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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADDF8C it is the complementary color #522073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADDF8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADDF8C shade: #B2DF87, #C3F19A, #D4FFAD, #E5FFC0 and #F6FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADDF8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADDF8C shade: #ADDF8C, #9CCD79, #8BBB66, #7AA953 and #699740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADDF8C shade: #ADDE8C, #C3DE8C, #D9DE8C, #DECD8C and #DEB78C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADDF8C shade: #ADDE8C, #96DE8C, #8CDE97, #8CDEAE and #8CDEC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADDF8C shade matches the following richer shades: #ADDE8C, #AAEA80 and #A8F674

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADDF8C shade: #ADDE8C, #AFD298, #B1C7A4, #B4BBB0 and #B6AFBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADDF8C shade: #D9DE8C, #C3DE8C, #ADDE8C, #97DE8C and #8CDE97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADDF8C shade: #7FCC4B, #96D56B, #ADDE8C, #C4E8AC and #DBF1CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADDF8C shade: #ADDF8C, #8CDECE and #DE8CCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADDF8C shade: #ADDF8C, #8CADDE and #DE8CAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADDF8C shade: #ADDF8C, #8CDECE, #BD8CDE and #DE8C9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADDF8C shade: #ADDF8C, #8CD6DE, #BD8CDE and #DE948C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 37 / 13

HEX #ADDF8C

RGB 173 223 140

HSL 96.14, 0.56%, 0.71%

LAB 83.73, -30.73, 35.57

 

Complementary color

CMYK 29 / 72 / 0 / 55

HEX #522073

RGB 82 32 115

HSL 276.14, 0.56%, 0.29%

LAB 23.88, 38.57, -38.14

 

CMYK 20 / 0 / 39 / 13

HEX #B2DF87

RGB 178 223 135

HSL 90.68, 0.58%, 0.7%

LAB 83.96, -29.62, 38.43

 

CMYK 19 / 0 / 36 / 5

HEX #C3F19A

RGB 195 241 154

HSL 91.72, 0.76%, 0.77%

LAB 90.25, -29.55, 37.31

 

CMYK 17 / 0 / 32 / 0

HEX #D4FFAD

RGB 212 255 173

HSL 91.46, 1%, 0.84%

LAB 95.39, -27.6, 34.81

 

CMYK 10 / 0 / 25 / 0

HEX #E5FFC0

RGB 229 255 192

HSL 84.76, 1%, 0.88%

LAB 96.81, -18.97, 27.38

 

CMYK 4 / 0 / 17 / 0

HEX #F6FFD3

RGB 246 255 211

HSL 72.27, 1%, 0.91%

LAB 98.36, -10.22, 20.06

 

CMYK 22 / 0 / 37 / 13

HEX #ADDF8C

RGB 173 223 140

HSL 96.14, 0.56%, 0.71%

LAB 83.73, -30.73, 35.57

 

CMYK 24 / 0 / 41 / 20

HEX #9CCD79

RGB 156 205 121

HSL 95, 0.46%, 0.64%

LAB 77.35, -30.84, 36.72

 

CMYK 26 / 0 / 45 / 27

HEX #8BBB66

RGB 139 187 102

HSL 93.88, 0.38%, 0.57%

LAB 70.86, -30.92, 37.9

 

CMYK 28 / 0 / 51 / 34

HEX #7AA953

RGB 122 169 83

HSL 92.79, 0.34%, 0.49%

LAB 64.27, -30.96, 39.1

 

CMYK 30 / 0 / 58 / 41

HEX #699740

RGB 105 151 64

HSL 91.72, 0.4%, 0.42%

LAB 57.57, -30.93, 40.25

 

CMYK 22 / 0 / 37 / 13

HEX #ADDE8C

RGB 173 222 140

HSL 95.85, 0.55%, 0.71%

LAB 83.45, -30.26, 35.2

 

CMYK 12 / 0 / 37 / 13

HEX #C3DE8C

RGB 195 222 140

HSL 79.76, 0.55%, 0.71%

LAB 84.86, -22.28, 37.31

 

CMYK 2 / 0 / 37 / 13

HEX #D9DE8C

RGB 217 222 140

HSL 63.66, 0.55%, 0.71%

LAB 86.45, -13.94, 39.67

 

CMYK 0 / 8 / 37 / 13

HEX #DECD8C

RGB 222 205 140

HSL 47.56, 0.55%, 0.71%

LAB 82.42, -3.37, 34.53

 

CMYK 0 / 18 / 37 / 13

HEX #DEB78C

RGB 222 183 140

HSL 31.46, 0.55%, 0.71%

LAB 76.85, 8.16, 27.15

 

CMYK 22 / 0 / 37 / 13

HEX #ADDE8C

RGB 173 222 140

HSL 95.85, 0.55%, 0.71%

LAB 83.45, -30.26, 35.2

 

CMYK 32 / 0 / 37 / 13

HEX #96DE8C

RGB 150 222 140

HSL 112.68, 0.55%, 0.71%

LAB 82.17, -38.04, 33.28

 

CMYK 37 / 0 / 32 / 13

HEX #8CDE97

RGB 140 222 151

HSL 128.05, 0.55%, 0.71%

LAB 81.87, -39.43, 27.15

 

CMYK 37 / 0 / 22 / 13

HEX #8CDEAE

RGB 140 222 174

HSL 144.88, 0.55%, 0.71%

LAB 82.31, -35.28, 15.77

 

CMYK 37 / 0 / 12 / 13

HEX #8CDEC4

RGB 140 222 196

HSL 160.98, 0.55%, 0.71%

LAB 82.81, -30.79, 4.87

 

CMYK 22 / 0 / 37 / 13

HEX #ADDE8C

RGB 173 222 140

HSL 95.85, 0.55%, 0.71%

LAB 83.45, -30.26, 35.2

 

CMYK 27 / 0 / 45 / 8

HEX #AAEA80

RGB 170 234 128

HSL 96.23, 0.72%, 0.71%

LAB 86.48, -38.37, 44.97

 

CMYK 32 / 0 / 53 / 4

HEX #A8F674

RGB 168 246 116

HSL 96, 0.88%, 0.71%

LAB 89.63, -45.67, 54.42

 

CMYK 22 / 0 / 37 / 13

HEX #ADDE8C

RGB 173 222 140

HSL 95.85, 0.55%, 0.71%

LAB 83.45, -30.26, 35.2

 

CMYK 17 / 0 / 28 / 18

HEX #AFD298

RGB 175 210 152

HSL 96.21, 0.39%, 0.71%

LAB 80.45, -22.03, 25.04

 

CMYK 11 / 0 / 18 / 22

HEX #B1C7A4

RGB 177 199 164

HSL 97.71, 0.24%, 0.71%

LAB 77.8, -13.88, 15.06

 

CMYK 4 / 0 / 6 / 27

HEX #B4BBB0

RGB 180 187 176

HSL 98.18, 0.07%, 0.71%

LAB 75.06, -4.47, 4.72

 

CMYK 3 / 6 / 0 / 27

HEX #B6AFBB

RGB 182 175 187

HSL 275, 0.08%, 0.71%

LAB 72.36, 4.74, -5.23

 

CMYK 2 / 0 / 37 / 13

HEX #D9DE8C

RGB 217 222 140

HSL 63.66, 0.55%, 0.71%

LAB 86.45, -13.94, 39.67

 

CMYK 12 / 0 / 37 / 13

HEX #C3DE8C

RGB 195 222 140

HSL 79.76, 0.55%, 0.71%

LAB 84.86, -22.28, 37.31

 

CMYK 22 / 0 / 37 / 13

HEX #ADDE8C

RGB 173 222 140

HSL 95.85, 0.55%, 0.71%

LAB 83.45, -30.26, 35.2

 

CMYK 32 / 0 / 37 / 13

HEX #97DE8C

RGB 151 222 140

HSL 111.95, 0.55%, 0.71%

LAB 82.23, -37.72, 33.36

 

CMYK 37 / 0 / 32 / 13

HEX #8CDE97

RGB 140 222 151

HSL 128.05, 0.55%, 0.71%

LAB 81.87, -39.43, 27.15

 

CMYK 38 / 0 / 63 / 20

HEX #7FCC4B

RGB 127 204 75

HSL 95.81, 0.56%, 0.55%

LAB 74.95, -45.61, 55.17

 

CMYK 30 / 0 / 50 / 16

HEX #96D56B

RGB 150 213 107

HSL 95.66, 0.56%, 0.63%

LAB 79.12, -38.37, 45.76

 

CMYK 22 / 0 / 37 / 13

HEX #ADDE8C

RGB 173 222 140

HSL 95.85, 0.55%, 0.71%

LAB 83.45, -30.26, 35.2

 

CMYK 16 / 0 / 26 / 9

HEX #C4E8AC

RGB 196 232 172

HSL 96, 0.57%, 0.79%

LAB 88.17, -22.34, 25.42

 

CMYK 9 / 0 / 15 / 5

HEX #DBF1CC

RGB 219 241 204

HSL 95.68, 0.57%, 0.87%

LAB 92.72, -13.74, 15.46

 

CMYK 22 / 0 / 37 / 13

HEX #ADDF8C

RGB 173 223 140

HSL 96.14, 0.56%, 0.71%

LAB 83.73, -30.73, 35.57

 

CMYK 37 / 0 / 7 / 13

HEX #8CDECE

RGB 140 222 206

HSL 168.29, 0.55%, 0.71%

LAB 83.06, -28.59, -0.06

 

CMYK 0 / 37 / 7 / 13

HEX #DE8CCE

RGB 222 140 206

HSL 311.71, 0.55%, 0.71%

LAB 68.56, 40.85, -21.03

 

CMYK 22 / 0 / 37 / 13

HEX #ADDF8C

RGB 173 223 140

HSL 96.14, 0.56%, 0.71%

LAB 83.73, -30.73, 35.57

 

CMYK 37 / 22 / 0 / 13

HEX #8CADDE

RGB 140 173 222

HSL 215.85, 0.55%, 0.71%

LAB 69.99, 0.72, -28.3

 

CMYK 0 / 37 / 22 / 13

HEX #DE8CAD

RGB 222 140 173

HSL 335.85, 0.55%, 0.71%

LAB 67.5, 35.58, -4.18

 

CMYK 22 / 0 / 37 / 13

HEX #ADDF8C

RGB 173 223 140

HSL 96.14, 0.56%, 0.71%

LAB 83.73, -30.73, 35.57

 

CMYK 37 / 0 / 7 / 13

HEX #8CDECE

RGB 140 222 206

HSL 168.29, 0.55%, 0.71%

LAB 83.06, -28.59, -0.06

 

CMYK 15 / 37 / 0 / 13

HEX #BD8CDE

RGB 189 140 222

HSL 275.85, 0.55%, 0.71%

LAB 65.63, 33.61, -34.73

 

CMYK 0 / 37 / 30 / 13

HEX #DE8C9C

RGB 222 140 156

HSL 348.29, 0.55%, 0.71%

LAB 67.04, 33.21, 4.7

 

CMYK 22 / 0 / 37 / 13

HEX #ADDF8C

RGB 173 223 140

HSL 96.14, 0.56%, 0.71%

LAB 83.73, -30.73, 35.57

 

CMYK 37 / 4 / 0 / 13

HEX #8CD6DE

RGB 140 214 222

HSL 185.85, 0.55%, 0.71%

LAB 81.26, -20.92, -11.23

 

CMYK 15 / 37 / 0 / 13

HEX #BD8CDE

RGB 189 140 222

HSL 275.85, 0.55%, 0.71%

LAB 65.63, 33.61, -34.73

 

CMYK 0 / 33 / 37 / 13

HEX #DE948C

RGB 222 148 140

HSL 5.85, 0.55%, 0.71%

LAB 68.46, 26.92, 15.68

 

Description

Color code: HEX #ADDF8C | qconv.com Color code: HEX #ADDF8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 223 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 223 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 37 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 37% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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