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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 29 / 26 / 0 / 5 it is the complementary color CMYK 0 / 8 / 84 / 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 29 / 26 / 0 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 29 / 26 / 0 / 5: CMYK 25 / 24 / 0 / 7, CMYK 24 / 23 / 0 / 0, CMYK 17 / 16 / 0 / 0, CMYK 11 / 9 / 0 / 0 and CMYK 4 / 2 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 29 / 26 / 0 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 29 / 26 / 0 / 5: CMYK 29 / 26 / 0 / 5, CMYK 30 / 28 / 0 / 13, CMYK 32 / 30 / 0 / 20, CMYK 35 / 32 / 0 / 27 and CMYK 37 / 36 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 26 / 0 / 5

HEX #ACB3F2

RGB 172 179 242

HSL 234, 0.73%, 0.81%

LAB 74.46, 11.45, -32.13

 

Complementary color

CMYK 0 / 8 / 84 / 67

HEX #534C0D

RGB 83 76 13

HSL 54, 0.73%, 0.19%

LAB 31.89, -4.89, 35.59

 

CMYK 25 / 24 / 0 / 7

HEX #B1B3ED

RGB 177 179 237

HSL 238, 0.63%, 0.81%

LAB 74.64, 11.71, -29.12

 

CMYK 24 / 23 / 0 / 0

HEX #C2C5FF

RGB 194 197 255

HSL 237.05, 1%, 0.88%

LAB 81.08, 11.08, -28.78

 

CMYK 17 / 16 / 0 / 0

HEX #D3D7FF

RGB 211 215 255

HSL 234.55, 1%, 0.91%

LAB 86.83, 6.59, -19.92

 

CMYK 11 / 9 / 0 / 0

HEX #E4E9FF

RGB 228 233 255

HSL 228.89, 1%, 0.95%

LAB 92.57, 2.49, -11.19

 

CMYK 4 / 2 / 0 / 0

HEX #F5FBFF

RGB 245 251 255

HSL 204, 1%, 0.98%

LAB 98.28, -1.24, -2.61

 

CMYK 29 / 26 / 0 / 5

HEX #ACB3F2

RGB 172 179 242

HSL 234, 0.73%, 0.81%

LAB 74.46, 11.45, -32.13

 

CMYK 30 / 28 / 0 / 13

HEX #9BA1DF

RGB 155 161 223

HSL 234.71, 0.52%, 0.74%

LAB 67.86, 11.91, -32.05

 

CMYK 32 / 30 / 0 / 20

HEX #8A8FCC

RGB 138 143 204

HSL 235.45, 0.39%, 0.67%

LAB 61.14, 12.42, -32.02

 

CMYK 35 / 32 / 0 / 27

HEX #797DB9

RGB 121 125 185

HSL 236.25, 0.31%, 0.6%

LAB 54.28, 13.01, -32.02

 

CMYK 37 / 36 / 0 / 35

HEX #686BA6

RGB 104 107 166

HSL 237.1, 0.26%, 0.53%

LAB 47.25, 13.7, -32.08

 

CMYK 29 / 26 / 0 / 5

HEX #ACB3F2

RGB 172 179 242

HSL 234, 0.73%, 0.81%

LAB 74.46, 11.45, -32.13

 

CMYK 27 / 29 / 0 / 5

HEX #AFABF1

RGB 175 171 241

HSL 243.43, 0.71%, 0.81%

LAB 72.62, 16.51, -34.41

 

CMYK 22 / 29 / 0 / 5

HEX #BBABF1

RGB 187 171 241

HSL 253.71, 0.71%, 0.81%

LAB 73.57, 20.04, -32.86

 

CMYK 17 / 29 / 0 / 5

HEX #C7ABF1

RGB 199 171 241

HSL 264, 0.71%, 0.81%

LAB 74.58, 23.65, -31.21

 

CMYK 12 / 29 / 0 / 5

HEX #D3ABF1

RGB 211 171 241

HSL 274.29, 0.71%, 0.81%

LAB 75.65, 27.34, -29.48

 

CMYK 29 / 26 / 0 / 5

HEX #ACB3F2

RGB 172 179 242

HSL 234, 0.73%, 0.81%

LAB 74.46, 11.45, -32.13

 

CMYK 29 / 26 / 0 / 85

HEX #1B1C26

RGB 27 28 38

HSL 234.55, 0.17%, 0.13%

LAB 10.58, 2.4, -6.95

 

CMYK 29 / 26 / 0 / 65

HEX #3F4259

RGB 63 66 89

HSL 233.08, 0.17%, 0.3%

LAB 28.58, 4.73, -14.1

 

CMYK 29 / 26 / 0 / 45

HEX #64688C

RGB 100 104 140

HSL 234, 0.17%, 0.47%

LAB 44.95, 7.14, -20.3

 

CMYK 29 / 26 / 0 / 25

HEX #888DBF

RGB 136 141 191

HSL 234.55, 0.3%, 0.64%

LAB 59.93, 9.64, -26.58

 

CMYK 29 / 26 / 0 / 5

HEX #ACB3F2

RGB 172 179 242

HSL 234, 0.73%, 0.81%

LAB 74.46, 11.45, -32.13

 

CMYK 0 / 29 / 3 / 5

HEX #F1ABEA

RGB 241 171 234

HSL 306, 0.71%, 0.81%

LAB 78.33, 35.49, -21.35

 

CMYK 15 / 0 / 29 / 5

HEX #CEF1AB

RGB 206 241 171

HSL 90, 0.71%, 0.81%

LAB 91.22, -23.33, 30.17

 

CMYK 29 / 26 / 0 / 5

HEX #ACB3F2

RGB 172 179 242

HSL 234, 0.73%, 0.81%

LAB 74.46, 11.45, -32.13

 

CMYK 0 / 29 / 26 / 5

HEX #F1ABB2

RGB 241 171 178

HSL 354, 0.71%, 0.81%

LAB 76.7, 26.63, 6.71

 

CMYK 26 / 0 / 29 / 5

HEX #B2F1AB

RGB 178 241 171

HSL 114, 0.71%, 0.81%

LAB 89.54, -32.86, 27.61

 

CMYK 29 / 26 / 0 / 5

HEX #ACB3F2

RGB 172 179 242

HSL 234, 0.73%, 0.81%

LAB 74.46, 11.45, -32.13

 

CMYK 0 / 29 / 3 / 5

HEX #F1ABEA

RGB 241 171 234

HSL 306, 0.71%, 0.81%

LAB 78.33, 35.49, -21.35

 

CMYK 0 / 3 / 29 / 5

HEX #F1EAAB

RGB 241 234 171

HSL 54, 0.71%, 0.81%

LAB 91.9, -7.1, 31.52

 

CMYK 29 / 0 / 26 / 5

HEX #ABF1B2

RGB 171 241 178

HSL 126, 0.71%, 0.81%

LAB 89.29, -33.96, 23.63

 

CMYK 29 / 26 / 0 / 5

HEX #ACB3F2

RGB 172 179 242

HSL 234, 0.73%, 0.81%

LAB 74.46, 11.45, -32.13

 

CMYK 0 / 29 / 12 / 5

HEX #F1ABD5

RGB 241 171 213

HSL 324, 0.71%, 0.81%

LAB 77.66, 31.91, -10.97

 

CMYK 0 / 3 / 29 / 5

HEX #F1EAAB

RGB 241 234 171

HSL 54, 0.71%, 0.81%

LAB 91.9, -7.1, 31.52

 

CMYK 29 / 0 / 17 / 5

HEX #ABF1C7

RGB 171 241 199

HSL 144, 0.71%, 0.81%

LAB 89.72, -30.22, 13.39

 

Description

Color code: CMYK 29 / 26 / 0 / 5 | qconv.com Color code: CMYK 29 / 26 / 0 / 5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 179 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 179 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 26 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 26% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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