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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADB4F3CE it is the complementary color #524B0CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADB4F3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADB4F3CE shade: #B2B4EECE, #C3C6FFCE, #D4D8FFCE, #E5EAFFCE and #F6FCFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADB4F3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADB4F3CE shade: #ADB4F3CE, #9CA2E0CE, #8B90CDCE, #7A7EBACE and #696CA7CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADB4F3CE shade: #AFB6F3, #BBAFF3, #CDAFF3, #DFAFF3 and #F2AFF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADB4F3CE shade: #AFB6F3 and #AFAFF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADB4F3CE shade matches the following richer shades: #AFB6F3 and #A8B0FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADB4F3CE shade: #AFB6F3, #B7BCEC, #BEC2E4, #C5C8DD and #CDCED5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADB4F3CE shade: #AFDAF3, #AFC8F3, #AFB6F3, #BAAFF3 and #CDAFF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADB4F3CE shade: #6774E8, #8B95EE, #AFB6F3, #D3D7F8 and #F7F8FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADB4F3CE shade: #ADB4F3, #F3AFEC and #D1F3AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADB4F3CE shade: #ADB4F3, #F3AFB6 and #B6F3AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADB4F3CE shade: #ADB4F3, #F3AFEC, #F3ECAF and #AFF3B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADB4F3CE shade: #ADB4F3, #F3AFD8, #F3ECAF and #AFF3CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 21 / 0 / 4

HEX #ADB4F3CE

RGBA 173 180 243 0.81

HSLA 234, 0.74%, 0.82%, 0.81

LABA 74.82, 11.43, -32.1, 0.81

 

Complementary color

CMYK 0 / 7 / 69 / 55

HEX #524B0CCE

RGBA 82 75 12 0.81

HSLA 54, 0.74%, 0.18%, 0.81

LABA 31.47, -4.84, 35.54, 0.81

 

CMYK 20 / 20 / 0 / 5

HEX #B2B4EECE

RGBA 178 180 238 0.81

HSLA 238, 0.64%, 0.82%, 0.81

LABA 75, 11.69, -29.09, 0.81

 

CMYK 19 / 18 / 0 / 0

HEX #C3C6FFCE

RGBA 195 198 255 0.81

HSLA 237, 1%, 0.88%, 0.81

LABA 81.41, 10.84, -28.28, 0.81

 

CMYK 14 / 12 / 0 / 0

HEX #D4D8FFCE

RGBA 212 216 255 0.81

HSLA 234.42, 1%, 0.92%, 0.81

LABA 87.16, 6.36, -19.42, 0.81

 

CMYK 8 / 7 / 0 / 0

HEX #E5EAFFCE

RGBA 229 234 255 0.81

HSLA 228.46, 1%, 0.95%, 0.81

LABA 92.89, 2.3, -10.7, 0.81

 

CMYK 3 / 1 / 0 / 0

HEX #F6FCFFCE

RGBA 246 252 255 0.81

HSLA 200, 1%, 0.98%, 0.81

LABA 98.6, -1.42, -2.13, 0.81

 

CMYK 23 / 21 / 0 / 4

HEX #ADB4F3CE

RGBA 173 180 243 0.81

HSLA 234, 0.74%, 0.82%, 0.81

LABA 74.82, 11.43, -32.1, 0.81

 

CMYK 25 / 22 / 0 / 10

HEX #9CA2E0CE

RGBA 156 162 224 0.81

HSLA 234.71, 0.52%, 0.75%, 0.81

LABA 68.23, 11.88, -32.02, 0.81

 

CMYK 26 / 24 / 0 / 16

HEX #8B90CDCE

RGBA 139 144 205 0.81

HSLA 235.45, 0.4%, 0.67%, 0.81

LABA 61.52, 12.39, -31.98, 0.81

 

CMYK 28 / 26 / 0 / 22

HEX #7A7EBACE

RGBA 122 126 186 0.81

HSLA 236.25, 0.32%, 0.6%, 0.81

LABA 54.66, 12.98, -31.99, 0.81

 

CMYK 30 / 29 / 0 / 28

HEX #696CA7CE

RGBA 105 108 167 0.81

HSLA 237.1, 0.26%, 0.53%, 0.81

LABA 47.65, 13.66, -32.04, 0.81

 

CMYK 28 / 25 / 0 / 5

HEX #AFB6F3

RGB 175 182 243

HSL 233.82, 0.74%, 0.82%

LAB 75.48, 10.9, -31.08

 

CMYK 23 / 28 / 0 / 5

HEX #BBAFF3

RGB 187 175 243

HSL 250.59, 0.74%, 0.82%

LAB 74.63, 18.28, -32.31

 

CMYK 16 / 28 / 0 / 5

HEX #CDAFF3

RGB 205 175 243

HSL 266.47, 0.74%, 0.82%

LAB 76.14, 23.73, -29.86

 

CMYK 8 / 28 / 0 / 5

HEX #DFAFF3

RGB 223 175 243

HSL 282.35, 0.74%, 0.82%

LAB 77.77, 29.32, -27.22

 

CMYK 0 / 28 / 0 / 5

HEX #F2AFF3

RGB 242 175 243

HSL 299.12, 0.74%, 0.82%

LAB 79.62, 35.32, -24.23

 

CMYK 28 / 25 / 0 / 5

HEX #AFB6F3

RGB 175 182 243

HSL 233.82, 0.74%, 0.82%

LAB 75.48, 10.9, -31.08

 

CMYK 28 / 28 / 0 / 5

HEX #AFAFF3

RGB 175 175 243

HSL 240, 0.74%, 0.82%

LAB 73.7, 14.77, -33.82

 

CMYK 28 / 25 / 0 / 5

HEX #AFB6F3

RGB 175 182 243

HSL 233.82, 0.74%, 0.82%

LAB 75.48, 10.9, -31.08

 

CMYK 33 / 30 / 0 / 2

HEX #A8B0FA

RGB 168 176 250

HSL 234.15, 0.89%, 0.82%

LAB 73.73, 13.98, -37.61

 

CMYK 28 / 25 / 0 / 5

HEX #AFB6F3

RGB 175 182 243

HSL 233.82, 0.74%, 0.82%

LAB 75.48, 10.9, -31.08

 

CMYK 22 / 20 / 0 / 7

HEX #B7BCEC

RGB 183 188 236

HSL 234.34, 0.58%, 0.82%

LAB 77.33, 8.34, -24.41

 

CMYK 17 / 15 / 0 / 11

HEX #BEC2E4

RGB 190 194 228

HSL 233.68, 0.41%, 0.82%

LAB 79.12, 5.48, -17.35

 

CMYK 11 / 10 / 0 / 13

HEX #C5C8DD

RGB 197 200 221

HSL 232.5, 0.26%, 0.82%

LAB 80.96, 3.05, -10.77

 

CMYK 4 / 3 / 0 / 16

HEX #CDCED5

RGB 205 206 213

HSL 232.5, 0.09%, 0.82%

LAB 82.87, 0.96, -3.59

 

CMYK 28 / 10 / 0 / 5

HEX #AFDAF3

RGB 175 218 243

HSL 202.06, 0.74%, 0.82%

LAB 84.86, -8.38, -16.8

 

CMYK 28 / 18 / 0 / 5

HEX #AFC8F3

RGB 175 200 243

HSL 217.94, 0.74%, 0.82%

LAB 80.12, 1.11, -23.97

 

CMYK 28 / 25 / 0 / 5

HEX #AFB6F3

RGB 175 182 243

HSL 233.82, 0.74%, 0.82%

LAB 75.48, 10.9, -31.08

 

CMYK 23 / 28 / 0 / 5

HEX #BAAFF3

RGB 186 175 243

HSL 249.71, 0.74%, 0.82%

LAB 74.55, 17.99, -32.43

 

CMYK 16 / 28 / 0 / 5

HEX #CDAFF3

RGB 205 175 243

HSL 266.47, 0.74%, 0.82%

LAB 76.14, 23.73, -29.86

 

CMYK 56 / 50 / 0 / 9

HEX #6774E8

RGB 103 116 232

HSL 233.95, 0.74%, 0.66%

LAB 53.17, 28.11, -60.49

 

CMYK 42 / 37 / 0 / 7

HEX #8B95EE

RGB 139 149 238

HSL 233.94, 0.74%, 0.74%

LAB 64.29, 18.45, -45.98

 

CMYK 28 / 25 / 0 / 5

HEX #AFB6F3

RGB 175 182 243

HSL 233.82, 0.74%, 0.82%

LAB 75.48, 10.9, -31.08

 

CMYK 15 / 13 / 0 / 3

HEX #D3D7F8

RGB 211 215 248

HSL 233.51, 0.73%, 0.9%

LAB 86.62, 5.12, -16.56

 

CMYK 3 / 2 / 0 / 0

HEX #F7F8FE

RGB 247 248 254

HSL 231.43, 0.78%, 0.98%

LAB 97.66, 0.75, -2.99

 

CMYK 29 / 26 / 0 / 5

HEX #ADB4F3

RGB 173 180 243

HSL 234, 0.74%, 0.82%

LAB 74.82, 11.43, -32.1

 

CMYK 0 / 28 / 3 / 5

HEX #F3AFEC

RGB 243 175 236

HSL 306.18, 0.74%, 0.82%

LAB 79.48, 34.38, -20.65

 

CMYK 14 / 0 / 28 / 5

HEX #D1F3AF

RGB 209 243 175

HSL 90, 0.74%, 0.82%

LAB 92.02, -22.66, 29.25

 

CMYK 29 / 26 / 0 / 5

HEX #ADB4F3

RGB 173 180 243

HSL 234, 0.74%, 0.82%

LAB 74.82, 11.43, -32.1

 

CMYK 0 / 28 / 25 / 5

HEX #F3AFB6

RGB 243 175 182

HSL 353.82, 0.74%, 0.82%

LAB 77.93, 25.8, 6.32

 

CMYK 25 / 0 / 28 / 5

HEX #B6F3AF

RGB 182 243 175

HSL 113.82, 0.74%, 0.82%

LAB 90.39, -31.85, 26.76

 

CMYK 29 / 26 / 0 / 5

HEX #ADB4F3

RGB 173 180 243

HSL 234, 0.74%, 0.82%

LAB 74.82, 11.43, -32.1

 

CMYK 0 / 28 / 3 / 5

HEX #F3AFEC

RGB 243 175 236

HSL 306.18, 0.74%, 0.82%

LAB 79.48, 34.38, -20.65

 

CMYK 0 / 3 / 28 / 5

HEX #F3ECAF

RGB 243 236 175

HSL 53.82, 0.74%, 0.82%

LAB 92.64, -6.85, 30.5

 

CMYK 28 / 0 / 25 / 5

HEX #AFF3B6

RGB 175 243 182

HSL 126.18, 0.74%, 0.82%

LAB 90.13, -32.95, 22.77

 

CMYK 29 / 26 / 0 / 5

HEX #ADB4F3

RGB 173 180 243

HSL 234, 0.74%, 0.82%

LAB 74.82, 11.43, -32.1

 

CMYK 0 / 28 / 11 / 5

HEX #F3AFD8

RGB 243 175 216

HSL 323.82, 0.74%, 0.82%

LAB 78.85, 30.96, -10.79

 

CMYK 0 / 3 / 28 / 5

HEX #F3ECAF

RGB 243 236 175

HSL 53.82, 0.74%, 0.82%

LAB 92.64, -6.85, 30.5

 

CMYK 28 / 0 / 17 / 5

HEX #AFF3CA

RGB 175 243 202

HSL 143.82, 0.74%, 0.82%

LAB 90.54, -29.39, 13.03

 

Description

Color code: HEX #ADB4F3CE | qconv.com Color code: HEX #ADB4F3CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 180 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 180 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 21 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 21% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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