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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD9A70 it is the complementary color #52658F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD9A70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AD9A70: #B29A6B, #C3AC7E, #D4BE91, #E5D0A4 and #F6E2B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD9A70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AD9A70: #AD9A70, #9C885D, #8B764A, #7A6437 and #695224

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 35 / 32

HEX #AD9A70

RGB 173 154 112

HSL 41.31, 0.27%, 0.56%

LAB 64.29, 0.7, 24.64

 

Complementary color

CMYK 43 / 29 / 0 / 44

HEX #52658F

RGB 82 101 143

HSL 221.31, 0.27%, 0.44%

LAB 42.89, 4.38, -25.38

 

CMYK 0 / 13 / 40 / 30

HEX #B29A6B

RGB 178 154 107

HSL 39.72, 0.32%, 0.56%

LAB 64.67, 2.15, 27.95

 

CMYK 0 / 12 / 35 / 24

HEX #C3AC7E

RGB 195 172 126

HSL 40, 0.37%, 0.63%

LAB 71.29, 1.61, 26.74

 

CMYK 0 / 10 / 32 / 17

HEX #D4BE91

RGB 212 190 145

HSL 40.3, 0.44%, 0.7%

LAB 77.8, 1.14, 25.61

 

CMYK 0 / 9 / 28 / 10

HEX #E5D0A4

RGB 229 208 164

HSL 40.62, 0.56%, 0.77%

LAB 84.2, 0.73, 24.54

 

CMYK 0 / 8 / 26 / 4

HEX #F6E2B7

RGB 246 226 183

HSL 40.95, 0.78%, 0.84%

LAB 90.51, 0.37, 23.53

 

CMYK 0 / 11 / 35 / 32

HEX #AD9A70

RGB 173 154 112

HSL 41.31, 0.27%, 0.56%

LAB 64.29, 0.7, 24.64

 

CMYK 0 / 13 / 40 / 39

HEX #9C885D

RGB 156 136 93

HSL 40.95, 0.25%, 0.49%

LAB 57.53, 1.24, 25.87

 

CMYK 0 / 15 / 47 / 45

HEX #8B764A

RGB 139 118 74

HSL 40.62, 0.31%, 0.42%

LAB 50.62, 1.9, 27.2

 

CMYK 0 / 18 / 55 / 52

HEX #7A6437

RGB 122 100 55

HSL 40.3, 0.38%, 0.35%

LAB 43.55, 2.73, 28.62

 

CMYK 0 / 22 / 66 / 59

HEX #695224

RGB 105 82 36

HSL 40, 0.49%, 0.28%

LAB 36.3, 3.82, 30.07

 

CMYK 0 / 11 / 35 / 32

HEX #AD9A70

RGB 173 154 112

HSL 41.31, 0.27%, 0.56%

LAB 64.29, 0.7, 24.64

 

CMYK 0 / 5 / 35 / 32

HEX #ADA470

RGB 173 164 112

HSL 51.15, 0.27%, 0.56%

LAB 66.98, -4.72, 28.19

 

CMYK 1 / 0 / 35 / 32

HEX #ACAD70

RGB 172 173 112

HSL 60.98, 0.27%, 0.56%

LAB 69.35, -9.9, 31.27

 

CMYK 7 / 0 / 35 / 32

HEX #A1AD70

RGB 161 173 112

HSL 71.8, 0.27%, 0.56%

LAB 68.49, -14.29, 29.98

 

CMYK 13 / 0 / 35 / 32

HEX #97AD70

RGB 151 173 112

HSL 81.64, 0.27%, 0.56%

LAB 67.75, -18.2, 28.88

 

CMYK 0 / 11 / 35 / 32

HEX #AD9A70

RGB 173 154 112

HSL 41.31, 0.27%, 0.56%

LAB 64.29, 0.7, 24.64

 

CMYK 0 / 11 / 35 / 12

HEX #E0C791

RGB 224 199 145

HSL 41.01, 0.56%, 0.72%

LAB 81.15, 1.11, 30.28

 

CMYK 0 / 10 / 35 / 92

HEX #14120D

RGB 20 18 13

HSL 42.86, 0.21%, 0.06%

LAB 5.51, -0.11, 2.81

 

CMYK 0 / 11 / 35 / 72

HEX #473F2E

RGB 71 63 46

HSL 40.8, 0.21%, 0.23%

LAB 26.99, 0.38, 11.7

 

CMYK 0 / 11 / 35 / 52

HEX #7A6D4F

RGB 122 109 79

HSL 41.86, 0.21%, 0.39%

LAB 46.5, 0.25, 18.65

 

CMYK 0 / 11 / 35 / 32

HEX #AD9A70

RGB 173 154 112

HSL 41.31, 0.27%, 0.56%

LAB 64.29, 0.7, 24.64

 

CMYK 31 / 0 / 35 / 32

HEX #77AD70

RGB 119 173 112

HSL 113.11, 0.27%, 0.56%

LAB 65.73, -29.91, 25.85

 

CMYK 25 / 35 / 0 / 32

HEX #8170AD

RGB 129 112 173

HSL 256.72, 0.27%, 0.56%

LAB 51, 19.99, -30.15

 

CMYK 0 / 11 / 35 / 32

HEX #AD9A70

RGB 173 154 112

HSL 41.31, 0.27%, 0.56%

LAB 64.29, 0.7, 24.64

 

CMYK 35 / 0 / 12 / 32

HEX #70AD99

RGB 112 173 153

HSL 160.33, 0.27%, 0.56%

LAB 66.24, -24.27, 4.04

 

CMYK 12 / 35 / 0 / 32

HEX #9970AD

RGB 153 112 173

HSL 280.33, 0.27%, 0.56%

LAB 53.36, 27.57, -26.31

 

CMYK 0 / 11 / 35 / 32

HEX #AD9A70

RGB 173 154 112

HSL 41.31, 0.27%, 0.56%

LAB 64.29, 0.7, 24.64

 

CMYK 31 / 0 / 35 / 32

HEX #77AD70

RGB 119 173 112

HSL 113.11, 0.27%, 0.56%

LAB 65.73, -29.91, 25.85

 

CMYK 35 / 24 / 0 / 32

HEX #7083AD

RGB 112 131 173

HSL 221.31, 0.27%, 0.56%

LAB 54.76, 3.59, -24.44

 

CMYK 4 / 35 / 0 / 32

HEX #A670AD

RGB 166 112 173

HSL 293.11, 0.27%, 0.56%

LAB 54.77, 31.79, -24.01

 

CMYK 0 / 11 / 35 / 32

HEX #AD9A70

RGB 173 154 112

HSL 41.31, 0.27%, 0.56%

LAB 64.29, 0.7, 24.64

 

CMYK 35 / 0 / 29 / 32

HEX #70AD7B

RGB 112 173 123

HSL 130.82, 0.27%, 0.56%

LAB 65.56, -30.35, 19.61

 

CMYK 35 / 24 / 0 / 32

HEX #7083AD

RGB 112 131 173

HSL 221.31, 0.27%, 0.56%

LAB 54.76, 3.59, -24.44

 

CMYK 0 / 35 / 7 / 32

HEX #AD70A1

RGB 173 112 161

HSL 311.8, 0.27%, 0.56%

LAB 55.12, 31.83, -16.46

 

Description

Color code: HEX #AD9A70 | qconv.com Color code: HEX #AD9A70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 154 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 154 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 35 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 35% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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