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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 13 / 35 / 32 it is the complementary color CMYK 42 / 27 / 0 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 13 / 35 / 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 13 / 35 / 32: CMYK 0 / 15 / 39 / 30, CMYK 0 / 13 / 35 / 24, CMYK 0 / 12 / 31 / 17, CMYK 0 / 10 / 28 / 10 and CMYK 0 / 9 / 25 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 13 / 35 / 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 13 / 35 / 32: CMYK 0 / 13 / 35 / 32, CMYK 0 / 15 / 40 / 39, CMYK 0 / 17 / 46 / 45, CMYK 0 / 20 / 54 / 52 and CMYK 0 / 25 / 65 / 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 35 / 32

HEX #AD9771

RGB 173 151 113

HSL 38, 0.27%, 0.56%

LAB 63.52, 2.47, 23.05

 

Complementary color

CMYK 42 / 27 / 0 / 44

HEX #52688E

RGB 82 104 142

HSL 218, 0.27%, 0.44%

LAB 43.72, 2.24, -23.49

 

CMYK 0 / 15 / 39 / 30

HEX #B2976C

RGB 178 151 108

HSL 36.86, 0.31%, 0.56%

LAB 63.9, 3.91, 26.39

 

CMYK 0 / 13 / 35 / 24

HEX #C3A97F

RGB 195 169 127

HSL 37.06, 0.36%, 0.63%

LAB 70.53, 3.34, 25.18

 

CMYK 0 / 12 / 31 / 17

HEX #D4BB92

RGB 212 187 146

HSL 37.27, 0.43%, 0.7%

LAB 77.05, 2.85, 24.06

 

CMYK 0 / 10 / 28 / 10

HEX #E5CDA5

RGB 229 205 165

HSL 37.5, 0.55%, 0.77%

LAB 83.46, 2.42, 23.01

 

CMYK 0 / 9 / 25 / 4

HEX #F6DFB8

RGB 246 223 184

HSL 37.74, 0.78%, 0.84%

LAB 89.78, 2.04, 22.01

 

CMYK 0 / 13 / 35 / 32

HEX #AD9771

RGB 173 151 113

HSL 38, 0.27%, 0.56%

LAB 63.52, 2.47, 23.05

 

CMYK 0 / 15 / 40 / 39

HEX #9C855E

RGB 156 133 94

HSL 37.74, 0.25%, 0.49%

LAB 56.73, 3.04, 24.27

 

CMYK 0 / 17 / 46 / 45

HEX #8B734B

RGB 139 115 75

HSL 37.5, 0.3%, 0.42%

LAB 49.81, 3.73, 25.61

 

CMYK 0 / 20 / 54 / 52

HEX #7A6138

RGB 122 97 56

HSL 37.27, 0.37%, 0.35%

LAB 42.72, 4.6, 27.05

 

CMYK 0 / 25 / 65 / 59

HEX #694F25

RGB 105 79 37

HSL 37.06, 0.48%, 0.28%

LAB 35.46, 5.72, 28.56

 

CMYK 0 / 13 / 35 / 32

HEX #AD9771

RGB 173 151 113

HSL 38, 0.27%, 0.56%

LAB 63.52, 2.47, 23.05

 

CMYK 0 / 8 / 35 / 32

HEX #ADA070

RGB 173 160 112

HSL 47.21, 0.27%, 0.56%

LAB 65.9, -2.56, 26.77

 

CMYK 0 / 1 / 35 / 32

HEX #ADAB70

RGB 173 171 112

HSL 58.03, 0.27%, 0.56%

LAB 68.88, -8.44, 30.68

 

CMYK 5 / 0 / 35 / 32

HEX #A5AD70

RGB 165 173 112

HSL 67.87, 0.27%, 0.56%

LAB 68.79, -12.7, 30.44

 

CMYK 11 / 0 / 35 / 32

HEX #9AAD70

RGB 154 173 112

HSL 78.69, 0.27%, 0.56%

LAB 67.97, -17.03, 29.21

 

CMYK 0 / 13 / 35 / 32

HEX #AD9771

RGB 173 151 113

HSL 38, 0.27%, 0.56%

LAB 63.52, 2.47, 23.05

 

CMYK 0 / 13 / 35 / 12

HEX #E0C492

RGB 224 196 146

HSL 38.46, 0.56%, 0.73%

LAB 80.41, 2.8, 28.77

 

CMYK 0 / 15 / 35 / 92

HEX #14110D

RGB 20 17 13

HSL 34.29, 0.21%, 0.06%

LAB 5.23, 0.47, 2.39

 

CMYK 0 / 13 / 35 / 72

HEX #473E2E

RGB 71 62 46

HSL 38.4, 0.21%, 0.23%

LAB 26.68, 1.02, 11.28

 

CMYK 0 / 13 / 34 / 52

HEX #7A6A50

RGB 122 106 80

HSL 37.14, 0.21%, 0.4%

LAB 45.67, 2.14, 16.94

 

CMYK 0 / 13 / 35 / 32

HEX #AD9771

RGB 173 151 113

HSL 38, 0.27%, 0.56%

LAB 63.52, 2.47, 23.05

 

CMYK 29 / 0 / 35 / 32

HEX #7AAD70

RGB 122 173 112

HSL 110.16, 0.27%, 0.56%

LAB 65.9, -28.88, 26.1

 

CMYK 27 / 35 / 0 / 32

HEX #7E70AD

RGB 126 112 173

HSL 253.77, 0.27%, 0.56%

LAB 50.74, 19.07, -30.59

 

CMYK 0 / 13 / 35 / 32

HEX #AD9771

RGB 173 151 113

HSL 38, 0.27%, 0.56%

LAB 63.52, 2.47, 23.05

 

CMYK 35 / 0 / 13 / 32

HEX #70AD96

RGB 112 173 150

HSL 157.38, 0.27%, 0.56%

LAB 66.16, -24.93, 5.6

 

CMYK 13 / 35 / 0 / 32

HEX #9670AD

RGB 150 112 173

HSL 277.38, 0.27%, 0.56%

LAB 53.05, 26.6, -26.82

 

CMYK 0 / 13 / 35 / 32

HEX #AD9771

RGB 173 151 113

HSL 38, 0.27%, 0.56%

LAB 63.52, 2.47, 23.05

 

CMYK 29 / 0 / 35 / 32

HEX #7AAD70

RGB 122 173 112

HSL 110.16, 0.27%, 0.56%

LAB 65.9, -28.88, 26.1

 

CMYK 35 / 23 / 0 / 32

HEX #7086AD

RGB 112 134 173

HSL 218.36, 0.27%, 0.56%

LAB 55.6, 1.84, -23.15

 

CMYK 6 / 35 / 0 / 32

HEX #A270AD

RGB 162 112 173

HSL 289.18, 0.27%, 0.56%

LAB 54.33, 30.48, -24.73

 

CMYK 0 / 13 / 35 / 32

HEX #AD9771

RGB 173 151 113

HSL 38, 0.27%, 0.56%

LAB 63.52, 2.47, 23.05

 

CMYK 35 / 0 / 31 / 32

HEX #70AD78

RGB 112 173 120

HSL 127.87, 0.27%, 0.56%

LAB 65.5, -30.89, 21.16

 

CMYK 35 / 23 / 0 / 32

HEX #7086AD

RGB 112 134 173

HSL 218.36, 0.27%, 0.56%

LAB 55.6, 1.84, -23.15

 

CMYK 0 / 35 / 5 / 32

HEX #AD70A5

RGB 173 112 165

HSL 307.87, 0.27%, 0.56%

LAB 55.27, 32.56, -18.55

 

Description

Color code: CMYK 0 / 13 / 35 / 32 | qconv.com Color code: CMYK 0 / 13 / 35 / 32 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 151 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 151 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 35 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 35% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - ethica Clinical Rese...
Link: http://www.ethicaclinical.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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