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Color name
HEX #AE16A1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE16A1 it is the complementary color #51E95E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE16A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE16A1 shade: #B3169C, #C428AF, #D53AC2, #E64CD5 and #F75EE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE16A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE16A1 shade: #AE16A1, #9D048E, #8C007B, #7B0068 and #6A0055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE16A1 shade: #AC15A0, #AC1577, #AC154E, #AC1525 and #AC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE16A1 shade: #AC15A0, #9115AC, #6815AC, #3F15AC and #1615AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE16A1 shade matches the following richer shades: #AC15A0 and #BC06AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE16A1 shade: #AC15A0, #9D2593, #8D3586, #7D4479 and #6E546C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE16A1 shade: #6815AC, #9115AC, #AC15A0, #AC1578 and #AC154F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE16A1 shade: #630C5C, #88117E, #AC15A0, #D11AC2 and #E52FD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE16A1 shade: #AE16A1, #AC4015 and #15AC7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE16A1 shade: #AE16A1, #A0AC15 and #15A0AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE16A1 shade: #AE16A1, #AC4015, #15AC22 and #1582AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE16A1 shade: #AE16A1, #AC6D15, #15AC22 and #1554AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 7 / 32

HEX #AE16A1

RGB 174 22 161

HSL 305.13, 0.78%, 0.38%

LAB 41.45, 69.18, -37.68

 

Complementary color

CMYK 65 / 0 / 60 / 9

HEX #51E95E

RGB 81 233 94

HSL 125.13, 0.78%, 0.62%

LAB 82.29, -66.82, 54.82

 

CMYK 0 / 88 / 13 / 30

HEX #B3169C

RGB 179 22 156

HSL 308.79, 0.78%, 0.39%

LAB 42.09, 69.45, -33.6

 

CMYK 0 / 80 / 11 / 23

HEX #C428AF

RGB 196 40 175

HSL 308.08, 0.66%, 0.46%

LAB 47.43, 71.74, -36.3

 

CMYK 0 / 73 / 9 / 16

HEX #D53AC2

RGB 213 58 194

HSL 307.35, 0.65%, 0.53%

LAB 53.02, 73.05, -38.39

 

CMYK 0 / 67 / 7 / 10

HEX #E64CD5

RGB 230 76 213

HSL 306.62, 0.75%, 0.6%

LAB 58.79, 73.68, -40.01

 

CMYK 0 / 62 / 6 / 3

HEX #F75EE8

RGB 247 94 232

HSL 305.88, 0.91%, 0.67%

LAB 64.65, 73.84, -41.29

 

CMYK 0 / 87 / 7 / 32

HEX #AE16A1

RGB 174 22 161

HSL 305.13, 0.78%, 0.38%

LAB 41.45, 69.18, -37.68

 

CMYK 0 / 97 / 10 / 38

HEX #9D048E

RGB 157 4 142

HSL 305.88, 0.95%, 0.32%

LAB 36.38, 65.7, -34.36

 

CMYK 0 / 100 / 12 / 45

HEX #8C007B

RGB 140 0 123

HSL 307.29, 1%, 0.27%

LAB 31.82, 60.37, -29.96

 

CMYK 0 / 100 / 15 / 52

HEX #7B0068

RGB 123 0 104

HSL 309.27, 1%, 0.24%

LAB 27.33, 54.43, -25.13

 

CMYK 0 / 100 / 20 / 58

HEX #6A0055

RGB 106 0 85

HSL 311.89, 1%, 0.21%

LAB 22.72, 48.34, -20.07

 

CMYK 0 / 88 / 7 / 33

HEX #AC15A0

RGB 172 21 160

HSL 304.77, 0.78%, 0.38%

LAB 40.97, 68.83, -37.86

 

CMYK 0 / 88 / 31 / 33

HEX #AC1577

RGB 172 21 119

HSL 321.06, 0.78%, 0.38%

LAB 38.97, 63.47, -15.84

 

CMYK 0 / 88 / 55 / 33

HEX #AC154E

RGB 172 21 78

HSL 337.35, 0.78%, 0.38%

LAB 37.58, 59.61, 8.18

 

CMYK 0 / 88 / 78 / 33

HEX #AC1525

RGB 172 21 37

HSL 353.64, 0.78%, 0.38%

LAB 36.82, 57.4, 33.15

 

CMYK 0 / 88 / 88 / 33

HEX #AC1515

RGB 172 21 21

HSL 0, 0.78%, 0.38%

LAB 36.67, 56.97, 41.84

 

CMYK 0 / 88 / 7 / 33

HEX #AC15A0

RGB 172 21 160

HSL 304.77, 0.78%, 0.38%

LAB 40.97, 68.83, -37.86

 

CMYK 16 / 88 / 0 / 33

HEX #9115AC

RGB 145 21 172

HSL 289.27, 0.78%, 0.38%

LAB 36.99, 65.93, -51.69

 

CMYK 40 / 88 / 0 / 33

HEX #6815AC

RGB 104 21 172

HSL 272.98, 0.78%, 0.38%

LAB 30.54, 59.78, -62.48

 

CMYK 63 / 88 / 0 / 33

HEX #3F15AC

RGB 63 21 172

HSL 256.69, 0.78%, 0.38%

LAB 25.48, 55.39, -71

 

CMYK 87 / 88 / 0 / 33

HEX #1615AC

RGB 22 21 172

HSL 240.4, 0.78%, 0.38%

LAB 22.6, 53.14, -75.86

 

CMYK 0 / 88 / 7 / 33

HEX #AC15A0

RGB 172 21 160

HSL 304.77, 0.78%, 0.38%

LAB 40.97, 68.83, -37.86

 

CMYK 0 / 97 / 8 / 26

HEX #BC06AD

RGB 188 6 173

HSL 304.95, 0.94%, 0.38%

LAB 44, 75.44, -40.64

 

CMYK 0 / 88 / 7 / 33

HEX #AC15A0

RGB 172 21 160

HSL 304.77, 0.78%, 0.38%

LAB 40.97, 68.83, -37.86

 

CMYK 0 / 76 / 6 / 38

HEX #9D2593

RGB 157 37 147

HSL 305, 0.62%, 0.38%

LAB 38.89, 59.95, -33.45

 

CMYK 0 / 62 / 5 / 45

HEX #8D3586

RGB 141 53 134

HSL 304.77, 0.45%, 0.38%

LAB 37.72, 47.73, -27.52

 

CMYK 0 / 46 / 3 / 51

HEX #7D4479

RGB 125 68 121

HSL 304.21, 0.3%, 0.38%

LAB 37.62, 32.8, -19.82

 

CMYK 0 / 24 / 2 / 57

HEX #6E546C

RGB 110 84 108

HSL 304.62, 0.13%, 0.38%

LAB 39.14, 15.3, -9.62

 

CMYK 40 / 88 / 0 / 33

HEX #6815AC

RGB 104 21 172

HSL 272.98, 0.78%, 0.38%

LAB 30.54, 59.78, -62.48

 

CMYK 16 / 88 / 0 / 33

HEX #9115AC

RGB 145 21 172

HSL 289.27, 0.78%, 0.38%

LAB 36.99, 65.93, -51.69

 

CMYK 0 / 88 / 7 / 33

HEX #AC15A0

RGB 172 21 160

HSL 304.77, 0.78%, 0.38%

LAB 40.97, 68.83, -37.86

 

CMYK 0 / 88 / 30 / 33

HEX #AC1578

RGB 172 21 120

HSL 320.66, 0.78%, 0.38%

LAB 39.01, 63.59, -16.41

 

CMYK 0 / 88 / 54 / 33

HEX #AC154F

RGB 172 21 79

HSL 336.95, 0.78%, 0.38%

LAB 37.61, 59.69, 7.57

 

CMYK 0 / 88 / 7 / 61

HEX #630C5C

RGB 99 12 92

HSL 304.83, 0.78%, 0.22%

LAB 22.61, 45.21, -25.02

 

CMYK 0 / 88 / 7 / 47

HEX #88117E

RGB 136 17 126

HSL 305.04, 0.78%, 0.3%

LAB 32.13, 57.37, -31.41

 

CMYK 0 / 88 / 7 / 33

HEX #AC15A0

RGB 172 21 160

HSL 304.77, 0.78%, 0.38%

LAB 40.97, 68.83, -37.86

 

CMYK 0 / 88 / 7 / 18

HEX #D11AC2

RGB 209 26 194

HSL 304.92, 0.78%, 0.46%

LAB 49.72, 79.81, -43.64

 

CMYK 0 / 79 / 7 / 10

HEX #E52FD6

RGB 229 47 214

HSL 304.95, 0.78%, 0.54%

LAB 55.63, 82.29, -45.56

 

CMYK 0 / 87 / 7 / 32

HEX #AE16A1

RGB 174 22 161

HSL 305.13, 0.78%, 0.38%

LAB 41.45, 69.18, -37.68

 

CMYK 0 / 63 / 88 / 33

HEX #AC4015

RGB 172 64 21

HSL 17.09, 0.78%, 0.38%

LAB 41.99, 42.32, 46.17

 

CMYK 88 / 0 / 27 / 33

HEX #15AC7D

RGB 21 172 125

HSL 161.32, 0.78%, 0.38%

LAB 62.63, -47.79, 14.05

 

CMYK 0 / 87 / 7 / 32

HEX #AE16A1

RGB 174 22 161

HSL 305.13, 0.78%, 0.38%

LAB 41.45, 69.18, -37.68

 

CMYK 7 / 0 / 88 / 33

HEX #A0AC15

RGB 160 172 21

HSL 64.77, 0.78%, 0.38%

LAB 67.3, -20.97, 66.23

 

CMYK 88 / 7 / 0 / 33

HEX #15A0AC

RGB 21 160 172

HSL 184.77, 0.78%, 0.38%

LAB 60.14, -29.19, -15.93

 

CMYK 0 / 87 / 7 / 32

HEX #AE16A1

RGB 174 22 161

HSL 305.13, 0.78%, 0.38%

LAB 41.45, 69.18, -37.68

 

CMYK 0 / 63 / 88 / 33

HEX #AC4015

RGB 172 64 21

HSL 17.09, 0.78%, 0.38%

LAB 41.99, 42.32, 46.17

 

CMYK 88 / 0 / 80 / 33

HEX #15AC22

RGB 21 172 34

HSL 125.17, 0.78%, 0.38%

LAB 61.46, -61.61, 55.58

 

CMYK 88 / 24 / 0 / 33

HEX #1582AC

RGB 21 130 172

HSL 196.69, 0.78%, 0.38%

LAB 50.81, -13.4, -30.27

 

CMYK 0 / 87 / 7 / 32

HEX #AE16A1

RGB 174 22 161

HSL 305.13, 0.78%, 0.38%

LAB 41.45, 69.18, -37.68

 

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

CMYK 88 / 0 / 80 / 33

HEX #15AC22

RGB 21 172 34

HSL 125.17, 0.78%, 0.38%

LAB 61.46, -61.61, 55.58

 

CMYK 88 / 51 / 0 / 33

HEX #1554AC

RGB 21 84 172

HSL 214.97, 0.78%, 0.38%

LAB 36.89, 15.14, -52.39

 

Description

Color code: HEX #AE16A1 | qconv.com Color code: HEX #AE16A1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 22 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 22 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 7 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 7% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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