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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADA59C3F it is the complementary color #525A633F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADA59C3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADA59C3F shade: #B2A5973F, #C3B7AA3F, #D4C9BD3F, #E5DBD03F and #F6EDE33F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADA59C3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADA59C3F shade: #ADA59C3F, #9C93893F, #8B81763F, #7A6F633F and #695D503F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADA59C3F shade: #AEA69E, #AEA29E and #AE9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADA59C3F shade: #AEA69E, #AEAB9E, #ADAE9E, #A8AE9E and #A4AE9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADA59C3F shade matches the following richer shades: #AEA69E, #BCA78F, #CBA881, #D9A972 and #E8AA64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADA59C3F shade: #AEA69E, #9FA5AC, #91A5BB, #82A4C9 and #74A3D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADA59C3F shade: #AE9E9E, #AEA29E, #AEA69E, #AEAA9E and #ADAE9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADA59C3F shade: #887D71, #9B9287, #AEA69E, #C1BBB4 and #D3CFCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADA59C3F shade: #ADA59C, #A2AE9E and #A09EAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADA59C3F shade: #ADA59C, #9EAEA6 and #A69EAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADA59C3F shade: #ADA59C, #A2AE9E, #9EA5AE and #A99EAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADA59C3F shade: #ADA59C, #9EAE9E, #9EA5AE and #AE9EAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 2 / 8

HEX #ADA59C3F

RGBA 173 165 156 0.25

HSLA 31.76, 0.09%, 0.65%, 0.25

LABA 68.16, 1.28, 5.68, 0.25

 

Complementary color

CMYK 4 / 2 / 0 / 15

HEX #525A633F

RGBA 82 90 99 0.25

HSLA 211.76, 0.09%, 0.35%, 0.25

LABA 37.86, -1.01, -6.23, 0.25

 

CMYK 0 / 2 / 4 / 8

HEX #B2A5973F

RGBA 178 165 151 0.25

HSLA 31.11, 0.15%, 0.65%, 0.25

LABA 68.47, 2.31, 8.94, 0.25

 

CMYK 0 / 2 / 3 / 6

HEX #C3B7AA3F

RGBA 195 183 170 0.25

HSLA 31.2, 0.17%, 0.72%, 0.25

LABA 75.06, 2.04, 8.13, 0.25

 

CMYK 0 / 1 / 3 / 4

HEX #D4C9BD3F

RGBA 212 201 189 0.25

HSLA 31.3, 0.21%, 0.79%, 0.25

LABA 81.54, 1.79, 7.35, 0.25

 

CMYK 0 / 1 / 2 / 3

HEX #E5DBD03F

RGBA 229 219 208 0.25

HSLA 31.43, 0.29%, 0.86%, 0.25

LABA 87.91, 1.56, 6.61, 0.25

 

CMYK 0 / 1 / 2 / 1

HEX #F6EDE33F

RGBA 246 237 227 0.25

HSLA 31.58, 0.51%, 0.93%, 0.25

LABA 94.19, 1.34, 5.91, 0.25

 

CMYK 0 / 1 / 2 / 8

HEX #ADA59C3F

RGBA 173 165 156 0.25

HSLA 31.76, 0.09%, 0.65%, 0.25

LABA 68.16, 1.28, 5.68, 0.25

 

CMYK 0 / 1 / 3 / 10

HEX #9C93893F

RGBA 156 147 137 0.25

HSLA 31.58, 0.09%, 0.57%, 0.25

LABA 61.43, 1.53, 6.47, 0.25

 

CMYK 0 / 2 / 4 / 11

HEX #8B81763F

RGBA 139 129 118 0.25

HSLA 31.43, 0.08%, 0.5%, 0.25

LABA 54.55, 1.81, 7.32, 0.25

 

CMYK 0 / 2 / 5 / 13

HEX #7A6F633F

RGBA 122 111 99 0.25

HSLA 31.3, 0.1%, 0.43%, 0.25

LABA 47.5, 2.14, 8.23, 0.25

 

CMYK 0 / 3 / 6 / 15

HEX #695D503F

RGBA 105 93 80 0.25

HSLA 31.2, 0.14%, 0.36%, 0.25

LABA 40.26, 2.52, 9.24, 0.25

 

CMYK 0 / 5 / 9 / 32

HEX #AEA69E

RGB 174 166 158

HSL 30, 0.09%, 0.65%

LAB 68.56, 1.45, 5.16

 

CMYK 0 / 7 / 9 / 32

HEX #AEA29E

RGB 174 162 158

HSL 15, 0.09%, 0.65%

LAB 67.51, 3.64, 3.63

 

CMYK 0 / 9 / 9 / 32

HEX #AE9E9E

RGB 174 158 158

HSL 0, 0.09%, 0.65%

LAB 66.46, 5.84, 2.12

 

CMYK 0 / 5 / 9 / 32

HEX #AEA69E

RGB 174 166 158

HSL 30, 0.09%, 0.65%

LAB 68.56, 1.45, 5.16

 

CMYK 0 / 2 / 9 / 32

HEX #AEAB9E

RGB 174 171 158

HSL 48.75, 0.09%, 0.65%

LAB 69.89, -1.26, 7.06

 

CMYK 1 / 0 / 9 / 32

HEX #ADAE9E

RGB 173 174 158

HSL 63.75, 0.09%, 0.65%

LAB 70.61, -3.24, 8.09

 

CMYK 3 / 0 / 9 / 32

HEX #A8AE9E

RGB 168 174 158

HSL 82.5, 0.09%, 0.65%

LAB 70.22, -5.07, 7.48

 

CMYK 6 / 0 / 9 / 32

HEX #A4AE9E

RGB 164 174 158

HSL 97.5, 0.09%, 0.65%

LAB 69.92, -6.52, 7

 

CMYK 0 / 5 / 9 / 32

HEX #AEA69E

RGB 174 166 158

HSL 30, 0.09%, 0.65%

LAB 68.56, 1.45, 5.16

 

CMYK 0 / 11 / 24 / 26

HEX #BCA78F

RGB 188 167 143

HSL 32, 0.25%, 0.65%

LAB 69.69, 3.82, 15.21

 

CMYK 0 / 17 / 36 / 20

HEX #CBA881

RGB 203 168 129

HSL 31.62, 0.42%, 0.65%

LAB 71.07, 7.33, 24.96

 

CMYK 0 / 22 / 47 / 15

HEX #D9A972

RGB 217 169 114

HSL 32.04, 0.58%, 0.65%

LAB 72.46, 10.83, 35.04

 

CMYK 0 / 27 / 57 / 9

HEX #E8AA64

RGB 232 170 100

HSL 31.82, 0.74%, 0.65%

LAB 74.08, 15.24, 44.61

 

CMYK 0 / 5 / 9 / 32

HEX #AEA69E

RGB 174 166 158

HSL 30, 0.09%, 0.65%

LAB 68.56, 1.45, 5.16

 

CMYK 8 / 4 / 0 / 33

HEX #9FA5AC

RGB 159 165 172

HSL 212.31, 0.07%, 0.65%

LAB 67.47, -0.73, -4.36

 

CMYK 22 / 12 / 0 / 27

HEX #91A5BB

RGB 145 165 187

HSL 211.43, 0.24%, 0.65%

LAB 66.91, -2.1, -13.64

 

CMYK 35 / 18 / 0 / 21

HEX #82A4C9

RGB 130 164 201

HSL 211.27, 0.4%, 0.65%

LAB 66.15, -2.57, -22.67

 

CMYK 46 / 24 / 0 / 16

HEX #74A3D7

RGB 116 163 215

HSL 211.52, 0.55%, 0.65%

LAB 65.6, -1.87, -31.34

 

CMYK 0 / 9 / 9 / 32

HEX #AE9E9E

RGB 174 158 158

HSL 0, 0.09%, 0.65%

LAB 66.46, 5.84, 2.12

 

CMYK 0 / 7 / 9 / 32

HEX #AEA29E

RGB 174 162 158

HSL 15, 0.09%, 0.65%

LAB 67.51, 3.64, 3.63

 

CMYK 0 / 5 / 9 / 32

HEX #AEA69E

RGB 174 166 158

HSL 30, 0.09%, 0.65%

LAB 68.56, 1.45, 5.16

 

CMYK 0 / 2 / 9 / 32

HEX #AEAA9E

RGB 174 170 158

HSL 45, 0.09%, 0.65%

LAB 69.62, -0.72, 6.68

 

CMYK 1 / 0 / 9 / 32

HEX #ADAE9E

RGB 173 174 158

HSL 63.75, 0.09%, 0.65%

LAB 70.61, -3.24, 8.09

 

CMYK 0 / 8 / 17 / 47

HEX #887D71

RGB 136 125 113

HSL 31.3, 0.09%, 0.49%

LAB 53.05, 2.06, 8.05

 

CMYK 0 / 6 / 13 / 39

HEX #9B9287

RGB 155 146 135

HSL 33, 0.09%, 0.57%

LAB 61.02, 1.36, 7.01

 

CMYK 0 / 5 / 9 / 32

HEX #AEA69E

RGB 174 166 158

HSL 30, 0.09%, 0.65%

LAB 68.56, 1.45, 5.16

 

CMYK 0 / 3 / 7 / 24

HEX #C1BBB4

RGB 193 187 180

HSL 32.31, 0.09%, 0.73%

LAB 76.18, 0.87, 4.28

 

CMYK 0 / 2 / 4 / 17

HEX #D3CFCB

RGB 211 207 203

HSL 30, 0.08%, 0.81%

LAB 83.33, 0.67, 2.46

 

CMYK 0 / 5 / 10 / 32

HEX #ADA59C

RGB 173 165 156

HSL 31.76, 0.09%, 0.65%

LAB 68.16, 1.28, 5.68

 

CMYK 7 / 0 / 9 / 32

HEX #A2AE9E

RGB 162 174 158

HSL 105, 0.09%, 0.65%

LAB 69.77, -7.24, 6.77

 

CMYK 8 / 9 / 0 / 32

HEX #A09EAE

RGB 160 158 174

HSL 247.5, 0.09%, 0.65%

LAB 65.74, 3.89, -8.04

 

CMYK 0 / 5 / 10 / 32

HEX #ADA59C

RGB 173 165 156

HSL 31.76, 0.09%, 0.65%

LAB 68.16, 1.28, 5.68

 

CMYK 9 / 0 / 5 / 32

HEX #9EAEA6

RGB 158 174 166

HSL 150, 0.09%, 0.65%

LAB 69.68, -7.14, 2.19

 

CMYK 5 / 9 / 0 / 32

HEX #A69EAE

RGB 166 158 174

HSL 270, 0.09%, 0.65%

LAB 66.23, 5.97, -7.25

 

CMYK 0 / 5 / 10 / 32

HEX #ADA59C

RGB 173 165 156

HSL 31.76, 0.09%, 0.65%

LAB 68.16, 1.28, 5.68

 

CMYK 7 / 0 / 9 / 32

HEX #A2AE9E

RGB 162 174 158

HSL 105, 0.09%, 0.65%

LAB 69.77, -7.24, 6.77

 

CMYK 9 / 5 / 0 / 32

HEX #9EA5AE

RGB 158 165 174

HSL 213.75, 0.09%, 0.65%

LAB 67.45, -0.66, -5.5

 

CMYK 3 / 9 / 0 / 32

HEX #A99EAE

RGB 169 158 174

HSL 281.25, 0.09%, 0.65%

LAB 66.48, 7.02, -6.85

 

CMYK 0 / 5 / 10 / 32

HEX #ADA59C

RGB 173 165 156

HSL 31.76, 0.09%, 0.65%

LAB 68.16, 1.28, 5.68

 

CMYK 9 / 0 / 9 / 32

HEX #9EAE9E

RGB 158 174 158

HSL 120, 0.09%, 0.65%

LAB 69.48, -8.66, 6.31

 

CMYK 9 / 5 / 0 / 32

HEX #9EA5AE

RGB 158 165 174

HSL 213.75, 0.09%, 0.65%

LAB 67.45, -0.66, -5.5

 

CMYK 0 / 9 / 0 / 32

HEX #AE9EAE

RGB 174 158 174

HSL 300, 0.09%, 0.65%

LAB 66.91, 8.78, -6.17

 

Description

Color code: HEX #ADA59C3F | qconv.com Color code: HEX #ADA59C3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 165 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 165 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 2 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 2% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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