

LAB 43.23, 40.74, 46.92

 

CMYK 88 / 0 / 61 / 33

HEX #15AC43

RGB 21 172 67

HSL 138.28, 0.78%, 0.38%

LAB 61.71, -58.47, 42.96

 

CMYK 61 / 88 / 0 / 33

HEX #4315AC

RGB 67 21 172

HSL 258.28, 0.78%, 0.38%

LAB 25.89, 55.73, -70.31

 

CMYK 0 / 60 / 87 / 32

HEX #AE4516

RGB 174 69 22

HSL 18.55, 0.78%, 0.38%

LAB 43.23, 40.74, 46.92

 

CMYK 44 / 0 / 88 / 33

HEX #61AC15

RGB 97 172 21

HSL 89.8, 0.78%, 0.38%

LAB 63.43, -45.86, 61.43

 

CMYK 88 / 26 / 0 / 33

HEX #157FAC

RGB 21 127 172

HSL 197.88, 0.78%, 0.38%

LAB 49.88, -11.7, -31.72

 

CMYK 44 / 88 / 0 / 33

HEX #6115AC

RGB 97 21 172

HSL 270.2, 0.78%, 0.38%

LAB 29.55, 58.89, -64.14

 

CMYK 0 / 60 / 87 / 32

HEX #AE4516

RGB 174 69 22

HSL 18.55, 0.78%, 0.38%

LAB 43.23, 40.74, 46.92

 

CMYK 70 / 0 / 88 / 33

HEX #34AC15

RGB 52 172 21

HSL 107.68, 0.78%, 0.38%

LAB 61.9, -57.97, 59.51

 

CMYK 88 / 26 / 0 / 33

HEX #157FAC

RGB 21 127 172

HSL 197.88, 0.78%, 0.38%

LAB 49.88, -11.7, -31.72

 

CMYK 17 / 88 / 0 / 33

HEX #8E15AC

RGB 142 21 172

HSL 288.08, 0.78%, 0.38%

LAB 36.49, 65.43, -52.53

 

Description

Color code: HEX #AE4516 | qconv.com Color code: HEX #AE4516 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 69 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 69 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 87 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 87% 32% C M Y K

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Provide designers and agencies with accurate color values.

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