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Color name
HEX #AC6D15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6D15 it is the complementary color #5392EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6D15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6D15 shade: #B16D10, #C27F23, #D39136, #E4A349 and #F5B55C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6D15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6D15 shade: #AC6D15, #9B5B02, #8A4900, #793700 and #682500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6D15 shade: #AC6D15, #AC4515, #AC1C15 and #AC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6D15 shade: #AC6D15, #AC9615, #9AAC15, #71AC15 and #48AC15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6D15 shade matches the following richer shades: #AC6D15 and #BC7006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6D15 shade: #AC6D15, #9D6B25, #8D6835, #7D6644 and #6E6354

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6D15 shade: #AC1A15, #AC4315, #AC6B15, #AC9315 and #9DAC15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6D15 shade: #633F0C, #885611, #AC6D15, #D1851A and #E5992F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6D15 shade: #AC6D15, #39AC15 and #2F15AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6D15 shade: #AC6D15, #15AC6B and #6B15AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6D15 shade: #AC6D15, #39AC15, #1557AC and #8915AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6D15 shade: #AC6D15, #15AC1F, #1557AC and #AC15A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

Complementary color

CMYK 65 / 38 / 0 / 8

HEX #5392EA

RGB 83 146 234

HSL 214.97, 0.78%, 0.62%

LAB 60.19, 7.02, -50.45

 

CMYK 0 / 38 / 91 / 31

HEX #B16D10

RGB 177 109 16

HSL 34.66, 0.83%, 0.38%

LAB 52.2, 20.72, 56.1

 

CMYK 0 / 35 / 82 / 24

HEX #C27F23

RGB 194 127 35

HSL 34.72, 0.69%, 0.45%

LAB 58.76, 18.72, 56.48

 

CMYK 0 / 31 / 74 / 17

HEX #D39136

RGB 211 145 54

HSL 34.78, 0.64%, 0.52%

LAB 65.25, 17, 55.84

 

CMYK 0 / 29 / 68 / 11

HEX #E4A349

RGB 228 163 73

HSL 34.84, 0.74%, 0.59%

LAB 71.67, 15.51, 54.75

 

CMYK 0 / 26 / 62 / 4

HEX #F5B55C

RGB 245 181 92

HSL 34.9, 0.88%, 0.66%

LAB 78.01, 14.22, 53.47

 

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

CMYK 0 / 41 / 99 / 39

HEX #9B5B02

RGB 155 91 2

HSL 34.9, 0.97%, 0.31%

LAB 44.88, 20.79, 52.75

 

CMYK 0 / 47 / 100 / 46

HEX #8A4900

RGB 138 73 0

HSL 31.74, 1%, 0.27%

LAB 38.14, 23.34, 47.82

 

CMYK 0 / 55 / 100 / 53

HEX #793700

RGB 121 55 0

HSL 27.27, 1%, 0.24%

LAB 31.34, 25.94, 42.24

 

CMYK 0 / 64 / 100 / 59

HEX #682500

RGB 104 37 0

HSL 21.35, 1%, 0.2%

LAB 24.53, 28.39, 35.32

 

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

CMYK 0 / 60 / 88 / 33

HEX #AC4515

RGB 172 69 21

HSL 19.07, 0.78%, 0.38%

LAB 42.89, 39.95, 46.9

 

CMYK 0 / 84 / 88 / 33

HEX #AC1C15

RGB 172 28 21

HSL 2.78, 0.78%, 0.38%

LAB 37.22, 55.41, 42.29

 

CMYK 0 / 88 / 88 / 33

HEX #AC1515

RGB 172 21 21

HSL 0, 0.78%, 0.38%

LAB 36.67, 56.97, 41.84

 

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

CMYK 0 / 13 / 88 / 33

HEX #AC9615

RGB 172 150 21

HSL 51.26, 0.78%, 0.38%

LAB 62.2, -4.16, 62.53

 

CMYK 10 / 0 / 88 / 33

HEX #9AAC15

RGB 154 172 21

HSL 67.15, 0.78%, 0.38%

LAB 66.85, -23.56, 65.67

 

CMYK 34 / 0 / 88 / 33

HEX #71AC15

RGB 113 172 21

HSL 83.44, 0.78%, 0.38%

LAB 64.22, -40.18, 62.41

 

CMYK 58 / 0 / 88 / 33

HEX #48AC15

RGB 72 172 21

HSL 99.74, 0.78%, 0.38%

LAB 62.45, -53.39, 60.21

 

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

CMYK 0 / 40 / 97 / 26

HEX #BC7006

RGB 188 112 6

HSL 34.95, 0.94%, 0.38%

LAB 54.34, 23.74, 60.36

 

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

CMYK 0 / 32 / 76 / 38

HEX #9D6B25

RGB 157 107 37

HSL 35, 0.62%, 0.38%

LAB 49.27, 13.53, 45.17

 

CMYK 0 / 26 / 62 / 45

HEX #8D6835

RGB 141 104 53

HSL 34.77, 0.45%, 0.38%

LAB 46.74, 8.94, 34.02

 

CMYK 0 / 18 / 46 / 51

HEX #7D6644

RGB 125 102 68

HSL 35.79, 0.3%, 0.38%

LAB 44.63, 4.29, 22.65

 

CMYK 0 / 10 / 24 / 57

HEX #6E6354

RGB 110 99 84

HSL 34.62, 0.13%, 0.38%

LAB 42.58, 1.72, 10.12

 

CMYK 0 / 85 / 88 / 33

HEX #AC1A15

RGB 172 26 21

HSL 1.99, 0.78%, 0.38%

LAB 37.05, 55.89, 42.15

 

CMYK 0 / 61 / 88 / 33

HEX #AC4315

RGB 172 67 21

HSL 18.28, 0.78%, 0.38%

LAB 42.52, 40.91, 46.6

 

CMYK 0 / 38 / 88 / 33

HEX #AC6B15

RGB 172 107 21

HSL 34.17, 0.78%, 0.38%

LAB 51.08, 19.72, 53.55

 

CMYK 0 / 15 / 88 / 33

HEX #AC9315

RGB 172 147 21

HSL 50.07, 0.78%, 0.38%

LAB 61.39, -2.54, 61.87

 

CMYK 9 / 0 / 88 / 33

HEX #9DAC15

RGB 157 172 21

HSL 65.96, 0.78%, 0.38%

LAB 67.07, -22.27, 65.95

 

CMYK 0 / 36 / 88 / 61

HEX #633F0C

RGB 99 63 12

HSL 35.17, 0.78%, 0.22%

LAB 30, 11.22, 35.01

 

CMYK 0 / 37 / 88 / 47

HEX #885611

RGB 136 86 17

HSL 34.79, 0.78%, 0.3%

LAB 41.11, 15.26, 44.68

 

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

CMYK 0 / 36 / 88 / 18

HEX #D1851A

RGB 209 133 26

HSL 35.08, 0.78%, 0.46%

LAB 62, 21.72, 62.83

 

CMYK 0 / 33 / 79 / 10

HEX #E5992F

RGB 229 153 47

HSL 34.95, 0.78%, 0.54%

LAB 69.22, 20.11, 63.12

 

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

CMYK 67 / 0 / 88 / 33

HEX #39AC15

RGB 57 172 21

HSL 105.7, 0.78%, 0.38%

LAB 62.02, -56.96, 59.66

 

CMYK 73 / 88 / 0 / 33

HEX #2F15AC

RGB 47 21 172

HSL 250.33, 0.78%, 0.38%

LAB 24.06, 54.26, -73.4

 

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

CMYK 88 / 0 / 38 / 33

HEX #15AC6B

RGB 21 172 107

HSL 154.17, 0.78%, 0.38%

LAB 62.28, -51.78, 23.38

 

CMYK 38 / 88 / 0 / 33

HEX #6B15AC

RGB 107 21 172

HSL 274.17, 0.78%, 0.38%

LAB 30.97, 60.18, -61.75

 

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

CMYK 67 / 0 / 88 / 33

HEX #39AC15

RGB 57 172 21

HSL 105.7, 0.78%, 0.38%

LAB 62.02, -56.96, 59.66

 

CMYK 88 / 49 / 0 / 33

HEX #1557AC

RGB 21 87 172

HSL 213.77, 0.78%, 0.38%

LAB 37.76, 13.14, -50.98

 

CMYK 20 / 88 / 0 / 33

HEX #8915AC

RGB 137 21 172

HSL 286.09, 0.78%, 0.38%

LAB 35.66, 64.62, -53.91

 

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

CMYK 88 / 0 / 82 / 33

HEX #15AC1F

RGB 21 172 31

HSL 123.97, 0.78%, 0.38%

LAB 61.45, -61.79, 56.45

 

CMYK 88 / 49 / 0 / 33

HEX #1557AC

RGB 21 87 172

HSL 213.77, 0.78%, 0.38%

LAB 37.76, 13.14, -50.98

 

CMYK 0 / 88 / 6 / 33

HEX #AC15A2

RGB 172 21 162

HSL 303.97, 0.78%, 0.38%

LAB 41.08, 69.12, -38.88

 

Description

Color code: HEX #AC6D15 | qconv.com Color code: HEX #AC6D15 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 109 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 109 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 88 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 88% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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