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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD8570 it is the complementary color #527A8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD8570. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD8570 shade: #B2856B, #C3977E, #D4A991, #E5BBA4 and #F6CDB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD8570. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD8570 shade: #AD8570, #9C735D, #8B614A, #7A4F37 and #693D24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD8570 shade: #AD8571, #AD7571 and #AD7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD8570 shade: #AD8571, #AD9671, #ADA671, #A4AD71 and #93AD71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD8570 shade matches the following richer shades: #AD8571, #BF805E, #D17A4C, #E4743A and #F66F28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD8570 shade: #AD8571, #9B8B83, #899195, #7796A7 and #649CB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD8570 shade: #AD717D, #AD7571, #AD8571, #AD9571 and #ADA571

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD8570 shade: #815D4A, #9B7059, #AD8571, #BC9C8B and #CBB2A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD8570 shade: #AD8570, #8DAD71 and #7175AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD8570 shade: #AD8570, #71AD85 and #8571AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD8570 shade: #AD8570, #8DAD71, #7199AD and #9171AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD8570 shade: #AD8570, #7BAD71, #7199AD and #A371AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 35 / 32

HEX #AD8570

RGB 173 133 112

HSL 20.66, 0.27%, 0.56%

LAB 58.82, 12.36, 17.22

 

Complementary color

CMYK 43 / 15 / 0 / 44

HEX #527A8F

RGB 82 122 143

HSL 200.66, 0.27%, 0.44%

LAB 49.13, -8.15, -15.79

 

CMYK 0 / 25 / 40 / 30

HEX #B2856B

RGB 178 133 107

HSL 21.97, 0.32%, 0.56%

LAB 59.25, 13.79, 20.74

 

CMYK 0 / 23 / 35 / 24

HEX #C3977E

RGB 195 151 126

HSL 21.74, 0.37%, 0.63%

LAB 65.94, 13.02, 19.5

 

CMYK 0 / 20 / 32 / 17

HEX #D4A991

RGB 212 169 145

HSL 21.49, 0.44%, 0.7%

LAB 72.51, 12.35, 18.37

 

CMYK 0 / 18 / 28 / 10

HEX #E5BBA4

RGB 229 187 164

HSL 21.23, 0.56%, 0.77%

LAB 78.97, 11.75, 17.33

 

CMYK 0 / 17 / 26 / 4

HEX #F6CDB7

RGB 246 205 183

HSL 20.95, 0.78%, 0.84%

LAB 85.34, 11.23, 16.35

 

CMYK 0 / 23 / 35 / 32

HEX #AD8570

RGB 173 133 112

HSL 20.66, 0.27%, 0.56%

LAB 58.82, 12.36, 17.22

 

CMYK 0 / 26 / 40 / 39

HEX #9C735D

RGB 156 115 93

HSL 20.95, 0.25%, 0.49%

LAB 51.97, 13.16, 18.49

 

CMYK 0 / 30 / 47 / 45

HEX #8B614A

RGB 139 97 74

HSL 21.23, 0.31%, 0.42%

LAB 44.99, 14.11, 19.9

 

CMYK 0 / 35 / 55 / 52

HEX #7A4F37

RGB 122 79 55

HSL 21.49, 0.38%, 0.35%

LAB 37.85, 15.26, 21.52

 

CMYK 0 / 42 / 66 / 59

HEX #693D24

RGB 105 61 36

HSL 21.74, 0.49%, 0.28%

LAB 30.56, 16.69, 23.39

 

CMYK 0 / 23 / 35 / 32

HEX #AD8571

RGB 173 133 113

HSL 20, 0.27%, 0.56%

LAB 58.84, 12.49, 16.69

 

CMYK 0 / 32 / 35 / 32

HEX #AD7571

RGB 173 117 113

HSL 4, 0.27%, 0.56%

LAB 54.86, 21.5, 11.16

 

CMYK 0 / 35 / 35 / 32

HEX #AD7171

RGB 173 113 113

HSL 0, 0.27%, 0.56%

LAB 53.91, 23.75, 9.81

 

CMYK 0 / 23 / 35 / 32

HEX #AD8571

RGB 173 133 113

HSL 20, 0.27%, 0.56%

LAB 58.84, 12.49, 16.69

 

CMYK 0 / 13 / 35 / 32

HEX #AD9671

RGB 173 150 113

HSL 37, 0.27%, 0.56%

LAB 63.25, 3.02, 22.69

 

CMYK 0 / 4 / 35 / 32

HEX #ADA671

RGB 173 166 113

HSL 53, 0.27%, 0.56%

LAB 67.54, -5.66, 28.39

 

CMYK 5 / 0 / 35 / 32

HEX #A4AD71

RGB 164 173 113

HSL 69, 0.27%, 0.56%

LAB 68.73, -12.97, 29.82

 

CMYK 15 / 0 / 35 / 32

HEX #93AD71

RGB 147 173 113

HSL 86, 0.27%, 0.56%

LAB 67.49, -19.59, 27.95

 

CMYK 0 / 23 / 35 / 32

HEX #AD8571

RGB 173 133 113

HSL 20, 0.27%, 0.56%

LAB 58.84, 12.49, 16.69

 

CMYK 0 / 33 / 51 / 25

HEX #BF805E

RGB 191 128 94

HSL 21.03, 0.43%, 0.56%

LAB 59.27, 20.56, 28.31

 

CMYK 0 / 42 / 64 / 18

HEX #D17A4C

RGB 209 122 76

HSL 20.75, 0.59%, 0.56%

LAB 59.89, 29.78, 39.36

 

CMYK 0 / 49 / 75 / 11

HEX #E4743A

RGB 228 116 58

HSL 20.47, 0.76%, 0.56%

LAB 61.04, 39.5, 50.47

 

CMYK 0 / 55 / 84 / 4

HEX #F66F28

RGB 246 111 40

HSL 20.68, 0.92%, 0.56%

LAB 62.6, 48.19, 60.75

 

CMYK 0 / 23 / 35 / 32

HEX #AD8571

RGB 173 133 113

HSL 20, 0.27%, 0.56%

LAB 58.84, 12.49, 16.69

 

CMYK 0 / 10 / 15 / 39

HEX #9B8B83

RGB 155 139 131

HSL 20, 0.11%, 0.56%

LAB 59.04, 4.61, 6.45

 

CMYK 8 / 3 / 0 / 42

HEX #899195

RGB 137 145 149

HSL 200, 0.05%, 0.56%

LAB 59.65, -2.07, -3.12

 

CMYK 29 / 10 / 0 / 35

HEX #7796A7

RGB 119 150 167

HSL 201.25, 0.21%, 0.56%

LAB 60.36, -6.7, -12.44

 

CMYK 46 / 16 / 0 / 27

HEX #649CB9

RGB 100 156 185

HSL 200.47, 0.38%, 0.56%

LAB 61.64, -10.51, -20.76

 

CMYK 0 / 35 / 28 / 32

HEX #AD717D

RGB 173 113 125

HSL 348, 0.27%, 0.56%

LAB 54.21, 25.4, 3.22

 

CMYK 0 / 32 / 35 / 32

HEX #AD7571

RGB 173 117 113

HSL 4, 0.27%, 0.56%

LAB 54.86, 21.5, 11.16

 

CMYK 0 / 23 / 35 / 32

HEX #AD8571

RGB 173 133 113

HSL 20, 0.27%, 0.56%

LAB 58.84, 12.49, 16.69

 

CMYK 0 / 14 / 35 / 32

HEX #AD9571

RGB 173 149 113

HSL 36, 0.27%, 0.56%

LAB 62.99, 3.57, 22.33

 

CMYK 0 / 5 / 35 / 32

HEX #ADA571

RGB 173 165 113

HSL 52, 0.27%, 0.56%

LAB 67.27, -5.13, 28.03

 

CMYK 0 / 28 / 43 / 49

HEX #815D4A

RGB 129 93 74

HSL 20.73, 0.27%, 0.4%

LAB 42.75, 12.11, 16.7

 

CMYK 0 / 28 / 43 / 39

HEX #9B7059

RGB 155 112 89

HSL 20.91, 0.27%, 0.48%

LAB 51.01, 13.98, 19.49

 

CMYK 0 / 23 / 35 / 32

HEX #AD8571

RGB 173 133 113

HSL 20, 0.27%, 0.56%

LAB 58.84, 12.49, 16.69

 

CMYK 0 / 17 / 26 / 26

HEX #BC9C8B

RGB 188 156 139

HSL 20.82, 0.27%, 0.64%

LAB 66.77, 9.25, 13.34

 

CMYK 0 / 12 / 19 / 20

HEX #CBB2A5

RGB 203 178 165

HSL 20.53, 0.27%, 0.72%

LAB 74.35, 6.89, 9.93

 

CMYK 0 / 23 / 35 / 32

HEX #AD8570

RGB 173 133 112

HSL 20.66, 0.27%, 0.56%

LAB 58.82, 12.36, 17.22

 

CMYK 18 / 0 / 35 / 32

HEX #8DAD71

RGB 141 173 113

HSL 92, 0.27%, 0.56%

LAB 67.08, -21.86, 27.34

 

CMYK 35 / 32 / 0 / 32

HEX #7175AD

RGB 113 117 173

HSL 236, 0.27%, 0.56%

LAB 50.98, 12.19, -30.29

 

CMYK 0 / 23 / 35 / 32

HEX #AD8570

RGB 173 133 112

HSL 20.66, 0.27%, 0.56%

LAB 58.82, 12.36, 17.22

 

CMYK 35 / 0 / 23 / 32

HEX #71AD85

RGB 113 173 133

HSL 140, 0.27%, 0.56%

LAB 65.82, -28.15, 14.5

 

CMYK 23 / 35 / 0 / 32

HEX #8571AD

RGB 133 113 173

HSL 260, 0.27%, 0.56%

LAB 51.63, 20.63, -29.15

 

CMYK 0 / 23 / 35 / 32

HEX #AD8570

RGB 173 133 112

HSL 20.66, 0.27%, 0.56%

LAB 58.82, 12.36, 17.22

 

CMYK 18 / 0 / 35 / 32

HEX #8DAD71

RGB 141 173 113

HSL 92, 0.27%, 0.56%

LAB 67.08, -21.86, 27.34

 

CMYK 35 / 12 / 0 / 32

HEX #7199AD

RGB 113 153 173

HSL 200, 0.27%, 0.56%

LAB 61.05, -8.62, -14.83

 

CMYK 16 / 35 / 0 / 32

HEX #9171AD

RGB 145 113 173

HSL 272, 0.27%, 0.56%

LAB 52.78, 24.42, -27.27

 

CMYK 0 / 23 / 35 / 32

HEX #AD8570

RGB 173 133 112

HSL 20.66, 0.27%, 0.56%

LAB 58.82, 12.36, 17.22

 

CMYK 29 / 0 / 35 / 32

HEX #7BAD71

RGB 123 173 113

HSL 110, 0.27%, 0.56%

LAB 65.97, -28.38, 25.67

 

CMYK 35 / 12 / 0 / 32

HEX #7199AD

RGB 113 153 173

HSL 200, 0.27%, 0.56%

LAB 61.05, -8.62, -14.83

 

CMYK 6 / 35 / 0 / 32

HEX #A371AD

RGB 163 113 173

HSL 290, 0.27%, 0.56%

LAB 54.67, 30.24, -24.19

 

Description

Color code: HEX #AD8570 | qconv.com Color code: HEX #AD8570 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 133 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 133 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 35 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 35% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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